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'The Last Supper:' Boise Art Museum exhibits artist’s lifework on death row final meals

The Boise Art Museum is exhibiting Julie Green's "The Last Supper," a collection of nearly 1,000 hand-painted blue-and-white ceramic plates depicting the final meal requests of death row inmates. The project, which Green began in 2000 after reading a newspaper clipping about an execution, spans more than two decades and is on display for the first time in its entirety in the U.S. The plates show comfort foods like fried chicken, tater tots, and honey buns, painted in cobalt blue reminiscent of 18th-century Danish porcelain.

‘I think of immersion as a state of perception’: Lawrence Lek on his exhibition at the Bass Museum of Art in Miami Beach

London-based multimedia artist Lawrence Lek presents his latest work, NOX Pavilion, at the Bass Museum of Art in Miami Beach during Miami Art Week. The installation is part of his ongoing fictional universe NOX ("nonhuman excellence"), which imagines a rehabilitation program for rogue self-driving cars. This year alone, Lek has staged NOX-related works at Tate Modern, the Hammer Museum, and Goldsmiths Centre for Contemporary Art, demonstrating his growing international presence. In an interview, Lek discusses how his practice spans architecture, video, gaming, and music, treating immersion as a critical state of perception rather than mere spectacle.

This Vietnam veteran lost his sight, but not his vision. Now, his art hangs in the Denver Art Museum

Jim Stevens, a Vietnam War veteran who was shot in the head and later became legally blind after a stroke in 1993, has created a new painting technique using monofilament as a canvas. His artwork, "Blues Man," now hangs in the Denver Art Museum as part of the exhibition "Beyond the Military: From Combat to Canvas," which Stevens helped organize. Stevens serves as president and director of Denver's Veterans Arts Council and has earned Veterans Affairs’ National Gold Medals for Fine Art.

Shobhaa De Inaugurates Viveek Sharma's New Solo Exhibition 'Sacred Gestures' at Jehangir Art Gallery

Zen Crafart has opened 'Sacred Gestures', a solo exhibition by contemporary Indian artist Viveek Sharma, at Mumbai's Jehangir Art Gallery. The show was inaugurated by novelist and columnist Shobhaa De and runs from December 2 to 8, 2025. The exhibition features works that blend Lavani-inspired movement, divine feminine symbolism, and pop culture motifs, exploring femininity through dramatic lighting and saturated hues. It follows Sharma's earlier Delhi exhibition 'Silence Please', which received strong acclaim from collectors and cultural figures.

A Space Between Selves Exhibition Explores Identity and Cultural Hybridity

Art Heritage and the Lakshmi Mittal and Family South Asia Institute at Harvard University have opened 'A Space Between Selves,' an exhibition featuring work by three former Visiting Artist Fellows: Cop Shiva, Pattabi Raman, and Sunanda Khajuria. The show explores themes of identity, transformation, and cultural hybridity, with a guided walkthrough by the artists and remarks from Tariq Allana and Hitesh M. Hathi.

Miami Advice: Mikhaile Solomon on the immersive Artists in Residence in Everglades programme

Mikhaile Solomon, founder of Prizm art fair, discusses the Artists in Residence in Everglades (Airie) program, which has hosted around 200 artists over 25 years. Founded in 2001 by artist Donna Marxer and park ranger Alan Scott, Airie invites about 14 artists per year to live and work for one month in Everglades National Park, producing work that responds to the subtropical wilderness. The program's exhibitions have traveled to venues like the Cooper Hewitt, Smithsonian Design Museum and the Venice Biennale, with recent projects including Miami-based artist Germane Barnes' sound installations.

Spring 2026 Exhibitions Opening Celebration

The Wexner Center for the Arts at Ohio State University has announced its Spring 2026 exhibitions lineup, featuring works by Vitória Cribb, Ximena Garrido-Lecca, Eric N. Mack, Hew Locke, and Naeem Mohaiemen. Highlights include Cribb's 'echoes of a wet finger,' commissioned by Sharjah Art Biennial 16 and Mercosul Biennial 14, and solo presentations by Garrido-Lecca, Mack, and Locke, as well as Mohaiemen's film and video works. The season is supported by a range of funders including the American Electric Power Foundation, the Mellon Foundation, and the National Endowment for the Arts.

Pulitzer Prize-winning art critic Christopher Knight is retiring

Christopher Knight, the Pulitzer Prize-winning art critic for the Los Angeles Times, is retiring after more than 40 years in the field, with his final day set for November 28. Knight spent 36 of those years at the Los Angeles Times, becoming one of the last full-time art critics at a major U.S. daily newspaper. He won the Pulitzer Prize for criticism in 2020 for his incisive coverage of the Los Angeles County Museum of Art's proposed overhaul, and received a $50,000 Lifetime Achievement Award for Art Journalism from the Dorothea and Leo Rabkin Foundation the same year. Knight also authored two books and appeared on programs like 60 Minutes and PBS NewsHour.

