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Neo-Impressionism makes its thoroughly Modernist point at National Gallery in London

The National Gallery in London is presenting 'Radical Harmony: Helene Kröller-Müller’s Neo-Impressionists,' an exhibition that brings together 58 works from the Kröller-Müller Museum in the Netherlands. The show centers on Georges Seurat’s 'Le Chahut' (1889-90) and features artists such as Paul Signac, Anna Boch, Jan Toorop, and Théo Van Rysselberghe, highlighting the movement's radical, dot-based pointillist technique and its ties to anarchism. Co-curator Julien Domercq frames Neo-Impressionism as the first international Modern art movement, a precursor to abstraction and Fauvism.

Huge fashion photography archive heads this month’s acquisition round-up

The New York Historical has acquired the vast archive of legendary New York Times fashion photographer Bill Cunningham, nearly a decade after his death in 2016. The collection includes tens of thousands of images, negatives, slides, contact sheets, and correspondence documenting Manhattan street style and high-society events over 50 years. Separately, the J. Paul Getty Museum received a gift of 38 Italian manuscript illuminations from T. Robert Burke and Katherine States Burke, doubling its holdings in that area. The Hamburger Kunsthalle purchased René Magritte's painting *Le Palais de Rideaux* (1928) for €2.4 million from a Belgian private collection.

Baltimore Museum of Art Will Host Amy Sherald’s Canceled Smithsonian Show

The Baltimore Museum of Art (BMA) will host Amy Sherald's exhibition "American Sublime," which was originally scheduled to open at the Smithsonian's National Portrait Gallery on September 19. Sherald canceled the Smithsonian showing in July after learning the institution planned to remove her 2024 painting "Trans Forming Liberty," which depicts a transgender Statue of Liberty, to avoid provoking President Donald Trump, replacing it with a video instead. The exhibition, featuring about fifty works, had previously traveled from the San Francisco Museum of Modern Art to the Whitney Museum of American Art.

The Armory Show jumpstarts New York art market after summer of hand-wringing

The Armory Show opened its 2024 edition in New York with solid sales during the VIP preview on September 4, providing a positive signal for the city's art market after a summer marked by gallery closures and economic uncertainty. The fair saw the return of over 20 galleries that had previously taken a hiatus, including Andrew Kreps, Uffner and Liu, Instituto de Visión, and White Cube for the first time since 1994. Fair director Kyla McMillan emphasized the importance of rooting the fair in New York and praised exhibitors for taking risks with experimental works, such as Nikita Gale's installation 'Interceptor' (2025), which sold for $60,000 before the preview began.

Smithsonian under fire from Trump, Frieze Seoul, Dara Birnbaum and Quantum—podcast

The Art Newspaper's podcast 'The Week in Art' returns with three major stories. Ben Luke hosts a discussion with Ben Sutton, the publication's editor-in-chief in the Americas, about the Trump administration's announced comprehensive internal review of eight Smithsonian museums and artist Amy Sherald's cancellation of a long-scheduled exhibition at the National Portrait Gallery, citing censorship and institutional fear. The episode also covers Frieze Seoul 2024, the season's first major art fair, with correspondent Lisa Movius reporting from the South Korean capital amid political turmoil. The Work of the Week segment features Dara Birnbaum's landmark video artwork 'Technology/Transformation: Wonder Woman (1978-79)', part of a new exhibition 'The Quantum Effect' at the San Marco Art Centre in Venice, curated by Daniel Birnbaum and Jacqui Davies with physicist Ulf Danielsson.

Smithsonian leader asserts ‘authority over our programming’ in letters to staff and Trump White House

Smithsonian Secretary Lonnie G. Bunch III sent letters to the White House and staff asserting the institution's independence after President Donald Trump ordered a comprehensive review of eight Smithsonian museums. The review, initiated by an August 12 White House letter, targets exhibitions, collections, and programming for alleged bias and divisive content. Bunch stated the Smithsonian is conducting its own internal review to ensure nonpartisan, factual programming, emphasizing that the institution retains authority over its content. The letters follow Trump's social media attack on the Smithsonian and an earlier executive order directing Vice President J.D. Vance to remove what the administration calls 'race-centred ideology.'

