A vocabulary of touch: exhibition of sculpture by blind and partially blind artists opens in Leeds

The Henry Moore Institute in Leeds has opened "Beyond the Visual," the first major UK exhibition of sculpture centered on blind and partially blind artists and curators. Co-curated by Ken Wilder, Aaron McPeake, and Clare O'Dowd, the show features works by 16 international artists including Henry Moore, Barry Flanagan, Lenka Clayton, Emilie Louise Gossiaux, David Johnson, and others. The exhibition prioritizes touch, sound, and sensory engagement, with all objects available to handle, textured flooring mats, high-contrast signage, and audio descriptions. It includes new commissions such as David Johnson's "Nuggets of Embodiment" (2024-25), made of 10,000 stone-plaster Digestive biscuits with Braille text.

William Nicholson, often overlooked in favour of his more famous son, is coming out of the shadows

Pallant House Gallery in Chichester, West Sussex, is staging the first full survey of British painter William Nicholson (1872-1949) in 25 years, running from 22 November 2025 to 10 May 2026. The exhibition aims to present Nicholson's diverse output—including posters made with the Beggarstaff Brothers, woodcuts, book illustrations, theatre costumes, portraits, still lifes, and landscapes—as an integrated whole, rather than isolating individual media as past shows have done.

Studio Museum reopens, the long-awaited Grand Egyptian Museum, Stanley Spencer in Suffolk—podcast

The Studio Museum in Harlem has opened its first-ever purpose-built space, designed by Adjaye Associates, with director Thelma Golden leading the institution into a new era. In Egypt, the long-awaited Grand Egyptian Museum (GEM) has finally opened in Cairo. Meanwhile, the exhibition "Love & Landscape: Stanley Spencer in Suffolk" is on view at Gainsborough's House in Sudbury, featuring the painting "Tree and Chicken Coops, Wangford" (1925) by Stanley Spencer, with co-curator Amy Lim discussing the work.

Children curate exhibition of Clyfford Still works inspired by their reservation

The Clyfford Still Museum in Denver has handed curatorial authority to 100 children from the Confederated Tribes of the Colville Reservation for the exhibition "Tell Clyfford I Said ‘Hi’" (on view until May 10, 2026). The show features works by Clyfford Still, who in 1936 traveled to the Colville Reservation with colleague Worth Griffin to document tribal members and landscapes. The museum collaborated with tribal youth from three schools—Nespelem School, Nespelem Head Start, and Hearts Gathered Montessori—who selected artworks from facsimiles of Still’s paintings and photographs, drawing connections between his abstract works and their own cultural experiences, such as a student noting that a painting resembled a pow wow blanket.

Rediscovering Roger Fry, the overlooked Bloomsbury artist who helped bring Cézanne and Van Gogh to the world

The Charleston museum in Firle, East Sussex, will mount a major solo exhibition of paintings by Roger Fry (1866-1934) from 15 November 2025 to 15 March 2026. Fry, a central figure in the Bloomsbury Group, was a polymath who introduced Post-Impressionists like Cézanne, Van Gogh, and Gauguin to British and American audiences, co-founded the Omega Workshops and the Burlington Magazine, taught at Cambridge, and curated at the Metropolitan Museum of Art. The show brings together nearly 80 works, over 60 from private collections, including portraits of friends like E.M. Forster and Vanessa Bell, and landscapes that reveal his experimental range from Gauguin-esque outlines to Cubism.

Former MoMA chief voices concern for future of non-profit US museums

Glenn Lowry, the influential former director of the Museum of Modern Art (MoMA) in New York, expressed deep concern that non-profit U.S. museums could lose their tax-exempt 501(c)(3) status under the Trump administration. Speaking on the podcast "The Art World: What If…?!" hosted by Charlotte Burns, Lowry warned that the federal government is prepared to exert significant power to achieve its ambitions, potentially revoking the tax exemption that he calls the "magic wand" behind America's robust cultural programming. His comments follow a House bill passed in November that would allow the Treasury Secretary broad powers to revoke non-profit status, though the bill has stalled in the Senate.

New documentary gives E.J. Hughes, painter of lyrical Canadian landscapes, his due

A new documentary titled *The Painted Life of E.J. Hughes*, directed by Vancouver filmmaker Jenn Strom, premieres at the Vancouver International Film Festival. The film explores the personal and professional life of the reclusive Canadian landscape painter E.J. Hughes (1913-2007), known for his dreamlike depictions of British Columbia's coastal life. It features interviews with art historians, curators, and locals, and includes footage of major works, such as *Entrance to Howe Sound* (1949), which is set for auction at Heffel with an estimate of C$1.25m–C$1.75m. The documentary was inspired by books by artist-author Robert Amos and took several years to complete due to the pandemic.

