What not to miss from the new edition of The Phair, the photography fair in Turin

Cosa non perdere della nuova edizione di The Phair, la fiera della fotografia di Torino

The seventh edition of The Phair, a photography fair in Turin, Italy, opened on Thursday, May 21, at the Sala Fucine of the Officine Grandi Riparazioni. Founded by Roberto Casiraghi and Paola Rampini, the fair features 42 national and international galleries. Highlights include a surprising automotive partnership at the entrance, and standout presentations from Red Lab Gallery (Ezio D’Agostino and Carlotta Valente), Alberto Damian Gallery (Paolo Gioli), Roccavintage (Costanza Gastaldi), Tucci Russo (Giulio Paolini), Raw Messina (Kri Babusci), and Galleria Umberto Benappi (Ugo Mulas). Other notable artists include Arnulf Rainer, Anton Corbijn, Luigi Ontani, and Simon Starling.

The Most Unique and Research-Focused Exhibitions to See in Brussels in Spring 2026

Le mostre più particolari e ricercate da vedere a Bruxelles nella primavera 2026

Brussels is hosting a series of niche and research-focused contemporary art exhibitions in spring 2026, coinciding with the 42nd edition of Art Brussels. Highlights include Jean-Michel Othoniel's "Diary of Happiness" at the Boghossian Foundation, Caroline Achaintre's "Extrazimmer" at La Verrière, a six-decade survey of the Art & Language collective at Fondation CAB, and a dialogue between Nassos Daphnis and Rita McBride titled "Abstract Constructions."

In Veneto, a New Art Center is About to Open in Two 16th-Century Villas on the Brenta Riviera (Opening on the Same Day as the Biennale)

In Veneto sta per inaugurare un nuovo centro d’arte con sede in due ville cinquecentesche della Riviera del Brenta (apertura lo stesso giorno della Biennale)

A new cultural center named Ca' Riviera will open on May 9, 2026, in Mira, Veneto, housed within two 16th-century villas on the Brenta Riviera. The project, founded by Riccardo Corò and Leonardo Tiezzi, aims to be a permanent hub for contemporary art, design, and architecture, featuring exhibitions, installations, and artist residencies. Its inaugural exhibition, 'The Shape of the Self / La forma del Sé,' is organized in collaboration with the Milan gallery Cassina Projects.

The international gallery bridging contemporary artists and art history masters reopens in Milan: The Interview

Riapre a Milano la galleria internazionale che mette in dialogo artisti contemporanei e maestri della storia dell’arte. L’intervista

The artist-run space Octagon is set to establish a permanent home in Milan at Via Maroncelli 12, officially opening on April 15, 2026, during the city's Art Week. Founded by artist Jacopo Mazzetti in 2018, the gallery is transitioning from a nomadic model that saw recent collaborations in Paris and Athens to a fixed physical presence. The inaugural exhibition will feature works by the French Symbolist master Odilon Redon, maintaining the space's signature curatorial approach of bridging historical art with contemporary perspectives.

miami bakehouse art complex celebrates 40 years

The Bakehouse Art Complex in Miami’s Wynwood district is celebrating its 40th anniversary and the 100th anniversary of its Art Deco building, which originally opened as a bakery in 1926. Founded in 1985 by a group of artists who purchased the abandoned industrial bakery for $10, the nonprofit has provided studio space to over 1,500 local artists. The celebration kicked off with an exhibition titled “Bakehouse at Forty: Past, Present, Future,” attended by more than 1,000 guests, and included a gala fundraiser with affordable ticket prices. The organization is now planning to build 60 units of affordable artist housing as part of a revitalized campus.

hugo galerie reco sturgis lawsuits debts

A number of artists have accused art dealer Reco Sturgis, founder of the now-closed Hugo Galerie in New York, of withholding artworks, failing to pay hundreds of thousands of dollars in owed funds, and making violent threats. Sturgis has been named in legal proceedings by artists seeking unpaid sales proceeds, and has been sued by his landlord and multiple companies for outstanding debts exceeding $1 million. Artists including British sculptor Beth Carter, Joseph Paxton, and French artist Patrick Pietropoli report that Sturgis owes them significant sums, sold works without payment, and refused to return pieces.

Dozens of Venice Biennale Artists Withdraw From Awards En Masse

Almost half of the artists in the 61st Venice Biennale's international exhibition, along with 16 national pavilion teams, have withdrawn from awards consideration in solidarity with the jury's resignation. The jury resigned on April 30 after stating it would not consider countries whose leaders are charged with crimes against humanity by the ICC, effectively disqualifying Israel and Russia. The Biennale Foundation then replaced the traditional Golden Lions with new "Visitor Lions" decided by public vote, reinstating all pavilions including Israel and Russia. The withdrawal follows protests at the Russian and Israeli pavilions and a historic labor strike that shuttered multiple pavilions.