Amy Sherald, Having Canceled Her Smithsonian Show, Will Take Paintings to Baltimore

Amy Sherald has canceled her planned exhibition at the Smithsonian’s National Museum of African American History and Culture in Washington, D.C., and will instead bring her paintings to the Baltimore Museum of Art. The decision follows a period of reflection and logistical challenges, with the Baltimore venue offering a more intimate and locally resonant setting for her work.

Comment | I used to think it wasn’t cool to like Andy Goldsworthy—now I see how he helps us appreciate the natural world

Mia maxima culpa. For many years I felt it wasn’t cool to like Andy Goldsworthy. The British artist’s interventions in and workings with nature, while highly skilful and often very beautiful, seemed out of kilter with an increasingly hardcore, conceptually underpinned and urban-orientated art world. It also didn’t help that most of his work could only be experienced at one remove. Books and photographs were the only record of the ephemeral pieces he’d created from ice, leaves, sticks and stones; as well as of the more lasting installations—walls, sheepfolds, cairn paths and giant arches—he’d make in situ, usually in remote locations across the world.

Amy Sherald's canceled Smithsonian art show comes to Baltimore

Artist Amy Sherald has canceled her scheduled exhibition at the Smithsonian's National Portrait Gallery in Washington, D.C., due to censorship concerns over her painting "Trans Forming Liberty," which depicts the Statue of Liberty as a Black trans woman. The exhibition, titled "Amy Sherald: American Sublime," will instead travel to the Baltimore Museum of Art (BMA), where it will run from November 2, 2025, to April 5, 2026. Sherald will also receive one of the museum's "Artist Who Inspires" awards at its 2025 BMA Ball on November 22. The show is a mid-career survey of Sherald's work, previously shown at the San Francisco Museum of Modern Art and the Whitney Museum of American Art.

The new U-Haul Art Fair is pulling up in Chelsea

A new art fair called U-Haul Art Fair will take place in Chelsea, New York, from September 5-7, 2025, with ten exhibitors presenting work from the backs of rented U-Haul trucks parked streetside. Organized by James Sundquist and Jack Chase of the nomadic U-Haul Gallery, the fair features galleries including Nino Mier Gallery, Hexton Gallery, and Autobody Autobody, with each participant paying $2,500 in fees. The exact location is being kept secret but will be between 10th and 11th avenues and 20th and 30th streets.

Antony Gormley: ‘Everything I make now is a surprise to me’

Antony Gormley, the British sculptor best known for public works like *Angel of the North* and *Another Place*, is opening his first solo exhibition in Seoul this September, titled *Inextricable*, simultaneously at White Cube and Thaddaeus Ropac. The shows coincide with Frieze Seoul and explore how urban infrastructure shapes human consciousness. Gormley also discusses his ongoing collaboration with Japanese architect Tadao Ando at Museum SAN, where their permanent installation *Ground* (2025) is on view, and reflects on past unrealized projects in Korea, including a utopian proposal with the Kim Dae-jung Foundation.

Fall Arts Preview

The article previews the Fall 2025-26 arts and entertainment season in Richmond, Virginia, highlighting cultural venues and events across the city and surrounding counties. Key highlights include the new Foyer Gallery, which opens with a solo exhibition by Patrick Berran titled "Burn Blue," and the Allianz Amphitheater at Riverfront, which closes its inaugural season with performances by James Taylor, Leon Bridges, Steve Martin and Martin Short, and Tedeschi Trucks Band. Other venues mentioned include The National, The Valentine, and Hanover Tavern, along with events like "InLight" at Abner Clay Park and a concert by Jason Mraz.

