Van Gogh’s love of Hiroshige, the Japanese master of the landscape, is reflected in a British Museum exhibition

The British Museum's exhibition "Hiroshige: Artist of the Open Road" (through September 7) showcases over 100 prints by the Japanese master Utagawa Hiroshige, including rare loans that highlight his influence on European avant-garde artists. A key display is Vincent van Gogh's own copy of Hiroshige's "The Plum Garden at Kameido" (1857), on loan from the Van Gogh Museum in Amsterdam, along with Van Gogh's squared-up tracing used for his painting. New research by British Museum senior scientist Capucine Korenberg reveals a short pencil line on the print that confirms Van Gogh used this exact copy as a guide for his tracing and subsequent painting.

Van Gogh was not fantasising when he painted mountain landscapes with ‘The Two Holes’

Martin Bailey, a leading Van Gogh specialist, reveals that the distinctive rock formation known as Le Rocher des Deux Trous (The Rock of the Two Holes), which appears in two of Vincent van Gogh's paintings—The Olive Trees (June 1889) and Mountains at Saint-Rémy (July 1889)—is a real geological feature near the asylum in Saint-Rémy-de-Provence, not a figment of the artist's imagination. The two paintings, held by the Museum of Modern Art and the Solomon R. Guggenheim Museum in New York, were recently displayed together at London's National Gallery exhibition Van Gogh: Poets & Lovers (14 September 2024–19 January 2025), offering a rare chance to compare them. Bailey traces the history of the formation, noting that an anonymous 17th-century artist also depicted it, and describes a walking route from the former asylum to the site.

Art Gallery of Ontario acquires more than 200 Peter Hujar photographs

The Art Gallery of Ontario (AGO) has acquired 210 photographs by Ukrainian American photographer Peter Hujar (1934-87) from the Hujar Archive. The acquisition coincides with the gallery’s photography department preparing for its 25th anniversary exhibition, Collective Visions: Celebrating 25 Years of Photography, opening November 7, which will feature around 80 works chosen by the local community. The exhibition uses a unique chain-selection process where local artists, collectors, donors, community leaders, and scholars pick works in sequence, each inspired by the previous choice.

Peggy Guggenheim's influential—and short-lived—London gallery to be celebrated in new show in Venice and at London's Royal Academy

A new exhibition titled "Peggy Guggenheim in London: The Making of a Collector" will celebrate the legacy of Peggy Guggenheim's short-lived London gallery, Guggenheim Jeune, which operated from January 1938 to just 18 months later. The show, featuring over 100 works, opens at the Peggy Guggenheim Collection in Venice in spring 2026 before traveling to the Royal Academy in London. Highlights include the first painting Lucian Freud ever exhibited, Vasily Kandinsky's first solo London exhibition, and the first major collage group show in Britain, among other groundbreaking displays.

Two US ambassadors have displayed Van Goghs in their London residence—but Donald Trump's pick for the job seems unlikely to follow suit

Two former U.S. ambassadors to the UK, John Hay Whitney (1957-61) and Walter Annenberg (1969-74), displayed Van Gogh masterpieces from their personal collections in Winfield House, the official residence in London's Regent's Park. Whitney hung Van Gogh's *Self-portrait* (September 1889) above the mantelpiece in the family dining room, while the Annenbergs placed *La Berceuse* (February 1889) and *Olive Trees* (November 1889) in the green room, alongside works by Gauguin, Degas, Cézanne, Monet, and Renoir. Both ambassadors later donated their Van Goghs to major U.S. museums—Whitney's to the National Gallery of Art in Washington, D.C., and the Annenbergs' to the Metropolitan Museum of Art in New York.

Korea’s first privately owned Van Gogh unveiled at newly opened museum

Hong Gyu Shin, a New York-based gallery owner originally from Ulsan, South Korea, became the first named Korean to purchase a Van Gogh when he acquired *Head of a Peasant* (January-March 1885) at Sotheby’s in May 2024 for $787,000—well below its estimate. The painting has now gone on display at the newly opened KAIST Art Museum (KAM) in Daejeon, South Korea, as part of Shin's exhibition *The Vault of Masterpieces* (until 30 August). The show features 49 works from his personal collection, including a recreation of his New York apartment, and marks the first time a Van Gogh has been exhibited on loan from a Korean collector.

