Older women artists go it alone as new report reveals how the traditional art world is failing them

A new report commissioned by the grant-giving body Anonymous Was A Woman and authored by journalists Charlotte Burns and Julia Halperin reveals that museums and galleries are failing women artists, particularly those over 65. Based on a survey of 1,263 female artists (91% based in the US), the report finds that 63% cite a lack of museum backing and 59% cite a lack of gallery support as hindering their careers. As a result, 55% of all respondents are selling work independently, with women over 65 leading the way—59% have sold directly to collectors in the past five years. The report also highlights that female artists work 49 hours per week but spend only 38% of that time making art, with the rest consumed by administrative tasks and other paid work, and that art sales provide only 16-18% of household income.

MASP Contested Narratives Between Replica and Weaving

MASP CONTESTED NARRATIVES BETWEEN REPLICA AND WEAVING

The Museu de Arte de São Paulo (MASP) has opened two simultaneous exhibitions that critically examine how narratives in Latin American art are formed. 'Réplica (Replica)' is a retrospective of Peruvian artist Sandra Gamarra Heshiki, featuring over 70 works that appropriate and alter historical pieces to expose the exclusionary mechanisms of museums. 'Vivir, tejer (Living, Weaving)' presents the collaborative textile work of Claudia Alarcón and the Silät collective, a group of over one hundred Wichí women weavers, foregrounding ancestral knowledge and collective creation.

Nigeria At Venice: Speaking on Our Own Terms.

Nigeria is preparing for its return to the Venice Biennale in 2028 with a fundamentally different approach, framing its participation as a structural intervention rather than mere inclusion. Curator Richard Vedelago, in conversation with Suzette Bell-Roberts, outlines a strategy focused on ownership, authorship, and building a self-sustaining cultural ecosystem, moving beyond seeking validation from global art structures.

Ole Scheeren’s Róng Museum: From Tech‑City to Cultural Capital

German architect Ole Scheeren is designing the Róng Museum of Art, a beehive-like cultural complex set to open in 2027 in Shenzhen's Houhai Hybrid Campus. The museum represents his latest major architectural project in China, following his iconic work on Beijing's CCTV headquarters and other landmark structures across Asia.

Could Colorado Create the Country's First Artist Corporation?

Colorado legislators are considering a bipartisan bill to establish the nation's first Artist Corporation (A-Corp), a specialized limited liability company exclusively for artists. This legal framework aims to simplify incorporation, protect intellectual property rights, and allow artists to secure investors without ceding ownership of their creative output.

Nepali artist to exhibit ‘Chhyaki’ at Venice Biennale collateral exhibition

Nepali visual artist and photographer Jyoti Shrestha, 29, will exhibit her photography collection ‘Chhyake’ in the official collateral exhibition ‘Personal Structures’ at the 61st Venice Biennale in 2026. Organized by the European Cultural Centre (ECC), the exhibition runs from May 9 to November 22, 2026, and features 150 international artists. Shrestha’s work explores intergenerational shame, body politics, and identity, drawing on the Nepali word ‘Chhyake’—meaning scars from skin disease—to examine inherited perceptions of ugliness within her family.

Geometry of the Inner World: Art as Therapy in Budapest

On 22 April, Art Corner by Clark and Leo opened its ninth exhibition, 'Art Is Therapy', featuring works by Hungarian artist Judit Horváth Lóczi at the Hotel Clark Budapest and Leo Bistro. The show includes paintings and small-scale sculptures that explore personal experience, emotional memory, and female identity through geometric structures and vivid colors. The exhibition builds on material first presented in Berlin in 2020, now expanded with new works, and was inaugurated with a private vernissage attended by prominent figures from the Hungarian art scene, accompanied by a performance from Zoltán Grecsó and cellist Endre Kertész, plus a specially curated gastronomic program.

An art exhibit showcasing AA Raiba’s versatility across mediums

Thapar Gallery is presenting an exhibition titled "Master Artist A. A. Raiba: A Unilateral Eclectic," showcasing the work of Indian modernist Abdul Aziz Raiba from the 1950s and 1960s. The show highlights Raiba's versatility across mediums including murals, paintings on jute, reverse glass paintings, serigraphs, calligraphy, and sketches, and features landscape drawings from his Kashmir sojourn between 1957 and 1959. The exhibition runs until June 21.