Museum Exhibitions On View in East Texas, South Texas & the Valley this Fall

Several museums and art centers across East Texas, South Texas, and the Rio Grande Valley have announced their fall 2025 exhibition schedules. Highlights include the Tyler Museum of Art’s "Alas…" by Alicia Eggert, a floral sculpture that wilts over three weeks, and "Assembled: A Look at Contemporary Collage" featuring Texas artists. The Art Museum of South Texas in Corpus Christi will present three shows: Jason DeMarte’s surrealist photography in "Arcadian Enclosures," the Texas A&M University-Corpus Christi faculty biennial "Quarter Turn," and "Breadth of Latino/a Voices" from its permanent collection. The Rockport Center for the Arts opens Jessica Ninci’s "A Field Guide" and Moira Garcia’s "Nepantla: In-Between." The Beeville Art Museum hosts Caprice Pierucci’s "Threads Through Time," and the Five Points Museum of Contemporary Art in Victoria will survey work by Fort Bend County artists.

Berlin Atonal, the first biennial rooted in music and sound, pushes the boundaries of what ‘art’ can mean

Berlin Atonal, recently recognized by the Biennial Foundation as the first biennial rooted in music and sound, defies conventional categories of festival and exhibition. Held in the decommissioned Kraftwerk power station, the event prioritizes sound as a central art form, with artists like Billy Bultheel, Anne Imhof, and Basma al-Sharif creating immersive, site-specific works. The festival sold out on Resident Advisor, reflecting growing demand for experimental sound in visual culture settings.

Hunterdon Art Museum presents Annual Members Show

The Hunterdon Art Museum in Clinton, New Jersey, will host its Annual Members Show from September 21, 2025, to January 11, 2026, featuring 35 artists working in ceramics, sculpture, glass, wood, fiber, printmaking, painting, photography, and collage. The exhibition was juried by Donna Gustafson, a freelance curator and critic with a PhD in Art History, who selected works from 84 artists and nearly 400 slides, noting themes of nature, identity, community, and politics. An opening reception is scheduled for September 21.

Pinacoteca de São Paulo and Chanel Culture Fund launch new residency for women artists

The Pinacoteca de São Paulo and the Chanel Culture Fund have launched a new residency for women artists, with Brazilian artist Juliana dos Santos as its inaugural recipient. Dos Santos, who holds a doctorate from São Paulo State University, creates work exploring plants, pigments, and the sensory experience of color, notably using the blue pigment of the Clitoria ternatea flower. She recently opened her first solo museum exhibition, "Juliana dos Santos: Temporã," at Galeria Praça within Pina Contemporânea, and will present a VR work at the 36th Bienal de São Paulo in September 2025.

Seoul Mediacity Biennale searches for the mystical in contemporary art

The 13th Seoul Mediacity Biennale, titled "Seance: Technology of the Spirit," opens at the Seoul Museum of Art and other venues across Seoul until November 23. Curated by Anton Vidokle, Hallie Ayres, and Lukas Brasiskis, the biennale brings together 49 artists and collectives exploring spirituality, mysticism, and shamanism as counterpoints to the anxiety and alienation of technological advancement. The theme emerged from the curators' work on the 2023 Shanghai Biennale and includes works by Hilma af Klint, Jane Jin Kaisen, Angela Su, Hsu Chia-Wei, and the late Nam June Paik, alongside sound and experimental theatre sections hosted at Nakwon Arcade.

Meet Elizabeth Catlett in 11 Facts

Elizabeth Catlett (1915–2012) was a sculptor, printmaker, feminist, and social activist whose art was inseparable from her life and politics. Born in Washington, DC, to parents who worked in education, she faced racial discrimination early on—denied a scholarship to the Carnegie Institute of Technology and paid less than white colleagues as a teacher. She became the first Black woman to earn an MFA from the University of Iowa, studying under Grant Wood, and later taught at the George Washington Carver School in Harlem, where she connected with Harlem Renaissance figures. Catlett moved to Mexico, married artist Francisco Mora, and created woodblock and linocut prints for 20 years. She was investigated by the House Un-American Activities Committee, declared an "undesirable alien," and became a Mexican citizen in 1962. Her work centered on Black and Mexican women, and she famously stated, "We have to create an art for liberation and for life."

