Victoria Miro: ‘Art should open your eyes to something you don’t know’

Victoria Miro, the influential London art dealer, reflects on her 40-year career as her eponymous gallery celebrates its anniversary. In a rare interview, she discusses her humble beginnings—displaying art in her husband's office window and hosting pop-ups—and her rise to prominence representing acclaimed artists such as Chris Ofili, Isaac Julien, Do Ho Suh, and Chantal Joffe. The gallery's birthday exhibition, "Victoria Miro: 40 Years," features works by its roster, including pieces by Kudzanai-Violet Hwami, Stan Douglas, and Grayson Perry.

A new art center debuts in an old Denver fortune cookie factory

Amanda Precourt is opening the Cookie Factory, a new art space in Denver's Baker neighborhood, on May 24. Housed in a former fortune cookie factory that Precourt purchased in 2017, the 5,700-square-foot venue features four exhibition rooms, two solo shows per year, and monthly activations. The inaugural activation on June 21 will include yoga and sound baths led by local healers. Precourt, a Denver native and philanthropist, has transformed the dilapidated building with her partner, artist Andrew Jensdotter, and added a second-story apartment for her personal contemporary art collection. The space will not display her collection but will commission new works inspired by Colorado's environment.

Pittsburgh Shows Off New Public Art Projects in Advance of NFL Draft

Pittsburgh has unveiled over 35 new public art installations across its downtown area in preparation for the influx of visitors for the NFL Draft. The projects, funded by the Pittsburgh Downtown Partnership, include light installations, murals, and window displays by local artists, designed to revitalize empty storefronts and underused blocks.

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In 1995, artist Red Grooms created the Tennessee Foxtrot Carousel, a working carousel featuring 36 figures from Tennessee history, installed at the base of Nashville's Broadway. After financial troubles forced its closure in 2003, the Tennessee State Museum acquired and dismantled it in 2004, storing it for years. Though the museum moved to a new $160 million building in 2018, the carousel remained in storage. Now, the museum has issued a request for information seeking partners to restore and operate the carousel, as reported by the New York Times.

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Jeff Poe, co-founder of the now-closed Blum & Poe gallery, gave an interview to Artnet News reflecting on his departure from the gallery in 2023 and the challenges of running a gallery. He spoke about the financial risks, travel, and exposure that led him to seek a simpler path, without mentioning his former partner Tim Blum. Separately, Hypebeast published a story titled 'The Slow Death of the Contemporary Art Gallery,' arguing that rising rents and changing expectations are forcing galleries to adapt, with collectors increasingly focusing on 'red-chip' artists driven by viral buzz rather than institutional backing.

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A visitor at the Palazzo Maffei museum in Verona, Italy, was captured on CCTV breaking a crystal-encrusted chair artwork by Italian artist Nicola Bolla. The man sat on the piece, titled the "Van Gogh" chair, causing it to collapse under his weight. The couple fled before staff realized the damage. Police have been notified but the suspects remain unidentified. The artwork has since been restored and is back on display.

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One of J.M.W. Turner's earliest oil paintings, *The Rising Squall, Hot Wells, from St Vincent's Rock, Bristol*, painted when he was 17, will be auctioned at Sotheby's London with an estimate of £200,000–£300,000. The work had been misattributed for decades and sold last year at Dreweatts for just £600–£800 as a work by a follower of Julius Caesar Ibbetson, before cleaning revealed Turner's signature. The painting was originally exhibited at the Royal Academy in 1793 and had not been publicly displayed for 167 years.

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A 16th-century portrait of Thomas Howard, the 4th Duke of Norfolk, by Hans Eworth sold for £3.2 million ($4.2 million) at Sotheby’s Old Masters sale in London on December 4, setting a record as the most expensive Elizabethan portrait ever sold. The painting was purchased by the art advisory Clore Wyndham on behalf of the Duke of Norfolk and the trustees of Arundel Castle, where it will be displayed. The work, painted in 1562, depicts Norfolk at the height of his political power, dressed in opulent Tudor fashion, and is one of only two known portraits of him.

