A new film by artist Isaac Julien, featuring actors Sheila Atim and Gwendoline Christie as science-fiction deities, is on view at the Cosmic House in London. The 25-minute work, which incorporates themes from Octavia E. Butler's novel *Parable of the Sower*, explores concepts of change, interconnectedness, and fluid identity through a visually rich, postmodern lens.
ArtReview has compiled a running list of national pavilions for the 61st Venice Biennale, running from 9 May to 22 November 2026. The Biennale was set to be curated by Koyo Kouoh, who died on 10 May 2025. Recent announcements include Haitham Al Busafi representing Oman, Genti Korini representing Albania with a three-channel video installation titled 'A Place in The Sun (still)', and Matías Duville representing Argentina with an interactive salt-and-charcoal installation. The Australia Pavilion will feature artist Khaled Sabsabi and curator Michael Dagostino, who were initially dropped due to controversy over Sabsabi's 2007 film 'You' but later reinstated. Florentina Holzinger will represent Austria with a water-themed performance.
During Hong Kong Art Week, beyond the dominant Art Basel Hong Kong fair, a series of intimate interventions and installations across the city explore the boundaries between art, design, and everyday life. One notable event is a 'Listening Session' organized by Guangzhou's Vitamin Creative Space in a private home in the New Territories, where Lebanese artist-composer Tarek Atoui debuted two new 'instruments' that transform the living room itself into an interactive sound sculpture. The gathering of about 30 people, mostly in town for art week, blurred the lines between performance, installation, and domestic space.
This week's obituaries mark the passing of several significant figures in the visual arts. They include British surrealist painter and zoologist Desmond Morris, known for his 'biomorph' paintings and experiments with chimpanzee art; West Coast monochrome abstractionist James Hayward, who developed a cult following for his thickly painted canvases; and Chinese American artist Flo Oy Wong, a foundational storyteller of Oakland's Chinatown and the Asian American experience. Also remembered are assemblage artist Aldwyth, Ethiopian painter and educator Behailu Bezabih, Anglo-Irish conservator and designer Alec Cobbe, Bangladeshi art director Tarun Ghosh, and New Mexico painter Michael Hurd.
The Brooklyn Museum has opened "Iris van Herpen: Sculpting the Senses," a major exhibition surveying two decades of the Dutch designer's avant-garde fashion. Curated by Matthew Yokobosky and Imani Williford, the show features over 140 of van Herpen's biomorphic couture pieces, including designs worn by Lady Gaga and Björk, alongside works by contemporary artists like Agostino Arrivabene and Tara Donovan. The exhibition, which originated at the Musée des Arts Décoratifs in Paris in 2023, highlights van Herpen's use of cutting-edge technology such as 3D printing and magnetic sculpting, as well as her deep inspiration from natural phenomena like fossils, coral, and water.
Scottish artist William Turnbull (1922–2012) is the subject of a new exhibition titled 'Origins (1946–1959)' at Karma gallery in Chelsea, New York. The show surveys Turnbull's early career, focusing on the transformative period after World War II when he moved between Surrealist Paris and Abstract Expressionist New York. It features key works such as the sculpture 'Horse' (1946), inspired by a Parthenon marble at the British Museum, and 'Playground (Game)' (1949), reflecting his interest in phenomenology and movement. The exhibition traces his evolution from an illustrator and Slade School student to a sculptor and painter who engaged elemental forms like the horse, standing figure, and human head.
The Brooklyn Museum is opening a mid-career retrospective titled “Iris van Herpen: Sculpting the Senses,” showcasing the Dutch designer’s high-tech garments. The exhibition features over a decade of van Herpen’s work, including the first 3D-printed garment sent down a runway in 2010, pieces worn by celebrities like Lady Gaga, Björk, and Beyoncé, and new collaborations such as an algae dress grown from living microorganisms. Organized by senior curator Matthew Yokobosky, the show originated at the Musée des Arts Décoratifs in Paris and has traveled internationally before arriving in Brooklyn, where it is augmented with objects from the museum’s collections in art, science, and natural history.
The Brooklyn Museum is hosting Iris van Herpen's first major New York exhibition, featuring over 140 haute couture looks from the Dutch fashion designer. Van Herpen, who founded her house in 2007, pioneered 3D printing in fashion and uses unconventional materials like upcycled marine debris and fermented fibers. The touring show, which originated at Paris's Musée des Arts Décoratifs, includes contemporary art, scientific objects, and natural-history specimens alongside her garments. Curated by Matthew Yokobosky, the Brooklyn iteration draws on the museum's own collections and loans from the American Museum of Natural History, the Staten Island Museum, and the Yale Peabody Museum. Highlights include a dress made with living bioluminescent algae and a re-creation of Van Herpen's atelier.
