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At 1-54 New York 2026, Afro-Brazilian art takes centre stage for the first time

The 1-54 Contemporary African Art Fair in New York (May 13–17, 2026) will debut a curated section titled '1-54 Presents: Brazil Beyond Brazil,' focusing exclusively on Afro-Brazilian art and artists. Organized by Brazilian curator Igor Simões, the section features works by ten Black Brazilian artists—including Ana Claudia Almeida, Rebeca Carapiá, and Rommulo Vieira Conceição—presented by leading Brazilian galleries such as Almeida & Dale, Fortes D’Aloia & Gabriel, Nara Roesler, and Aura. The initiative draws on archival research, reinterprets modernist legacies, and challenges narrow narratives around Afro-Brazilian art, highlighting the cultural links between Africa and Latin America.

Hamed Abdalla | Untitled (1972) | For Sale

Hamed Abdalla's 1972 painting "Untitled" is being offered for sale through Mark Hachem Gallery, listed on Artsy. The work is an acrylic on canvas measuring 92 × 65 cm, hand-signed by the artist, and includes a certificate of authenticity. Abdalla (1917–1985) was a pioneering Egyptian modernist who developed the concept of the "Creative Word," blending abstraction with human forms. His career included exhibitions at Cairo's Museum of Modern Art, the Louvre in Paris, and the Metropolitan Museum of Art in New York, and his works are held in major institutions such as the Tate Modern, the Barjeel Art Collection, and Mathaf: Arab Museum of Modern Art.

Hamed Abdalla | Al Beous, Misery (1961) | For Sale

Hamed Abdalla's 1961 work "Al Beous, Misery" is being offered for sale through Mark Hachem Gallery, listed on Artsy. The piece is an ink on paper from glue relief, measuring 33 × 46 cm, hand-signed, and includes a certificate of authenticity. Abdalla (1917–1985) was a pioneering Egyptian and Arab modernist, known for his "Creative Word" concept blending abstraction and human forms. His career included exhibitions at Cairo's Museum of Modern Art, the Louvre, the Metropolitan Museum of Art, and the Tate Modern, among others.

Keeping It Simple

On Valentine's Day, the Marianna Kistler Beach Museum of Art in Manhattan, Kansas, opened the inaugural "Kansas Triennial 25/26" exhibition, featuring works by four Kansas-based visual artists: Mona Cliff, Mark Cowardin, Poppy DeltaDawn, and Ann Resnick. The museum engaged young visitors by handing out paper hearts and inviting them to place their heart in front of the artwork they loved best, creating a reflective and participatory experience.

The best exhibitions to discover in Paris this Whitsun weekend

This article from a Parisian events guide rounds up ten exhibitions to see over the Whitsun weekend (May 23–25, 2026) in Paris and Île-de-France. Highlights include a show of works by artist-patients at the Art and History Museum of Sainte-Anne Hospital, maritime paintings at the Navy Museum, a Papua New Guinea-themed exhibition at the Quai Branly – Jacques Chirac Museum, an interactive socially engaged show called "Ne Pas Toucher" in the Marais, a Louvre exhibition on water in ancient Mesopotamia, and a major Hilma af Klint retrospective at the Grand Palais in collaboration with the Centre Pompidou.

Issy Wood’s first solo exhibition in the Nordics opened at Kistefos

Kistefos presents *Fish, Fish, Duck*, the first solo exhibition in the Nordic region by London-based painter Issy Wood, opened at Nybruket Gallery on 9 May 2026. The show features psychologically charged paintings on velvet and linen, self-portraits, animals, household objects, and a painted chaise longue, organized around the thematic frameworks "Ways of Seeing" and "The Artist as Archivist." Curated by Live Drønen and Kate Smith-Raabe, the exhibition draws on sources from the internet, advertising, and auction catalogues to explore desire, power, vulnerability, and objectification.

'The Chinese Avant-Garde in Paris' at Alisan Fine Arts, Central, Hong Kong on 22 May–15 Aug 2026

Alisan Fine Arts in Central, Hong Kong, presents 'The Chinese Avant-Garde in Paris' from 22 May to 15 Aug 2026 as part of its 45th anniversary 'Then and Now' programme. The exhibition features works by Zao Wou-ki, Chu Teh-chun, T’ang Haywen, and Walasse Ting—francophone Chinese diaspora masters who blended Chinese cultural roots with post-war Parisian modernism. Highlights include previously unseen ink works by Chu Teh-chun from the 1980s and 1990s, a rare black-and-white canvas by Walasse Ting from 1959, and a major 1970s canvas by Zao Wou-ki. The show anchors the 'Then' component of the programme, with a parallel 'Now' exhibition at Alisan Atelier, both part of the French May Arts Festival Associated Projects.