Barbara Chase-Riboud Speaks Out on Declining US Biennale Pavilion

Sculptor and author Barbara Chase-Riboud has publicly declined an invitation to represent the United States at the 2026 Venice Biennale, stating it was "not the moment" for her to do so. She was among the artists initially considered by the newly formed American Arts Conservancy (AAC), which is organizing the US pavilion after both she and photographer William Eggleston turned down the opportunity.

Dozens of Venice Biennale Artists Demand Israel’s Exclusion

A coalition of 182 artists, curators, and art workers participating in the 2026 Venice Biennale, organized under the Art Not Genocide Alliance (ANGA), formally delivered a letter demanding the exclusion of Israel from the exhibition. The signatories, including prominent artists like Yto Barrada, Alfredo Jaar, and Miet Warlop, argue that the Biennale must not normalize Israeli policies towards Palestinians.

総合開館30周年記念「ルイジ・ギッリ 終わらない風景」@ 東京都写真美術館

The Tokyo Photographic Art Museum is hosting "Luigi Ghirri: Endless Landscapes," the first Asian museum solo exhibition dedicated to the Italian photographer Luigi Ghirri (1943–1992), running from July 3 to September 28, 2025. The exhibition presents a wide range of Ghirri's work, from his early masterpieces to his late pieces, including his famous series on Giorgio Morandi's studio. It also features works and materials by his wife, graphic designer Paola Borgonzoni (1954–2011), highlighting her crucial role in his career. Related events include a symposium with Ghirri's daughter Adele Ghirri and curator Ilaria Campioli, gallery talks, and the Japanese premiere of the documentary film "Infinito."

Part root vegetable, part deity: Inside Everything Is Terrible’s new Meow Wolf L.A. installation

Meow Wolf's upcoming Los Angeles location, set to open later this year in a former Cinemark movie theater in West L.A., will feature a 20-foot-tall, 1,000-pound amoeba-like creature named WoWoW, created by the L.A.-based multimedia collective Everything Is Terrible. WoWoW serves as the centerpiece of "the N.E.S.T.," an EIT-designed section of the 26,000-square-foot immersive exhibition space that tells the story of the Noothies, a fictional community of former film workers who discover a god and a hidden truth about reality. The installation pays tribute to maximalist roadside attractions like Wisconsin's House on the Rock and New Mexico's Tinkertown Museum, and is one of 45 installations by local collaborating artists including Gabriela Ruiz and David Altmejd.

One of LACMA's first commissions finds new life at David Geffen Galleries

Alexander Calder's monumental fountain sculpture "Three Quintains (Hello Girls)" has been reinstalled at the Los Angeles County Museum of Art's new David Geffen Galleries, more than 60 years after it was first commissioned for the museum's original 1965 campus. The colorful, whimsical piece features four water jets that propel mobile-like paddles, and its water jets were turned back on in March 2025. The sculpture now anchors the northeast corner of the new building, placed alongside the main cafe and near the W.M. Keck Education Center, with a technically advanced filtration system to address previous environmental challenges.

Corals as Living Geology. In Conversation with Julian Charrière by Timothée Chaillou

Julian Charrière has created two new bodies of work, *Chorals* (2025) and *Veils* (2025), in collaboration with Maison Ruinart. The projects are inspired by the Lutetian Sea, which submerged the Champagne region 45 million years ago, and explore themes of deep time, climate change, and the interconnectedness of organic and mineral life. *Chorals* is a permanent sound installation in Ruinart's cellars in Reims, featuring amplified recordings of ocean reefs, while *Veils* comprises wall works and sculptures centered on corals and fading coral imagery. The works travel to art fairs as preludes to the permanent installation.

Total Warfare. A Conversation with Luigi Alberto Cippini  by ANY

Architect Luigi Alberto Cippini, founder of Armature Globale, engages in a provocative dialogue with Michael Abel and Nile Greenberg regarding the stagnation of contemporary architecture. Cippini calls for a radical departure from traditional disciplinary boundaries, advocating for a "punk" approach that embraces low-resolution aesthetics, hyper-specialized research, and a rejection of the pedantic communication standards that currently dominate the field.

In Medias Res. Sofia Defino Leiby by Gabriela Acha

Berlin-based artist Sofia Defino Leiby is currently transitioning her practice between her Alt-Treptow studio and a residency at Defet House in Nürnberg. Her multidisciplinary approach integrates painting, collage, and performance, drawing heavily from a 'running narrative' of personal notes, found ephemera, and high-end materials like Schmincke paints. The work often features visceral, layered compositions that utilize everything from vintage packaging to Swiss Aura-Soma bottle imagery.