The Brooklyn Museum opens "Iris Van Herpen: Sculpting the Senses," a mid-career retrospective of the Dutch fashion designer known for pioneering 3D-printed garments. The exhibition, which originated at the Musée des Arts Décoratifs in Paris in 2023, features over a decade of van Herpen's work, including her first 3D-printed garment from 2010, pieces worn by celebrities like Lady Gaga, Björk, and Beyoncé, and new works such as an algae dress grown from 125 million living organisms. Organized by senior curator Matthew Yokobosky, the show spans eleven themes exploring van Herpen's fusion of traditional craftsmanship with technology, science, and nature.
The May Arts Calendar 2026 highlights a wide range of visual art exhibitions and events in the Seattle area, including group and solo shows at galleries such as Gallery B612, Visual Arts Gallery No. 85, JG Art Gallery, Piano Nobile, ArtXContemporary Gallery, and Common Objects. Notable exhibitions include "Layered Being: A Celebration of AAPINH Heritage" at Gallery B612, "Moving As One" by Tetsuo Aoki, "Material Meditations" featuring woodworker Andy McConell, blacksmith Maria Cristalli, and mixed media artist Jill Kyong, and "TADAIMA: 'I'm Home'" at MOHAI, which explores Japanese American history through dolls. The calendar also features a solo show by Yaminee Patel and a group show titled "Moga" at Fresh Mochi, celebrating Japanese and Japanese American artists.
Gladstone Gallery has announced its representation of The Estate of Anna Zemánková, a self-taught Czech artist known for her influential abstract works that explore psychological and spiritual realms. The gallery will collaborate with Cavin-Morris Gallery and plans to present a solo booth of Zemánková's work at TEFAF New York from May 14–19, 2026, following a spring 2025 exhibition in New York featuring her botanical drawings and works on paper. Zemánková, a key figure in Art Brut, created untitled, biomorphic works rooted in the subconscious, often compared to artists like Kunz and Hilma af Klint.
The article explores a growing trend in contemporary art where artists like Pierre Huyghe, Nina Katchadourian, and Marge Monko create works that blur the line between art objects and sentient beings. These works incorporate human performers, animals, AI, and smart devices, prompting viewers to question whether these entities possess or simulate personhood, and forcing an examination of our instinct to anthropomorphize.
The article surveys recent art-world commentary, focusing on a critical review of the Turner Prize shortlist in The Guardian, where Eddy Frankel calls the selection "timid, anxious, safe" and laments a self-perpetuating, elitist system. It also covers a Hyperallergic essay by Lisa Siraganian questioning whether artworks can possess personhood, sparked by Pierre Huyghe's Venice exhibition. Additionally, it reports on controversy at the Venice Biennale, where the jury preemptively excluded countries whose leaders are sought by the International Criminal Court—namely Russia and Israel—drawing sharp criticism from Die Welt's Marcus Woeller. A podcast interview with US sculptor Alma Allen, selected for the US Pavilion, rounds out the coverage.
This week's art news roundup covers several stories: Jonathan Meese publishes an obituary for his mother Brigitte Meese in Der Spiegel, describing her as a central figure in his life and work. Pussy Riot seeks to take over the Russian Pavilion at the Venice Biennale. The European Media Art Festival (EMAF) in Osnabrück faces controversy over antisemitism allegations linked to Palestinian-American filmmaker Basma al-Sharif, leading the city and state government to distance themselves from the festival. In the NZZ, Christian Wildhagen reports on conflicts over official political portraits, citing examples like Swiss councilor Martin Neukom rejecting paintings and Donald Trump criticizing his portrait. Art historian Horst Bredekamp pays tribute to Italian philosopher Federico Vercellone (1955–2026) in the FAZ, highlighting his theory of the 'self-activity of form.'
Biennale de Venise : un Pavillon US silencieux
The US Pavilion at the 2026 Venice Biennale, featuring artist Alma Allen, opened to sparse crowds despite a 10% overall attendance increase at the Biennale. The pavilion was embroiled in controversy before opening: Allen was selected by the American Arts Conservancy (AAC), a private entity created in 2025 at the initiative of Donald Trump after the dissolution of the federal committee that previously oversaw the pavilion. AAC head Jenni Parido, a former pet food executive, chose the self-taught, little-known artist who had never had a solo museum exhibition. Major funders the Ford and Mellon Foundations withdrew, forcing the AAC to launch a public donation appeal. The exhibition features 25 abstract bronze, stone, and burl-wood sculptures that the artist describes as biomorphic landscapes, but critics find them pleasant yet silent, lacking the promised political or visceral resonance.
