David Hockney’s 1965 painting 'English Garden' is returning to the auction block at Sotheby’s London with an estimate of £2.5 million to £3.5 million ($3.4 million to $4.7 million). Painted while Hockney was teaching at the University of Colorado, Boulder, the work is recognized as his first English landscape and has been held in a private collection for nearly thirty years. It was last sold at auction in 1997 for just £89,500.
The exhibition "Women Artists of the American West: Colorado and Utah: 1885–1935" at History Jackson Hole spotlights seven forgotten female artists, including the adventurous mountaineer and painter Helen Henderson Chain. Curated by the founders of the Paris-based nonprofit AWARE, the show uncovers the lives of women who documented the Rocky Mountains and local communities while navigating the restrictive social norms of the late 19th century. Through paintings and photographs, the exhibition challenges the traditional, male-dominated "heroic" narrative of Western expansion.
The Aspen AIR Festival returns for its second edition from July 27-31 in Aspen, Colorado, featuring performances, exhibitions, and talks under the theme “Figures in a Landscape.” Returning artists include Matthew Barney, who will present sculptures related to his TACTICAL parallax performance, and Lucy Raven, who will show her film Murderers Bar with a new score by Deantoni Parks. New commissions include Camille Henrot’s operatic work Commedia dell’arte, a performance by Los Thuthanaka blending Andean sounds with electronics, and a piece by Kali Malone and Stephen O’Malley originally created for the Holy See Pavilion at the Venice Biennale. The festival also includes talks by Adrián Villar Rojas, Lyle Ashton Harris, Ivan Cheng, Morgan Bassichis, and a keynote by filmmaker Julie Dash.
Matthew Day Jackson, a multidisciplinary artist represented by Pace Gallery, has created 10 original artworks for a 23-piece luxury skiwear collection from Aztech Mountain, a ski brand based in Aspen, Colorado. Titled "Planet Aspen," the line includes ski jackets, pants, and innerwear adorned with Jackson's designs, with prices ranging from $101 to $1,850. Jackson, described as a passionate skier and adventurer, collaborated with Aztech Mountain on its first artist partnership, drawing inspiration from the quiet absurdity and fleeting joy of skiing.
David Hockney’s 1965 painting "English Garden" is set to be auctioned at Sotheby’s London during its modern and contemporary evening sale on March 4. Estimated to fetch between £2.5 million and £3.5 million, the work is historically significant as the artist’s first foray into English landscape painting. Interestingly, Hockney painted the vibrant scene from memory and a photograph in American Vogue while he was living in Boulder, Colorado.
Catherine Walsh, a former cosmetics executive at Estée Lauder and Revlon who pioneered celebrity fragrances at Coty, recounts her journey from buying her first Harry Callahan photograph at age 22 to building a minimalist art collection. She commissioned architect John Pawson to design a house in Telluride, Colorado, after a lecture, and has since acquired works by Gerhard Richter, Donald Judd, Jenny Holzer, Josef Albers, and a 17th-century Dutch portrait, among others. Walsh now lives in a London apartment near the Victoria & Albert Museum, where she displays her carefully curated collection with minimal furniture.
Denver’s art scene is preparing for a busy spring and summer season with a series of exhibition openings, market events, and institutional announcements. Key highlights include the selection of six fellows for the 2026 Clyfford Still Museum Institute Residential Fellowship, a nationwide open call for the Dairy Arts Center’s 2027 season, and several new gallery shows featuring artists such as Stacey Steers, Kim Dickey, and Deanne Gertner. Local advocacy is also in focus as the RiNo Art District supports Colorado Senate Bill 26-133, which aims to establish a formal legal structure for artist-led companies.
The Boulder County arts scene is currently hosting a diverse array of exhibitions across its local galleries and museums. Key highlights include the Boulder Museum of Contemporary Art’s group exhibition "Yes &…" featuring 18 artists, Rodney Carswell’s lithographs at 15th Street Gallery, and Albert Chong’s "Jamaican Portraits" at East Window. The listings also feature community-focused displays ranging from urban sketching and paper crafts at the Boulder Public Library to studio art quilts at the Collective Community Arts Center.
