Lakota artist Dyani White Hawk is presenting a solo exhibition that bridges the gap between traditional Indigenous art forms and contemporary abstraction. The showcase features a range of media, including painting, photography, and video, all centered on the enduring power of Lakota storytelling and the preservation of cultural heritage through visual language.
The Aisling Gallery in Hingham, Massachusetts, has become a featured stop on the South Shore Irish Heritage Trail, highlighting the work of Irish-born painter Vincent Crotty. The gallery showcases Crotty’s oil paintings, which bridge his two worlds by capturing the rugged, pastoral landscapes of County Cork and Dingle alongside the coastal vistas of New England and Maine. Crotty, who immigrated to the United States 35 years ago, has maintained a long-standing partnership with the gallery, evolving from a struggling artist into a prolific figure in the local Irish-American art scene.
The City of Rahway has announced the upcoming exhibition "Face(t)s of America" at Gallery Space, running from April 18 through June 13, 2026. Featuring works by six artists—Rodríguez Calero, Dong Kyu Kim, Carlos Mateu, Roxanna Meléndez, Diane Phares, and Duquann Sweeney—the show utilizes portraiture and painting to explore themes of identity, heritage, and belonging in the United States. The exhibition will include a public reception on April 24 featuring performances by the New Jeru Poetry Slam Team.
The Sisters, Servants of the Immaculate Heart of Mary (IHM) Motherhouse Gallery in Monroe, Michigan, recently hosted an exhibition featuring artworks created by incarcerated individuals from across the state. Organized in collaboration with the University of Michigan's Prison Creative Arts Project (PCAP), the show featured pieces made from unconventional materials like soap and graham crackers. The collection ranged from spiritual and hopeful works to those reflecting the harsh realities of the correctional system, with proceeds from sales supporting PCAP’s ongoing programming.
The Sisters, Servants of the Immaculate Heart of Mary (IHM) Motherhouse Gallery in Monroe, Michigan, recently hosted an exhibition featuring artworks created by incarcerated individuals from correctional facilities across the state. Organized by the University of Michigan’s Prison Creative Arts Project (PCAP), the show displayed pieces made from unconventional materials like soap and graham crackers, ranging from spiritual reflections to bright, hopeful compositions. The exhibit was curated from donated works by artists who are unable to keep their pieces or sell them directly due to Department of Corrections regulations.
The High Desert Museum in Bend, Oregon, has unveiled a new solo exhibition titled "Miguel Almeida: Las Manos que dan de Comer" (The Hands That Feed). The show features large-scale murals, hand-drawn animations, and a 10-foot-tall cutout figure of a farmworker surrounded by soil and ambient field sounds. Drawing from his own experience working in the fields of Idaho, the first-generation Mexican American artist uses a vibrant, contemporary style influenced by skateboarding culture and Mexican folk traditions to depict the daily lives of agricultural laborers.
Indigenous artist Scott Kwah is set to debut a deeply personal exhibition titled "A.R.E.N.A. babies" at the Salmon Arm Art Gallery, running from April 11 to June 16, 2026. The installation centers on 18 hand-cast concrete figures seated on vintage chairs that emit audio of fragmented, childlike voices questioning their origins and loss of language. The work directly confronts Kwah’s history as a survivor of the Sixties Scoop, specifically referencing the Adoption Resource Exchange of North America (ARENA) program that facilitated the cross-border displacement of Indigenous children.
Richmond s'enrichit d'une terre cuite du XVIIIe siècle
The Virginia Museum of Fine Arts in Richmond has acquired a rare 18th-century terracotta sculpture by the French artist Jean-Baptiste Boudard. A winner of the Grand Prix de Sculpture in 1732, Boudard spent much of his career in Italy serving the court of Philip of Bourbon in Parma, which contributed to his relative obscurity in his native France despite his significant contributions to Roman and Parmese landmarks.
The In Between Art Film Foundation has announced "Canicula," the final installment of its "Trilogy of Uncertainties," set to open at the Ospedaletto Complex during the 2026 Venice Biennale. Curated by Alessandro Rabottini and Leonardo Bigazzi, the exhibition features eight international artists, including Peruvian video artist Maya Watanabe, whose work investigates memory and the politics of representation. The show utilizes the unique architecture of the Ospedaletto’s church and music hall to create immersive environments exploring themes of environmental and political pressure.