Epic Palmer Museum exhibition explores 30 years of ecology and art

The Palmer Museum of Art at Penn State is opening "Mark Dion and Alexis Rockman: Journey to Nature’s Underworld" on August 30, the first survey of the two artists' work spanning three decades. The exhibition features sculptures, paintings, works on paper, and a new collaborative diorama, exploring themes of ecology, environmental collapse, invasive species, and climate change through scientific and artistic lenses. Both artists, who met in New York in the 1980s, combine intensive research, dark humor, and museum display methods to subvert traditional narratives about nature and humanity.

Fall and Winter 2025 Programming at the National Museum of Women in the Arts

The National Museum of Women in the Arts (NMWA) in Washington, D.C., has announced its fall and winter 2025 programming lineup. Highlights include the monthly after-hours series NMWA Nights, the landmark exhibition "Women Artists from Antwerp to Amsterdam, 1600–1750" opening September 26, and a mixed-media photography show by Baltimore-based artist Tawny Chatmon. The season also features hands-on workshops in paper-cutting with Janelle Washington, Pilates sessions in the museum's Great Hall, Fresh Talk discussions on fashion and the gender pay gap, Free Community Days, and a holiday Makers' Market.

Chicago Art Exhibitions to See: September 2025

The article lists five major art exhibitions opening in Chicago in September 2025, including a retrospective of Elizabeth Catlett at the Art Institute of Chicago, a summer residency show by Industry of the Ordinary at SoNa, a collaborative exhibition by Mayumi Lake and Bob Faust at the Elmhurst Art Museum, a Helen Frankenthaler print exhibition at the Block Museum, and the third annual Chicago Exhibition Weekend featuring over seventy galleries and public spaces.

Artists and scholars respond to White House’s list of Smithsonian grievances

Over the weekend, artists, scholars, and concerned citizens responded to the White House's list of objectionable Smithsonian Institution exhibits and texts, released under the heading 'President Trump Is Right About the Smithsonian.' The list includes bullet points targeting exhibits on white culture, LGBTQ+ history, Afrofuturism, and works by artists such as Ibram X. Kendi, Ayana V. Jackson, Hugo Crosthwaite, Rigoberto A. Gonzalez, and Amy Sherald. Those singled out defended their work, with some comparing the administration's actions to Jim Crow-era censorship or Nazi Germany's 'degenerate art' campaigns, while others expressed pride in being included and vowed to continue making political art.

Combine art with nature at these local sculpture parks and trails

This article highlights several outdoor sculpture parks and trails in Luxembourg where visitors can experience art integrated with nature. It features the Domaine Mondorf park in Mondorf-les-Bains, which houses 21 sculptures by local and international artists, including works by Wil Lofy, Lucien Wercollier, and Catherine Lhoir. The sculpture trail in Lultzhausen, established in 1999, showcases site-specific stone works by artists like Georg Ahrens, Ton Kalle, and Bertrand Ney, designed to harmonize with the landscape around the Upper Sûre reservoir.

Mickalene Thomas’s ex-fiancée accuses the artist of sexual harassment and stealing millions of dollars from her

Mickalene Thomas’s former fiancée, curator and model Racquel Chevremont, has filed a summons against the artist, accusing her of sexual harassment and claiming she owes at least $10 million in damages. The summons, signed in Manhattan on 8 August, cites breach of contract, unjust enrichment, conversion, and retaliation, alleging that Thomas created a hostile working environment and improperly diverted funds from their jointly-owned entity. Chevremont, who collaborated with Thomas for a decade and appeared in several of her works, claims she was underpaid despite a written agreement and that Thomas terminated her employment after she refused to resume their romantic relationship.