Springfield couple sharing Route 66 artwork for centennial kickoff

Photographers Randy Bacon and Heidi Herrman-Bacon have launched their first collaborative exhibition, "Two Voices, One Road," at the C-Art Gallery in Springfield. The show features 37 black-and-white photographs and 18 mixed-media works that document the architecture and human history of Route 66. While Randy Bacon focuses on the soulful portraiture of desolate structures and signs, Heidi Herrman-Bacon utilizes vintage handkerchiefs and photography to highlight the often-overlooked contributions of women who maintained the diners and motels along the historic highway.

GHOSTMACHINE Gallery Open Call Invites Artists into Curator-Led Exhibition in New York

GHOSTMACHINE Gallery has launched an open call for its upcoming summer exhibition in New York, curated by Dominika Tylcz. Moving away from the traditional large-group show format, the gallery is seeking two to three artists or collectives to participate in a focused, collaborative exhibition running from July 31 to August 29, 2026. The selection process includes a shortlist of ten artists who will receive studio visits, emphasizing a hands-on curatorial approach that requires selected participants to assist with the installation and de-installation of their work.

Adam Art Gallery Autumn Exhibition Focuses On The Voice - Scoop

Te Pātaka Toi Adam Art Gallery has announced its autumn exhibition, "Peal the Bells," featuring five projects that explore the human voice as a medium for collective action, lament, and political critique. The group show includes paintings, sonic installations, and moving image works by artists Noor Abed, Anoushka Akel, Qianye and Qianhe Lin, Maree Sheehan, and Mo H. Zareei. The exhibition investigates how speech and listening function in an era of digital chatter and bureaucratic evasion, highlighting the voice as a vital index of contemporary social dynamics.

We’ve Been at the Tapestry Studio Since the 90s

An exhibition at Salt Beyoğlu titled 'We’ve Been at the Tapestry Studio Since the 90s' explores the art education practices of the Tapestry Studio, part of the Painting Department at Mimar Sinan Fine Arts University (MSGSÜ). The show presents a collage of collective productions, individual works, archival materials, and personal testimonies from artists who have passed through the studio, tracing its physical and conceptual evolution since its founding in the early 1990s. It highlights the studio's unique pedagogical approach, which combines tapestry weaving with contemporary art, collaborative learning, and open programs that challenge academic hierarchies and gendered norms.

‘Digital Meets Creativity’ – Seminar & Exhibition featuring Korean Media Artists at UNESCO

UNESCO hosted a seminar and exhibition titled 'Digital Meets Creativity' on September 12, 2016, at its headquarters in Paris, featuring Korean media artists Han Ho and Byeong Sam Jeon. The exhibition, 'Technology in Contemporary Art,' showcased works that blend digital technologies with artistic practice, including Han Ho's holographic and LED installations and Jeon's interactive video and kinetic pieces. The event was part of 'KOREA-UNESCO week' and included remarks from UNESCO Director General Irina Bokova, Korean Ambassador Byong Hyun Lee, and Assistant Director General Francesco Bandarin.

Colorful 'Los Trompos' interactive art twirls Kravis Center visitors

A free public art exhibition called 'Los Trompos' (Spinning Tops) by the design duo Esrawe + Cadena has returned to the Kravis Center for the Performing Arts Family Plaza in West Palm Beach. The interactive installation features colorful, spinning-top-like structures that visitors can twirl, and will be on display daily from 7 a.m. to 11 p.m. through January 2, 2026.

Tucson Artists Protest group unveils art exhibit on tail of No Kings Day

The Tucson Artists Protest group has launched an unjuried exhibition titled "Expression Against Repression" at the Historic Y arts space in downtown Tucson. The show opened Sunday with a parade, film screening, and poetry reading, featuring 82 works including a paper mache effigy of President Donald Trump, a comic strip about healthcare, and a portrait of a father and child. Founder Betty Harris, also first vice-chair of the LD20 Democratic Committee, organized the exhibit to merge art and politics without campaign advertising, inspired by an earlier "Roots of Resistance" show at Raices Taller 222 Art Gallery and Workshop.

