At Frieze New York, Business Plunks Along, Leonardo DiCaprio Alights

At the VIP opening of Frieze New York, collectors were present but subdued, with galleries presenting modest displays and sales proceeding at a sensible, sedate pace. Despite the lack of urgency, business has improved since last year, buoyed by upcoming top-tier auctions. Thaddaeus Ropac confirmed four early sales, including a George Baselitz canvas for €1.4 million and an Alex Katz work for $400,000. David Zwirner’s booth of Joe Bradley paintings was among the buzziest, with all works on hold by early afternoon, while Cindy Sherman photographs at Hauser & Wirth sold steadily. Leonardo DiCaprio made visits, and Kelly Sinnapah Mary’s paintings at James Cohan Gallery sold out, the largest to a museum.

Why Contemporary Artists Are Raiding the Renaissance Toolkit

Three contemporary artists—Alison Elizabeth Taylor, Michael Bühler-Rose, and Nick Doyle—are reviving the Renaissance woodworking techniques of intarsia and marquetry in their current exhibitions. Taylor is showing marquetry hybrid paintings at Jessica Silverman Gallery in San Francisco, Bühler-Rose is presenting a solo booth with Stems Gallery at Independent, and Doyle is also participating in the trend. Their work draws inspiration from the Gubbio Studiolo at the Metropolitan Museum of Art, a 15th-century trompe-l'œil room that exemplifies the decorative inlay tradition.

Ceramics Are Everywhere, in Museums, Galleries, and Fairs—Has the Market Caught Up?

Ceramics are experiencing a surge in visibility across museums, galleries, and art fairs in major US cities. The article catalogs numerous recent and upcoming exhibitions, including Kathy Butterly's sold-out show at James Cohan with pieces at $45,000 each, Nicole Cherubini's nearly sold-out show at Friedman Benda with prices up to $65,000, and Ruby Neri's work at Salon 94 peaking at $75,000. Other highlights include Ron Nagle at Matthew Marks, Theaster Gates' Gagosian show celebrating David Drake, NADA Ceramics in Tribeca, and ceramic presentations at Frieze Los Angeles, Post-Fair, Expo Chicago, and David Zwirner. Institutional shows include Toshiko Takaezu at Princeton University Art Museum and a ceramic collection at RISD Museum.

Can Art Feel?

Hyperallergic's newsletter explores the question of whether artworks can possess personhood, drawing on Lisa Siraganian's essay that references the 2010 Citizens United Supreme Court decision and Pierre Huyghe's uncanny human statues. Other featured pieces include Ed Simon's review of Elizabeth Goldring's new book on Hans Holbein the Younger, Michael Glover's introduction to George Stubbs's equine portraits at the National Gallery in London, and news of a historic $116M gift to the National Gallery of Art for an artwork lending program. The newsletter also covers Byron Kim's exhibition at James Cohan Gallery, the new V&A East museum in London, and obituaries for Desmond Morris, James Hayward, and Flo Oy Wong.

New York institutions offer nuanced and inclusive views of US’s 250th birthday

New York institutions are presenting nuanced exhibitions for the US's 250th birthday, offering both patriotic and critical perspectives on the American Revolution. The Grey Art Museum at NYU displays one of the 26 surviving Dunlap broadsides of the Declaration of Independence alongside over 100 contextual documents in "The Declaration of Independence: Long Trail to Liberty," while the Museum of the City of New York's "The Occupied City" immerses visitors in the British occupation of New York, featuring interactive elements like toppling a digital effigy of King George III.

Gallery Weekend Berlin opens ranks as city faces identity crisis

Gallery Weekend Berlin (GWB) expands from 50 to 57 participating galleries in 2025, introducing a new section called Perspectives that features smaller, younger galleries previously excluded from the event. The 20-year-old event, which began with 21 dealers aiming to attract international collectors to Berlin, has grown into a major sales week for galleries. Perspectives includes galleries like Anton Janizewski and Persons Projects, with a reduced participation fee of €4,500 (half the usual €9,000), subsidized by the Berlin Senate. The selection committee invites galleries rather than accepting applications, a process that has faced accusations of elitism.