Le destin de « Guernica », icône politique née sous les bombes, retracé en réalité virtuelle au musée Picasso
The Musée Picasso-Paris is launching a virtual reality experience that traces the epic journey of Pablo Picasso's "Guernica," one of the most iconic political paintings of the 20th century. Guided by the voices of writer Juan Larrea and photographer Dora Maar, visitors are transported to Picasso's Paris studio and the bombed ruins of Gernika, reliving the creation of the masterpiece commissioned for the Spanish Republic's pavilion at the 1937 International Exposition in Paris. The VR experience covers the painting's genesis, its global tour, and its eventual exile at MoMA in New York until 1981.
Les expos et visites immersives à ne pas rater du printemps à l’été en France
The article from Beaux Arts Magazine highlights a selection of immersive art exhibitions and experiences across France for spring and summer 2026. Featured attractions include "Passion Japon" at Parc de la Villette in Paris, a journey through Japanese culture with Hokusai and Hiroshige projections; "L'Odyssée Céleste" at Église Saint-Eustache, a 3D light spectacle with live choral music; "Frissons" at the Musée d'Orsay, an interactive light installation by artist Adrien M responding to visitors' movements; and a Picasso immersive experience at Les Baux-de-Provence.
The Brooklyn Museum is opening a new edition of 'Iris van Herpen: Sculpting the Senses,' building on a 2023 retrospective at the Musée des Arts Décoratifs in Paris. The exhibition features over 140 haute couture designs by Dutch fashion designer Iris van Herpen, known for merging high-tech materials like laser-cut Plexiglas with biological elements such as glowing algae and plastic bubbles. It includes recent collections like 'Sympoiesis' and works by artists including Kenny Nguyen, Wim Delvoye, and Tara Donovan, alongside a soundscape by Salvador Breed. The show runs from May 16 to December 6.
Chanel has announced a new five-year partnership with the Centre Pompidou in Paris, expanding its support for the museum during its landmark €460 million ($535 million) renovation. The fashion house, which has backed the Pompidou since 2019, will help preserve access to modern and contemporary art while the museum is closed to the public until its scheduled reopening in 2030. This follows a separate three-year deal in 2025 to grow the museum's collection of contemporary Chinese art by 30 percent, with a focus on women artists, and a 2024 acquisition of 21 works by 15 Chinese artists tied to an exhibition co-organized with Shanghai's West Bund Museum.
The 2026 Turner Prize shortlist has been announced, featuring four nominees including French-born artist Marguerite Humeau, who is considered the front-runner despite the award's requirement of honoring a "British artist." Humeau, known for her futuristic biomorphic sculptures made from unusual materials like wasp venom and seaweed, lives in London but was born and raised in the Loire Valley. Other nominees include London-born Kira Freije, Simeon Barclay for his spoken-word performance "The Ruin," and Tanoa Sasraku, whose ICA show is described as "dreary" by the critic. The winner will be announced at Middlesbrough Institute of Modern Art in December.
The article examines the life and work of George Febres (1943–1996), an Ecuadorian artist who spent most of his career in the United States, primarily in New Orleans. Febres’s practice blends Pop Art, Neo-Surrealism, and Southern US culture with his experiences as a migrant and queer subject, using bilingualism and ironic tropical imagery to create a hybrid, irreverent body of work. Despite his significance, no works by Febres exist in Ecuadorian public collections, and no major retrospective has been held in his home country, reflecting a broader erasure of queer narratives from national art history.
A comprehensive listing of current and upcoming visual art exhibitions, events, and installations in Athens, Georgia, is provided. The guide includes shows at venues ranging from the Georgia Museum of Art and the Lamar Dodd School of Art galleries to local breweries, coffee shops, and community centers. Featured exhibitions highlight work by students, local members, and established artists like Beverly Buchanan and Julie Green, alongside new murals and public art projects.
Marianna Simnett, one of the most radical contemporary artists known for exploring metamorphosis, myth, ecstasy, sex, and pain, has created an exclusive edition titled "The Healer" for the German art magazine Monopol. The work is a watercolor depicting a naked female figure licking a lion lying on the ground, with other lions roaring in the background. The edition is an archival pigment print in a size of 60 x 79 cm, published in an edition of 25 plus two artist's proofs, priced at 950 euros plus VAT.