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A long-lost Gustav Klimt portrait of an African prince, missing since World War II, has resurfaced and is now on view at TEFAF Maastricht with a €15 million ($16.4 million) price tag. The painting, titled *Prince William Nii Nortey Dowuona* (1897), was brought to W&K – Wienerroither & Kohlbacher Gallery in 2023 in poor condition, but a stamp from Klimt's estate led to its identification by catalog raisonné author Alfred Weidinger, who had searched for it for two decades. The work depicts an Osu prince from present-day Ghana, created after Klimt attended an ethnographic exhibition at Vienna's Tiergarten am Schüttel where Osu people were put on display. The painting had been owned by Ernestine and Felix Klein, Jewish collectors who fled the Nazis, and is now being shown after a restitution settlement with Klein's heirs.

A Visual Journey Through 150 Years of the Legal Aid Society

A Visual Journey Through 150 Years of the Legal Aid Society

The New York Historical Society has unveiled a special exhibition, "Delivering Justice: 150 Years of The Legal Aid Society," chronicling the history and impact of the nation's largest public defense provider. The display features archival photographs, newspaper clippings, and artwork that trace the organization's evolution from its 1876 founding as a small office aiding German immigrants to its modern role in landmark cases, including its defense of Attica prison uprising leaders and a recent lawsuit against brutality at Rikers Island.

€1m Picasso painting to be won for €100 in charity raffle

A charity raffle in France is offering participants the chance to win a 1941 Pablo Picasso portrait, 'Tête de Femme', for the price of a €100 ticket. The initiative aims to sell up to 120,000 tickets to raise funds for the Alzheimer’s Research Foundation in Paris, with the painting's current owner, Opera Gallery, receiving €1m from the proceeds. The artwork will be displayed at Christie’s in Paris ahead of the drawing.

From The Drama to Malcolm in the Middle: your complete entertainment guide to the week ahead

The article is a weekly entertainment guide covering cinema, gigs, art, stage, streaming, games, albums, and other cultural events. In the art section, it highlights two major exhibitions in London and its surroundings: a solo show of new paintings by British artist Cecily Brown at the Serpentine Gallery, created in response to Kensington Gardens, and a display of Henry Moore's iconic Shelter Drawings at his studio in Perry Green, focusing on his depictions of Londoners during the Blitz.

Before the Night of Museums, monuments across France open their doors for three exceptional nocturnal events

Avant la Nuit des musées, des monuments de la France entière ouvrent leurs portes pour trois nocturnes exceptionnelles

The crowdfunding platform Dartagnans is launching the 2026 edition of "Nuit des monuments" (Night of Monuments) from April 17 to 19 across France. This initiative opens dozens of privately owned historic sites, many of which are usually closed to the public, for unique nocturnal experiences including lantern-lit tours, puzzle games, and immersive light displays. Notable participants include the Château de Cercamp, the Château de la Matray, and the Fondation Vasarely in Aix-en-Provence.

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Michael Govan, director of the Los Angeles County Museum of Art (LACMA), has broken his silence regarding the museum’s controversial new David Geffen Galleries in an interview with Vanity Fair. The $720 million structure, designed by Pritzker Prize-winning architect Peter Zumthor, is scheduled to open next month following years of heated debate over its unconventional design, the demolition of previous museum buildings, and escalating costs. Govan defended the project’s horizontal, single-floor layout as a necessary evolution for the 21st-century museum, moving away from traditional geographic and chronological hierarchies.

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In mid-December, Abby Jones, acting chief of protocol at the State Department, suggested during a tour of the Smithsonian’s National Portrait Gallery that the museum create a dedicated gallery featuring multiple images of President Donald Trump, in addition to his official portrait. The White House later noted it regularly receives artworks depicting Trump from supporters and proposed displaying some at the museum, though no formal request has been made. The discussion follows the gallery’s recent replacement of Trump’s official photograph with a more flattering image and the removal of wall text referencing his two impeachments, which the museum described as part of a broader exhibition update.

