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Evanston History Center exhibit highlights local female artists

The Evanston History Center has launched "Unveiling Evanston Women Artists," a new exhibition dedicated to the historical contributions of female creators in the Illinois city. The show was sparked by a recent donation of works by the late artist Blanche Gildin, who rarely exhibited during her lifetime, and features approximately a dozen local artists including Lucile Roebuck Keeler and Rosemary Zwick. Spanning the early 20th century through the 1970s, the collection includes paintings, sculptures, and commercial illustrations that reflect the creative shifts of the civil rights era.

Sculpture of John Rhoden opens at Memorial Art Gallery

The Memorial Art Gallery has officially opened a major exhibition dedicated to the work of the late American sculptor John Rhoden. The opening reception, held on March 28, 2026, welcomed patrons and community members to explore a collection that highlights Rhoden’s unique ability to blend modernist sculpture with rhythmic, global influences.

La Jolla art museum to host party for Alicia Keys, Swizz Beatz art exhibit

The Museum of Contemporary Art San Diego (MCASD) in La Jolla is preparing to host a major celebratory event for the opening of "Giants: Art from the Dean Collection of Alicia Keys and Swizz Beatz." The exhibition showcases a significant selection of works from the world-class private collection of the musical power couple, featuring monumental pieces by influential Black artists.

Mummies and other human remains held in UK museums raise serious ethical questions, warn scholars

A major investigation has revealed that UK museums, universities, and local authorities hold more than 263,000 human remains, including mummies, skeletons, and skulls. Of these, approximately 37,000 originate from overseas, largely from former British colonies, often acquired without consent. The findings have sparked intense criticism from scholars and curators who argue that the sheer scale of these collections reflects a distressing colonial legacy and necessitates a systemic shift toward repatriation and more ethical storage practices.

Brooklyn Museum Presents Hopi Kachina Dolls: Blessings for a Balanced World

The Brooklyn Museum has announced a landmark exhibition titled "Hopi Kachina Dolls: Blessings for a Balanced World," scheduled to open in October 2026. Featuring over 120 objects ranging from the 19th century to the present, the show draws from the museum's extensive Indigenous art collection alongside contemporary loans of ceramics, textiles, and jewelry. The presentation is uniquely structured around the life stages of Hopi women—from infancy to marriage—and includes newly commissioned video interviews with community members.

Ancient Egyptian form of ‘Tipp-Ex’ identified on papyrus at UK’s Fitzwilliam Museum

Researchers at the Fitzwilliam Museum in Cambridge have discovered a 3,300-year-old form of corrective fluid on an Ancient Egyptian papyrus. Analysis of a 'Book of the Dead' created for a royal archivist named Ramose revealed that a mixture of huntite, calcite, and yellow orpiment was used to paint over a jackal figure to make it appear slimmer. This 'ancient Tipp-Ex' was specifically tinted to match the cream-colored papyrus, demonstrating a sophisticated level of aesthetic correction and attention to detail by Egyptian craftspeople.

Western Exhibitions’ New Show Maps Cities, Bodies and the Spaces Between

Western Exhibitions in Chicago presents “Spaces for People, Systems for Spaces,” a group exhibition featuring fifteen artists who explore the intersection of architecture, urban infrastructure, and the human body. The show includes diverse approaches to mapping and structural representation, ranging from Kim Beck’s hand-woven asphalt photographs and Courttney Cooper’s massive ink-on-receipt Cincinnati maps to Brian Petrone’s basswood and limestone tectonic sculptures.

See What’s on View in NOLA This March

New Orleans is set to host several major art exhibitions this March, highlighting the city's diverse cultural landscape. Key openings include Alexis McGrigg’s "In the Beloved" at the Ogden Museum, which explores Blackness and spirituality through fluid abstraction, and an augmented reality exhibition on the American Revolution at The Historic New Orleans Collection. Additionally, the New Orleans Museum of Art will debut a significant collection of 18th-century French Sèvres porcelain.

