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The Modern Art Museum of Fort Worth presents Rashid Johnson: A Poem for Deep Thinkers

The Modern Art Museum of Fort Worth presents "Rashid Johnson: A Poem for Deep Thinkers," the artist's largest exhibition to date and his first major museum survey in over a decade. The show brings together nearly ninety works spanning Johnson's career, including painting, sculpture, film, installation, a site-specific piece, an outdoor sculpture, and live performances. Co-curated by Naomi Beckwith of the Solomon R. Guggenheim Museum and Andrea Karnes of the Modern Art Museum of Fort Worth, the exhibition takes its title from a poem by Amiri Baraka and explores themes of race, masculinity, empathy, self-care, family, and emotional life.

Camille Pissarro Member Preview Saturday

The Denver Art Museum and the Museum Barberini in Potsdam have co-organized a new exhibition titled 'The Honest Eye: Camille Pissarro's Impressionism,' which opens with a member preview on Saturday. The show is supported by a wide range of donors, including Jana and Fred Bartlit, Barbara Bridges, Bridget and John Grier, the Kristin and Charles Lohmiller Exhibitions Fund, Craig Ponzio, and many others, as well as by an indemnity from the Federal Council on the Arts and the Humanities and promotional support from CBS Colorado.

Baltimore Museum of Art receives $10m gift to support education initiatives

The Baltimore Museum of Art (BMA) has received a $10 million gift from the Stoneridge Foundation, founded by philanthropists Amy and Marc Meadows, to support its art education department. This is the largest single donation in the museum's history. The funds will expand educational initiatives including transportation for school visits, free family activities, a two-year pass system for students, teaching apprenticeships for undergraduates from nearby universities like the Maryland Institute College of Art, and new educator positions. The gift also supports a series of events exploring museums as civic organizations and fostering diversity in the field.

Pissarro Exhibition Guide At Home in Éragny

The article serves as an exhibition guide for 'The Honest Eye' show, focusing on Camille Pissarro's life and work after he moved to Éragny-sur-Epte, Normandy, in 1884. It details how Pissarro settled his family there after struggling to afford rent in Pontoise, painting in his garden, fields, and barn-turned-studio. The guide highlights specific paintings like 'The Delafolie Brickyard, Éragny' (1885), 'View from My Window in Cloudy Weather' (1886–88), and 'Vegetable Garden, Overcast Morning, Éragny' (1901), discussing his techniques, subjects, and personal challenges such as chronic eye infections. It also notes his relationships with neighbors like Delafolie and fellow Impressionist Claude Monet, as well as his role in his children's artistic education.

Show at the Barnes Foundation charts Henri Rousseau's rise from mockery to acclaim

The Barnes Foundation in Philadelphia is opening "Henri Rousseau: A Painter's Secrets" (October 19–February 22), reuniting for the first time in over a century the two largest collections of Rousseau's work—18 paintings from the Barnes Foundation and 11 from the Musée de l'Orangerie in Paris. The exhibition, co-curated by Nancy Ireson and Christopher Green, uses new conservation research to challenge the long-held myth of Rousseau as a naive, unworldly amateur, revealing instead a strategic artist who revised compositions, reused canvases, and actively sought an audience through Paris's open salons.

High Wire: Calder’s Circus at 100

The Whitney Museum of American Art in New York is presenting "High Wire: Calder’s Circus at 100," a centennial exhibition celebrating Alexander Calder's iconic work "Calder’s Circus" (1926-31). The show brings together the miniature circus figures, wire sculptures, drawings, archival materials, and early abstract works, exploring how the circus inspired Calder's lifelong exploration of balance and movement, leading to his invention of the mobile. The exhibition runs from October 18, 2025, to March 9, 2026, and is co-curated by Jennie Goldstein and Roxanne Smith.