The Art Dealers Association of America (ADAA) has named the Whitney Museum of American Art as the new philanthropic beneficiary of its annual fair at the Park Avenue Armory. This decision follows the ADAA's abrupt termination of a 30-year partnership with the Henry Street Settlement, a social services nonprofit that relied on the fair's preview gala for approximately $1 million in annual unrestricted funding. The new event, rebranded simply as the ADAA Fair, will direct its gala proceeds toward the Whitney’s educational and artistic programming.
A MEDIA LUMBRE. BARRO Y FIBRAS NATURALES EN LA OBRA DE ARTISTAS IBEROAMERICANOS
The exhibition 'A media lumbre' presents a collection of works by Ibero-American artists that engage with materials and knowledge historically considered minor arts, such as ceramics, clay, wool, textiles, embroidery, and natural fibers. The show integrates sound and oral tradition as tools for transmitting memory, drawing inspiration from communal gatherings like the 'filandones.' It unfolds across four autonomous exhibitions in Valencia, Mallorca, Aragon, and Catalonia, connecting urban museums like the IVAM with rural contexts.
The U.S. Trade Representative, Jamieson Greer, has launched a Section 301 investigation into 60 countries to determine if forced labor practices create unfair trade advantages. This move follows President Trump’s continued push for sweeping tariffs after previous attempts were struck down by the Supreme Court. Major art organizations, including the Association of Art Museum Directors (AAMD) and Heritage Auctions, are formally petitioning for works of art and antiquities to be exempt from any resulting duties.
Archaeologist Robert J. Madden has published a groundbreaking study in the journal American Antiquity identifying over 600 prehistoric objects as two-sided dice. These artifacts, found across 57 sites in the American West, date back more than 12,000 years to the Late Pleistocene era. By applying criteria from historic Native American gaming traditions to these bone and wood fragments, Madden argues that dice-based games of chance existed 6,000 years earlier than previously recorded in the archaeological record.
Asheville-based artist Harley Burns discusses their transition from a career in public health to a full-time painting practice centered on trans and gender-nonconforming identity in the American South. The interview focuses on Burns's triptych "Buttoning Back Up" (2025), which translates a vulnerable public performance of chest-binding into a series of oil paintings that explore the hypervisibility and invisibility of non-binary bodies.
John Middleton, the majority owner of the Philadelphia Phillies, and his wife Leigh have publicly debuted their private collection of blue-chip American art. The couple has lent a significant selection of works for a dual-venue exhibition in Philadelphia, coinciding with the city's preparations for the 250th anniversary of the United States.
‘A Language We Share’ Traces a Photographic Lineage Between Gordon Parks and Beverly Price
A new exhibition, "A Language We Share," opens this month at the Center for Art and Advocacy, placing the work of photographer Beverly Price in direct conversation with the legendary Gordon Parks. The show highlights their shared focus on social advocacy through imagery, particularly documenting the lives of children and communities in areas like Southeast Anacostia in Washington D.C., a location both photographers have captured across different eras.
The Barbican in London opens the first UK institutional solo exhibition of German-American artist Julia Phillips this Friday. The show, titled "Inside, Before They Speak," is installed in The Curve gallery and features newly commissioned works that span sculpture and drawing.
The 1-54 Contemporary African Art Fair has announced its exhibitor lineup for its New York edition, set for May 13–17 at the Starrett-Lehigh Building in Chelsea. More than 20 galleries will participate, including a mix of returning and first-time exhibitors from Africa, the Caribbean, Europe, and the Americas, with the fair running concurrently with Frieze New York and NADA New York.
The USC Fisher Museum of Art has welcomed the "National Archives’ Freedom Plane National Tour," a traveling exhibition featuring foundational American documents. Arriving via a specially branded Boeing 737 at Van Nuys Airport, the collection includes rare items such as a 1823 Stone engraving of the Declaration of Independence, the Treaty of Paris, and a secret printing of the Constitution. USC is the only university selected as a stop on this eight-city tour, which commemorates the upcoming 250th anniversary of the United States.