The article provides a comprehensive listing of current and upcoming art exhibitions, gallery shows, and artist events in Boulder County, Colorado. It includes details on venues such as the Boulder Museum of Contemporary Art, Dairy Arts Center, and various commercial and nonprofit galleries, highlighting specific exhibitions like 'Interiors' by Jordan Wolfson, 'Warm Winter' by Alene Nitzky and Lonny Granston, and 'Sanctuary' by Stas Ginzburg, along with dates, locations, and contact information.
This article is a weekly roundup of art exhibitions and gallery shows in Boulder County, Colorado, listing over 20 venues including the Boulder Museum of Contemporary Art, Dairy Arts Center, and various commercial and nonprofit galleries. Featured exhibitions include "MediaLive: Data Rich, Dirt Poor" at BMoCA, "Interiors" by Jordan Wolfson at BMoCA at Frasier, and "Love Letters to Life" by Roddy MacInnes at East Window, among many others spanning painting, photography, sculpture, and mixed media.
An exhibition titled "Don’t Look Now: A Defense of Free Expression" has opened at Nathalie Karg Gallery in New York City, organized by the nonprofit Art at a Time Like This and co-founded by curator Barbara Pollack. The show features artworks by artists who have experienced censorship, including Danielle SeeWalker’s painting "G is for Genocide" (2024), which led to the revocation of her artist residency in Vail, Colorado, and Andil Gosine’s altered photograph "Magna Carta" (2025), which was removed from a planned exhibition at the Art Museum of the Americas. The works address suppression linked to President Trump’s crackdown on DEI, anti-Palestine sentiment, and other forms of censorship, with some institutions self-censoring due to funding cuts from entities like the National Endowment for the Arts.
Aspen, Colorado's art scene is expanding with two concurrent art fairs and a new festival during Aspen Art Week. The 15th edition of Intersect Aspen, the city's longest-running fair (formerly Art Aspen), will feature 28 galleries including Jackson Fine Art and debutant 212 Gallery. CEO Tim von Gal reports record attendance and sales from 2023. Meanwhile, the Aspen Art Fair returns for its second edition at the historic Hotel Jerome, doubling its exhibitor list to 43 galleries, including Perrotin and Miles McEnery Gallery. Co-founded by Rebecca Hoffman and dealer Bob Chase, the fair emphasizes a convivial, community-focused atmosphere.
Amanda Precourt is opening the Cookie Factory, a new art space in Denver's Baker neighborhood, on May 24. Housed in a former fortune cookie factory that Precourt purchased in 2017, the 5,700-square-foot venue features four exhibition rooms, two solo shows per year, and monthly activations. The inaugural activation on June 21 will include yoga and sound baths led by local healers. Precourt, a Denver native and philanthropist, has transformed the dilapidated building with her partner, artist Andrew Jensdotter, and added a second-story apartment for her personal contemporary art collection. The space will not display her collection but will commission new works inspired by Colorado's environment.
A legal dispute has erupted over a Banksy mural, *Yellow Lines Flower Painter* (2007), painted on the Bethnal Green Working Man’s Club in east London. The club’s trustees have filed a lawsuit against employee Warren Dent and others, alleging the work was illegally removed and put up for sale in the US. The mural, depicting a workman and a giant flower emerging from double-yellow lines, is currently in Colorado. The club’s former accountant claims secretary Stephen Smorthit agreed to sell the piece to Dent for £20,000 in 2019, after which art restorer Chris Bull removed it and later loaned it to his father’s gallery in Aspen. The trustees argue they never authorized the sale and are demanding the work’s return.
The US Pavilion at the 2026 Venice Biennale features sculptor Alma Allen's exhibition "Call Me the Breeze," curated by Jeffrey Uslip. The show presents untitled, amorphous sculptures in bronze, wood, and stone, including Colorado Yule marble. The selection process was controversial: after the Trump administration excluded the National Endowment for the Arts, the State Department initially picked artist Robert Lazzarini and curator John Ravenal, but that plan collapsed. The American Arts Conservancy, a new nonprofit led by Jenni Parido (a former pet food store operator with Mar-a-Lago ties), then took over, hiring Uslip, who approached Barbara Chase-Riboud and William Eggleston before settling on Allen. Donors include businessman John Phelan and fashion designer Tommy Hilfiger.