New Weatherspoon Exhibition Stitches Black Quilter’s Artistry, Life Stories

The Weatherspoon Art Museum has launched two concurrent exhibitions centered on the legacy of Southern Black quilters. "Of Salt and Spirit: Black Quilters in the American South," curated by Dr. Sharbreon Plummer, showcases 24 quilts from the collection of folklorist Roland L. Freeman, including works by UNCG alumna Gwendolyn Magee. Complementing this is "Harriet’s Powers," a site-specific immersive installation by artist Precious D. Lovell that pays homage to Harriet Powers, a 19th-century quilter born into slavery whose work is now held by the Smithsonian and the MFA Boston.

La Jolla museum to showcase art from Alicia Keys, Swizz Beatz’s private collection

The Museum of Contemporary Art San Diego (MCASD) in La Jolla is set to host "Giants: Art from the Dean Collection of Alicia Keys and Swizz Beatz." This major exhibition features a selection of world-class works from the private holdings of the musical power couple, highlighting their significant contributions as patrons of contemporary art.

Art Professor Christopher Richards Honored by Museum at FIT Exhibition

Brooklyn College Associate Professor of Art Christopher Richards is being honored with a major exhibition at the Museum at the Fashion Institute of Technology (FIT). The exhibition, "Art X Fashion," is directly inspired by his scholarship on African and global fashion, exploring the relationship between fashion and fine art through over 140 objects from the museum's collection.

'Cursed!': Toledo Museum of Art to host exhibit exploring the power of ancient magic in the Mediterranean world

The Toledo Museum of Art will host a major exhibition titled 'Cursed! The Power of Magic in the Ancient World' from March 21 to July 5. The show features 75 objects spanning two millennia, including Egyptian artwork, Mesopotamian sculptures, and Greek and Roman relics, exploring themes like protective magic, communication with gods, and magic in daily life.

Philadelphia Museum of Art Names Katherine Anne Paul as the Newly Appointed Stella Kramrisch Curator of Indian and Himalayan Art

The Philadelphia Museum of Art has appointed Katherine Anne Paul as the Stella Kramrisch Curator of Indian and Himalayan Art, a role named after the pioneering scholar and curator. Paul previously served as Assistant and Associate Curator of Indian and Himalayan Art at the PMA from 2002 to 2008, and most recently held the Virginia and William M. Spencer III Curator of Asian Art position at the Birmingham Museum of Art, where she also served as Lead Curator. She holds a PhD from the University of Wisconsin–Madison and has curated notable exhibitions including "Silver & Ceremony from Southern Asia 1830–1930" and "Expanding Darshan: Manjari Sharma, To See and Be Seen."

Asheville Art Museum exhibit spotlights American Impressionism

The Asheville Art Museum in North Carolina will present "In a New Light: American Impressionism 1870–1940 | Works from the Bank of America Collection," an exhibition featuring over 120 works that trace the development of American Impressionism and its break with academic tradition. The show runs from February 7 through June 29, 2026, and is made possible through the Bank of America Art in our Communities program, which loans exhibitions at no cost to nonprofit community museums.

Why is the French government spending millions on art no one sees?

The French government agency Centre national des arts plastiques (CNAP), established in 1982 to support living artists and collect their work, has come under scrutiny following two opposing government reports. A July white paper by Martin Bethenod recommended refocusing CNAP's acquisitions on France-based artists and galleries, while a November report from the Cour des Comptes by Julien Aubert found the agency financially fragile and redundant, noting that 24,472 works—one quarter of its collection—have never been exhibited. Aubert recommended closing the CNAP by 2030, sparking backlash from over 1,000 art professionals who signed an open letter criticizing the ideological attack on public cultural service.

A taster of the British Museum's Hawaii show in three objects

The British Museum in London is opening a major exhibition titled 'Hawai‘i: a Kingdom Crossing Oceans' (15 January–25 May), accompanied by a catalogue featuring over 150 works from ancient Hawaiian treasures to contemporary pieces. The show explores the historical and cultural ties between Hawaii and the UK, highlighting objects such as an 18th-century feather cloak gifted to a British captain, portraits of King Kamehameha II and Queen Kamāmalu from their 1824 London visit, and a crested helmet. The catalogue includes an inventory of the entire Native Hawaiian collection at the British Museum, the largest outside Hawaii.