'It's about world-making': Tavares Strachan on his expansive new Lacma exhibition

Tavares Strachan's new solo exhibition, *The Day Tomorrow Began*, has opened at the Los Angeles County Museum of Art (Lacma), running until 29 March 2026. Co-organized with the Columbus Museum of Art, the show features 20 new works across neon, ceramics, bronze, painting, text, and performance, exploring invisible histories and challenging white-centric narratives. The exhibition includes a spotlight on his *Encyclopedia of Invisibility* (2018), bronze sculptures referencing the Haitian Revolution, and a neon piece contrasting James Baldwin and Mark Twain. Strachan, who trained as a cosmonaut and collaborates with MIT scientists, also unveils a permanent participatory speakeasy called *Bar Room* in Columbus.

Michelangelo Pistoletto: ‘AI will not destroy humanity, we are doing it ourselves’

Italian artist and Arte Povera pioneer Michelangelo Pistoletto, aged 92, has opened a new exhibition at Helly Nahmad Gallery in London, pairing his latest Mirror Paintings with Cubist works by Pablo Picasso, including Picasso's 1924 painting *Partition, Guitare, Compotier*. In an interview with The Art Newspaper, Pistoletto discusses how his mirror works—first presented in 1963—break down the traditional perspective of art, reflecting society and reality in a 360-degree space-time continuum, and how Picasso's shattering of the image paved the way for his own innovations. He also touches on his Cittadellarte foundation in Biella, his Nobel Peace Prize nomination, and his "Third Paradise" philosophy.

‘We are in a very special situation as collectors’: Petr Pudil on opening the Kunsthalle Praha in Prague, and the art he collects

Petr Pudil, a Czech businessman and co-founder of BPD partners, discusses his journey as an art collector and the opening of Kunsthalle Praha in Prague with his wife Pavlína. The museum, housed in a former 1930s electricity substation, opened in 2022 and features temporary thematic exhibitions from their collection of over 2,000 works, including pieces by Max Ernst, Alicja Kwade, and William Kentridge. Pudil reflects on his acquisition strategy, regrets, and favorite London spots during Frieze week.

Portland Art Museum celebrates opening of major expansion with four days of free admission

The Portland Art Museum will celebrate the opening of its major expansion and renovation with four days of free admission and activities from November 20 to 23, 2025. The centerpiece is the new Mark Rothko Pavilion, a nearly 22,000-square-foot transparent entrance that connects the museum's two campus buildings, adding nearly 100,000 square feet of new or upgraded public and gallery space. The transformed museum features a complete reinstallation of its collection with nearly 300 major new acquisitions by artists including Marie Watt, Simone Leigh, and Carrie Mae Weems, alongside thematic displays that emphasize place, community, and identity. Free tickets are available for reservation starting November 1, and the museum will also expand its regular hours beginning November 25.

Wayne Thiebaud’s first UK show reveals the hidden depths of his deceptively simple paintings

Wayne Thiebaud's first museum exhibition in the UK has opened at the Courtauld Gallery, featuring 21 paintings on loan from US public and private collections, including the Wayne Thiebaud Foundation. The show, titled "Wayne Thiebaud: American Still Life," highlights the artist's deceptively simple depictions of cakes, pies, and deli counters, and includes a concurrent exhibition of works on paper called "Delights." Co-curator Barnaby Wright emphasizes that seeing the works in person reveals their extraordinary painterly quality, which reproductions flatten.

Cara and Diego Romero: Tales of Futures Past Comes to Albuquerque Museum

The Albuquerque Museum will present "Cara and Diego Romero: Tales of Futures Past" from November 1, 2025, through February 8, 2026. This is the first national traveling exhibition to bring together the work of acclaimed contemporary artists Cara Romero (Chemehuevi) and Diego Romero (Cochiti), featuring 40 works including Diego’s pottery and lithographs and Cara’s photographs from her Indigenous Futurism series. The exhibition, organized by the Figge Art Museum in Davenport, Iowa, includes the debut of Cara Romero’s large-scale photographs "Four Horsewomen I and II" and a documentary by Kaela Waldstein. Public events include an opening panel moderated by artist and scholar Deborah Jojola.

