Melissa Chiu Appointed Head of Guggenheim New York

Melissa Chiu nommée à la tête du Guggenheim New York

Melissa Chiu has been appointed as the new director of the Guggenheim Museum in New York, effective September 1. Currently the head of the Hirshhorn Museum and Sculpture Garden in Washington, D.C., Chiu succeeds Mariët Westermann, who will transition to a strategic role overseeing the Solomon R. Guggenheim Foundation’s international network. Chiu brings a proven track record of fundraising, having secured nearly $250 million during her tenure at the Hirshhorn, and is credited with significantly increasing attendance and diversifying the museum's collections.

Death of Christine Ruiz-Picasso

Décès de Christine Ruiz-Picasso

Christine Ruiz-Picasso, the daughter-in-law of Pablo Picasso and a pivotal figure in preserving his artistic legacy, has passed away. As the widow of Paul Picasso, the artist's eldest son, she played a foundational role in the management of the Picasso estate and was instrumental in the creation of major institutions dedicated to his work.

A Titanic Face-to-Face Brings Together the Vibrant Bodies of Rodin and Michelangelo at the Louvre

Un face-à-face titanesque réunit les corps vibrants de Rodin et Michel-Ange au Louvre

The Louvre has mounted an exhibition that places the works of Auguste Rodin in direct dialogue with those of Michelangelo, focusing on the profound influence of the Renaissance master on the 19th-century sculptor. Key sculptures like Rodin's 'Adam' and 'The Age of Bronze' are juxtaposed with Michelangelo's 'Dying Slave' and 'Rebellious Slave', highlighting shared themes of contorted male forms and masterful use of contrapposto.

The Centre Pompidou will inaugurate its South Korean branch in a former Seoul aquarium in early June

Le Centre Pompidou inaugurera début juin son antenne sud-coréenne dans un ancien aquarium de Séoul

The Centre Pompidou has announced the official opening date for its new South Korean satellite, the Centre Pompidou Hanwha, scheduled for June 4, 2026. Located in a former aquarium within Seoul’s financial district, the 11,000-square-meter space was redesigned by architect Jean-Michel Wilmotte and will launch with a major cubism exhibition featuring 90 works by masters such as Picasso and Braque. The inauguration was recently marked by a site visit from French President Emmanuel Macron and key cultural officials.

Jeamin Cha wins Hermès Foundation Missulsang

Jeamin Cha wins Hermès Foundation Missulsang

Korean media artist Jeamin Cha has been awarded the 21st Missulsang prize by the Hermès Foundation. She will receive KRW 30 million and production support for a solo exhibition at Atelier Hermès in Seoul, opening in May 2027.

Defying Soft Power: “Proximities” at SeMA

The Seoul Museum of Art (SeMA) is hosting "Proximities: Contemporary Art from the United Arab Emirates," a major survey featuring over 110 works by 47 artists. Co-curated by Maya El Khalil and Eunju Kim in collaboration with the Abu Dhabi Music & Arts Foundation (ADMAF), the exhibition eschews traditional chronological narratives in favor of a dense, non-linear exploration of Emirati identity. The show is organized into thematic chapters led by artist-curators, featuring works ranging from Shaikha Al Mazrou’s precarious sculptures to Raja’a Khalid’s olfactory installations.

Weekly News Roundup: April 16, 2026

The art landscape in Asia is undergoing significant shifts with Art Basel renewing its five-year commitment to Hong Kong and the Centre Pompidou announcing a June opening for its new Seoul branch. Meanwhile, the Ayala Foundation unveiled designs by architect Kulapat Yantrasast for Kontempo, a major new contemporary art center in Manila slated for 2028, and the Kochi-Muziris Biennale appointed Jitish Kallat as president following the resignation of cofounder Bose Krishnamachari.

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The Ayala Foundation has appointed Reuben Keehan as the incoming artistic director of Kontempo, a new contemporary art space set to open in Manila. Designed by Kulapat Yantrasat of WHY Architecture, the venue will feature over 26,000 square feet of exhibition space across three galleries and nearly four acres of green space for sculptures and installations, located in the Circuit Makati development. Keehan joins from the Queensland Art Gallery / Gallery of Modern Art, where he served as curator of contemporary art, and has curated the Asia Pacific Triennial of Contemporary Art since 2013.