The hot dog ascended from a humble street food sold by German immigrants in 19th-century New York to a symbol of American culture, famously served to King George VI at a 1939 presidential picnic. Its journey was propelled by vendors on Coney Island's boardwalk and its introduction to massive crowds at events like the 1893 Chicago World's Fair, eventually becoming a staple at ballparks and backyard gatherings.
The Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts (PAFA) have announced a major collaborative exhibition titled "A Nation of Artists," set to open in April 2026. Featuring over 1,000 works spanning three centuries, the show will integrate paintings, sculptures, and decorative arts, including more than 120 pieces from the prestigious Middleton Family Collection. The exhibition is designed to coincide with the United States' 250th anniversary and the reopening of PAFA’s Historic Landmark Building.
Lorena Bradford, the first head of Accessible Programs at the National Gallery of Art, has left the institution after pioneering numerous initiatives to make museums more inclusive. Her work included launching American Sign Language tours, creating programs for individuals with memory loss, and spearheading the Short Description Project to provide detailed online artwork descriptions.
Los premios
Artist Gala Berger presents a three-act exhibition titled "Los premios" (The Prizes), which revisits the radical spirit of the 1968 Latin American avant-garde. The show specifically references two historic 1968 exhibitions at the National Museum of Fine Arts in Buenos Aires—the Georges Braque Prize and "Materials, new techniques, new expressions"—where artists staged protests involving egg-throwing, stink bombs, and manifestos against censorship and institutional tutelage.
MASP CONTESTED NARRATIVES BETWEEN REPLICA AND WEAVING
The Museu de Arte de São Paulo (MASP) has opened two simultaneous exhibitions that critically examine how narratives in Latin American art are formed. 'Réplica (Replica)' is a retrospective of Peruvian artist Sandra Gamarra Heshiki, featuring over 70 works that appropriate and alter historical pieces to expose the exclusionary mechanisms of museums. 'Vivir, tejer (Living, Weaving)' presents the collaborative textile work of Claudia Alarcón and the Silät collective, a group of over one hundred Wichí women weavers, foregrounding ancestral knowledge and collective creation.
Museums across the United States are launching a series of major exhibitions to mark the nation's 250th anniversary. These shows use art and material culture to explore the construction of American identity, featuring themes like migration, modernity, and reinterpretations of national icons.
Ukrainian-born artist Jonko “George” Voronovsky transformed his modest retirement room at Miami’s Colony Hotel into a dense, vibrant sanctuary of over 5,000 artworks. After surviving the horrors of the Russian Revolution, Nazi labor camps, and permanent separation from his family, Voronovsky immigrated to the U.S. and spent his final years creating "memoryscapes." These works, crafted from found materials like pizza boxes and soda cans, depicted idyllic, colorful scenes of his youth in Ukraine, contrasting sharply with the trauma of his past.
Whitney-Biennale zwischen Niedlichkeit und Panik
The Whitney Museum of American Art has unveiled its latest Biennial, a sprawling survey of contemporary art that navigates the tension between playful aesthetics and existential dread. Curators have embraced an expanded definition of American art, incorporating global perspectives and diverse media to reflect a nation grappling with political instability and social change. The exhibition oscillates between moments of "cuteness" and "panic," utilizing strong visual narratives to address the complexities of the current era.
TERRITORIES IN CONNECTION LATIN AMERICAN ART IN CIUDAD DE LAS ARTES PANAMA
The exhibition "Territorios en conexión" (Territories in Connection) opened at Ciudad de las Artes in Panama City, featuring Latin American artists working with video, textiles, and performance. Curated by Irene Gelfman, the show includes works by artists like Sandra Monterroso, Ana Barboza, and Ana Elena Tejera, and is part of the Pinta Panamá Art Week.
Mexico City gallerist Fátima González, founder of the gallery Campeche, has been selected to join a committee, likely for a major art fair or institutional program. The article presents her perspective on the challenges and realities of operating a gallery in Latin America.
The Miraflores Palace of Arts (PLAM) in Lima is hosting "A Collection Is a Desire," a major exhibition featuring over 100 works from the Jan Mulder Collection. This presentation is an expanded version of a landmark 2012 showcase at the Rencontres d'Arles, which was the first time a private Latin American photography collection was featured at the prestigious French festival. The exhibition includes works by iconic figures such as Martín Chambi, Graciela Iturbide, and Vik Muñiz, spanning various periods and geographical contexts.