The United States Pavilion at the 61st International Art Exhibition of La Biennale di Venezia will open on May 6, 2026, featuring a solo presentation titled "Call Me the Breeze" by American artist Alma Allen. Curated by Jeffrey Uslip and commissioned by the American Arts Conservancy with support from the U.S. Department of State and the Guggenheim Foundation, the exhibition transforms the historic Giardini pavilion with sculptures in bronze, walnut burl, and various stones, including Colorado Yule marble used in the Lincoln Memorial.
Denver’s art scene is currently highlighting several intimate yet impactful exhibitions during the transitional spring season. Key highlights include a multi-venue celebration of Colorado artist Ana María Hernando with solo shows at the Museum of Contemporary Art Denver and the Colorado Springs Fine Arts Center, alongside a group showing at Robischon Gallery. Additionally, the Denver Art Museum is showcasing its textile and photography archives through two distinct exhibitions: "Conversation Pieces," featuring high-fashion acquisitions from Chanel to McQueen, and "What We’ve Been Up To: People," a survey of portrait photography spanning from the 19th century to the present.
The Denver Art Museum (DAM) has announced its winter and spring 2025 programming, including exhibitions, events, and activities from February through April. Highlights include the closing exhibitions "Pissarro's Impressionism" (final day February 8) and "A Constant Sky" by Andrea Carlson (through February 16), the opening of photography show "What We’ve Been Up To: People" on February 8, fashion exhibition "Conversation Pieces: Stories from the Fashion Archives" on February 15, and "Space Is the Place: Art & Design in the Atomic Age" and "'Round the Clock: 24 Hours of Colorado in Prints" on March 1. Special events include Slam Nuba's 5th Annual Poetry Slam on February 21, lectures by Didier William and Zora J. Murff in March, and the major exhibition "The Stars We Do Not See: Australian Indigenous Art" opening April 19. The museum also offers free general admission for members and visitors 18 and under.
Westminster-based muralist Grow Love (Robyn Frances) will participate in a group exhibition titled "Justice of the Piece: Resistance in Unity in Street Art" at the Galleries of Contemporary Art at the University of Colorado, Colorado Springs, opening next month. The show features three female muralists: Grow Love, Lady Pink, and Sydney G. James, whose work explores resistance, reclamation, and collective healing through public murals and studio practice. An accompanying arts market will allow local creatives to sell their work for free.
A former fortune cookie factory in Denver's Baker neighborhood has been transformed into a nonprofit art space called the Cookie Factory, opening this weekend. The 5,000-square-foot venue, founded by philanthropist and real estate developer Amanda J. Precourt, features a gallery, sculpture garden, and video-screening rooms. The inaugural exhibition, 'Nothing Without Nature,' presents site-specific works by Colorado-based artist Sam Falls, created using natural materials and processes. The space is free to the public and will also host fundraising events, performances, and community meetings.
The Boulder County arts community is hosting a diverse array of exhibitions across its galleries and museums this spring. Key highlights include Jorge Vinent’s environmentally focused works at Ana’s Art Gallery, the group exhibition "Yes &…" at the Boulder Museum of Contemporary Art, and a historical exploration of segregation at the Collective Community Arts Center. The region is also showcasing student work from the Boulder Valley School District and various solo presentations by local artists like Rodney Carswell and Jessica Rohrer.
This article lists dozens of current and upcoming art exhibitions across Boulder County, Colorado, featuring a wide range of venues from commercial galleries like 15th Street Gallery and Ana’s Art Gallery to nonprofit spaces such as Art Parts and the Boulder Museum of Contemporary Art (BMoCA). Highlights include lithographs by Santa Fe artist Rodney Carswell, Jorge Vinent's recycled-material works in "We Choose Earth," and student showcases at Canyon Theater and Gallery. The roundup also covers community-focused shows like "Racism & Discrimination at the Lafayette Swimming Pool 1934" and group exhibitions at Liminal Light Gallery and The New Local Gallery.