Spring Exhibition Opening & Closing Reception

The Art Gallery of Burlington is hosting a Spring Exhibition Opening & Closing Reception on Saturday, May 16, 2026, celebrating the opening of Celina Eceiza's exhibition "A material called Earth, Volume 1: The life of corners" in the Lee-Chin Family Gallery, curated by Sylvie Fortin and on view from May 16 to August 16, 2026. The event also marks the closing of Phuong Nguyen's exhibition "she died a death of a thousand cuts" in the Perry Gallery, which runs from January 31 to May 17, 2026.

Why global gallery studies matters now

University College Cork (UCC) has launched an MA in Global Gallery Studies (Online), a two-year part-time programme designed to prepare students for careers in the international gallery sector. Directed by Dr Mary Kelly, the programme combines core modules in global gallery studies, global art histories, and digital arts with practice-based learning, including online fieldwork connecting students with galleries across multiple countries, guest lectures by international gallery practitioners, and a project-led onsite internship in the second year.

Es Devlin invites the UK to become part of a collective digital portrait at the National Portrait Gallery

Es Devlin has launched *A National Portrait*, a participatory digital artwork at the National Portrait Gallery in London, created in collaboration with Google Arts & Culture Lab. Opening on 14 May 2026 and running until 27 October 2026, the project invites anyone in the UK to upload a photograph of themselves via an online platform, where it is transformed into an animated digital portrait inspired by Devlin's charcoal and chalk drawing practice. These portraits are displayed collectively in the gallery's History Makers space, and participants receive a downloadable digital edition of their own portrait. The project is the result of three years of collaborative research between Devlin and Google Arts & Culture Lab.

Koray Duman is Architecting Engagement from the Venice Biennale to Carnegie International

Architect Koray Duman and his studio Büro Koray Duman (B-KD) have unveiled five major international projects, including designs for the UAE National Pavilion and Denniston Hill's special project at the 61st Venice Biennale, the 59th Carnegie International in Pittsburgh, the National Academy's "Future Schools" exhibition in New York, and a multi-generational upstate residential project. Duman's work emphasizes inclusivity, cultural exchange, and architecture as a social tool, with installations like "Chimera" for Denniston Hill and a sound-and-memory-focused pavilion for the UAE.

Pio Abad Explores Home and Diaspora for the 2026 Venice Biennale

Filipino artist Pio Abad is presenting a series of intricate, hand-drawn works at the 2026 Venice Biennale as part of the exhibition "In Minor Keys," conceived by the late curator Koyo Kouoh. The works, created over four years with a 0.3-millimeter pen, include pieces such as "I’m Singing a Song That Can Only Be Born After Losing a Country" (first shown at the Ashmolean Museum in 2024), "Banua" (his first drawing on fabric), and "1897.76.36.18.6," which reflects on the looting of the Benin Bronzes. Abad, born in the Philippines and based in London, explores themes of migration, memory, exile, and the itinerant nature of objects and language.

Basquiat Comes to Bonnier Gallery in Little River

The Bonnier Gallery in Miami's Little River neighborhood is presenting "Jean-Michel Basquiat: Selected Works, 1978–1988," a major exhibition featuring approximately 100 works spanning the artist's entire career. Curated by Grant Bonnier, the show runs through June 30, 2026, and includes paintings, works on paper, sculpture, photography, collaborative works with Andy Warhol, and rare ephemera, tracing Basquiat's evolution from teenage postcards to late-period masterpieces.

Painting the park: Artists blossom at Wegerzyn as they make it their classroom

Sinclair Community College associate professor of art Bridgette Bogle took her mixed-level painting class to Wegerzyn Gardens MetroPark in Dayton, Ohio, for a plein air painting session. Students ranging in age from 18 to 80, including postal worker Don Adams and lifelong artist Aubrey Botts, set up easels throughout the gardens to paint landscapes outdoors, learning the Impressionist-inspired technique of working quickly in natural light.

Artist Mateo Blanco Unveils a Poetic Vision for America’s 250th Anniversary

World-renowned artist Mateo Blanco has unveiled *Silver Falls Flag* (2026), a textile work reimagining the American flag as a flowing cascade of silver threads, evoking waterfalls and natural rhythms. The piece will be displayed from May 16 to August 23 at the Brick Store Museum in Kennebunk, Maine, as part of the exhibition *From Many, One: Visions of American Patriotism at 250*, marking the nation's 250th anniversary.