Keeping it in the family: never-before-seen Picasso works to go on show in New York with help from artist's descendants

Two exhibitions dedicated to Pablo Picasso will open this spring on New York's Upper East Side, both organized in collaboration with the artist's descendants and featuring works never before displayed publicly. 'Picasso: Tête-à-tête' at Gagosian (through July 3) is presented with Paloma Picasso, the artist's daughter, and includes 12 never-before-seen works from her personal collection. Two blocks north, 'Pablo Picasso: Still Life' at Almine Rech (through July 18) is organized by dealer Almine Rech and her husband Bernard Ruiz-Picasso, a grandson of the artist, with over 60% of works never exhibited before. The Gagosian show will be the gallery's last at its 980 Madison Avenue space before moving out for Bloomberg Philanthropies.

When—and why—did Van Gogh paint a pair of crabs?

An article explores the story behind Vincent van Gogh's still life "Two Crabs," revealing that the two crabs are likely the same individual—a female Cancer pagurus missing its first pair of walking legs. Paul Clark, a crustacean specialist at London's Natural History Museum, confirmed the sex based on the broad abdomen visible in the painting. The work is on long-term loan to London's National Gallery, where it was recently redisplayed as part of the gallery's major rehang ahead of the Sainsbury Wing reopening on May 10. The article also traces the painting's provenance: it was the first Van Gogh bought by a British collector, William Cherry Robinson, in 1893 for 200 guilders, later sold at auction in 1906 for half that amount, and eventually resold at Sotheby's in 2004 for £5.2 million to an anonymous collector who lent it to the National Gallery.

TOP CHARITY Art Exhibition

The Museum of King Jan III in Wilanów, Warsaw, is hosting the TOP CHARITY Art exhibition from April 24 to June 24, 2025, featuring works from the OmenaArt Foundation’s African art collection. Acclaimed Ghanaian artist Ibrahim Mahama served as guest of honour at the opening, and his jute sack piece NANDANBIA (2019) is on display. The exhibition includes a sculpture park curated by Isabel de Vasconcellos and Natalia Bradbury in partnership with Opera Gallery, showcasing artists such as Niki de Saint Phalle, Manolo Valdes, and Amedeo Modigliani. Works from the exhibition will be auctioned in the TOP CHARITY Auction on June 7, alongside a silent auction for emerging artists.

What Not to Miss in Venice’s Arsenale and Giardini

Frieze has published a critic's guide titled "What Not to Miss in Venice’s Arsenale and Giardini," though the provided text appears to be a truncated excerpt that actually promotes a different article: "7 Must-See Shows During Art Brussels," featuring Richard Tuttle at Galerie Greta Meert and Lutz Bacher at WIELS, written by Emile Rubino on April 21, 2026. The guide likely highlights key exhibitions and artworks within the historic Arsenale and Giardini venues during a major art event in Venice.

Lydia Ourahmane’s Simple Yet Audacious Acts

The article highlights seven must-see exhibitions during Art Brussels, curated by critic Emile Rubino. Featured shows include Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive presentation of Lutz Bacher at WIELS, among other notable displays across the city.

Barber and Osgerby: The Best of London Design Arrives in Exhibition in Milan

Barber e Osgerby: il meglio del design londinese arriva in mostra a Milano

Designers Edward Barber and Jay Osgerby have opened a major exhibition, 'Edward Barber | Jay Osgerby. Alphabet,' at the Triennale di Milano. The show presents a chronological survey of their work from the mid-1990s to 2022, featuring furniture, objects, and prototypes displayed on large plinths, alongside an archival section revealing their creative process.

In Milan, you can play for free with your band in a recording studio open to the public at HangarBicocca

A Milano puoi suonare gratis con la tua band in uno studio di registrazione aperto al pubblico all’HangarBicocca

Pirelli HangarBicocca in Milan has transformed its exhibition space into a functional recording studio as part of a major retrospective for artist Rirkrit Tiravanija. Titled "A Retrospective: The House That Jack Built," the show invites local musical acts to book time slots to perform and record their music live within the gallery. This interactive installation allows the creative process to unfold in front of museum visitors, blurring the lines between a static art display and a community hub.

New Zealand's Venice Biennale pavilion explores the secret life of birds

New Zealand returns to the Venice Biennale in 2025 with Fiona Pardington’s solo exhibition *Taharaki Skyside* at the Istituto Provinciale per l’Infanzia Santa Maria della Pietà. The show features 17 large-scale photographic portraits of taxidermied birds from the South Canterbury Museum Timaru’s collection, including the extinct whēkau (laughing owl) and the critically endangered kākāpō. Pardington, an artist of Māori and Scottish descent, draws on Māori cosmology in which birds serve as spiritual messengers, and her work continues a long-standing photographic investigation of objects that hold “mana” (power) for Māori people.

Can Art Feel?

