A phenomenal urban art exhibition with graffiti legends arrives at La Villette: tickets are now on sale!

Une phénoménale expo d’art urbain avec des légendes du graffiti arrive à La Villette : la billetterie est ouverte !

A major exhibition of graffiti and street art, "Beyond the Streets," is opening at the Grande Halle de la Villette in Paris. The show features monumental sculptures, architectural interventions, archival photos, videos, and murals by legendary artists including Futura 2000, Fab Five Freddy, Shepard Fairey (Obey), Invader, André Saraiva, Fuzi, Felipe Pantone, Lady Pink, and Vhils. The exhibition, which has already drawn over 650,000 visitors worldwide, runs from late May to early September 2026, and ticket sales have just opened.

Comment un père et sa fille ont dupé le marché de l’art avec de faux Picasso et Banksy

A Polish father-daughter duo, Erwin Bankowski (50) and Karolina Bankowska (26), orchestrated a major art forgery scheme between 2020 and 2025, selling over 200 fake artworks attributed to Andy Warhol, Banksy, Pablo Picasso, Andrew Wyeth, and others through top auction houses and galleries in New York and across the United States. They pleaded guilty in federal court in Brooklyn to conspiracy to commit wire fraud and misrepresentation of Native American goods, facing up to 20 years in prison, with sentencing set for August 5. The fakes, produced by an unidentified Polish artist, were sold for at least $2 million, with the highest known sale being a fake Richard Mayhew landscape that fetched $160,000 at DuMouchelles in Detroit.

Un Rothko adjugé près de 86 M$

A painting by Mark Rothko was sold for nearly $86 million at auction. The sale, conducted by an undisclosed auction house, achieved a price within the upper range of expectations for the artist's mature abstract works, reflecting sustained demand for top-tier modern art.

A Titanic life jacket sold for a record price

Un gilet de sauvetage du Titanic vendu à un prix record

A life jacket worn by a survivor of the Titanic's 1912 sinking was sold at auction for nearly €800,000, setting a new record price for an artifact from the doomed ocean liner. The sale was conducted by the British auction house Henry Aldridge & Son, which specializes in Titanic memorabilia.

A Monet Sold at Auction in France

Un Monet adjugé en France

Claude Monet’s painting 'Vétheuil, effet du matin' sold for nearly €10.2 million at an auction in Paris this Thursday. The sale highlights the continued demand for high-quality Impressionist works within the French capital's growing secondary market.

Auction Record in India

Record aux enchères en Inde

The Indian art market has reached a new milestone with the sale of Raja Ravi Varma’s painting, 'Yashoda and Krishna,' which fetched $17.9 million (including fees) at a domestic auction. The masterpiece was acquired by the prominent industrialist Cyrus Poonawalla, setting a new world record for an Indian painting sold at auction.

Millon Takes Over Pierre Bergé & Associés

Millon reprend Pierre Bergé & Associés

The Millon Auction Group has acquired Pierre Bergé & Associés (PBA), becoming the sole shareholder of the historic house founded in 2002. This acquisition follows a turbulent period for PBA, which was placed in receivership in 2023 and briefly owned by Alexandre Landre after being embroiled in a high-profile antiquities trafficking scandal. Under the leadership of Alexandre Millon and newly appointed Managing Director Marc Chochon, the firm plans to return to Drouot and focus on prestigious collections and rare books.

New York Court Orders Restitution of a Modigliani to the Oscar Stettiner Estate

La justice new-yorkaise ordonne la restitution d’un Modigliani à la succession d’Oscar Stettiner

A New York court has ordered the restitution of Amedeo Modigliani’s 1918 painting 'Seated Man with a Cane' to the heirs of Oscar Stettiner, a Jewish art dealer. The work was seized during the Nazi occupation of Paris and sold at a forced auction in 1944 before eventually being purchased by the billionaire Nahmad family via an offshore company in 1996. Judge Joel M. Cohen ruled that the evidence of Stettiner’s prior ownership was "unusually strong" and dismissed the defense's claims that the painting was a different version or that the claim was filed too late.