Madrid: Hypnotic Laugh Track by Manga Ngcobo

Writer Manga Ngcobo reflects on the architectural and cultural landscape of Madrid in early 2025, juxtaposing the city's historic art institutions with its rapid technological and commercial evolution. Drawing on Ben Lerner’s novel 'Leaving the Atocha Station', the piece explores the growing disconnect between the profound emotional experiences promised by masters like Velázquez and Goya and the reality of a city increasingly designed for content creation, retail aesthetics, and digital consumption.

Chicago: Model City by Mark Acciari

Native Chicagoan architect and artist Mark Acciari reflects on the architectural identity of Chicago from the distance of Mexico City. Using the iconic imagery of a Chicago-style hot dog as a metaphor for the city's construction, he explores how the city's legacy is often reduced to the 'skeleton frame' of early modernism by critics, while ignoring its more playful, symbolic, and postmodernist undercurrents.

DISPOSITIONS IN THE AMERICAS CONTEMPORARY ART AND THE COLONIAL LEGACY

A major exhibition titled 'Dispossessions in the Americas: The Extraction of Bodies, Land, and Heritage from La Conquista to the Present' opens at Wrightwood 659 in Chicago. It features over 40 works by 36 contemporary artists from Latin America, curated by Jonathan D. Katz and Eduardo Carrera, examining the ongoing legacies of colonialism through themes of territory, body, and cultural heritage.

Late UK artist Sarah Cunningham honoured with Nottingham Contemporary show

Nottingham Contemporary has announced plans for the first institutional solo exhibition of British artist Sarah Cunningham, who died in November 2024 at age 31. The show, the largest presentation of her work to date, is scheduled to open next autumn, marking a homecoming for the artist who was born and raised in Nottingham and previously worked as a gallery assistant at the same institution. Cunningham, who graduated from the Royal College of Art in 2022, had her first solo exhibition at Lisson Gallery in 2023 and developed a distinctive abstract style characterized by exaggerated brushwork and extended brushes made from scrap wood.

Shirley Gorelick: Figuring It Out

The National Museum of Women in the Arts (NMWA) is presenting "Shirley Gorelick: Figuring It Out," an exhibition running from March 27 to June 28, 2026, that centers on three large-scale paintings by the American realist artist Shirley Gorelick (1924–2000). The show brings together these works from NMWA’s collection for the first time, including the first canvas in her "Three Graces" series, a triple portrait of activist Libby Ourlicht, and a depiction of longtime friends Gunny and Lee Benson. More than 30 additional paintings, drawings, and prints further illuminate Gorelick’s practice and her subjects. Gorelick, who was active in New York artist-run women’s cooperative galleries in the 1970s, developed a bold realist style that combined vigorous brushwork, heightened shadows, and vivid patterns, yet she was largely omitted from art historical narratives that focused on Pop art, Minimalism, and conceptual art.

Leaner, nimbler and more discreet: why some art advisory firms are growing in a downturn

A growing number of "super advisory" firms are being founded by former top-level auction house executives, offering leaner, more discreet art advisory services without the high overheads of major auction houses and galleries. Notable examples include Art Intelligence Global (AIG), launched by Amy Cappellazzo and Yuki Terase after leaving Sotheby's, and Patti Wong & Associates, founded by former Sotheby's Asia chair Patti Wong. These firms leverage decades of experience and personal client relationships to compete in a cautious market where major auction houses have cut staff and digitized operations.

Syracuse University Art Museum Celebrates Professor Emeritus Sarah McCoubrey's Decades-Spanning Artistic Evolution

Syracuse University Art Museum is celebrating Professor Emeritus Sarah McCoubrey's 34-year artistic legacy with a closing reception and artist talk on Sept. 10 at Manhattan's Bernard and Louise Palitz Gallery. The event highlights the exhibition “Currents: Sarah McCoubrey,” which surveys McCoubrey's multimedia environmental narratives, including her well-known landscape paintings alongside recent and never-before-seen works. McCoubrey recently attained professor emeritus status after 34 years as a painting professor in the College of Visual and Performing Arts at Syracuse University, and her career includes representation by Locks Gallery in Philadelphia and solo exhibitions at institutions such as the Everson Museum of Art and the Pennsylvania Academy of the Fine Arts.