Annette Messager's 'A Swallow Does Not Make Spring' exhibition brings her menagerie to life at the Musée de la Chasse et de la Nature

An exhibition titled 'A Swallow Does Not Make Spring' by French artist Annette Messager has opened at the Musée de la Chasse et de la Nature in Paris. The show transforms the museum's spaces with a menagerie of taxidermy, drawings, and installations, blending the artist's signature surreal and feminist sensibilities with the museum's focus on hunting and nature.

Realms of the Dharma

The Los Angeles County Museum of Art (LACMA) has opened "Realms of the Dharma: Buddhist Art Across Asia," an exhibition on view through July 12, 2026, that brings together approximately 180 Buddhist artworks from its permanent collection for the first time in a single space. Curated by Stephen Little and Tushara Bindu Gude, the show features paintings, sculptures, ritual objects, and sacred texts spanning Asia, including a notable gray schist bodhisattva Avalokiteshvara from Gandhara (c. 200 CE). The exhibition highlights the transformative work of curator Pratapaditya Pal, who from 1970 built LACMA's Indian, Himalayan, and Islamic collections into one of the nation's premier repositories.

Fight Club Denounces the System From Within the System

Cameroonian artist Pascale Marthine Tayou's first major institutional exhibition in Brazil, "Knockout!," has opened at the Pinacoteca de São Paulo's Pina Luz building. The show spans over 25 years of Tayou's career, featuring installations, sculptures, and paintings across seven rooms. Each room is themed around a historical international conference—including the Berlin Conference of 1884, Yalta, San Francisco, Rome, Rio de Janeiro, Bandung, and a fictional Avignon conference—using these as political and historical axes to critique colonial power structures and global inequality.

‘Art’s Selfish’: Canada Pavilion Artist Abbas Akhavan on What Comes After Venice

Abbas Akhavan, representing Canada at the 2026 Venice Biennale, has transformed the Canada Pavilion into a greenhouse-like installation titled “Abbas Akhavan: Entre chien et loup.” The pavilion’s wooden door has been replaced with glass, revealing a pond of pinkish water illuminated by sunlight and LED grow-lamps. Visitors encounter mossy boulders, a vintage fur coat sprayed with mist, sharpened bronze sticks, and frosted mirrors that blur the architecture. Three giant Bolivian water lilies, grown from seeds sent from Kew Gardens to Padua, will gradually fill the pond over the summer. Akhavan describes his role as a “custodian” rather than a controller, emphasizing the unpredictability of nature.

The National Gallery of Canada, commissioner of Canada's participation in the 61st International Art Exhibition - La Biennale di Venezia, unveils the exhibition Abbas Akhavan: Entre chien et loup

The National Gallery of Canada has unveiled the exhibition "Abbas Akhavan: Entre chien et loup" for the Canada Pavilion at the 61st International Art Exhibition – La Biennale di Venezia in 2026. The site-specific installation reimagines the pavilion's architecture as a Wardian case, a precursor to the terrarium used to transport plants across the British Empire, featuring a custom pool with giant Victoria water lilies. The artist replaced the facade with glass panels, making the plants visible from outside, and the installation is framed by additional sculptural works. The exhibition is curated by Kim Nguyen and accompanied by a fully illustrated publication.

The Anti-Pop Art of Domenico Gnoli

The article reviews "The Adventure of Domenico Gnoli," a retrospective at Lévy Gorvy Dayan in New York, focusing on the Italian artist's 1967 painting *L'inverno (Couple au lit)* and other works featuring intimate, fabric-rich domestic scenes. Gnoli (1933–1970), born into an art-world family, is often associated with Pop Art, but the author argues his work depicts a private, almost childlike world of memory and longing, contrasting with Pop's mass-produced commodities.

New group exhibition at Art of Contemporary Africa SF

Art of Contemporary Africa (AOCA), the first Pan-African contemporary gallery in San Francisco, will open a major group exhibition titled *Memory in Motion: Identities, Materials and Resonances* on 2 May 2026. Curated by Gilles Yoro (Felin Light), the show brings together contemporary African artists including Gerald Chukwuma, Mederic Turay, Mwass Githinji, Ayanda Mabulu, Opa Bathily, Kebe Ibrahim Bemba, Ndabuko Ntuli, Kenof Franck Kemkeng Noah, Ange Arthur Koua, Alexis Daniel Onguene Tassi, and Dieudonne Djiela Kamgang. Their works in painting, sculpture, assemblage, and mixed media explore memory as an active, evolving force shaping identity across time, geography, and materiality.