Palmer Museum of Art hosts exhibit exploring intersection of art and engineering

The Palmer Museum of Art at Penn State is hosting a new exhibition titled “Structures, Systems and Society: Work at the Interface of Art and Engineering,” on view through December 21 in the Barbara and Lee Maimon Teaching Gallery. Developed in collaboration with the College of Engineering and the Leonhard Center for the Enhancement of Engineering Education, the show features works from the museum’s collection alongside pieces by Penn State faculty, including curators Sarah Zappe, Joseph Cusumano, and Benjamin Fehl. The exhibition is organized around three themes—Structures, Systems, and Society—and aims to highlight the creative and cultural intersections between art and engineering.

Space as Practice. A Decade of WL4 Art Space.

WL4 Art Space in Gdańsk, Poland, celebrates its tenth anniversary. Founded in 2015 when a group of artists took over a former bakery at Wiosny Ludów 4, the space has evolved from a practical need for studios into a self-organized, grassroots collective. Operating in a raw industrial building that once housed a giant steam bread oven, WL4 resists traditional display protocols, treating the site as a collaborator rather than a neutral container. Co-founder Adriana Majdzińska recalls the early euphoria as artists quickly filled the studios, building and adapting spaces while maintaining a simple rule: you had to be actively creating.

Dato’ Chong Hon Fatt’s Solo Art Exhibition at Khoo Kongsi

Dato’ Chong Hon Fatt’s solo art exhibition opened at the Khoo Kongsi Art Gallery in Georgetown, Penang, on a Sunday afternoon. The event featured paintings created between April 21 and May 3, 2025, depicting traditional buildings, temples, shophouses, and street scenes that capture Penang’s architectural and cultural heritage. Speeches were delivered by Mr. Khoo Boo Yeang, Chairman of the Board of Trustees of Leong San Tong, and Guest of Honour Mr. Lee Khai, Chairman of the Penang State Art Gallery, before the official opening ceremony.

Pablo Diaz, directeur de Sciences Po Rennes : « L’acte II de l’INSEAC de Guingamp »

Pablo Diaz, director of Sciences Po Rennes, announces that the Institut national supérieur de l'éducation artistique et culturelle (INSEAC) in Guingamp has been transferred from the Conservatoire national des arts et métiers (Cnam) to Sciences Po Rennes as of January 1, 2026. The institute, which opened in 2021 and focuses on training, research, and resources for arts and cultural education, will now operate under public-sector governance with oversight from the French ministries of Culture, Education, and Higher Education. Diaz outlines plans to appoint a dedicated site director in Guingamp and establish a strategic orientation committee chaired by interministerial delegate Emmanuel Ethis, aiming to resolve past management and governance issues.

The Savvy Balancing Act of the 'Bern 2026' Regional Sites

Le savant dosage des sites régionaux « Bern 2026 »

The French Heritage Foundation (Fondation du patrimoine) has announced the 2026 list of 18 emblematic regional sites selected for the 'Loto du patrimoine' (Heritage Lottery) funding initiative. The sites, chosen from 650 endangered candidates, include religious buildings like the Chapelle Notre-Dame du Kreisker in Saint-Pol-de-Léon and the Antana-Bé Mosque in Mayotte, forts and castles such as the Royal Castle of Senlis and Fort Boyard, as well as industrial, rural, and residential ensembles like the Beaufonds sugar factory in La Réunion. The selection balances architectural significance, state of decay, project maturity, and potential for revitalization.

Calla Henkel and Max Pitegoff at Galerie Isabella Bortolozzi

Calla Henkel and Max Pitegoff have opened a new exhibition titled 'The End of THEATER' at Galerie Isabella Bortolozzi in Berlin. The show, which runs from February 7 to March 21, 2026, is documented with 26 installation images, providing a visual record of the artists' latest collaborative project.