Holbein biography interrogates the artist's life and work from a different angle

Elizabeth Goldring’s new biography of Hans Holbein the Younger takes a documentary-focused approach, prioritizing archival evidence over visual analysis. The book examines Holbein’s life (1497/8–1543) through chronological chapters, using inventories, correspondence, and other records to correct long-held assumptions and propose new theories about his work. Goldring’s detective work includes identifying the green curtain in Holbein’s portrait of Sir Thomas More as a reference to the sitter’s role as chancellor of the Duchy of Lancaster, and suggesting that a lost painting of the More family was given to Erasmus as a gift.

Hastings Museum launches ‘Portraits in a Chinese Studio’ exhibition

Grace Lau's exhibition 'Portraits in a Chinese Studio' opens at Hastings Museum & Art Gallery on January 13, 2025. The show features photographs taken in Hastings and St Leonards between 2005 and 2025, depicting local people posed on mock traditional Chinese furniture with modern items like mobile phones and plastic bags, creating a contrast between past and present. The project was funded by Arts Council England and supported by John Hansard Gallery, and runs until March 29, 2026.

Exhibit Explores the Stories Behind the Quilts in the UWS American Folk Art Museum's Collection

The American Folk Art Museum in New York is presenting "An Ecology of Quilts: The Natural History of American Textiles," an exhibition of 30 quilts from its collection of over 600 pieces. Co-curators Austin Losada and Emelie Gevalt highlight the materials and labor behind the quilts, including indigo dye and cotton, while featuring works by Malissia Pettway of Gee's Bend and Japanese artist Tomie Nagano, the only living artist in the show.

Paris exhibition presents exceptional jewels—but Louvre heist treasures missing from line up

An exhibition titled 'Dynastic Jewels' opens at the Hôtel de La Marine in Paris, showcasing over 130 exceptional jewels dating primarily from 1800 to 1920. The show includes pieces linked to Catherine the Great, Queen Victoria, and Prince Albert, many displayed in the city for the first time. However, three major treasures—an 1853 pearl and diamond tiara and two sets of pearl earrings belonging to French Empresses Eugénie and Joséphine—are missing after being stolen from the Louvre Museum in October 2025. The exhibition draws loans from the Victoria and Albert Museum and the Al Thani Collection, which occupies the venue under a long-term contract with the Centre des Monuments Nationaux.

Louvre staff vote to strike, citing failures of management and building maintenance

Staff at the Louvre Museum in Paris voted unanimously to strike, with rolling walkouts set to begin on December 15. The unions, representing around 200 employees, filed a strike notice with the French culture ministry, citing insufficient staff, technical failures, and the building's aging condition. They also criticized the museum's director, Laurence des Cars, for a top-down management system that ignores staff alerts. The strike follows a series of incidents, including the theft of the French crown jewels in October, a forced closure of the Campana Gallery due to structural issues, and a water leak that damaged hundreds of books in the Egyptian antiquities library.

“Water’s Edge: The Art of Truman Lowe” Opens Nov. 25 at the National Museum of the American Indian

The Smithsonian’s National Museum of the American Indian in Washington, D.C., will open “Water’s Edge: The Art of Truman Lowe” on November 25, 2025, running through January 2027. This is the first major retrospective of Hoocąk (Ho-Chunk) artist Truman Lowe (1944–2019), featuring nearly 50 sculptures, drawings, and paintings from public and private collections, including 28 from the museum’s own holdings. The exhibition is organized around four themes—Moving Water, The Land Holds Memory, Woodland Structures, and Memory and Shared Knowledge—highlighting Lowe’s use of natural materials like willow branches and feathers to evoke the waterways and woodlands of his Wisconsin upbringing.

Historic opening: Studio Museum in Harlem welcomes the public to its new architectural landmark

The Studio Museum in Harlem has opened its long-awaited new building, a seven-story, 82,000-square-foot structure on West 125th Street, designed by Adjaye Associates with Cooper Robertson. A Community Day on November 15th marked the public debut, featuring inaugural exhibitions including a major show on Tom Lloyd, whose work launched the museum's first exhibition in 1968, as well as "From Now: A Collection in Context" and a survey of works by over 100 residency alumni. The building expands exhibition space by over 50% and public areas by nearly 60%, with dedicated education spaces and artist-in-residence studios.