Delayed by War in Iran, Paul Klee Painting from Israel Finally Joins New York Show

A long-delayed loan of Paul Klee's painting *Angelus Novus* (1920) has finally arrived at the Jewish Museum in New York, completing the exhibition "Paul Klee: Other Possible Worlds." The work, on loan from the Israel Museum in Jerusalem, was stuck in Israel due to the ongoing war in Iran, which began with joint US-Israeli bombardments on February 28. Until its arrival, the painting was represented by an authorized facsimile with a note citing transport delays. The exhibition, which opened March 20, focuses on Klee's final decade and runs through July 26.

Exhibitions marking 250th anniversary of the US open in New York

Several New York museums have opened exhibitions marking the 250th anniversary of the United States, which falls on 4 July 2026. The New-York Historical Society presents "Old Masters, New Amsterdam," drawn from the Leiden Collection, focusing on the lives of Dutch colonists. The Hispanic Society Museum & Library offers "Goya and the Age of Revolution," linking the American Revolution to European upheavals and Goya's depictions of war. The Metropolitan Museum of Art has installed "Revolution!" in its American Wing, reexamining the nation's founding through art. A rare copy of the Declaration of Independence handwritten by Thomas Jefferson will also be on view at the New York Public Library.

In Turin, fashion photography is the protagonist of The Phair 2026. All the news of the seventh edition of the fair

A Torino la fotografia di moda è protagonista di The Phair 2026. Tutte le novità della settima edizione della fiera

The Phair, a photography fair in Turin, returns for its seventh edition from May 22 to 24, 2026, at the OGR – Officine Grandi Riparazioni. This year's edition focuses on fashion photography as an autonomous art form, featuring works by photographers such as Nanda Lanfranco, Giovanni Gastel, Françoise Huguier, Marco Glaviano, and Michelangelo Di Battista. Participating galleries include Photo & Contemporary, Ira Leonis, Deodato Arte, Jaeger Art, and many others. The fair also expands its curatorial committee with figures like Umberto Benappi, Emilio Bordoli, and Brandei Estes.

Stockholm's Market Art Fair is a new model art fair from which to learn something

La Market Art Fair di Stoccolma è un nuovo modello di fiera d’arte da cui imparare qualcosa

The Market Art Fair in Stockholm, founded in 2006 by galleries from Denmark, Sweden, Norway, and Finland, held its 20th edition from April 23-26, 2026, at Magasin 9 during Stockholm Art Week. The fair features 54 exhibitors from 8 countries and 150 artists, with 80% of works tied to the Nordic context and 20% international. Highlights include a solo presentation by Olafur Eliasson at i8 Gallery (Reykjavík) featuring his sculpture *Rare metallic plant* (2026), and a preview of the Nordic Pavilion at the Venice Biennale by artist Benjamin Orlow at Season 4 Episode 6 gallery. The fair has recently opened its selection to international galleries, a shift welcomed by collectors.

Alma Allen’s US Pavilion Is One of the Emptiest Shows at the Venice Biennale

Alma Allen represents the United States at the 2026 Venice Biennale with a subdued, apolitical exhibition inside the US Pavilion. The show features roughly 25 sculptures—mostly in bronze, wood, and stone—many titled "Not Yet Titled," and deliberately avoids overt political messaging. This marks a stark departure from the previous two US pavilions, curated by Simone Leigh (2022) and Jeffrey Gibson (2024), which directly confronted colonialism and empire. The Trump administration’s call for proposals explicitly asked for work that "reflects and promotes American values," and Allen’s presentation has been criticized as safe, unremarkable, and lacking the incisive edge of contemporary American art.