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The Los Angeles County Museum of Art (LACMA) has announced that its new building, the David Geffen Galleries, will open to members on April 19 and to the public on May 4. Designed by Swiss architect Peter Zumthor, the 900-foot-long structure spans Wilshire Boulevard and offers 110,000 square feet of exhibition space, displaying 2,500 to 3,000 objects from the permanent collection on a single level. The museum also revealed that Willow Bay has been elected co-chair of its board of trustees, succeeding the late Elaine Wynn.

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A new catalogue raisonné by scholar Christof Metzger argues that a painting in London's National Gallery, long considered a copy, is an authentic work by Albrecht Dürer. Metzger, a curator at Vienna's Albertina Museum, contends that the 1497 portrait of Dürer's father shows masterful technique that distinguishes it from known copies.

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A long-lost portrait of Scottish poet Robert Burns by Sir Henry Raeburn has been rediscovered and is now on display at the National Galleries of Scotland in Edinburgh. The painting was found at a London house sale last year, consigned to Wimbledon Auctions with a low estimate of £300–£500, but sold for £68,000 after intense bidding. It was purchased by Edinburgh-based art collector William Zachs, who had it restored and brought to Scotland, where experts confirmed it as an authentic Raeburn. The work is a copy Raeburn made in 1803 of a 1787 portrait by Alexander Nasmyth, commissioned by London publishers Cadell & Davies but lost shortly after completion.

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President Donald Trump signed the "One Big Beautiful Bill Act" on July 4, which includes a provision requiring the Smithsonian Institution to transfer a space vehicle—widely understood to be the space shuttle Discovery—to NASA. The shuttle has been displayed at the Steven F. Udvar-Hazy Center in Chantilly, Virginia, since 2012. The move must be completed by January 4, 2027, and $85 million has been allocated for planning, transportation, and a new exhibition facility in Houston. The provision originated from the "Bring the Space Shuttle Home Act" introduced by Texas senators John Cornyn and Ted Cruz, after their state lost the original competition to host Discovery.

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Japanese sculptor Kunimasa Aoki won the 2025 Loewe Craft Prize on Thursday evening in Madrid, receiving a €50,000 cash prize. His anamorphic terracotta sculpture “Realm of Living Things 19” was selected by a 12-member jury from 30 shortlisted works on display at the Thyssen-Bornemisza National Museum. The jury praised the work's honest expression of the ancestral coil process and the raw, unfinished form of the material. Two special mentions were awarded: Nigerian artist Nifemi Marcus-Bello for “TM Bench with Bowl” and Studio Sumakshi Singh from India for “Monument.”

Monumental 37ft-long Indian scroll goes on public view for the first time at Yale Center for British Art

The Yale Center for British Art has unveiled the 'Lucknow scroll,' a monumental 37-foot-long early 19th-century watercolor, following an extensive two-year conservation project. Part of the exhibition 'Painters, Ports and Profits,' the scroll offers a panoramic view of Lucknow, India, during the reign of Ghazi-ud-Din Haidar Shah. Due to its immense size and fragility, the museum is displaying the work in two stages, unrolling different sections over the course of the exhibition to manage light exposure and space constraints.

Historic Tiffany Window, Once Hidden in Texas Church, Reemerges at Crystal Bridges

Crystal Bridges Museum of American Art has unveiled a monumental Tiffany Studios window, "Mountain Landscape (Root Memorial Window)," which was previously housed in a San Antonio church. The 1917 stained-glass masterpiece, designed by Agnes Northrup, had been roped off for a decade due to insurance liabilities before the church sought a public institution to ensure its preservation and display. Following a meticulous conservation process, the nine-foot-tall window is now a centerpiece of the museum’s Visions of America Galleries.