The Boulder area is hosting a diverse array of art exhibitions and events across various local institutions and galleries. Highlights include Rodney Carswell’s lithographs at 15th Street Gallery, Jorge Vinent’s eco-conscious works at Ana’s Art Gallery, and the group exhibition "Yes &…" at the Boulder Museum of Contemporary Art. Other notable shows include a historical examination of racism at the Lafayette Swimming Pool and a student showcase from the Boulder Valley School District at the Canyon Gallery.
Keith Mayerson returns to his home state for his first major Colorado exhibition, "My American Dream (Rocky Mountain High)," at the Aspen Art Museum. The show features works from his long-running "My American Dream" series, a project consisting of over 140 oil paintings that blend cultural icons, personal history, and landscapes into nonlinear narratives. This specific iteration draws heavily on Mayerson's childhood memories of Aspen as a bohemian utopia and incorporates imagery ranging from vintage ski passes to civil rights heroes.
The Boulder County arts scene is currently hosting a wide array of exhibitions across its galleries and museums, ranging from contemporary lithographs and multimedia installations to community-focused craft displays. Key highlights include the Boulder Museum of Contemporary Art’s eclectic group show "Yes &…" and the Dairy Arts Center’s exploration of Indigenous ecological identity in "Native Niches." Other notable presentations include Albert Chong’s Jamaican portraits at East Window and Jessica Rohrer’s solo exhibition at Nick Ryan Gallery.
The Resnick Center for Herbert Bayer Studies in Aspen has opened a new exhibition titled "Sculpting the Environment," the first-ever show dedicated to the site-specific outdoor sculptures and land art of Bauhaus artist Herbert Bayer. Bayer, who moved to Aspen in 1945 at the invitation of industrialist Walter Paepcke, lived there for nearly 30 years and created Denver's iconic "Articulated Wall" sculpture in 1985, the year of his death. The exhibition, co-curated by Koko Bayer (his step-granddaughter) and Adam Thomas, highlights his three-dimensional process and his role in shaping Colorado's cultural landscape.
The Denver Art Museum and the Center for Colorado Women's History have launched a collaborative initiative to celebrate International Women’s Day and the upcoming exhibition "DIVA." The partnership highlights the intersection of art, fashion, and regional history, specifically focusing on how women like Elizabeth “Baby Doe” Tabor used clothing to assert status and identity. Key displays include Tabor's elaborate silk and lace wedding gown and the museum's current exhibition, "Conversation Pieces: Stories from the Fashion Archives."
The 47th Annual Valley Visual Art Show has opened at the Carbondale Arts Gallery in Colorado, running from January 23 through February 26, 2026. Featuring 75 local artists, including Judy Fox-Perry, Marilyn Lowey, and Linda Halloran, the exhibition showcases a diverse range of works such as Fox-Perry's marble sculpture "In Good Hands," Lowey's surrealist-inspired photograph, and Halloran's kiln glass flowers. The show marks the first Carbondale Arts exhibit of the year and provides a platform for artists to experiment and present new creations.
The CU Art Museum at the University of Colorado Boulder will host 'Shaping Time: CU Ceramics Alumni 2000–2020,' an exhibition opening September 5, 2025, celebrating the ceramics program's legacy. The show features works by alumni from the past two decades, curated by faculty Jeanne Quinn, Scott Chamberlin, and Kim Dickey, who have taught together for 25 years. The exhibition explores themes of environment, domesticity, and material meaning, and includes a symposium on September 5.
The Denver Art Museum has published a feature titled "What We’ve Been Up To: Landscape," showcasing a selection of recent photographic acquisitions focused on the American landscape. The featured works span from the late 19th century to the present, including images by Steve Fitch, Henry Wessel, Jr., Yamamoto Masao, Marion Post Wolcott, William Henry Jackson, John Ganis, Terri Weifenbach, Christina Fernandez, Linda Connor, and Patrick Nagatani. The photographs document diverse terrains—from New Mexico and Colorado to New Jersey and Hawai'i—and employ a range of processes, from albumen and gelatin silver prints to inkjet and pigment prints.