Fragments of Home: A Dual Review of New Exhibitions at the Amarillo Museum of Art

The Amarillo Museum of Art is hosting two concurrent exhibitions: "Home, Love, and Loss" (May 31 – September 14, 2025) and "Jeri Salter: Rugged Beauty of the Texas Panhandle" (June 20 – September 28, 2025). The first, organized in partnership with the Amon Carter Museum of Art, features over 60 works by artists including Thomas Hart Benton, Rania Matar, and Francisco Delgado, exploring family dynamics, identity, and belonging. The second showcases Jeri Salter's pastel landscapes of the Texas Panhandle alongside miniature studies by 19th-century artist Frank Reaugh.

From PBS to Priceless: Bob Ross Paintings Smash Auction Records

Bob Ross paintings shattered auction records at Bonhams New York's American Art Online auction (July 28–August 7, 2025). Two mountain landscapes by the beloved "The Joy of Painting" host sold for $95,750 and $114,800, with the latter more than doubling its high presale estimate. The previous record of $69,300 had been set just weeks earlier at Eldred's auction house for a painting originally purchased for $250 at a PBS auction in the 1980s.

Never-before-seen landscape photos on display at Denver Art Museum

The Denver Art Museum has opened a new photography exhibition titled "What We've Been Up To: Landscape," featuring works acquired over the past 17 years that have never been publicly displayed before. The show, curated by the museum's photography department (established in 2008), includes a range of landscape photographs from historic images by Ansel Adams, Marion Post Wolcott, and William Henry Jackson to contemporary works by artists such as Abelardo Morell, Meghann Riepenhoff, and Steve Fitch. The exhibition occupies a few rooms on the sixth floor of the Martin Building and highlights the museum's recent acquisitions in photography.

Buffalo AKG Art Museum's new 'Northern Lights' exhibit brings Arctic landscapes to Buffalo

The Buffalo AKG Art Museum has opened a new exhibition titled 'Northern Lights,' featuring over 70 paintings of Nordic and Canadian landscapes created between 1880 and 1930. The show includes works by Edvard Munch, best known for 'The Scream,' and was curated by Helga Christoffersen. The exhibition opened on a First Friday with pay-as-you-wish admission and will run through January 2026. Consuls general of Canada and Finland joined museum staff at a press conference to highlight the cross-border significance of the collection.

Wandering Between Worlds Exhibition at Pullen Arts Center

Pullen Arts Center in Raleigh, North Carolina, is presenting the group exhibition "Wandering Between Worlds" in its Main Gallery, featuring seven local artists: Alison Coleman, Ari Ferro, Jenn Hales, K. Orr Ambrose, Nancy Goodrich, Marcia Moran, and Min Zhong. The show explores landscapes both real and imagined, with a closing reception scheduled for October 25 and an artist talk on September 18. The exhibition is free and open to the public, and artwork is available for purchase through the center.

Sea State: restored Norfolk mansion puts on water-themed exhibition by Maggi Hambling and Ro Robertson

Wolterton Hall, an 18th-century Palladian country house in Norfolk, England, has reopened to the public after a restoration completed by its new owner Richard Ellis. The estate is launching a water-themed exhibition titled "Sea State," featuring site-specific works by artists Maggi Hambling and Ro Robertson. Robertson's outdoor steel sculpture "The Swell" will be the first permanent outdoor artwork on the grounds, while Hambling presents new pieces from her "Wall of Water" series and an installation called "Time" dedicated to her late partner. The exhibition is co-curated by Simon Oldfield and Gemma Rolls-Bentley.

Christie’s celebrates the late Syrian artist Marwan with non-selling London show

Christie’s is presenting a non-selling exhibition titled "Marwan: A Soul in Exile" at its London headquarters this summer, featuring over 150 works by the late Syrian artist Marwan (1934-2016). The show draws from major private and institutional collections including the Barjeel Art Foundation, the Ramzi and Saeda Dalloul Art Foundation, the Pinault Collection, and the Berlinische Galerie. This marks Christie’s third such non-selling exhibition of Arab art in London over the past three summers, following shows focused on Arab artists from the Barjeel collection and Saudi artist Ahmed Mater. The exhibition coincides with Christie’s 25th anniversary in the UAE and a broader surge in the Middle Eastern art market, including a recent white-glove sale for its online Modern and contemporary Middle Eastern art auction in Dubai.

Joan Danziger Retrospective in Washington

The American University Museum at the Katzen Arts Center in Washington, D.C., will host the first career retrospective of artist Joan Danziger, titled "The Magical World of Joan Danziger," opening February 7, 2026. The exhibition spans six decades of her work, from abstract paintings to mixed-media sculptures, featuring over 100 pieces including 40 sculptures and 25 works on paper and canvas. A concurrent exhibition, "Ravens: Spirits of the Sky," showcases 24 large glass and metal raven sculptures, many never before exhibited. Danziger, who continues to work daily at age 91, traces her evolution from an abstract painter to a multimedia sculptor, with influences ranging from surrealists to Hieronymus Bosch.