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Edmonia Lewis’s monumental marble sculpture, 'The Death of Cleopatra', debuted to massive acclaim at the 1876 Centennial Exhibition in Philadelphia before vanishing into a bizarre century-long obscurity. After failing to sell, the two-ton masterpiece transitioned from Chicago saloons to a racetrack—where it served as a grave marker for a horse—and eventually sat neglected at a shopping mall construction site, exposed to vandalism and the elements.

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The Palace of Versailles has announced a major retrospective dedicated to Sofia Coppola’s 2006 film, Marie Antoinette, to mark the movie's 20th anniversary. Set to open in September 2026, the exhibition will be staged within the Petit Trianon, the Queen’s private estate where Coppola was famously granted unprecedented filming access. The show will feature Academy Award-winning costumes by Milena Canonero, alongside never-before-seen storyboards, scripts, and set photography.

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The White House is pushing for a dedicated display of fan-created portraits of President Donald Trump at the Smithsonian's National Portrait Gallery. Administration officials, following a December tour, suggested installing a selection of artwork sent to the president by supporters, a move that would break with the museum's tradition of reserving multiple depictions for former presidents.

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A new study published in *Psychology of Aesthetics, Creativity, and the Arts* by French researcher Temenuzhka Dimova uses eye-tracking technology to examine how pointing fingers in Old Master paintings affect viewer attention. Conducted through the University of Vienna’s Laboratory for Cognitive Research in Art History (CReA), the study compared participants' eye movements when viewing original paintings—such as Theodor Rombouts's *The Card Players*—and digitally altered versions where the pointing gestures were removed. Results showed that viewers focused more on the faces of pointing figures and the narrative context, not just the target of the gesture, and that removing the finger fundamentally changed how the story was perceived.

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An adjunct professor at Hamline University in St. Paul, Minnesota, Erika López Prater, lost her job after showing her art history class two Medieval paintings depicting the Prophet Muhammad during an online lecture on October 6, 2022. She issued a content warning before displaying the images, which came from a 14th-century manuscript by Rashīd al-Dīn and a 16th-century work by Mustafa ibn Vali. A student, Aram Wedatalla, complained, and the university's administration, including associate vice president David Everett, decided not to renew her contract, calling the incident Islamophobic. The decision has sparked widespread debate, with a Change.org petition signed by over 2,500 scholars and a condemnation from PEN America.

Pooh in pencil: sketches for original Winnie-the-Pooh book shared for first time

Two previously unseen preliminary pencil sketches of Winnie-the-Pooh by illustrator E.H. Shepard have been revealed to the public for the first time. Shared by the artist’s family to mark the centenary of A.A. Milne’s classic stories, the drawings depict scenes from the "expotition" to the North Pole and the hunt for a "Woozle" that were never included in the final 1926 publication. These rare works are set to go on display at Peter Harrington Rare Books in London starting April 17.

Open Letter on the Imminent Departure of the Gelman Collection from Mexico

An open letter signed by hundreds of Mexican artists and cultural figures warns that the core of the renowned Gelman Collection, including eleven Frida Kahlo paintings declared national monuments, is at risk of permanent export from Mexico. The letter alleges that Banco Santander's new Faro Santander museum, through an agreement with collector Marcelo Zambrano, is misinterpreting Mexico's strict heritage laws to justify a "dynamic" but effectively permanent display abroad, which would violate the legal prohibition on the permanent export of Kahlo's work.

Fondation Cartier’s Latest Museum Invents New Ways of Displaying Art

The Fondation Cartier for Contemporary Art has opened a new building in Paris, designed by architect Jean Nouvel, after ten years of planning and construction. Located near the Louvre in the former Grand Hotel du Louvre, the 8,500-square-meter space features transformable architecture with movable walls and floors, conceived as a "machine" for flexible exhibitions. The opening show, "Exposition Générale," curated by Grazia Quaroni and Béatrice Grenier and designed by Formafantasma, highlights the building's structural innovations and features works from the foundation's permanent collection, including pieces by Cai Guo-Qiang, Joan Mitchell, James Turrell, and Malick Sidibé.