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The Barnes Foundation has promoted Will Cary to Executive Vice President and Chief Operating Officer, where he will oversee new revenue initiatives, the Calder Gardens partnership, and a newly formed Brand department. Bukia Vakhania Gallery (formerly Gallery Artbeat) is opening a Berlin location on January 15 with a solo show by Nina Kintsurashvili. Heritage Auctions reported $2.2 billion in sales for 2025, its highest-ever annual total, driven by coins, comics, sports memorabilia, and illustration art. Antenna Space will open a Hong Kong outpost in March 2026, directed by Jeff Li. A Deloitte Private and ArtTactic report reveals that 50% of non-bank art lenders experienced loan defaults in 2024, up from 17% in 2023.

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The Ruth Foundation for the Arts has named five artists as recipients of its 2026 Ruth Awards: Yuji Agematsu, Ranu Mukherjee, Will Rawls, Ellen Sebastian Chang, and Anna Martine Whitehead. Each winner receives an unrestricted $100,000 grant disbursed over two years. The artists work across diverse media—from Agematsu's miniature street-detritus sculptures and Rawls's multidisciplinary choreography to Mukherjee's painting and film installations, Sebastian Chang's decades-spanning theater and film work, and Whitehead's performance art. The awards are open to artists across North America and are now in their third year.

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The Pérez Art Museum Miami (PAMM) has announced two major gifts totaling $7 million for its Caribbean Cultural Institute (CCI). The Mellon Foundation contributed an additional $2 million, while the Green Family Foundation (GFF) donated $5 million, leading to the institute's renaming as the Green Family Foundation Caribbean Cultural Institute. The funds will support operating expenses and the endowment of the CCI, which was originally established in 2019 with a $1 million Mellon grant. The Green Family Foundation, founded by Steven J. Green and Dorothea Green, has deep philanthropic roots in Miami, including ties to Florida International University and local art initiatives. Current CCI fellows include artist M. Florine Démosthène, writer Rianna Jade Parker, and anthropologist Celia Irina González.

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The FLAG Art Foundation, based in New York, has pledged £1 million ($1.3 million) to London's Serpentine Galleries to establish a new biennial artist prize. Named the Serpentine x FLAG Art Foundation Prize, it will award £200,000 ($265,000) to an international artist who has been exhibiting for fewer than ten years, along with an exhibition at both institutions and a catalog. The first winner will be selected in 2026, with exhibitions at Serpentine in 2027 and FLAG in 2028. The prize is funded by collector Glenn Fuhrman's foundation and is the largest contemporary art prize in the UK.

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Christopher Knight, the Pulitzer Prize-winning art critic for the Los Angeles Times, is retiring after a 45-year career in criticism, including 36 years at the newspaper. His final day is Friday. Knight, one of the few remaining full-time art critics in American journalism, was praised by colleagues for his encyclopedic knowledge and razor-sharp assessments. He won the Pulitzer Prize for criticism in 2020, notably for a series of articles that harshly critiqued the Los Angeles County Museum of Art's (LACMA) proposed redesign by architect Peter Zumthor. He also received a lifetime achievement award from the Dorothea and Leo Rabkin Foundation in 2020, and the College Art Association's Frank Jewett Mather Award in 1997. Before his journalism career, Knight worked as a curator at the Museum of Contemporary Art San Diego and consulted for the Lannan Foundation and the Smithsonian Institution's Archives of American Art.

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The Pérez Art Museum Miami (PAMM) has awarded its annual Pérez Prize to New York–based artist Javier Téllez, accompanied by an unrestricted $50,000 grant. The prize was presented at the museum's Art of the Party Fundraiser on November 15. Téllez, known for film, installation, and collage works addressing marginalization of immigrants and people with disabilities, was recognized for his empathetic and imaginative practice. His recent film "Amerika" (2024) responds to the displacement of Venezuelans, reflecting his own background as a Venezuelan-born artist living in New York.

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British aristocrat Charles March, the Duke of Richmond, opened a new exhibition of minimalist abstract photographs titled “Sandscript” at London’s Hamiltons Gallery on November 4. The show runs through January 16 and draws inspiration from Chinese ink painting. March, also a vintage car enthusiast and founder of the Goodwood Festival of Speed, has worked as a documentary and advertising photographer for five decades, beginning as an apprentice to Stanley Kubrick on the set of *Barry Lyndon*. Proceeds from the exhibition will benefit the King’s Trust International’s Generation Potential campaign.