‘What Color is Your Sky Today?’: The Becoming of the Image

Armineh Negahdari, a Bordeaux-based artist, presents her first institutional solo exhibition in France at the Fondation Louis Vuitton's Open Space series. Titled 'What Color is Your Sky Today?': The Becoming of the Image, the show features a new body of drawings that use charcoal, pastel, and oil paint to explore unstable morphologies between human, vegetal, and animal forms. The works resist narrative closure, emphasizing drawing as an event rather than representation, with lines that accumulate, falter, and begin again. The exhibition is on view at Gallery 8 until 30 August 2026.

‘Out of Place’ : The Afterlives of Landscape.

The major retrospective ‘Out of Place’ at ART AFRICA showcases over 200 images by South African photographer Jo Ractliff, spanning four decades of her career. The exhibition traces Ractliff’s evolution from her early 1980s street photography to her mature, atmospheric landscapes that examine the scars of colonialism, apartheid, and regional conflicts in Southern Africa. By focusing on the 'afterlife' of violence rather than the events themselves, the collection highlights her unique ability to capture how history sediments within the physical terrain.

Rewiring the System: Jean Katambayi Mukendi.

Congolese artist Jean Katambayi Mukendi presents his first solo exhibition in Germany, 'Ratio,' at the KW Institute for Contemporary Art in Berlin. The exhibition features drawings, sculptural installations, and works made from recycled materials that examine technological systems, energy infrastructures, and mineral extraction.

Jackson Pollock breaks auction record with $181 million painting.

Jackson Pollock's painting *Number 7A* (1948) sold for $181.2 million at Christie’s in New York, shattering the previous auction record for the Abstract Expressionist artist by nearly three times. The evening sales also set new auction records for Mark Rothko and Constantin Brâncuși, and realized over $1 billion in a single evening, only the second time in auction history that threshold has been crossed.

$33.5 million set of mirrors by Claude Lalanne sets a new record for a work of design

A set of bronze mirrors by French sculptor Claude Lalanne sold for $33.5 million with fees at Sotheby’s in New York, smashing multiple auction records. The Ensemble of Fifteen Mirrors from 1974 more than doubled its high estimate of $15 million after a 10-minute bidding war between five collectors.

art leah ke yi zheng interview painting

Leah Ke Yi Zheng, a Chinese-born painter based in Chicago, is the subject of a feature interview discussing her first solo institutional exhibition at the Renaissance Society, on view through April 12. Zheng, who earned her MFA at the School of the Art Institute of Chicago (SAIC) in 2019, has developed a distinctive practice that moves beyond traditional canvas to Chinese silk and explores asymmetric forms. Her exhibition comprises 64 paintings rooted in the I Ching, the ancient Chinese text, featuring motifs of machine gears, haunting absent faces, and hexagrams. The show is designed in dialogue with the Renaissance Society's architecture, with modified windows and wall proportions to create a recursive, reflective experience.

artists new technology new museum

DEMO2025, the annual festival from NEW INC (the New Museum's incubator for cutting-edge culture), is hosting a public event at Water Street Projects in Lower Manhattan featuring on-site augmented reality experiments and new models of collective storytelling. To mark the festival, CULTURED asked several NEW INC alumni—including Idris Brewster, Mindy Seu, Stephanie Dinkins, LaJuné McMillian, and the MSCHF Collective—to share which technological developments they find most concerning as artists and which offer the most potential. Their responses address surveillance, attention economies, extractive systems, and the promise of radical alternatives rooted in collectivity and world-building.

Passages at Kunsthalle Friart Fribourg

Kunsthalle Friart Fribourg presents "Passages," a group exhibition running from March 14 to May 17, 2026. The show features works by Nat Faulkner, Solomon Garçon, Keta Gavasheli, Gaylen Gerber with Leah Ke Yi Zheng, Hervé Guibert, Nour Mobarak, Henrik Olesen, B. Ingrid Olson, Anastasia Pavlou, Matthew Peers, Cora Pongracz, Pope.L, Ariana Reines and Oscar Tuazon, Dieter Roth, and Sava Sekulić. The exhibition is documented with 51 images and a floor plan, with photos by Cedric Mussano.