New London venue to focus on global majority arts—and host ‘necessary conversations’

A new cultural centre called Ibraaz is opening on 15 October in a historic Grade II-listed mansion at 93 Mortimer Street in London’s Fitzrovia. The inaugural exhibition is Ibrahim Mahama’s installation *Parliament of Ghosts*, which fills the ballroom with colonial furniture and plinths evoking Ghana’s past. The multi-disciplinary art space is entirely funded by the Kamel Lazaar Foundation and led by Lina Lazaar, who previously founded Jeddah Art Week and worked at Sotheby’s. Ibraaz will host talks, performances, film screenings, and exhibitions, and includes a bookshop, café, screening room, and a library-in-residence by the Otolith Group.

LACMA Expands Local Access Initiative with New Museum Partners and Exhibitions

The Los Angeles County Museum of Art (LACMA) has expanded its Local Access program, adding three new museum partners: the California State University, Dominguez Hills (CSUDH) University Art Gallery, the Millard Sheets Art Center at the LA County Fair, and the Ontario Museum of History & Art. Supported by the Art Bridges Cohort Program, the initiative brings exhibitions sourced from LACMA's permanent collection to communities across Southern California. The program's latest exhibition, 'Act on It! Artists, Community, and the Brockman Gallery in Los Angeles,' opens at the Vincent Price Art Museum on September 27, exploring the legacy of the historic Brockman Gallery and its role in the Black Arts Movement.

Comment | Museums can't get enough of anniversary exhibitions—but surely there's better ways to serve the public

The article critiques the growing trend of museums mounting anniversary exhibitions to celebrate the birth or death of famous artists, using the centennial of Robert Rauschenberg as a prime example. Nearly 100 organizations worldwide are participating in Rauschenberg-related shows, from the Menil Collection in Houston to the Grey Art Museum in New York. The author notes similar patterns in 2024 for James Ensor and in 2023 for Ellsworth Kelly and Pablo Picasso, with museums often resorting to highly specific or gimmicky themes to differentiate their offerings.

Introducing Erich Heckel, the unsung driving force of Die Brücke

The Neue Galerie in New York is opening the first US museum exhibition dedicated to German Expressionist artist Erich Heckel (1883-1970), running from October 9, 2025 to January 12, 2026. Heckel was a co-founder of the influential group Die Brücke in 1905, alongside Ernst Ludwig Kirchner, Karl Schmidt-Rottluff, and Fritz Bleyl. Unlike the more flamboyant Kirchner, Heckel was introverted and avoided scandal, but he served as the group's organizational driving force, organizing key exhibitions and transforming Die Brücke into a promotional platform. The show features around 40 works from 1905 to 1920, including loans from the Harvard Art Museums and the Metropolitan Museum of Art.

With works by Munch and Mamma Andersson, the British Museum reveals the darkness of Nordic noir

The British Museum in London will open a free exhibition titled "Nordic Noir" on October 9, featuring over 150 works by 100 artists. The show begins with Edvard Munch, including his woodcut "Gammel fisker (Old fisherman, 1897)", and moves chronologically to explore how Nordic artists responded to political transformations since 1944. Curated by Jennifer Ramkalawon, the exhibition highlights works by contemporary artists such as Yuichiro Sato, Anna Zimmerman, Maria Nordin, Per Kirkeby, and the Norwegian radical collective GRAS, many of which have never been seen outside the Nordic region.

Martin Parr steps out from behind the camera lens in informal autobiography

Martin Parr, the renowned British documentary photographer, has released an informal autobiography titled "Utterly Lazy and Inattentive: Martin Parr in Words and Pictures," written with author Wendy Jones. The book traces his career from early black-and-white work inspired by Garry Winogrand and Tony Ray-Jones to his signature vivid color series like "The Last Resort" (1983-85) and "Small World" (1987-94), which drew controversy for their satirical take on British leisure and global tourism. Parr, who was diagnosed with cancer in 2021, continues to be active, with his photographs of Bristol Pride currently on display at Bristol Museum and Art Gallery through March 2026.