It Happened on Herr: Harrisburg abstract artist returns home for a major exhibit at SAM.

Bronx-based abstract artist Alteronce Gumby has returned to his hometown of Harrisburg for a major exhibition at the Susquehanna Art Museum titled “If Herr Street Could Talk.” The show features 25 mixed-media works, displayed just blocks from the Herr Street neighborhood where Gumby grew up. A graduate of Harrisburg High School and Yale University, Gumby creates cosmic, color-driven paintings using materials like gemstones, resin, and glass, inspired by his childhood observations of light and color. The exhibition marks a homecoming for the internationally celebrated painter, who hopes to inspire young artists in the city.

Museum of Art Donors Celebrate at Impressionist Exhibit

On November 17, the Santa Barbara Museum of Art (SBMA) hosted a donor appreciation reception for its high-level supporters and special guests to celebrate two concurrent exhibitions: "The Impressionist Revolution: Monet to Matisse from the Dallas Museum of Art" and "Encore: 19th-Century French Art" from SBMA's own collection. Over 100 guests enjoyed cocktails and toured the galleries, welcomed by Eichholz Foundation Director Amada Cruz, who highlighted the revolutionary nature of Impressionism and its role in birthing modernism. Chief Curator James Glisson led a guided tour, noting the exhibition coincides with the 150th anniversary of the first Impressionist exhibit in 1874. Major donors recognized include The Dana and Albert R. Broccoli Charitable Foundation, Manitou Fund, SBMA Ambassadors, and several individual benefactors.

Don't miss the DIA's expansive Anishinaabe art exhibition

The Detroit Institute of Arts (DIA) has opened "Contemporary Anishinaabe Art: A Continuation," its first major Native American art exhibition in over three decades. The show features 90 works from more than 60 Anishinaabe artists from Michigan and the Great Lakes region, including pieces by Maggie Thompson, Jim Denomie, David Martin, and Jodi Webster. The exhibition runs through April 8, with free admission for residents of Macomb, Oakland, and Wayne counties.

Radical History: Chicano Prints from the Smithsonian American Art Museum exhibition opens at The Huntington

The exhibition "Radical Histories: Chicano Prints from the Smithsonian American Art Museum" opens at The Huntington's Marylou and George Boone Gallery from November 16 to March 2. Curated by E. Carmen Ramos, the show features 60 works by nearly 40 artists and collectives, tracing over six decades of Chicano printmaking as a tool for resistance, community building, and cultural reclamation. The exhibition is organized into five thematic sections—"Together We Fight," "¡Guerra No!," "Violent Divisions," "Rethinking América," and "Changemakers"—and begins with the late 1960s Delano Grape Strike, highlighting how artists used silkscreens, posters, and offset prints to mobilize communities and confront injustice.

Grunwald Gallery showcases legacy of visiting artist series

The Grunwald Gallery of Art at Indiana University's Eskenazi School of Art, Architecture and Design is hosting “Re:Visit | Celebrating a Decade of McKinney Visiting Artists,” an archival exhibition that highlights 10 years of the McKinney Visiting Artist Series. Founded in 2016 through an endowment by IU alumni Meredith McKinney and Elsa Luise Barthel McKinney, the series brings artists to campus for short residencies, lectures, workshops, and collaborative learning. The exhibition features work by 11 participating artists, including Tetsuya Noda, Yvonne Osei, and Martin Venezky, and runs through Nov. 15.

Impact Leadership Academy Students to Showcase Artwork at Contemporary Arts Museum Houston Exhibition

Students from Aldine ISD's Impact Leadership Academy will debut their collaborative artwork in the Shared Grounds exhibition, hosted by the Contemporary Arts Museum Houston (CAMH). The opening takes place on November 18, 2025, at the University of Houston's 3rd Space Art Gallery, featuring large-scale paintings created under the guidance of teaching artist Carlos Mendoza and art teacher Toby McCraw. The works explore themes of place, memory, and the future.

Seeing beyond: Issam Kourbaj on mentoring three young artists for Abu Dhabi Art

Artist Issam Kourbaj is curating and mentoring three emerging UAE-based artists—Salmah Almansoori, Maktoum Al Maktoum, and Alla Abdunabi—for the Beyond Emerging Artists programme at Abu Dhabi Art, which runs November 19–23 at Manarat al-Saadiyat. The artists are creating new works for the fair and separate outdoor installations in Al Ain, including at historical sites like Al Ain Oasis and Jebel Hafeet Tombs, with the outdoor pieces on view for six months. Kourbaj, a Syrian-born artist based in Cambridge, selected the trio for their diverse materials and shared focus on place and memory.

