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‘Our pattern, our document’: this Indigenous Australian community is using design to assert its rights

A new exhibition at the Art Gallery of New South Wales (AGNSW) in Sydney, titled 'Yolŋu power: the art of Yirrkala', showcases the work of 90 Yolŋu artists from the remote community of Yirrkala in Australia's Northern Territory. The exhibition highlights how the community's art centre, Buku-Larrŋgay Mulka, has produced sacred clan designs known as miny'tji for eight decades, and how these patterns were used as legal and political documents to assert land and sea rights. Key moments include the 1963 Yirrkala Bark Petition, the Saltwater Project (1996) initiated by artist Djambawa Marawili, and the subsequent 2008 High Court ruling recognizing Indigenous ownership of the intertidal zone under the Land Rights Act.

Never Before Seen Art From King Charles’s Royal Tours Debuts at Buckingham Palace

A new exhibition titled "The King's Tour Artists" has opened in the Buckingham Palace Ballroom, showcasing over 70 works from King Charles III's private collection. The artworks, created by 43 different artists during 70 royal tours to 95 countries and regions since 1985, are displayed together for the first time. The exhibition was viewed by the King and Queen during a reception marking 40 years of the King's initiative to bring artists on official tours. Highlights include a 1985 watercolor from Italy and 2007 portraits of Charles and Camilla by James Hart Dyke from a visit to the Gulf States. The show runs from July 10 to September 10, 2025, as part of the Palace's summer opening.

As an Emily Kam Kngwarray survey opens at Tate Modern this week, contemporary Indigenous artists are finally taking centre stage in the UK

Tate Modern opens its first major exhibition of Indigenous Australian artist Emily Kam Kngwarray (c. 1914–96), featuring over 70 works including early batiks and vast late-career paintings. The show, adapted from a presentation at the National Gallery of Australia, is co-curated by Hetti Perkins and Kelli Cole, who emphasize presenting Kngwarray's work within its Anmatyerr cultural context rather than through a Western abstraction lens. Concurrently, London's Camden Art Centre hosts an exhibition of Duane Linklater and his family, and a Manchester show features Santiago Yahuarcani, signaling a broader UK focus on contemporary Indigenous artists.

Art Gallery of Hamilton is now free to visit for the rest of the summer

The Art Gallery of Hamilton (AGH) has announced free admission for all visitors during July and August 2025 as part of a new initiative called "Hamilton Strong." The program aims to support community health and wellbeing by providing a space for healing, reflection, and connection amid financial insecurity and political anxiety. Free entry is funded by a private donor and applies during regular business hours, though the gallery remains closed on Mondays, Tuesdays, and Wednesdays. Current exhibitions include Helen McNicoll: An Impressionist Journey, Taking Root: Recent Acquisitions, and The Shape of Curiosity, along with the Zucker Sculpture Garden and AGH Creative Lab. Members receive a two-month extension, and new memberships purchased in July or August come with two extra months.

Frist Exhibition Dresses a Bloody History in Silk and Velvet

The Frist Art Museum's summer exhibition, "Venice and the Ottoman Empire," presents over 150 artifacts from Venice's civic museums, Fondazione Musei Civici di Venezia, and the University of Zadar's museum. Co-curated by Stefano Carboni and Trinita Kennedy, the show explores the complex relationship between the Ottoman Empire and the Republic of Venice, highlighting not only their centuries of brutal warfare but also their extensive trade networks and cultural exchange. Luxury textiles, including silk and velvet with Ottoman designs, feature prominently, alongside books, a qibla indicator, and military artifacts like a 17th-century Ottoman banner. The exhibition focuses on commerce and the elite who commissioned portraits, though it notably omits discussion of the slave trades and minimizes production processes.

A Testimony to Survival and Hope Amid Chaos and Destruction

Vian Sora's first solo museum exhibition in the United States, 'Outerworlds,' is on view at the Santa Barbara Museum of Art (SBMA) through September 7. The exhibition features vibrant, layered abstract paintings that the artist describes as deeply personal, including 'Forest Remains,' a 2023 SBMA acquisition that she considers a self-portrait about migration and assimilation. Sora, born in Baghdad and a survivor of the Iran–Iraq War, Gulf War, and the 2003 invasion, discussed her work in a conversation with SBMA Chief Curator James Glisson, explaining how a 2015 hysterectomy led to a dramatic shift in her style toward bold, colorful compositions. The show will travel to the Speed Art Museum in Louisville and the Asia Society Texas Center after its Santa Barbara run.

Review | Walters Museum unveils 4,000-year tour of Latin American art

The Walters Art Museum has unveiled new Latin American galleries, opening with a work by Peruvian-born artist Kukuli Velarde titled "Wak'a del Agua" (2022-2023). The ceramic piece, inspired by the Inca tradition of stacking stones to mark sacred spaces, features five stacked forms painted in diverse styles that reflect different periods of Peruvian history, from ancient textile patterns to neon-colored figures.