Hyperallergic's newsletter explores the question of whether artworks can possess personhood, drawing on Lisa Siraganian's essay that references the 2010 Citizens United Supreme Court decision and Pierre Huyghe's uncanny human statues. Other featured pieces include Ed Simon's review of Elizabeth Goldring's new book on Hans Holbein the Younger, Michael Glover's introduction to George Stubbs's equine portraits at the National Gallery in London, and news of a historic $116M gift to the National Gallery of Art for an artwork lending program. The newsletter also covers Byron Kim's exhibition at James Cohan Gallery, the new V&A East museum in London, and obituaries for Desmond Morris, James Hayward, and Flo Oy Wong.

Rare Complete Triceratops Skeleton Snags $5.5 Million at Auction

A 66-million-year-old Triceratops skeleton, nicknamed Trey, sold for $5.55 million at the online auction platform Joopiter. The fossil, excavated in 1993, had been on continuous public display at the Wyoming Dinosaur Center for three decades and represents the first dinosaur skeleton sold by Joopiter, a platform founded by Pharrell Williams.

Salvador Dalí painting behind Schiaparelli’s “Tears Dress” to make London debut.

Salvador Dalí's 1936 painting 'Necrophiliac Spring' will be exhibited in the UK for the first time as part of the 'Schiaparelli: Fashion Becomes Art' exhibition at London's Victoria and Albert Museum. The show, dedicated to designer Elsa Schiaparelli, runs from March 28th to November 8th.

louvre museum closes gallery greek antiquities 1234761958

The Louvre Museum in Paris has temporarily closed a gallery housing Greek antiquities and several offices after an audit revealed structural weaknesses in beams on the second level of the southern Sully wing. The affected gallery, the Campana Gallery, which displays antique Greek ceramics, was shut as a precaution, and 65 employees have been relocated while experts assess the damage. The closure comes amid a difficult period for the museum, following a $102 million theft of France's crown jewels in October and a scathing report criticizing leadership for prioritizing acquisitions over security upgrades.

mfa boston to rescind promised gift of benin bronzes close dedicated gallery 1234739559

The Museum of Fine Arts, Boston, will return a promised gift of Benin Bronzes and close its dedicated Benin gallery on April 28, 2025. The gallery will be repurposed for Nubian art. The collection, pledged by Robert Owen Lehman, includes objects traceable to the 1897 British looting of the Kingdom of Benin. Lehman has donated five objects outright, which will be displayed in the Art of Africa Gallery. The MFA stated it could not reach a mutually agreeable resolution for the gallery's long-term sustainability.

New media art fair launches second edition in Busan, questions the genre's direction

The Loop Plus media art fair has launched its second edition in Busan, South Korea. The fair, dedicated exclusively to new media art, is confronting fundamental market challenges, specifically the public and collector uncertainty about whether such technologically dependent works can be owned and collected. It aims to build the market and ecosystem for the genre.

The Best Art Exhibitions to See in Miami in March

Miami’s art scene is transitioning into the spring season with a diverse lineup of exhibitions across the city’s museums and private galleries. Key highlights include the Pérez Art Museum Miami’s exploration of sports and art, a duo photography show by Diana Larrea and Zonia Zena at Green Space Miami, and solo presentations by Richard Vergez at Homework and David Barnes at Andrew Reed Gallery. The month also features a fiber art-focused group show at The CAMP Gallery and a survey of works on paper by the late abstract painter Lynne Golob Gelfman at Central Fine.

Boulder County art exhibits and gallery events this week

The Boulder County arts scene is currently hosting a diverse array of exhibitions across its local galleries and museums. Key highlights include the Boulder Museum of Contemporary Art’s group exhibition "Yes &…" featuring 18 artists, Rodney Carswell’s lithographs at 15th Street Gallery, and Albert Chong’s "Jamaican Portraits" at East Window. The listings also feature community-focused displays ranging from urban sketching and paper crafts at the Boulder Public Library to studio art quilts at the Collective Community Arts Center.

The US struggles with history, Stephen Friedman Gallery closes, Tudor Heart pendant acquired by the British Museum—podcast

The United States is experiencing significant cultural and political disputes as it approaches the 250th anniversary of the Declaration of Independence in July 2026. A recent flashpoint involved the Trump administration removing the rainbow Pride flag from the Stonewall Monument in New York, highlighting deep societal divisions over history and representation. Concurrently, various cultural initiatives are being planned to mark the semiquincentennial.