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The editor's letter for the 2025 ARTnews Top 200 Collectors issue recounts a cinematic moment at Art Week Riyadh in Saudi Arabia, where a government-affiliated collector described their role as "everyone and no one," reflecting the behind-the-scenes, museum-focused art acquisitions under Vision 2030. The issue features a report by Melissa Gronlund on the Gulf art scene, noting that Saudi Arabia is prioritizing museums and noncommercial programming before an independent market can emerge, while private collectors and foundations are also gaining ground. The article also highlights the cooling art market in Europe and the US, with collector Christen Sveaas criticizing blue-chip galleries for over-commercial pricing strategies.

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Artist and children's book illustrator Oliver Jeffers held a dip performance two days before the opening of his solo show at Praise Shadows gallery in Boston, where he destroyed a portrait of Japanese artist and cancer survivor Yuri Shimojo by submerging it in enamel paint. The invite-only audience watched in silence as the image disappeared, a ritual Jeffers describes as both a death and a birth, exploring themes of memory, loss, and hidden variables. His exhibition also features his "Disaster Paintings," which treat serious subjects like climate change and violence with absurdist humor.

'Claude Viallat' at Templon, Brussels, Belgium on 22 Apr–6 Jun 2026

Galerie Templon in Brussels is presenting a solo exhibition of Claude Viallat, celebrating the 60th anniversary of his signature bone-shaped motif. The show features around thirty recent experimental canvases and objects from 2024 to 2026, exploring his practice of repetition and variation on diverse fabrics and found materials.

MoMA Delivers with First American Marcel Duchamp Retrospective in 50 Years

The Museum of Modern Art (MoMA) has launched a comprehensive retrospective of Marcel Duchamp, marking the first major American survey of the artist's work in five decades. The exhibition follows a chronological path through Duchamp’s radical career, featuring early pen-and-ink drawings, his transition through Cubism and Dadaism, and his revolutionary "readymades" like the urinal titled Fountain. Highlights include the rare gathering of all three versions of Nude Descending a Staircase and documentation of his final, secretive installation, Étant donnés.

Sculptor Sahar Khoury, Collection Exhibition at the Manetti Shrem Museum Offer New Views of California Art

Two exhibitions opening in January at the Jan Shrem and Maria Manetti Shrem Museum of Art at UC Davis explore themes of cultural origins, legacy, and preservation in California art. "Sahar Khoury: Weights & Measures" (Jan. 7–June 20) is the Bay Area sculptor's largest solo show to date, featuring works in ceramics, metal, papier-mâché, and found objects that interrogate value systems, personal and political symbols, and site sensitivity. The emotional centerpiece, "The Elephant in the Room," evokes ruins and marketplaces of North Africa and Southwest Asia. Concurrently, "Backstory: Digitizing the Museum Collection" (Jan. 21–May 2) turns the museum into a working digitization lab, displaying signature works from UC Davis’ Fine Art Collection while revealing the process of preserving art for posterity.

Paris exhibition provides a new canon-busting vision of Minimalism

The Bourse de Commerce in Paris hosts "Minimal," a groundbreaking exhibition curated by Jessica Morgan, director of the Dia Art Foundation. The show centers on five large-scale natural-material works by 81-year-old US artist Meg Webster, while featuring over 100 works by more than 50 artists to challenge the traditional narrative that 1960s-70s Minimalism was exclusively a white, male, American movement. It includes thematic sections on light, balance, and monochrome, a gallery devoted to Japan's Mono-ha movement, and retrospectives of Agnes Martin and Lygia Pape, drawing largely from the Pinault Collection with international loans.

Florian Krewer

German artist Florian Krewer, known for dreamlike paintings that blend memory and fantasy, has opened a solo exhibition titled 'Cruel The Night Café' at a former London pub, the Blue Lion on Gray's Inn Road. The show features new works and works on paper inspired by New York's evening hours. The pub was recently purchased by The Perimeter, a neighboring foundation, and will be redeveloped into an adjoining exhibition space. The article also includes a studio visit interview where Krewer discusses his South Bronx workspace, his solo practice, and his unusual Primer brush tool.