Newport Art Museum to present ‘Howard Gardiner Cushing: A Harmony of Line and Color’

The Newport Art Museum will present 'Howard Gardiner Cushing: A Harmony of Line and Color' from July 12 to December 31, 2025, the first major retrospective in decades of the Gilded Age artist. Curated by Ricardo Mercado, the exhibition features over 55 paintings, many unseen publicly for over 60 years, and will be held in the museum's Cushing Gallery, named after the artist and funded by his patron Gertrude Vanderbilt Whitney.

Hong Kong’s first major Islamic art exhibition set to open at Palace Museum

Hong Kong’s Palace Museum will open its first major Islamic art exhibition on Wednesday, featuring 90 works from the Museum of Islamic Art in Doha, including carpets, ceramics, and manuscripts dating from the 10th to the 19th centuries. The show, titled “Wonders of Imperial Carpets: Masterpieces from the Museum of Islamic Art, Doha,” marks the Qatari institution’s debut in the city and includes treasures such as the 17th-century “Kevorkian Hyderabad carpet.”

Uovo planning second, larger art storage facility in Brooklyn

Uovo, an art logistics and storage company, is planning to build a second, larger facility in Brooklyn. The proposed 240,000-square-foot building at 74 Bogart Street in Bushwick would complement its existing 150,000-square-foot space nearby, offering climate-controlled storage for art, wine, and fashion, along with private viewing galleries and project spaces. The company is seeking municipal approval to upzone a parking lot for the development and has received support from the local community board, though some residents oppose the project, citing concerns about housing shortages and rising rental costs.

More than 200 galleries are signed on for The Armory Show's next edition

The Armory Show has announced over 200 galleries for its September 2025 edition at the Javits Center in New York, including more than 135 returning exhibitors and around 55 first-time participants. New features include a design-focused sector called Function, curated by Ebony L. Haynes, and a large-scale sculpture sector Platform led by the nonprofit Souls Grown Deep. The fair will also introduce a non-profit sector and honor Silke Lindner with the Gramercy International Prize.

“State Fairs: Growing American Craft” at the Smithsonian American Art Museum’s Renwick Gallery Explores the Stories of Craft Artists at the Fairgrounds

The Smithsonian American Art Museum's Renwick Gallery will present 'State Fairs: Growing American Craft,' the first exhibition dedicated to artists' contributions to U.S. state fairs, from Aug. 22 to Sept. 7, 2026. Featuring over 240 artworks dating from the mid-19th century to the present, the show includes spectacles such as Big Tex's size 96 boots, a life-size butter cow by Iowa State Fair sculptor Sarah Pratt, and a pyramid of preserved fruits by canning champion Rod Zeitler. The exhibition is the result of five years of research involving visits to 15 state fairs, collaborations with artists in five states, and contributions from 43 states and tribal nations.

Newly attributed Turner painting, last sold for £500, goes under the hammer at Sotheby's with £300,000 estimate

A painting attributed to JMW Turner, titled *The Rising Squall, Hot Wells, from St Vincent’s Rock, Bristol*, is set to be auctioned at Sotheby’s London on 2 July with an estimate of £200,000–£300,000. The work was sold last year at Dreweatts Donnington Priory for just £524.80, then catalogued as a follower of Julius Caesar Ibbetson. After a collector purchased it and arranged restoration, Turner’s signature was uncovered, and leading Turner scholars unanimously endorsed the attribution. The painting, made in 1792 when Turner was 17, depicts Hot Wells House in Bristol and was exhibited at the Royal Academy in 1793.

Chinese museum visitors accuse artist Heman Chong of ‘cyber harassment’

A group of Chinese museum visitors has filed a formal complaint against Singapore-based artist Heman Chong, accusing him of cyber harassment. The visitors allege that Chong reposted their selfies from his exhibition "The Endless Summer" at UCCA Dune on his Instagram account with captions that mocked them for narcissism and appropriating his work. The complaint cites China's portrait rights law, which prohibits using recognizable images of individuals without consent, and also accuses Chong of gender-based targeting for only reposting images of women. The visitors demand a formal apology from Chong and joint action from UCCA Dune and the Aranya resort.

NSIDER: Frist Art Museum Debuts ‘Venice and the Ottoman Empire’

The Frist Art Museum has debuted 'Venice and the Ottoman Empire,' an interactive exhibition exploring the cultural, artistic, and commercial exchanges between Venetians and Ottomans from 1400 to 1800. Featuring over 150 works from seven Venetian museums, the show includes ceramics, glass, metalwork, paintings, prints, and textiles by artists such as Gentile Bellini and Vittore Carpaccio, alongside anonymous craftspeople. Immersive elements like soundscapes, scent stations, and a video installation with Nashville chefs Paulette Licitra and Ilyas Bakla enhance the experience, with rooms dedicated to doges, sultans, shipwreck artifacts, and the spice trade.