White House Bashes Smithsonian Museums, Exhibitions, as “Woke”

On August 21, the Trump administration published an unsigned article on the White House website attacking several Smithsonian museums and their exhibitions for promoting what it described as "woke" content. The article specifically called out the National Museum of African American History and Culture, the National Museum of American History, the National Portrait Gallery, the Smithsonian American Art Museum, and two planned institutions—the National Museum of the American Latino and the American Women’s History Museum. It cited exhibitions and artworks addressing race, transgender identity, and immigration, including Amy Sherald’s painting *Trans Forming Liberty* (2024), which led the artist to cancel her solo show at the National Portrait Gallery after the museum sought to remove the work to avoid provoking Trump.

Person of the Day | Chase Quinn Adopts Multi-Discipline Approach to Art-Museum Exhibits, Programs

Chase Quinn has been appointed as the inaugural creative director and curator of special projects at the Mississippi Museum of Art (MMA) in Jackson, starting in January 2025. In this newly created role, he oversees both curatorial and education departments, focusing on inclusive, cohesive content development and storytelling. Quinn, previously co-director of education and programs and curator of special projects at the Gibbes Museum of Art in Charleston, South Carolina, was inspired by Carrie Mae Weems’ series “From Here I Saw What Happened and I Cried” at Tate Modern in the mid-1990s, which shaped his approach to complicating narratives around race in museum exhibitions.

Sarasota Art Museum celebrates 100th anniversary of Art Deco with exhibition of 100 rare advertisement posters

The Sarasota Art Museum will open an exhibition titled "Art Deco: The Golden Age of Illustration" on August 31, featuring 100 rare fine art advertisement posters from the 1920s and '30s. The posters, created by early master graphic designers such as A. M. Cassandre and Leonetto Cappiello, are drawn from the Crouse Collection, considered the most significant private collection of its kind. The exhibition also includes sculptural works, cocktail shakers, and Art Deco furniture on loan from the Wolfsonian Museum at Florida International University.

Something from Everything leads current excellent array of exhibitions at Utah Museum of Contemporary Art

The Utah Museum of Contemporary Art (UMOCA) is presenting five exhibitions, including an outdoor public art installation, with the highlight being "Something from Everything" (on view through Jan. 3, 2026). This exhibition features works from 19 artists that use mundane, discarded, and overlooked materials, exploring the evolving medium of sculpture. Key pieces include Lee Bontecou's 1959 "Untitled" relief (on loan from the Art Bridges Foundation) and Charlotte Posenenske's modular "Vierkantrohre (Square Tubes)" from 1967, alongside contemporary works by Nolan Flynn, Patrick Durka, Ricardo Rendón, and Leonardo Drew.

Trump accuses Smithsonian of being too focused on ‘how bad slavery was’

US President Donald Trump posted on Truth Social accusing the Smithsonian Institution of focusing excessively on negative aspects of American history, specifically citing exhibits about slavery and the struggles of marginalized groups. He claimed the organization is "out of control" and instructed his attorneys to review its museums, mirroring recent actions against universities. The White House has initiated a four-month review of eight Smithsonian museums, including the National Museum of African American History and Culture and the National Portrait Gallery, with a directive to replace "divisive or ideologically driven language" with "unifying, historically accurate" descriptions.

Israeli art spaces and workers join nationwide strike and protests, calling for hostage deal and end to war in Gaza

On 17 August, a nationwide strike and protests swept across Israel, with organizers estimating 2.5 million participants demanding a hostage deal and an end to the war in Gaza. Israeli art spaces and workers joined the action: the Tel Aviv Museum of Art closed operationally but opened its lobby to protesters and projected Michal Rovner's video work *Signaling (2024)* on its façade; the Israel Museum illuminated its Shrine of the Book in yellow; the Bezalel Academy of Arts and Design and Shenkar College also struck, while the Mishkan Museum of Art ceased activities in solidarity.