Gustave Caillebotte: Painting His World

The Art Institute of Chicago presents 'Gustave Caillebotte: Painting His World,' a major exhibition running from June 29 to October 5, 2025, featuring over 120 works including paintings, works on paper, photographs, and ephemera. The show explores the personal interests and relationships that shaped the Impressionist artist, highlighting his focus on family, friends, sportsmen, and workers, as well as his unique depictions of nude men. It includes iconic pieces like 'Paris Street; Rainy Day' and 'Floor Scrapers,' alongside lesser-known works such as the Musée d'Orsay's recent acquisition 'Boating Party' and the Louvre Abu Dhabi's 'The Bezique Game,' many from private collections rarely seen by American audiences.

Former MoMA chief voices concern for future of non-profit US museums

Glenn Lowry, the influential former director of the Museum of Modern Art (MoMA) in New York, expressed deep concern that non-profit U.S. museums could lose their tax-exempt 501(c)(3) status under the Trump administration. Speaking on the podcast "The Art World: What If…?!" hosted by Charlotte Burns, Lowry warned that the federal government is prepared to exert significant power to achieve its ambitions, potentially revoking the tax exemption that he calls the "magic wand" behind America's robust cultural programming. His comments follow a House bill passed in November that would allow the Treasury Secretary broad powers to revoke non-profit status, though the bill has stalled in the Senate.

New documentary gives E.J. Hughes, painter of lyrical Canadian landscapes, his due

A new documentary titled *The Painted Life of E.J. Hughes*, directed by Vancouver filmmaker Jenn Strom, premieres at the Vancouver International Film Festival. The film explores the personal and professional life of the reclusive Canadian landscape painter E.J. Hughes (1913-2007), known for his dreamlike depictions of British Columbia's coastal life. It features interviews with art historians, curators, and locals, and includes footage of major works, such as *Entrance to Howe Sound* (1949), which is set for auction at Heffel with an estimate of C$1.25m–C$1.75m. The documentary was inspired by books by artist-author Robert Amos and took several years to complete due to the pandemic.

The OG of Art Revolutions Comes to Santa Barbara Museum of Art

The Santa Barbara Museum of Art (SBMA) will host "The Impressionist Revolution: Monet to Matisse from the Dallas Museum of Art" from October 5, 2025, to January 25, 2026. The exhibition, which marks the 150th anniversary of the first Impressionist exhibition in 1874, features masterworks by Claude Monet, Vincent van Gogh, Henri Matisse, Paul Gauguin, Piet Mondrian, Berthe Morisot, and Edvard Munch, drawn from the Dallas Museum of Art's renowned French Impressionist collection. It traveled to Mexico City before arriving in Santa Barbara, the only West Coast U.S. venue for the show, and will later travel to Nashville, Québec, and Richmond.

IMA’s 50th Anniversary Gala and Art Auction Promises a Bacchanalian Feast

The Institute of Modern Art (IMA) in Brisbane, Australia's longest-running independent contemporary art gallery, will celebrate its 50th anniversary with a surrealist-themed gala dinner and art auction on October 31 at The Calile Hotel. The event features a sit-down banquet, a benefit auction with works by leading artists including 2025 Archibald Prize winner Julie Fragar, a raffle with prizes from local venues, and live performances. Attendees are encouraged to dress in black tie with a surrealist twist, and artists will be present to interact with buyers.

Is Vermeer’s ‘The Art of Painting’ in fact a lost work?

Paul Taylor, a curator at London’s Warburg Institute specializing in 17th-century Dutch art, argues that Vermeer’s celebrated painting *The Art of Painting* (1666-68), housed at Vienna’s Kunsthistorisches Museum, may not be the work referenced in a 1676 legal document by the artist’s widow, Catharina. Taylor tracked 25 period descriptions of “de schilderconst” (the art of painting) and found they all depict allegorical personifications of painting, not studio scenes like Vermeer’s composition. He believes the document refers to a now-lost Vermeer that could still resurface.