Rediscovered Artemisia Gentileschi painting offered for sale in London for £1m to £2m

Sotheby's will offer a rediscovered Artemisia Gentileschi painting, *David with the Head of Goliath* (1620s-30s), at its Old Master evening auction on 2 July, with an estimate of £1m to £2m. The work had been misattributed for decades—first to Giovanni Francesco Guerrieri in 1975, then as 'School of Caravaggio' in 2018—before definitive attribution to Artemisia was confirmed in 2020 when Simon Gillespie Studio discovered her signature running down the sword blade. The painting has been on the market only twice before, most recently selling for €104,000 in 2018.

Paris gallery directors join forces to launch ‘open-ended’ advisory

Two Paris-based art dealers, Samy Ghiyati and Nicolas Nahab, have launched NG, a new multi-pronged art advisory business. The venture combines traditional advisory services with a roving exhibition programme, collection management, and foundation management. Nahab previously led Mendes Wood DM’s Paris gallery and worked at Marian Goodman and Yvon Lambert; Ghiyati was a director at David Zwirner’s Paris gallery after a stint at Kamel Mennour. Their first public project will be a selling exhibition of videos by Meriem Bennani in Essaouira, Morocco, opening in December.

The Metropolitan Museum of Art to Host “P.S. Art” Exhibition

The Metropolitan Museum of Art will host "P.S. Art 2025: Celebrating the Creative Spirit of NYC Kids" from June 10 through October 19, 2025, a juried exhibition featuring 138 artworks by prekindergarten through grade 12 students from New York City public schools. The works were selected from over 950 submissions by a panel including the late artist Tony Bechara and Met staff, spanning painting, mixed-media, and sculpture. A ceremony at The Met Fifth Avenue on June 10 will coincide with the Museum Mile Festival, and the Times Square Advertising Coalition will display 43 of the works on OUTFRONT's screen, The Cube, starting June 17.

Early summer shows at the Utah Museum of Contemporary Art: Out Loud 2025, 2025 Gala Art Exhibition: The Factory

The Utah Museum of Contemporary Art (UMOCA) is presenting two early summer exhibitions: "Out Loud 2025" and the "2025 Gala Art Auction: The Factory." Out Loud 2025 features work by 17 young artists from Utah high schools who completed a 12-week workshop series, exploring themes of queer identity, childhood nostalgia, and coming-of-age through diverse media including painting, ceramics, collage, and video. The 2025 Gala Art Auction showcases works by 57 Utah artists available for purchase.

Australia’s first National Centre for Environmental Art to open in Gariwerd/Grampians

The Wama Foundation has announced the launch of the National Centre for Environmental Art in Halls Gap, Victoria, set to open this winter. It will be Australia's first gallery dedicated solely to environmental art, located at the foothills of the Gariwerd/Grampians National Park. The inaugural exhibition will feature a major work by artist Jacobus Capone, titled 'End & Being', and the gallery will eventually form part of a larger art and ecology precinct.

The Met opens reimagined Arts of Oceania galleries showcasing works from the Pacific

New York's Metropolitan Museum of Art is reopening its Galleries of the Arts of Oceania to the public for the first time since 2021, following a major renovation that allowed curators to reimagine the presentation of art from the vast Pacific region. The galleries feature more than 600 artworks from Melanesia, Polynesia, Micronesia, Australia, and New Zealand, including the iconic Kwoma ceiling installation from Papua New Guinea, which has been reconfigured with input from the artists' descendants to accurately reflect clan groupings. The renovation is part of a broader $70 million overhaul of the Michael C. Rockefeller Wing, which also houses collections from the ancient Americas and Africa.

Arts of Africa

This article explores the deep history and cultural significance of Africa's artistic traditions, focusing on the continent as the cradle of human creativity. It traces the development of diverse cultures south of the Sahara over 160,000 years, highlighting how artists and workshops translated worldviews into enduring creations. The text also examines Africa's Atlantic Coast engagement from 1445 onward, detailing early European contact, trade agreements along the Gold Coast, and the forced exodus of captives during the transatlantic slave trade, which deprived the region of its productive youth.

Alfred Ceramic Art Museum celebrates a 125-year legacy

The Alfred Ceramic Art Museum celebrated Alfred University's 125th anniversary with the exhibition "History: a Legacy in Motion, Alfred Ceramic Art 1900–2025." The show highlights ceramic works by faculty members past and present, centering on 25 pieces by Charles Fergus Binns, the founding director of the New York State School of Clay-Working and Ceramics. Curated by museum director Wayne Higby and assistant director Benjamin Evans, the exhibition features over two dozen artists including Marion Fosdick, Charles Harder, and Linda Sikora, many of whose works have not been displayed in recent years.