‘I see hidden codes within the everyday’: Sandra Poulson’s first museum exhibition explores material histories of global exchange

The article features an interview with Angolan artist Sandra Poulson about her first museum exhibition, 'Este quarto parece uma República! (This bedroom looks like a republic!)', on view at MoMA PS1 in Queens until October 6. The exhibition, originally commissioned by Jahmek Contemporary Art in Luanda and shown at Sadie Coles HQ during Condo London 2025, uses wood and found furniture to explore how symbols in everyday objects reflect postcolonial legacies, global trade, and power structures. Poulson discusses her father's Portuguese phrase that inspired the title, the material history of wood from Dutch colonies, and the use of institutional logos on T-shirts in Angola as a form of propaganda.

The Walters Art Museum Shines a Light On the Toxic History of Medieval Manuscripts

The Walters Art Museum in Baltimore has opened "If Books Could Kill," an exhibition exploring the toxic history of medieval manuscripts. The show reveals how pigments like white lead, red mercury, and arsenic were commonly used by scribes, artists, and bookbinders, exposing them to serious health risks. Co-curated by Dr. Lynley Anne Herbert and Dr. Annette S. Ortiz Miranda, the exhibition features 24 rarely displayed manuscripts from the museum's collection, including a Thai treatise on elephants with arsenic-based yellows and a 15th-century Armenian Gospel with vermillion pigments. It also includes a conservator-led video demonstrating how portable X-ray fluorescence (pXRF) is used to identify toxic materials.

‘The extremely happy part of the crowd’: Hungarian arts figures hope for change after 16 years of Orbán rule

The 16-year tenure of Viktor Orbán has come to an end following a landslide victory for Péter Magyar’s Tisza Party in the 2026 Hungarian parliamentary election. The shift in power has sparked widespread celebration among Hungary’s progressive art community, which has long felt stifled by Orbán’s nationalist and socially conservative agenda. Figures from major Budapest galleries and the contemporary art scene report a profound sense of relief, signaling a potential departure from the "illiberal democracy" that dominated the country for nearly two decades.

70 of Stephen Curry’s Game-Worn NBA Sneakers to Be Sold at Sotheby’s, Including a Pair of Nike Kobe 6 Protro ‘Mambacita’

Sotheby’s has announced an online auction of over 70 pairs of sneakers worn by NBA star Stephen Curry during his 2025-26 "sneaker free agency" season. The collection features a diverse range of brands, including Nike, Jordan, Adidas, and Li-Ning, marking the first time Curry was not tied to a single footwear contract. High-profile lots include the Nike Kobe 6 Protro ‘Mambacita’ and the Nike Air Jordan 12 ‘Flu Game,’ with individual estimates reaching up to $50,000.

arar gallery

ARAR Gallery in Utrecht, Netherlands, is championing contemporary Armenian art on the global stage. Founded by Ashot Khalafyan, the gallery presents a diverse roster of artists who synthesize Armenian cultural heritage with avant-garde practices, refusing to treat the art as an isolated category. The gallery's program includes painters like Hasmik Khalafyan and Anahit Mirijanyan, photographer Aram Khalafyan, and extends to limited-edition wearable art based on original paintings.

a tbilisi exhibition reintroduces merab abramishvili to the wider art world

A major multi-venue exhibition in Tbilisi, titled “Merab Abramishvili – Transparent Memory,” reintroduces the Georgian painter Merab Abramishvili to the wider art world. Organized by ATINATI’s Cultural Center and complemented by Baia Gallery, the show features over fifty works spanning the artist’s career, including pieces like *Kiss of Judas* (1989) and *Sunflower* (1989). Abramishvili’s work blends medieval visual culture with Neo-expressionism, using the traditional levkas technique on plywood to create timeless, mythic compositions that explore religious motifs, landscapes, and figuration.

paris art dealer found guilty harassing brigitte macron

A Paris art dealer, Bertrand Scholler, cofounder of gallery 55 Bellechasse, was among 10 people found guilty of online harassment for falsely claiming that French First Lady Brigitte Macron was born male. The court issued suspended sentences, fines, and a six-month ban from X, with the defendants also ordered to pay compensation. Scholler, who has over 108,000 followers on X, announced he would close his account for six months in compliance with the court order.

Abbottabad painter keeps portrait art alive

The article profiles acclaimed portraitist Nasir Shehzad, who has spent over four decades preserving and advancing the art of portraiture and cinematic painting in Abbottabad, Pakistan. His artistic journey began in childhood and gained early recognition through scouting competitions in the 1980s, leading him to professional cinematic painting by 1989. Shehzad has since become a central figure in the local art community through mentorship, founding his own creative platform, and participating in numerous exhibitions and residencies across the country, including recent shows at major institutions like the Lahore Museum and Pakistan National Council of the Arts.