11 must-see works in MAM's new Bradley Collection exhibition

The Milwaukee Art Museum (MAM) has opened a new exhibition titled "The Bradley Collection of Modern Art: A Bold Vision for Milwaukee" in the Baker/Rowland Galleries, celebrating the 50th anniversary of Peg Bradley's donation of nearly 400 works to the museum. The show features highlights from the collection, including pieces by Wassily Kandinsky, Raoul Dufy, and Ernst Ludwig Kirchner, alongside works by American artists like Georgia O'Keeffe and Andy Warhol. The exhibition offers visitors a chance to see these works in a new setting and learn more about Bradley as a collector and philanthropist.

Ackland’s new exhibit adds splash of ‘Color’

The Ackland Art Museum at UNC-Chapel Hill has opened a new exhibition titled "Color Triumphant," featuring 54 modern paintings, sculptures, and works on paper from the collection of Julian and Josie Robertson. The show spans from the 1870s to the present, highlighting the liberation of color in modern art with works by Claude Monet, Camille Pissarro, Pablo Picasso, Frank Stella, and André Derain, whose painting "The Jetty at L'Estaque" serves as the flagship piece. Curated by deputy director Peter Nisbet, the exhibition was developed in collaboration with the Robertson Foundation after Julian Robertson's death in 2022, and includes student research support. It runs through January 4, with related lectures and film screenings, and a second iteration, "Color Concentrated: A Salon-Style Hang from the Robertson Collection," opening January 30.

Thaddaeus Ropac is betting on Milan—will it pay off?

Austrian dealer Thaddaeus Ropac opened a new gallery in Milan on September 20, capitalizing on Italy's newly reduced 5% VAT on art imports—the lowest in the EU—and an influx of wealthy expats from London following the UK's abolition of non-dom tax status. The gallery occupies the first floor of the historic Palazzo Belgioioso, with Elena Bonanno di Linguaglossa appointed as director. Ropac's move follows his earlier successful expansions into Seoul and Pantin, which proved prescient.

LACMA Expands Local Access Initiative with New Museum Partners and Exhibitions

LACMA has expanded its Local Access initiative by adding three new museum partners: the California State University, Dominguez Hills (CSUDH) University Art Gallery, the Millard Sheets Art Center at the L.A. County Fair, and the Ontario Museum of History & Art. Supported by the Art Bridges Cohort Program, these institutions join four existing partners in creating exhibitions sourced from LACMA’s permanent collection. The program’s latest exhibition, "Act on It! Artists, Community, and the Brockman Gallery in Los Angeles," will open at the Vincent Price Art Museum on September 27. Local Access, launched in 2021, was the first Art Bridges Cohort Program in the Western United States.

Is This the Breaking Point for Museums?

Museums across the West are facing a severe funding crisis as governments slash public support. In the U.S., President Donald Trump’s deep cuts to the National Endowment for the Arts (NEA), National Endowment for the Humanities (NEH), and the Institute for Museum and Library Services (IMLS) have resulted in hundreds of millions of dollars in lost funding, while stock market volatility and increased endowment taxes further strain budgets. In Europe, Berlin cut €130 million from cultural funding in December 2024, and other countries face similar pressures, forcing museums to confront dwindling subsidies and shifting philanthropy.

Letter calls on Judy Chicago and Pussy Riot's Nadya Tolakonnikova to cancel Tel Aviv exhibition

More than 50 artists and cultural figures, many based in Israel, have signed a letter urging American artist Judy Chicago and Pussy Riot co-founder Nadya Tolokonnikova to cancel their collaborative exhibition "What if women ruled the world?" at the Tel Aviv Museum of Art. The show, which opened last week, features a digital quilt responding to the titular question. The letter, seen by The Art Newspaper, argues that holding the exhibition in Israel makes the artists "complicit" in what the signatories describe as genocide in Gaza, citing a recent UN commission finding. Tolokonnikova stated she is not involved in the ongoing project, while Chicago declined to comment. The museum defended the exhibition as a space for reflection and dialogue, not an endorsement of any political position.