A Time of Transition

During the preview week of the 61st Venice Biennale, escalating protests targeted the national pavilions of Israel and Russia, with demonstrations by Pussy Riot, ANGA (Art Not Genocide Alliance), and Baltic pavilions. A major protest on May 8 drew over 3,000 people in solidarity with Palestine, and 27 national pavilions—including Austria, the Netherlands, France, and Japan—staged a strike, the first at the Biennale since 1968. The Golden Lion jury resigned after declaring they would not consider countries under ICC investigation (Israel and Russia), and the Biennale administration replaced the prize with a visitors' award, from which half the artists in the main exhibition have withdrawn.

The Art Diary May 2026 – Revd Jonathan Evens

The article titled "The Art Diary May 2026 – Revd Jonathan Evens" appears to be a diary or column by Revd Jonathan Evens, published on Artlyst, covering art-related events, reflections, or commentary for May 2026. The specific content is not provided in the snippet, but the format suggests a curated overview of exhibitions, cultural happenings, or personal observations from the author's perspective.

Going Out: Top 20+ arts & nightlife events, May 21-29

The Bay Area Reporter has published a curated list of over 20 arts and nightlife events taking place from May 21 to May 29. The article serves as a local guide, highlighting a range of cultural activities including visual art exhibitions, performances, and nightlife gatherings in the San Francisco Bay Area.

After the Afterparty: Berlin Art Tests Its Pulse during Gallery Weekend

Gallery Weekend Berlin took place from late April into early May, drawing large crowds despite ongoing concerns about the city's declining art-market relevance. The weekend kicked off with early previews on Wednesday, including Alex Heide's solo exhibition "the darkroom beams horizons" at the new space Klix, and continued with events at Sprüth Magers, the Between Bridges Foundation, and the hidden venue CHB Fine Arts, which featured works by Nairy Baghramian, Jack O'Brien, Sofia Duchovny, Ilya Lipkin, and Mania Godarzani-Bakhtiari. Friday, coinciding with May Day, saw gallery visits at Molitor and KOW, where Ketuta Alexi-Meskhishvili and Candice Breitz presented solo shows.

NEXT in the Gallery: Preview Pittsburgh summer with a 'Pity Party,' dog sculptures and so much more art

NEXTpittsburgh's May 2026 gallery preview highlights a packed month of art events leading into the Three Rivers Arts Festival. Key offerings include the 59th Carnegie International at Carnegie Museum of Art, opening May 2 with works by 61 artists from 24 countries and four new commissions at local institutions. Other featured shows include 'Down to Earth: Revealing the Natural World' at James Gallery, Jody Shell's 'Shoebox Memories,' Dominique Swift's 'Uli Awakened,' and a three-artist exhibition at Irma Freeman Center featuring Laura Jean McLaughlin, James Simon, and Robert Qualters.

The Painted Book Cover Is Back

The article reports on a growing trend in book cover design: the use of painted, figurative artwork instead of stock photos or digital renderings. Publishers are increasingly licensing paintings by artists from Hilma af Klint to Shannon Cartier Lucy, seeing them as a way to signal cultural authority and intellectual rigor. The trend is discussed through examples like Victoria Redel's *I Am You* (2025) and Kyung-Ran Jo's *Blowfish* (2025), with insights from LiteraryHub Managing Editor Emily Temple and Astra House publisher Benjamin Schrank.

"Man besitzt Kunst nicht, man ist nur ihr Verwalter"

The 61st Venice Biennale opened on Saturday without ceremony or an opening celebration, amid political turmoil over the participation of Russia and Israel. Italy's Culture Minister Alessandro Giuli criticized Biennale director Pietrangelo Buttafuoco for not informing the government about Russia's participation request, suggesting it could have been used as leverage for a ceasefire in Ukraine. The entire jury resigned after attempting to exclude both Russia and Israel from prize awards, leading to the cancellation of the traditional jury decision in favor of a public vote, which over 70 participating artists have protested by withdrawing from this year's prizes. Separately, a rare photograph from the early 1940s has surfaced showing Lucas Cranach the Elder's painting "Venus with Cupid as Honey Thief" in Adolf Hitler's Munich apartment, raising unresolved questions about whether the work was looted from Jewish owners before 1935.