Explore a Growing City of Meticulously Crafted Miniature Paper Buildings by Charles Young

Artist Charles Young is expanding his intricate city of miniature paper buildings, with 258 structures already completed from a series inspired by Sanzo Wada's color theory book. He is currently working on the final 90 models from the first volume, which explores two-color combinations, and has also created works featuring multiple colors.

“PAPER TIGER TELEVISION: It’s 8:30. Do you know where your brains are?” at Goldsmiths CCA, London

Goldsmiths CCA in London is hosting a retrospective exhibition dedicated to the influential US media collective Paper Tiger Television. The show features a large-scale installation of a shattered television frame as its entry point, evoking themes of media critique and technological disruption central to the collective's work.

During the Venice Biennale there is also the Ibiza Pavilion, inside a takeaway pizzeria

Durante la Biennale di Venezia c’è anche il Padiglione Ibiza, dentro una pizzeria da asporto

During the Venice Art Biennale, an independent project called the Ibiza Pavilion opens from May 7 to 9, 2026, inside Pizza al Volo, a popular takeaway pizzeria in Campo Santa Margherita, Dorsoduro. Conceived and curated by Margherita Chiarva with support from Victoria Genzini and Gabriele Della Maddalena, the three-day initiative features a group exhibition, performances, collective embroidery, tarot readings, and somatic practices by international artists connected to Ibiza through experience or collaboration, including Noemi Manser, Beatrice Dettori, Liz Kueneke, COSIMA, and Maria Giulia Alvigini.

“La preistoria non è stata solo violenza, ma anche cura”. Intervista all’archeologa femminista Marga Sánchez Romero

Marga Sánchez Romero, a professor of Prehistory at the University of Granada and a leading voice in feminist archaeology in Spain, argues in an interview that prehistory has been misrepresented as a sequence of violence and hierarchies. She emphasizes that new questions are reshaping our understanding of the past, highlighting that care, cooperation, and solidarity were as crucial as conflict in human evolution. The conversation covers biases in archaeological interpretation, the famous Viking tomb of Birka, the origins of inequality, and the role of museums in creating more inclusive narratives.

Between Control and Fragility: The Invisible Stories of Martina Zanin on Display in Rome

Tra controllo e fragilità: le storie invisibili di Martina Zanin in mostra a Roma

Martina Zanin’s solo exhibition, "EVERY CARESS, A BLOW," has opened at the Fondazione Pastificio Cerere in Rome. Curated by Antonio Grulli, the show features a multidisciplinary range of works including photography, bronze sculpture, and immersive installations that explore the thin line between protection and threat. Through recurring motifs like falconry gloves and symbolic animals such as the hawk and the hare, Zanin investigates the invisible power dynamics and rituals inherent in relationships.

Fundación Botín Opens 2026–2027 Art Grants for International Artists

The Fundación Botín has opened applications for its 2026–2027 Art Grants program, offering six grants of €23,000 each to support individual artistic projects. The nine-month grants fund research, training, or production, with selected artists' work to be featured in the Itinerarios exhibition at Centro Botín. Applications close on 8 May 2026.

Atmosphere is the star in new exhibition at James Cope Gallery

James Cope Gallery has unveiled a new exhibition where the primary focus shifts from individual subjects to the evocative power of atmosphere. The presentation prioritizes mood, lighting, and spatial resonance, inviting viewers to engage with the sensory qualities of the environment rather than traditional narrative structures.

Art Exhibit - Linda Fleming, A Library of Ideas

The exhibition "Linda Fleming: A Library of Ideas" showcases the intricate structural works of the Nevada-based sculptor. The presentation focuses on Fleming's unique ability to translate complex geometric patterns and celestial inspirations into physical forms, utilizing materials like steel and wood to create large-scale, lace-like structures.

Four Seniors Bring Four Years of Work to the Gallery

Four senior students at Latin School showcased six artworks each at the Senior Art Show on April 24, held in the second-floor gallery. The exhibition featured intricately crocheted animals, architectural structures, and photographs, representing the culmination of their high school visual arts careers. Students like Justin Canelo incorporated personal heritage and architectural interests, while Peyton Remmer explored self-portraiture and photography, supported by teachers Christine Holloway and Ian Merritt.