Greek PM Mitsotakis at the ‘Thalatta’ Art Exhibition Opening at UN

Greek Prime Minister Kyriakos Mitsotakis and Foreign Minister Giorgos Gerapetritis attended the opening of the art exhibition 'Thalatta' at the United Nations in New York on May 20, coinciding with Greece's Presidency of the UN Security Council. The exhibition features 11 contemporary paintings by Greek artists from the National Gallery in Athens, curated around the theme of the sea. Ambassador Evangelos Sekeris delivered welcoming remarks, and Syrago Tsiara, Director of the National Gallery – Alexandros Soutsos Museum, spoke about the sea's role in cultural diplomacy and international cooperation.

2025 MFA Thesis Exhibition Transforms the Miriam and Ira D. Wallach Art Gallery

On April 26, 2025, the School of the Arts held its annual MFA Thesis Exhibition at the Miriam and Ira D. Wallach Art Gallery, featuring twenty-nine emerging and established artists. Curated by Amal Issa, the show spans a wide range of mediums including installations, videos, paintings, drawings, and sculptures, with many works exploring themes of memory, ancestry, and identity. Notable pieces include Maya Dixon's immersive installation using gourds and found objects, Daniel Castro's surreal cityscapes, and Ridwana Rahman's interactive carpet piece that invites reflection on direction and prayer.

Teen Artists Challenge Traditional Boundaries at Fort Worth Gallery Show

The Pool Near Southside Arts Space in Fort Worth hosted the NAMNAL Exhibition, the city's first art and AI exhibition featuring twenty-two emerging youth artists. The show, which closed May 12, was the culmination of a STEAM-based initiative called NAMNAL (New Age Media – New Age Learning), founded by Sri Lankan American artist and AP art teacher Dhananjaya “DJ” Perera. The exhibition displayed 25 core works reimagined across mediums—from sketches to 3D prints, projection mapping, and embroidery—developed in collaboration with TCU’s College of Fine Arts and UT Dallas’ Harry W. Bass Jr. School of Arts, Humanities, and Technology.

The art of being Pope Leo: from a Raphael portrait to the first pontiff to be captured on film

The article examines the artistic and historical legacy of popes named Leo, following the election of Robert Prevost as Pope Leo XIV on 8 May. It traces the name through figures like Leo I (Leo the Great), Leo IX, and Leo X, focusing on Raphael's iconic 1518-20 portrait of Pope Leo X with cardinals Giulio de' Medici and Luigi de Rossi. The piece also discusses Raphael's frescoes in the Vatican's Stanze and Loggia, which depict earlier Leonine popes, and highlights the Medici family's role in bankrolling the Renaissance.

Art for All: The Cedar City Art Exhibit, 1940-2008

The Cedar City Art Exhibit, running from 1940 to 2008, was an annual community art exhibition initiated by junior high school art teacher Eugene Jorgensen. Organized by the Cedar City Art Committee, it featured works by local, regional, and national artists, including Maynard Dixon, Eve Drewelowe, and Jimmie Jones. Each year, at least one artwork was purchased for the city, and students also saved money to buy art for their schools. The exhibition highlighted pieces now held by Southern Utah Museum of Art (SUMA) and the Iron County School District.

‘We are all part of this intergalactic universe’: Saya Woolfalk’s solo show immerses viewers in her “Empathic Universe”

Saya Woolfalk's solo exhibition "Empathic Universe" at the Museum of Arts and Design (Mad) in New York presents two decades of her visionary world-building practice. The show unfolds in five chapters, featuring sculptures made from textiles, videos, performances, and immersive digital installations that trace the evolution of fictional plant-and-human hybrid races. Woolfalk discusses the origins of her project, which began after her return from Brazil with works like "Winter Garden: Hybrid Love Objects" (2005) at MoMA PS1, and how the Empathic Universe came into focus during her time in the Whitney Independent Study Program around 2006, drawing on mythology, anthropology, technology, and feminist theory.

“Dutch Art in a Global Age” at the Kimbell Art Museum

The Kimbell Art Museum in Fort Worth, Texas, is presenting "Dutch Art in a Global Age," an exhibition organized by the Center of Netherlandish Art at the Museum of Fine Arts, Boston. The show features over a hundred seventeenth-century Dutch paintings, including seascapes and still lifes by artists such as Ludolf Bakhuizen, Willem van Aelst, and Adriaen Coorte, alongside a Japanese woodblock book from the late eighteenth century that highlights the global reach of Dutch maritime trade.