Venice Golden Lion jury won’t consider Russian and Israeli pavilions

The jury for the Golden and Silver Lion awards at the 61st Venice Biennale has announced it will not consider the national pavilions of any country whose leaders are currently charged with crimes against humanity by the International Criminal Court. This decision specifically excludes Russia, whose president Vladimir Putin is charged with unlawful deportation of Ukrainian children, and Israel, whose prime minister Benjamin Netanyahu is charged with targeting Palestinian civilians and using starvation as a weapon. The jury, presided over by Solange Oliveira Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, issued a full statement explaining their commitment to human rights and alignment with the curatorial vision of the late Koyo Kouoh.

Dartmouth Students Turn to Moldy Beef Jerky Installation in Renewed Bid to Remove Leon Black’s Name from Arts Center

Art students at Dartmouth College installed a provocative piece titled "Something Rotten" in the Black Family Visual Arts Center, consisting of 20 moldy beef sticks arranged into a smiley face over the dedication wall honoring billionaire financier Leon Black and his family. The work, created by students Erik Siegel, Angeles Juarez-Ruiz, and Roan Wade, was removed one week after the exhibition "Storage Room" opened on April 14. The piece references Black's documented friendship and business dealings with convicted sex offender Jeffrey Epstein, with the wall label quoting an Epstein email mentioning "jerky." The installation is part of a broader student and alumni campaign to remove Black's name from the arts center, which was funded by a $48 million gift from Black and his wife Debra.

How Can Art Depict Everyday Violence?

Anuar Maauad and Roger Muñoz have cocurated the exhibition "La Alegría de Vivir" at Estudio Anuar Maauad in Mexico City, featuring works by Jorge de León, Benjamin Orlow, Miguel Ángel Rojas, Berenice Olmedo, Miguel Ventura, Paul McCarthy, and Teresa Margolles. The show confronts themes of necropolitics and systemic violence through sculptures, photographs, and installations that depict war, state power, and human suffering as ongoing, normalized conditions.

Phantasmagoria review: digital sorcery at the Henry Moore Institute

The Henry Moore Institute in Leeds presents 'Phantasmagoria: Folkloric Sculpture for the Digital Age,' a major group exhibition exploring how digital technologies are reshaping contemporary sculpture. The show features works by artists including Joey Holder, Jürgen Baumann, and Danielle Brathwaite-Shirley, who fuse ancient folklore, occult practices, and modern digital tools such as AI, 3D printing, and video game mechanics. Highlights include Holder's immersive installation 'The Woosphere' with arcade-style consoles and Brathwaite-Shirley's interactive boat sculpture 'PIRATING BLACKNESS/BLACKTRANSSEA.COM.' The exhibition draws on the historical concept of phantasmagoria—18th-century theatrical spectacles using smoke and light—to critique the seductive illusions of digital capitalism.

art criticism lynne tillman paying attention book

Lynne Tillman celebrated the publication of her new collection, *Paying Attention: Essays on Art and Culture*, from David Zwirner Books, at an event hosted by Coco’s at Colette. The article features a conversation between Tillman and the author, in which she discusses her origin story as a critic, her background in fiction writing, and her unconventional entry into art criticism through an invitation from Craig Owens at *Art in America*. She recounts writing a Madame Realism story about a Renoir exhibition after eavesdropping on museum tours, a piece that angered some art historians.

In Spain, art becomes popular thanks to this expert influencer. We interviewed him

In Spagna l’arte diventa popolare grazie a questo esperto influencer. Lo abbiamo intervistato

Miguel Ángel Cajigal, known as 'El Barroquista,' is a Spanish art historian and popularizer who has brought art history to prime-time television, radio, and social media. In an interview with Artribune, he discusses his books, including 'Otra historia del arte' (2021), his approach to making art accessible without dumbing it down, and his critique of the cult of the individual genius in art historiography. He emphasizes the collective nature of art production and reception, challenging the traditional focus on masterpieces and authorship.