Royal artist returns to Devon with stunning new exhibition

Alan Cotton MBE, a Westcountry artist known for his palette knife technique and royal connections, is returning to Devon with a new exhibition of landscapes from the Otter Valley and North Devon. The show, held at Kennaway House in Sidmouth from April 28 to May 4, marks his first public gallery showing in the region since 2015. Cotton, who once served as tour artist for King Charles when he was Prince of Wales, has works in the King's collection and exhibited at Buckingham Palace in 2025. His early life included homemade paint brushes made from his mother's hair, and he later became a BBC presenter and honorary professor at the University of Bath.

Exhibition | Daniel Crews-Chubb, 'The Belt of Venus' at Patricia Low Contemporary, Venezia, Venice, Italy

Daniel Crews-Chubb presents 'The Belt of Venus,' an exhibition of six new monumental paintings at Patricia Low Contemporary in Venice. The works draw inspiration from the atmospheric phenomenon of the same name, using its ethereal pinkish glow as a color palette. Crews-Chubb explores pareidolia—the brain's tendency to see faces in abstract forms—pushing his long-standing interrogation of the human figure into increasingly abstract territory. The paintings reference classical mythology, including the Roman goddess Venus, and incorporate fragmented forms reminiscent of ancient statuary, serving as memento mori.

Exhibition | Kang Cheol Gyu, 'KANG Cheolgyu: Discarded Host' at Arario Gallery, Seoul, South Korea

Arario Gallery Seoul presents 'Discarded Host', a solo exhibition by South Korean artist Kang Cheolgyu (b. 1990), running from May 1 to June 20, 2026. The show features new paintings that transform personal emotions and psychological sensations into visual narratives, exploring themes of anxiety, tension, identity, and transformation through fictional environments and indirect self-confrontation.

Exhibition | Anne Imhof, 'Citizen' at Sprüth Magers, London, United Kingdom

German artist Anne Imhof presents 'Citizen,' an exhibition at Sprüth Magers in London, featuring her intense endurance performances that explore themes of power, contemporary anxiety, and the neoliberal condition. The exhibition is showcased through a partnership with leading galleries, with the gallery membership vetted by industry peers and accessible by application and invitation only.

Exhibition | Naomi Rincón Gallardo, 'Sonnet of Vermin' at Hayward Gallery, London, United Kingdom

Naomi Rincón Gallardo presents her first solo exhibition in London, 'Sonnet of Vermin,' at the Hayward Gallery. The show features her 2022 film following a group of animals from Mesoamerican myths—Bat, Snake, Scorpion, and a choir of frogs—as they navigate dystopian landscapes in Oaxaca, communicating via radio signals and calling for solidarity amid social and ecological devastation. Rincón Gallardo works across video, performance, drawing, and sculpture, weaving cuir/queer resistance, pre-colonial folklore, DIY aesthetics, music, and dance into surreal narratives that critique colonialism and exploitation.

GaHee Park: The Exhaustion of Distance

GaHee Park's solo exhibition "Half-Looking, Half-Seen" is on view at Perrotin New York from April 24 to May 30, 2026. The show presents paintings that destabilize perception, using light and shadow to fragment figures and objects, with works like "Seafood Heaven," "Wetland at Dusk," and "Creeping Shadow" exploring themes of visibility, identity, and temporal collapse. The exhibition marks a trajectory toward Park's institutional debut at Yerba Buena Center for the Arts.

Hear! Hear! Kimball Art Center’s (Re)sounding

The Kimball Art Center in Park City, Utah, is preparing to open its upcoming exhibition "(Re)sounding" on May 15, curated by Nancy Stoaks. The show explores the relationship between sound and visual art through immersive installations, interactive systems, and soundscape sculptures by artists including Jon Bernson, Christine Sun Kim, Janet Cardiff & George Bures Miller, Yuri Suzuki, Mary Toscano, and Andrew Rease Shaw. The exhibition coincides with the center's 50th anniversary and its ongoing mission to make contemporary art accessible and personal.

"She's Like the Wind"

The article reviews "She's Like the Wind," an annual all-female group exhibition at Deep Space gallery in Jersey City, featuring works by artists Delilah Ray Miske, Leigh Cunningham, and SarahGrace. Miske's painting "Lemon Lime Toe of God" shows only a woman's leg and foot, while Cunningham's oil paintings present figures as blurred forms seen through a translucent curtain, and SarahGrace's textile works depict headless female nudes with suggestive titles like "Provoke" and "Dominate." The show marks a departure from the gallery's typically family-friendly, sex-averse programming.