The May Book Bag article from The Art Newspaper reviews four new art-related publications. It covers "Metamorphoses: Ovid and the Arts," edited by Francesca Cappelletti and Frits Scholten, which examines Ovid's influence on Western art through works by artists like Titian, Caravaggio, and Louise Bourgeois. Other featured books include Hettie Judah's "How to Enter the Art World," a practical guide for emerging artists; "Derrick Adams: Prints," showcasing the artist's printmaking from 2019-2025; and "Whistler's Legacy" by Daniel Sutherland, which explores the legacy of James Abbott McNeill Whistler through his close associates.
Angela de la Cruz's exhibition "Upright" at Ikon Gallery in Birmingham (until 6 September) marks her first UK institutional show since her 2010 Camden Arts Centre survey, which earned her a Turner Prize nomination. The exhibition features her signature painterly sculptures and sculptural paintings that blur boundaries between mediums, including works like "Still Life with Table" (2000), "Limp" (2000), and "Bloated 111 (Blue)" (2012), which combine Minimalist language with anthropomorphic, emotional qualities. De la Cruz, who has been based in the UK since the late 1980s, continues to create work that channels influences from art history, literature, and personal experience, even after a paralyzing stroke in 2005.
Taipei Fine Arts Museum (TFAM), in collaboration with the Institute for Cultural Exchange in Tübingen, Germany, has launched its major spring exhibition "Surrealism: The World in Dialogue." Featuring over 120 works by nearly 60 international artists, the exhibition marks a century since André Breton's 1924 "Surrealist Manifesto." It juxtaposes historical avant-garde works with contemporary practices, organized into sections such as "Collective Dreams," "Body of Desire," and "Absurd Play." Highlights include Yves Tanguy's dreamscapes, Lauren Moffatt's augmented reality installation, Max Ernst's scraping-method works, Patricia Piccinini's hybrid sculptures, and works by Man Ray, Meret Oppenheim, Sarah Lucas, Luis Buñuel, and Salvador Dalí.
Five museums across the globe are opening exhibitions this month that celebrate women who have shaped art and culture. The shows include Björk's multidisciplinary "Echolalia" at the National Gallery of Iceland in Reykjavík, Iris van Herpen's New York exhibition, Marina Abramović's historic showing at Venice's Gallerie dell'Accademia, the Tate Modern's first major Frida Kahlo retrospective, and centenary tributes to Marilyn Monroe. The article notes that despite women making up 51% of visual artists worldwide, their work remains underrepresented in public institutions, with 78% of London galleries showing more male than female artists.
Japanese Superflat artist Mr. has opened 'We’ll Meet Again', his first major museum solo exhibition in Japan in over a decade, at the Fukuoka Asian Art Museum. Running through June 21, 2026, the show features over 80 works including paintings, sculptures, installations, and video pieces, exploring themes of nostalgia, video games, manga, and the yanki subculture. Highlights include an immersive bedroom installation filled with beer cans and manga, a screening of his 2008 film 'Nobody Dies', and a new motorcycle work called 'itasha'.
Mimmo Paladino returns to Milan with a major exhibition after 15 years, opening on May 16 at Palazzo Citterio's underground Sala Stirling. The show features his iconic series "Dormienti" (Sleepers), 32 anthropomorphic terracotta sculptures in fetal positions, arranged in a theatrical, immersive installation. The exhibition also includes a soundscape by Brian Eno and a selection of 15 drawings on paper from 1973, curated by Lorenzo Madaro and organized by Grande Brera and the Archivio Paladino. It runs until July 26, 2026.
The US Pavilion at the 2026 Venice Biennale features sculptor Alma Allen's exhibition "Call Me the Breeze," curated by Jeffrey Uslip. The show presents untitled, amorphous sculptures in bronze, wood, and stone, including Colorado Yule marble. The selection process was controversial: after the Trump administration excluded the National Endowment for the Arts, the State Department initially picked artist Robert Lazzarini and curator John Ravenal, but that plan collapsed. The American Arts Conservancy, a new nonprofit led by Jenni Parido (a former pet food store operator with Mar-a-Lago ties), then took over, hiring Uslip, who approached Barbara Chase-Riboud and William Eggleston before settling on Allen. Donors include businessman John Phelan and fashion designer Tommy Hilfiger.