Thomas Bayrle at dépendance

German artist Thomas Bayrle presents a solo exhibition at the Brussels-based gallery dépendance, running from March 14 through April 11, 2026. The presentation showcases a comprehensive selection of Bayrle’s work, documented through an extensive collection of 42 installation views and individual piece images that highlight his signature aesthetic of repetitive patterns and industrial motifs.

Mungo Thomson at Further Down the Line

Artist Mungo Thomson presented a solo exhibition titled "Fireplace" at the gallery Further Down the Line in Liverpool. The show ran from March 4 to April 4, 2026, and was documented with a series of images.

Matt Mullican at Galerie Thomas Schulte

Artist Matt Mullican has opened a solo exhibition titled "Above and Below the Three Worlds" at Galerie Thomas Schulte in Berlin. The show, which runs from February 14 to April 18, 2026, features new work documented by 41 images on the gallery's site.

MANUEL SEGADE: “PRESERVAR LA COMPLEJIDAD DEL MUNDO ES UNA DE LAS TAREAS FUNDAMENTALES DEL MUSEO”

Manuel Segade, director of the Museo Nacional Centro de Arte Reina Sofía, is interviewed as part of a series for International Museum Day. He discusses the museum's role as a space historically tied to critique, conflict, and negotiation with tradition, emphasizing the need to preserve the world's complexity. Segade advocates for institutions that can speak on multiple levels, from introductory lectures to para-academic research, and stresses transforming internal structures toward more horizontal and interdependent models.

SOL HENARO: “BAJAR LA VELOCIDAD ES POLÍTICO Y, AUNQUE CUESTA MUCHO, HAY QUE SEGUIR INTENTÁNDOLO”

Sol Henaro, director of the Museo Universitario del Chopo in Mexico City, argues in an interview for Artishock Revista that museums must resist neoliberal pressures to accelerate production, spectacularize content, and convert cultural experience into immediate consumption. She advocates for the museum as a space of plurality, deceleration, and critical thought, emphasizing the need for horizontal, careful practices that allow for dissent and coexistence. The interview is part of a series on International Museum Day featuring directors from Latin American and Ibero-American institutions.

Beatriz González at the Barbican: Images Against Oblivion

BEATRIZ GONZÁLEZ EN EL BARBICAN: IMÁGENES CONTRA EL OLVIDO

The Barbican Centre in London is hosting a major retrospective of the late Colombian artist Beatriz González, marking her first solo exhibition in the United Kingdom and her most extensive show in Europe to date. Featuring over 150 works, the exhibition traces her six-decade career, from her early experiments with pop-inflected figuration to her iconic use of domestic furniture as canvases. Central to the show is her 1965 masterpiece 'Los suicidas del Sisga,' which exemplifies her method of translating degraded press photographs into vibrant, critical paintings that challenge historical erasure.

The Groups and Other Artistic Revolts: Networks and Collectivities in Mexico, 1976-1985

LOS GRUPOS Y OTRAS REVUELTAS ARTÍSTICAS. REDES Y COLECTIVIDADES EN MÉXICO, 1976-1985

The Museo Universitario Arte Contemporáneo (MUAC) in Mexico City has launched a major exhibition titled "Los grupos y otras revueltas artísticas," which re-examines the surge of artist collectives in Mexico between 1976 and 1985. Drawing from the Arkheia Documentation Center, the show moves beyond a simple chronological survey to reconstruct emblematic works and document the radical shifts in artistic language that occurred during this era. It highlights key historical moments, such as the 1977 Paris Biennial and the formation of the Mexican Front of Cultural Workers' Groups, while exploring how these collectives navigated urban spaces and institutional boundaries.