Portland Art Museum's new addition set to open November 20

The Portland Art Museum has previewed its new four-story addition, which will open to the public on November 20, 2025. The 100,000-square-foot expansion connects the museum's two existing buildings and adds new gallery and public spaces, featuring a complete reinstallation of the collection with nearly 300 new acquisitions that have rarely or never been displayed before.

New Cope House exhibit highlights the art of collecting

William Skeet Jiggetts, a longtime art collector and trustee of several museums, founded the Museum of African American Art Collections (MAAAC) to celebrate Black collectors and display their private holdings. The organization's inaugural exhibition, “Collectors’ Life,” runs from Nov. 1 to Dec. 30 at Awbury Arboretum’s Cope House Gallery in Germantown, featuring works curated by local collectors including Diana Tyson, Stephanie A. Daniel, Vashti Dubois, Dr. Robyn Jones, and Adrian Moody. Two accompanying talks will explore portraiture and the evolving relationship between collectors and artists.

The Meadows Gallery Announces Open Call for its 41st Annual International Exhibition

The Meadows Gallery at the University of Texas at Tyler has announced an open call for its 41st Annual International Exhibition, scheduled to run from January 20 to February 27, 2026. Interdisciplinary artist Alicia Eggert, an associate professor at the University of North Texas, will serve as juror. Artists over 18 may submit up to three two-dimensional works created within the last three years, with a $35 fee. Entries are due November 12, 2025, and selected works may be purchased for the university's permanent collection.

Cedar Rapids Museum of Art receives Oaxacan artwork to honor local teacher

The Cedar Rapids Museum of Art has received a collection of Oaxacan prints donated in memory of Ellen Barth, a longtime art teacher at St. Pius Elementary School in Cedar Rapids, Iowa. The donation was organized by her husband, Chuck Barth, a local artist and former Mount Mercy University instructor, who worked with museum staff and Oaxacan artists to select works reflecting the culture of Oaxaca, Mexico, where the couple spent part of each year. The museum plans to feature the collection in an exhibition, though it is booked through 2027, and will also use the works in future displays and educational programs.

In historic move, MFA Boston returns works by 19th-century enslaved artist David Drake to his heirs

The Museum of Fine Arts (MFA) Boston has agreed to return two 1857 ceramic jars by David Drake, an enslaved Black potter, to his living descendants. One vessel will remain on loan to the museum for at least two years, while the other—the "Poem Jar"—has been purchased back by the MFA from the heirs for an undisclosed sum, now carrying a "certificate of ethical ownership." The museum acknowledges that Drake created the works involuntarily and without compensation, marking the first time the MFA has resolved a claim for art wrongfully taken under U.S. slavery.

McMichael Canadian Art Collection picks architect for museum expansion

The McMichael Canadian Art Collection in Kleinburg, Ontario, has selected Toronto-based Hariri Pontarini Architects (HPA) to lead a transformative redevelopment of its campus, the first major investment in the museum in over 40 years. The announcement was made during the opening night of the Art Toronto fair, where the museum hosted a fundraiser. The project, which includes expanded exhibition, education, and public programming spaces, is backed by up to C$50 million from the Ontario government (contingent on matching funds) and a previous C$25 million federal investment, though additional funding is still being sought.

Victoria & Albert Museum to expand Gilbert Galleries to explore looting and provenance

The Victoria and Albert Museum (V&A) in London will revamp its Gilbert Galleries, dedicated to the Rosalinde and Arthur Gilbert Collection, expanding from four to seven galleries. Set to open in March, the redesigned space by Citizens Design Bureau will include a new room focused on Nazi and Soviet looting and provenance research. Highlights include 200 gold boxes, micro-mosaics, and two silver-gilt gates looted from Kyiv’s Pechersk Lavra monastery after the Russian Revolution, acquired by William Randolph Hearst in 1935. The expansion is part of the V&A’s Future Plan development programme, funded by the Gilbert Trust for the Arts and The National Lottery Heritage Fund.