After being closed for years this gallery is opening its doors again

Toi Tauranga Art Gallery in Tauranga, New Zealand, will reopen to the public on November 15, 2025, after a three-year closure (2022–2025) for seismic upgrades and refurbishment. The gallery, originally opened in 2007, has been renovated to connect with the new council-led cultural precinct Te Manawataki o Te Papa, which includes a library, museum, performing arts centre, and council chambers. The reopening programme, titled "Rawe," features local and international artists including Kereama Taepa, Pusi Urale, and esteemed senior Māori painter Darcy Nicholas, who is exhibiting in Tauranga for the first time.

New V&A exhibition explores modern spirit of traditional Chinese crafts

The Victoria and Albert Museum in London has opened 'Dimensions: Contemporary Chinese Studio Crafts,' a landmark exhibition in its China Gallery that pairs nearly 50 newly acquired contemporary works with historic artifacts from the Ming and Tang dynasties. Curated by Li Xiaoxin, the show features artists including Lin Fanglu, Zhao Jinya, and Eliza Au, who transform traditional crafts such as tie-dye, glassmaking, and ceramics into contemporary art forms. The exhibition, which opened on October 28, is the first major V&A show dedicated solely to contemporary Chinese studio crafts, the result of a five-year research journey by Li to address the museum's lack of modern Chinese representation.

This Week in History: 50 years back at the Art Museum: Pamela Smith’s occult art unveiled

A 1975 exhibition at the old Princeton University Art Museum, titled “To All Believers: The Art of Pamela Smith,” brought British occult artist Pamela Colman Smith out of obscurity. Smith, best known for illustrating the Rider-Waite-Smith tarot deck in 1909, had largely disappeared from public view after 1920 and died in 1951. The show was curated by Melinda Boyd Parsons, a student of art historian William Innes Homer, and brought to Princeton by museum director Peter Bunnell. The exhibition was covered by student journalist Laurie Kahn, who noted its significance as both occult art and work by a female artist.

How the Sienese painter Ambrogio Lorenzetti spoke truth to power

The article examines Ambrogio Lorenzetti's frescoes "Good and Bad Government" (1338-1339) in Siena's Sala dei Nove, arguing that the painter embedded a subtle critique of the ruling oligarchy. Jules Lubbock, a professor emeritus at the University of Essex, reinterprets the murals as a warning against repressive one-party rule, challenging the traditional view of Siena under the Nine as a golden age of good governance.

Untitled: Artist Takeover Oct 2025

The Denver Art Museum hosted "Untitled: Artist Takeover Oct 2025," a Halloween-themed evening event featuring performances, art installations, and interactive activities across its Hamilton Building, Martin Building, and Sturm Grand Pavilion. Highlights included a memorial installation series "Death of Baddy" by artist Moe Gram, classic horror film screenings, tarot readings, shadow puppet theater, mask-making, and a dance party with DJ 2AND2. Participating artists and performers included Justy Robinson, Miguel Garcia, Kendall Bennett, Patty McCrystal, Zora Beglarian, Lisa Frank 666, Karma Leigh, Joe Oliver, Medicine Mama Kia, Shaunie Berry, Elle Hong, and Rafael & Kristina Maldonado Bad Hand.

Twisting tale of ‘Henry VIII’s lost dagger’ to be told in London exhibition

An exhibition opening at Strawberry Hill House in London on November 1 will explore the history of a jewel-encrusted Ottoman dagger long believed to have belonged to Henry VIII. Curator Silvia Davoli has uncovered that the dagger was actually made in late 16th-century Istanbul, decades after Henry's death, and was mistakenly attributed to the king by 18th-century engraver George Vertue. The dagger was owned by Horace Walpole, then passed through several hands before being stolen in a 1946 heist at Hever Castle, where it was kept by the Astor family. Though the original dagger remains missing, the exhibition will display two similar Ottoman daggers from Welbeck Abbey and Vienna's Kunsthistorisches Museum.

‘A static collection is a dead collection’: how the British Museum is acquiring for a global public

The British Museum has received a record-breaking donation of Chinese ceramics valued at nearly £1 billion from the Sir Percival David Foundation, including the famous David vases from 1351 and a 1,000-year-old Ru ware bowl stand. The acquisition, approved by the Charity Commission, expands the museum's Chinese ceramics collection to 10,000 pieces and fulfills the donor's intent to inform and inspire the public. The article details the museum's acquisition process, which prioritizes objects that tell stories about everyday life and ephemeral culture, while adhering to strict ethical and practical considerations due to the British Museum Act 1963's stringent deaccession rules.

Comment | A spate of dealer anniversaries offers hope amid art market doomerism

A spate of New York galleries are celebrating significant anniversaries—Pace Gallery (65 years), Sperone Westwater (50), Hal Bromm (50), Albertz Benda (10), Jane Lombard (30), Yancey Richardson (30), and James Cohan (25)—mounting special exhibitions that mark their longevity. These milestones come amid widespread anxiety about the traditional dealer model, with headlines suggesting the sector is in crisis.