Remembering Rauschenberg’s decades in Florida

Robert Rauschenberg (1925-2008), described by critic Robert Hughes as "the most important American artist of the last century," spent four decades in Florida, where materials and collaborators from the state fueled breakthroughs like his scrap-metal sculptures and the Rauschenberg Overseas Cultural Interchange (Roci). As Miami Art Week unfolds, two projects mark his centennial: "Robert Rauschenberg: Real Time" at NSU Art Museum Fort Lauderdale (through April 2026) and the forthcoming book "Out of the Real World: Robert Rauschenberg at USF Graphicstudio." However, the Robert Rauschenberg Foundation announced it will end its Captiva Island residency and sell the artist's home and studio, prompting reflection on how Florida shaped his legacy.

Why Was Sarah Miriam Peale, Pioneering Member of America’s First Art Dynasty, Left Behind?

Sarah Miriam Peale, a member of the prominent Peale art dynasty and arguably the first professional woman artist in the United States, is finally receiving long-overdue institutional recognition. Despite a prolific sixty-year career painting portraits of political figures and still lifes in Baltimore and St. Louis, her legacy was largely overshadowed by her uncle Charles Willson Peale and her male cousins. Her independence as an unmarried woman who supported herself entirely through her craft marked a radical departure from the gender norms of the 19th century.

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London's National Gallery has acquired a recently rediscovered self-portrait by Artemisia Gentileschi, 'Self Portrait as Saint Catherine of Alexandria' (c. 1615–17), for £3.6 million ($4.7 million). The painting was purchased from a London dealer who had secured it at a Paris auction in December, where it set a new auction record for the artist. The acquisition marks a significant addition to the museum's holdings, as it is only the 21st work by a female artist in its collection of over 2,300 pieces.

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A long-lost portrait of Scottish poet Robert Burns, painted by Henry Raeburn in 1803, has been rediscovered after 200 years. The painting was found at a house clearance sale by Wimbledon Auctions in London, where it was estimated at just £300–£500 but sold for £68,000 after a bidding war. It has since been conserved and authenticated by the National Galleries of Scotland, and is now on public display in Edinburgh alongside the original 1787 portrait by Alexander Nasmyth, just in time for Burns Night celebrations.

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Artnet News reports on the rediscovery of Colombian artist Luis Fernando Zapata (1951–1994), whose solo booth at Art Basel Miami Beach features works from 1988 to 1994 that resemble ancient artifacts. The booth, titled “The Immemorial: The Transcendence of Luis Fernando Zapata,” is presented by Bogotá’s Galería Elvira Moreno in the fair’s Survey sector, which highlights historically significant art made before 2000. Zapata’s pieces—including totemic shields, a mud-brown sarcophagus with cuneiform-like glyphs, barques, steles, and his “excavaciones”—are mostly hand-sculpted papier-mâché, evoking ritual and imagined cosmologies. Diagnosed HIV+ in the mid-1980s, Zapata died in 1994, leaving a body of work that has remained largely absent from the queer canon and art-world consciousness until now.

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A new BBC documentary, *L.S. Lowry: The Unheard Tapes*, will mark the 50th anniversary of the artist's death in 1976. The film features never-before-heard recordings of conversations between Lowry and a young fan, Angela Barratt, recorded in his living room—the last and longest interview he ever gave. These tapes will be brought to life through dramatic reenactments, with Ian McKellen lip-syncing Lowry's words and Annabel Smith portraying Barratt. The documentary is produced by Wall to Wall Media and aims to reveal intimate insights into Lowry's thoughts, ambitions, regrets, and humor.

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Workers at two major museums, the Tate in the U.K. and the Metropolitan Museum of Art in New York, are taking labor action to demand higher wages and job security. Over 150 Tate staff from the PCS Tate United union went on strike across four locations, with picketing at Tate Britain, Tate Modern, and Tate Liverpool, disrupting the opening of the exhibition "Turner and Constable: Rivals and Originals." Meanwhile, nearly 1,000 employees at the Met have petitioned the National Labor Relations Board for a union election, which would be one of the largest museum unions in the U.S.

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Conservators at Blenheim Palace in the U.K. have discovered a mysterious dossier of names and phrases scratched into the ceilings of the Great Hall and Saloon by past workers, dating back to the 19th century. The graffiti was found during a £12 million ($15.9 million) restoration project led by OPUS Conservation, funded by the National Lottery Heritage Fund and the Blenheim Foundation, which is also repairing paintings by Baroque artists James Thornhill and Louis Laguerre. The palace is now asking the public for help identifying the individuals behind the markings, which include names like "W Smith 1888" and "T Harwood Plasterer 1843."