Native Arts Artists-in-Residence Gallery Talks

On August 1, 2026, the Denver Art Museum will host gallery talks featuring its 2026 Native Arts Artists-in-Residence: CooXooEii Black, Adrian Stevens, Sean Snyder, and Benjamin West. The artists will celebrate new installations in the Indigenous Arts of North America galleries, specifically reimagining the Home/Land section, which honors the Native Nations whose ancestral homelands include Denver and the surrounding Colorado region. The event coincides with the 150th anniversary of Colorado statehood and runs from 2-4 pm, with the artists present to discuss their work.

Paul Klee’s ‘Angelus Novus’ Joins Show at Jewish Museum in New York

Paul Klee's iconic watercolor 'Angelus Novus' (1920) has been added to the exhibition "Paul Klee: The Visible and the Invisible" at the Jewish Museum in New York, after being delayed due to wartime complications. The work, which was famously owned by philosopher Walter Benjamin and inspired his concept of the angel of history, joins over 70 other works in the survey of Klee's career.

Venice Biennale Jury Resigns in the Wake of Controversial Prize Ban

The jury for the 2026 Venice Biennale has resigned just days before the public opening on May 9, after announcing on April 22 that it would not consider artists from countries accused of crimes against humanity for the Golden and Silver Lion prizes. The jury, consisting of Solange Oliveira Farks (president), Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, cited its earlier statement of intention in its resignation, which directly impacted the participation of Russia and Israel—both subject to International Criminal Court warrants. In response, the Biennale postponed the awards ceremony from May 9 to November 22 and replaced the traditional jury with a public vote for best participant and best national participation, framing the move as upholding openness and rejecting censorship.

Israel’s foreign ministry accuses Venice Biennale's jury of ‘politicising’ exhibition

Israel’s foreign ministry has accused the Venice Biennale's jury of politicizing the exhibition after jurors announced they would not consider for prizes countries whose leaders face International Criminal Court charges for crimes against humanity. The jury’s statement, which did not name specific nations, is broadly understood to apply to Israel and Russia, both returning to the Biennale for the first time since the Gaza war and the Ukraine invasion, respectively. The Israeli ministry posted on X that the jury had decided to 'boycott' Israeli sculptor Belu-Simion Fainaru, calling it 'a contamination of the art world.' The Biennale distanced itself from the jury’s announcement, stating the jury acts autonomously, while the Russian pavilion is reportedly set to open only for a limited pre-opening period due to budget constraints amid sanctions.

collector questionnaire yu chi lyra kuo technology art

Yu-Chi Lyra Kuo, an entrepreneur, investor, and Harvard-educated lawyer, is profiled for her pioneering work at the intersection of frontier technology and art. A former Princeton academic and one of the youngest board members of the Shed in New York, Kuo began collecting art as a child with a jade gourd from her grandfather's museum of Asian carvings. She was an early entrant into blockchain in 2011, co-founded OpenSea 2.0, and now advises frontier tech companies like Orchid Health. Kuo believes technologies such as AI and robotics can enhance human creativity, enabling individualized artworks, autonomous creations, and robot performances, rather than replacing human cultural meaning.

Political Fallout Rocks Venice Biennale Prize System

Dozens of artists participating in the 2026 Venice Biennale have withdrawn from consideration for the newly created Visitor Lion awards, replacing the traditional Gold and Silver Lion prizes. A total of 57 artists from the main exhibition and 22 national pavilions signed a statement published on e-flux on May 9, acting in solidarity with the five-person prize jury that resigned on April 30 over the continued participation of Russia and Israel. The jury had objected to awarding prizes to artists from countries whose leaders face International Criminal Court charges, including Russian president Vladimir Putin and Israeli prime minister Benjamin Netanyahu. In response, the Biennale organizers postponed the awards ceremony to November 22 and introduced visitor voting, a move they described as consistent with openness and dialogue. Meanwhile, the Russian Pavilion, which returned after lending its space to Bolivia in 2024, faced protests, closure after previews, and a €2 million funding pull by the European Union for the 2028 Biennale.