7 Art Events and Exhibitions to See in Los Angeles This February

Several major Los Angeles institutions are opening new exhibitions in February. Highlights include the Academy Museum's interactive "Studio Ghibli’s Ponyo" show, the Autry Museum's "Desert Dreams and Coastal Currents" exhibition on Southwestern art, a performance by Wild Up at The Broad, the Getty Center's "Photography and the Black Arts Movement" survey, LACMA's display of modern masterpieces from the Pearlman collection, and the Marciano Art Foundation's Bruce Conner retrospective.

Wes Anderson Brings Joseph Cornell’s Studio to Life

Filmmaker Wes Anderson and Gagosian curator Jasper Sharp have recreated Joseph Cornell's basement studio from his home on Utopia Parkway in Queens, New York, at Gagosian Gallery's Paris location. The exhibition, titled "The House on Utopia Parkway: Joseph Cornell's Studio Re-Created by Wes Anderson," features over 300 original objects collected by Cornell, alongside his iconic shadow boxes and collages. It runs through March 14 and is free to the public, displayed behind the gallery's storefront windows.

Rosalind Fox Solomon and Larry Fink reunited with mentor Lisette Model at Paris Photo

At this year's Paris Photo, the MUUS Collection presented "Looking Out, Looking In: Larry Fink and Rosalind Fox Solomon with Lisette Model," an exhibition that placed the work of photographers Larry Fink (1941-2023) and Rosalind Fox Solomon (1930-2025) in dialogue with that of their teacher, Lisette Model (1901-83). The MUUS Collection, founded by Michael W. Sonnenfeldt, owns the archives of Fink and Solomon, acquired in 2024 and 2021 respectively, and partnered with the French gallery baudoin lebon to include Model's prints. The presentation was organized by Anne E. Havinga, curator of photography at the Museum of Fine Arts, Boston, and highlighted Model's pedagogical legacy as a teacher at the New School for Social Research who emphasized personal vision and creative independence.

The Best Art Shows of 2025

A roundup of the best art shows of 2025 highlights standout exhibitions across New York galleries and museums. Notable shows include Reverend Joyce McDonald's first major exhibition at the Bronx Museum, Laura Owens' interactive takeover at Matthew Marks Gallery, and Harkawik's refrigerator-mounted photo display featuring 280 artists. Other featured shows include Maxwell Gallery's unsold works, Elisabeth Kley's curator-driven show at White Columns, Cady Noland's sculpture at Gagosian, and Falcon Art Collective's group show in an unfinished midtown building. The article also mentions Alannah Farrell's trans-themed work in Chinatown, Bradford's blue-field paintings at Canada gallery, and the reopening of institutions like the Frick Collection.

The 10 Best Booths at Untitled Art, Miami Beach 2025

Untitled Art, Miami Beach 2025 opened for VIP day on December 2nd under the Miami sun, featuring 160 galleries from 29 countries—a slight decrease from 2024's 176 exhibitors. The fair introduced a new Artist Spotlight sector for solo booths and a curated Nest sector led by Jonny Tanna, grouping 36 emerging galleries like Cierra Britton Gallery and Sorondo in an open-format layout. Highlights include Carvalho's booth with works by Élise Peroi, Rosalind Tallmadge, Yulia Iosilzon, and Rachel Mica Weiss, and SGR Galería's solo presentation of Colombian artist Lorena Torres. The fair's director, Clara Andrade Pereira, emphasized championing emerging talent and strengthening community.

A brush with… Wolfgang Tillmans—podcast

The article is a podcast transcript featuring an in-depth conversation with Wolfgang Tillmans, the influential German photographer born in 1968. It covers his four-decade career, his experimental approach to photography—spanning portraiture, still life, landscape, political subjects, and abstraction—and his innovative installation methods that respond to specific exhibition spaces. Tillmans discusses early influences like Kurt Schwitters, Francisco de Zurbarán, Isa Genzken, Laurie Anderson, and Jiddu Krishnamurti, and reflects on his expanding practice into video, text, sound, and music. The piece also lists current and upcoming exhibitions, including a solo show at Maureen Paley in London and his participation in the 36th Bienal São Paulo.

Christian Marclay's ‘Doors’ marks opening of Brooklyn Museum's new video art gallery

Christian Marclay's video collage 'Doors' (2022) has opened at the Brooklyn Museum's newly constructed Moving Image Gallery, marking the institution's first dedicated space for time-based media. The 54-minute work, co-purchased by the Brooklyn Museum and the Smithsonian's Hirshhorn Museum and Sculpture Garden, splices hundreds of film clips showing characters entering and exiting doorways, building on the visual language of Marclay's acclaimed 24-hour film 'The Clock' (2010). The gallery was built to Marclay's specifications, offering a theatrical setting rather than a typical black-box presentation.