Nolan Lucidi “Bildersaal” at Kunsthaus Glarus

Kunsthaus Glarus presents "Bildersaal," the first institutional solo exhibition by Swiss artist Nolan Lucidi (b. 2000, based in Basel). The installation combines videos and objects to explore male homosexual desire drawn from literature, art history, and personal experience, while also interrogating formal language and claims to authority.

“Magnanrama. Portraits, Networks, and News of Nathalie Magnan” at Villa Arson, Nice

Mousse Magazine reports on the exhibition “Magnanrama. Portraits, Networks, and News of Nathalie Magnan” at Villa Arson in Nice, which celebrates the life and work of Nathalie Magnan (1956-2016). Magnan was a media theorist, filmmaker, cyberfeminist, educator, webmistress, hacktivist, and interdisciplinary figure who navigated the internet and the high seas, contributing to the history of thought, technology, feminism, and LGBTQI+ struggles. The show presents portraits, networks, and news related to her legacy, positioning her as a mediator and artist despite her reluctance to use that term.

Giorgia Garzilli “Everything’s coming up roses” at Spazio Libero, Stockholm

Giorgia Garzilli presents her solo exhibition “Everything’s coming up roses” at Spazio Libero in Stockholm. The show features a large painting installed across two arches, depicting an exhausted figure lying on the floor in a moment of aftermath—after giving a speech, playing poker, or closing an important deal.

“Passages” at Kunsthalle Friart Fribourg

Kunsthalle Friart Fribourg presents "Passages," a group exhibition exploring the fluid boundaries of matter and form. The show investigates the existential transition points where materials coalesce into recognizable shapes and, conversely, where those forms begin to dissolve or mutate. By focusing on the inherent instability of physical objects, the curated selection of works challenges traditional perceptions of permanence in contemporary art.

Longevity and Obsoletion Impress Upon Alexander Endrullat’s Intaglio Prints

Longevity and Obsoletion Impress Upon Alexander Endrullat’s Intaglio Prints

Artist Alexander Endrullat has created a new series of intaglio prints by running discarded laptops through a century-old printing press. The process, discovered impulsively, physically deforms the devices with each pass, revealing worn keys and internal damage while transferring their textures and residues onto paper.

Dozens of Pavilions Close During Strike at 61st Venice Biennale

On May 8, 2026, a 24-hour strike organized by the Art Not Genocide Alliance (ANGA) and several Italian activist groups brought the 61st Venice Biennale to a standstill. Approximately 27 of the 100 national pavilions closed fully or partially in solidarity with protesters demanding Israel’s exclusion from the event, including those of Austria, Belgium, France, Great Britain, Japan, South Korea, and Ukraine. Over 3,500 people marched through Venice, with speakers including artist Gabrielle Goliath and curator Caroline Dumalin. The main exhibition, "In Minor Keys," curated by the late Koyo Kouoh, closed by late afternoon, and riot police were stationed outside the Arsenale. The Israeli pavilion, already shuttered during previews, remained closed.

Protests and Shutdowns Engulf 61st Venice Biennale Opening

The 61st Venice Biennale preview week, opening to press and professionals ahead of its May 9 public launch, has been engulfed by protests and institutional crises. On May 5, around 60 artists from Koyo Kouoh's exhibition “In Minor Keys” staged a Solidarity Drone Chorus outside the Giardini, drawing on Gazan composer Ahmed Muin's Drone Song (2025) to highlight victims of warfare. On May 6, the Art Not Genocide Alliance (ANGA) organized protests outside Israel's pavilion at the Arsenale, leading to a security-enforced closure, while Pussy Riot and FEMEN demonstrated outside the Russian pavilion. The jury resigned on April 30 after controversy over award eligibility tied to ICC arrest warrants, prompting the Biennale to scrap Golden Lions and transfer prize voting to the public. Iran withdrew its pavilion on May 4, and Russia's will close on May 9, with only exterior video projections remaining. ANGA and Italian unions have announced a 24-hour strike on May 8.