“Dyke is our armor:” A conversation with dyke artist Sarah-Joy Ford’s about her new exhibition Dykeland (2025)

Dr. Sarah-Joy Ford, an artist and independent scholar based in Todmorden, West Yorkshire, has opened her exhibition "Dykeland: Volume 1" at The Whitaker Museum & Art Gallery in Rossendale on June 7, 2025. The show explores the history of dyke and lesbian landscapes in the UK, focusing on queer relationality to placemaking and preservation. It interweaves historical material, personal memory, and fantasy in response to Jane Cambell's upcoming poetry collection "Dykeland and other secret islands," and is displayed alongside Cambell's art. Ford uses quiltmaking as a medium to share lesbian and queer archival material, continuing a tradition of queer fabric art that includes recent installations like the ACLU's 258-square-quilt display on the National Mall and the Euphoria Quilt by Eliot Anderberg.

A brush with Cezanne in Aix-en-Provence, France: a blockbuster retrospective comes to town

Paul Cezanne's hometown of Aix-en-Provence is staging a major retrospective at the Musée Granet, bringing together over 130 works including still lifes, portraits, and landscapes. The exhibition coincides with the reopening of two key sites after an eight-year restoration: the artist's atelier in Les Lauves and the Bastide du Jas de Bouffan, the family estate where Cezanne painted for 40 years. The Bastide, acquired by Cezanne's banker father in 1859, had fallen into disrepair and closed in 2017; it reopens on 28 June with guided tours and grounds open to visitors.

Steamy scenes in urban underworlds were Edward Burra’s great subject—now they're coming to Tate Britain

Tate Britain is staging a major retrospective of Edward Burra (1905-76), the English painter known for his vivid depictions of urban underworlds, jazz clubs, and later brooding landscapes. The exhibition, curated by Thomas Kennedy, features over 80 paintings and newly discovered archival material spanning Burra's career from the 1920s to the 1970s, including rarities like 'Cornish Clay Mines' (1970) from a private collection. It also draws on Burra's extensive correspondence—described by his biographer Jane Stevenson as 'grubby letters'—which offers unprecedented insight into his personal world and chronic pain from rheumatoid arthritis and anemia.

An Interview with Asheville Art Museum Associate Curator Jessica Orzulak

Jessica Orzulak, associate curator and curatorial affairs manager at the Asheville Art Museum, participated in an interview discussing her personal interests and professional insights. She spoke about her love for hiking trails in the Appalachian Mountains, missing the desert landscapes of the West Coast, and her current TV preferences including "Severance" and "Star Trek: The Next Generation." The interview also covered her work presenting artist Pedro Lasch's "Black Mirror" series as part of the public program "What Can Become of Us?" at the museum, part of a collaboration with the Stanford Institute for Advancing Just Societies and Zócalo.

Review: Gorgeous, exuberant Kim Chong Hak at the High

The High Museum of Art in Atlanta is hosting "Kim Chong Hak: Painter of Seoraksan," the first American museum exhibition dedicated to the Korean artist, running through November 2. The show features over 60 works spanning Kim's career, from early abstract pieces influenced by Western artists like Rothko and Tàpies to vibrant, large-scale landscapes inspired by his decades-long retreat to Mount Seorak in eastern South Korea. The exhibition includes paintings, folk art, and a catalog with essays that contextualize Kim's life and work.

In ‘Life Forms,’ Janny Baek Imagines a Speculative Landscape

In ‘Life Forms,’ Janny Baek Imagines a Speculative Landscape

Sculptor Janny Baek is presenting her solo exhibition *Life Forms* at Chicago's Joy Machine gallery from March 20 to May 9, 2026. The exhibition features her speculative ceramic sculptures, which blend recognizable natural forms like blossoms and creatures with unexpected, abstract elements to create imagined landscapes and primordial organisms. Using techniques like hand-building and the Japanese *nerikomi* method of patterning colored clay, Baek's work captures beings in a state of playful mutation and transformation.