Korean National Treasures: 2,000 Years of Art

The Art Institute of Chicago will present "Korean National Treasures: 2,000 Years of Art" from March 7 to July 5, 2026, featuring 140 artworks spanning from 6th-century Buddhist sculpture to contemporary paintings. The exhibition includes 22 objects officially recognized as National Treasures or Treasures by the Korean government, all drawn from a landmark 2021 donation of over 23,000 works by the family of late Samsung Group chairman Lee Kun-Hee. Highlights include Joseon dynasty ceramics, Buddhist paintings, and works by modern artists such as Kim Whanki and Park Rehyun.

Knight Artist-in-Residence Michael Takeo Magruder Showcases Art, Mentors Students

Michael Takeo Magruder, the Knight Fund Distinguished Artist-in-Residence at Knox College, presented a new exhibition titled "re:GeneratedPrairie" at the Borzello Art Gallery in the Ford Center for the Fine Arts from September 16-30, 2025. The show featured digital prints, canvases, 4K videos, and soundscapes inspired by the prairie burn and regrowth at Knox's Green Oaks ecological site. Magruder, who has held over 300 exhibitions in 35 countries, was invited by Knight Distinguished Chair Robert M. Geraci and also mentored students during his residency, helping them with exhibition setup, curation, and offering critiques.

Louvre acquires first-ever video work

The Musée du Louvre has acquired its first-ever video work, a piece titled *Les 4 temps (The 4 Seasons)* by Algeria-born artist Mohamed Bourouissa. The work documents the Tuileries Gardens over the course of a year, originally created as 52 weekly videos for the Louvre’s Instagram channel between February 2024 and February 2025. It will be displayed in the Salle de la Chapelle from 22 October to 19 January 2026. Bourouissa also composed the music for the piece by recording the vibrations of the garden’s plants.

5 art exhibits in Kansas City you should catch this fall

Kansas City's fall art season features five notable exhibitions, including DeAnna Skedel's retrospective 'The Edge of Your Field' at the Bunker Center for the Arts, 'Animate Ground' at Gallery Bogart showcasing clay and pigment works by artists like Mónica Figueroa and Jo Archuleta, and 'The Mother And… Project' at Leedy-Voulkos Art Center, which explores mothering ethics through diverse artistic practices. Other highlights include exhibitions focusing on earth, land, motherhood, and the elements, offering a season of reconnection and self-reflection.

Minnesota Anishinaabe artists well-represented at major new exhibition in Detroit

A major new exhibition, “Contemporary Anishinaabe Art: A Continuation,” has opened at the Detroit Institute of Arts (DIA), marking the museum’s first major Native American exhibition in over three decades. The show features 90 works by more than 60 artists from the Great Lakes region of the U.S. and Canada, including a strong contingent of Minnesota-based painters, sculptors, designers, and filmmakers. Curated in collaboration with a panel of Anishinaabe artists—including Duluth-based painter and filmmaker Jonathan Thunder, Kelly Church, Jason Quigno, Monica Rickert-Bolter, and Jodi Webster—the exhibition spans painting, beadwork, fashion, film, and sculpture. Signage is translated into Anishinaabemowin, and QR codes offer language learning. The curators deliberately chose not to begin with historical works, asserting that Native American artists should not be required to provide a historical preamble.

Frances Thrasher’s Solo Exhibition ‘The Uncanny Valley’ Under Heaven4theYoung

Multidisciplinary artist Frances Thrasher, working under the name Heaven4theYoung, will present her second solo exhibition, 'The Uncanny Valley,' at ACE/FRANCISCO Gallery opening October 16. The show features new works in ceramics, oil, and watercolor, following her sold-out 2022 debut. Thrasher's painting 'Withered' was recently on view at the Lyndon House Arts Center's 50th Juried Exhibition, and her piece 'Teenage Lobotomy' served as album cover art for Patterson Hood's solo release. At 20, she has also earned a Badge of Honor from the Berlin Music Video Awards for a stop-motion film she made for Hood's song 'The Pool House.'

Nashville International Airport Debuts Fall/Winter Flying Solo Exhibit Featuring Nashville Artists

Nashville International Airport (BNA) has launched the fall/winter edition of its Flying Solo exhibit, featuring works by six Nashville-based artists: Omari Booker, Tamla Boone, Chalet Comellas, Heather Hillhouse, Brian Tull, and Taylor Walton. The exhibit, on display through January 5, 2026, includes oil paintings, acrylics, and ceramic sculptures placed throughout the airport terminals. The show is part of BNA's Arts at the Airport program, established in 1988, which rotates seasonal exhibits to showcase local creative talent.