総合開館30周年記念「ルイジ・ギッリ 終わらない風景」@ 東京都写真美術館

The Tokyo Photographic Art Museum is hosting "Luigi Ghirri: Endless Landscapes," the first Asian museum solo exhibition dedicated to the Italian photographer Luigi Ghirri (1943–1992), running from July 3 to September 28, 2025. The exhibition presents a wide range of Ghirri's work, from his early masterpieces to his late pieces, including his famous series on Giorgio Morandi's studio. It also features works and materials by his wife, graphic designer Paola Borgonzoni (1954–2011), highlighting her crucial role in his career. Related events include a symposium with Ghirri's daughter Adele Ghirri and curator Ilaria Campioli, gallery talks, and the Japanese premiere of the documentary film "Infinito."

a tbilisi exhibition reintroduces merab abramishvili to the wider art world

A major multi-venue exhibition in Tbilisi, titled “Merab Abramishvili – Transparent Memory,” reintroduces the Georgian painter Merab Abramishvili to the wider art world. Organized by ATINATI’s Cultural Center and complemented by Baia Gallery, the show features over fifty works spanning the artist’s career, including pieces like *Kiss of Judas* (1989) and *Sunflower* (1989). Abramishvili’s work blends medieval visual culture with Neo-expressionism, using the traditional levkas technique on plywood to create timeless, mythic compositions that explore religious motifs, landscapes, and figuration.

Robilant and Voena gallery founders part ways to start separate ventures with their children

Edmondo di Robilant and Marco Voena, the founders of the prominent gallery Robilant + Voena (R+V), have announced the dissolution of their 22-year partnership to launch two separate family-run firms. The split results in the creation of 'Robilant' and 'Voena,' with both founders bringing their children into senior leadership roles to ensure long-term succession. Michele di Robilant will serve as director of Robilant, while Edoardo and Virginia Voena will take on director and sales director roles respectively at Voena.

In Pol Taburet’s New Show, Being Paranoid Is the Point

French artist Pol Taburet has opened a solo exhibition titled *Paranoia as Method* at Villa Medici in Rome, on view through July 15. The show features sculptures, large-format paintings, and charcoal drawings created during his spring residency at the institution, transforming the villa’s gardens, loggias, and salons into tense psychic landscapes. Taburet’s figures drift between human and animal, evoking transformation, mortality, and spiritual tension, drawing on his Caribbean roots, voodoo traditions, contemporary culture, and classical painting.

“Joseph Barrett: Views from his Lahaska Studio” to open at Silverman Gallery

The Silverman Gallery of Bucks County Impressionist Art in Holicong, Pennsylvania, will open a new exhibition titled “Joseph Barrett: Views from his Lahaska Studio” on May 16-17, 2025, with opening receptions featuring live jazz and refreshments. The show runs through June 20 and includes previously unseen works such as “View from My Window,” “Neshaminy,” and “County Theater in Snow,” alongside Barrett’s painting “Estate of Joseph Stanley,” recently returned from a two-year display at the U.S. Embassy in Kigali, Rwanda, as part of the State Department’s Art in Embassies program.

Painting the park: Artists blossom at Wegerzyn as they make it their classroom

Sinclair Community College associate professor of art Bridgette Bogle took her mixed-level painting class to Wegerzyn Gardens MetroPark in Dayton, Ohio, for a plein air painting session. Students ranging in age from 18 to 80, including postal worker Don Adams and lifelong artist Aubrey Botts, set up easels throughout the gardens to paint landscapes outdoors, learning the Impressionist-inspired technique of working quickly in natural light.

Artist Mateo Blanco Unveils a Poetic Vision for America’s 250th Anniversary

World-renowned artist Mateo Blanco has unveiled *Silver Falls Flag* (2026), a textile work reimagining the American flag as a flowing cascade of silver threads, evoking waterfalls and natural rhythms. The piece will be displayed from May 16 to August 23 at the Brick Store Museum in Kennebunk, Maine, as part of the exhibition *From Many, One: Visions of American Patriotism at 250*, marking the nation's 250th anniversary.

Royal artist returns to Devon with stunning new exhibition

Alan Cotton MBE, a Westcountry artist known for his palette knife technique and royal connections, is returning to Devon with a new exhibition of landscapes from the Otter Valley and North Devon. The show, held at Kennaway House in Sidmouth from April 28 to May 4, marks his first public gallery showing in the region since 2015. Cotton, who once served as tour artist for King Charles when he was Prince of Wales, has works in the King's collection and exhibited at Buckingham Palace in 2025. His early life included homemade paint brushes made from his mother's hair, and he later became a BBC presenter and honorary professor at the University of Bath.

Exhibition | Naomi Rincón Gallardo, 'Sonnet of Vermin' at Hayward Gallery, London, United Kingdom

Naomi Rincón Gallardo presents her first solo exhibition in London, 'Sonnet of Vermin,' at the Hayward Gallery. The show features her 2022 film following a group of animals from Mesoamerican myths—Bat, Snake, Scorpion, and a choir of frogs—as they navigate dystopian landscapes in Oaxaca, communicating via radio signals and calling for solidarity amid social and ecological devastation. Rincón Gallardo works across video, performance, drawing, and sculpture, weaving cuir/queer resistance, pre-colonial folklore, DIY aesthetics, music, and dance into surreal narratives that critique colonialism and exploitation.