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exhibition canceled by trump dei ban opens 1234755467

An exhibition titled "Before the Americas," originally scheduled to open at the Art Museum of the Americas in Washington, D.C., was canceled after the Trump administration deemed it a DEI program and cut its funding. The show, which surveys work by Afro-Latino, Caribbean, and African American artists from the Greater Washington area, has now opened at Gillespie Gallery at George Mason University School of Art in Fairfax, Virginia, thanks to about 50 to 60 private donors who stepped in to fund it. Curated by Cheryl Edwards, the exhibition features 39 artists from 17 countries, including Amy Sherald, Renee Stout, Alma Thomas, Elizabeth Catlett, and Alonzo Davis, and runs through November 15 before traveling to the University of Maryland Global Campus.

London's Southbank Centre to receive £10m government funding boost

The UK government has announced a £10 million funding boost for London’s Southbank Centre as part of a broader £128 million investment package for 130 cultural venues nationwide. Administered by Arts Council England, the grant is earmarked for urgent infrastructure repairs, including fixing leaking roofs and modernizing rigging systems, coinciding with the center's 75th anniversary. Other major beneficiaries of the Creative Foundations Fund include the Baltic Centre for Contemporary Art and Firstsite gallery.

The Story of Art + Water

Author Dave Eggers and artist JD Beltran have launched Art + Water, a new initiative located at Pier 29 in San Francisco designed to bypass the traditional art school model. The program seeks to resurrect the historical artist-apprentice and atelier systems, providing students with practical skills and studio space without the prohibitive costs of modern higher education. By partnering with the Port of San Francisco and the Community Arts Stabilization Trust, the founders aim to revitalize the city's waterfront while offering a sustainable alternative to the current debt-heavy academic landscape.

The National Gallery of Art Embraces New Role as Lending Library, Thanks to a Big Gift That Sends Artwork to Other Museums

The National Gallery of Art in Washington, D.C., has received a $116 million donation from the Mitchell P. Rales Family Foundation to fund its 'Across the Nation' lending program. The gift, the largest programming-related donation in the museum's history, will support shipping, installation, and other costs associated with sending artworks on two-year loans to smaller regional museums across the United States, from Alaska to Florida.

Free museums in Paris and free monuments in Île-de-France: the top cultural deals

The article is a guide listing museums and monuments in Paris and the Île-de-France region that offer free admission, either permanently or on specific occasions like the first Sunday of each month. It highlights venues such as the Paris Museum of Modern Art (MAM), the Petit Palais, the Musée Bourdelle, and Notre-Dame cathedral, detailing their collections and practical visiting information.

Open letter calls for ousting of Art Gallery of Ontario trustee who led vote against Nan Goldin acquisition

A major controversy has erupted at the Art Gallery of Ontario (AGO) following the revelation that trustee Judy Schulich led a successful effort to block the acquisition of a new work by photographer Nan Goldin. The museum's Modern and contemporary curatorial working committee voted 11-9 against jointly purchasing Goldin's video piece *Stendhal Syndrome* (2024) with two other institutions, after Goldin was reportedly labeled antisemitic and compared to Nazi propagandist Leni Riefenstahl for her criticism of Israel's actions in Gaza. The decision prompted the resignation of the AGO's curator of modern and contemporary art and two volunteer committee members.

Trump administration puts renewed pressure on Smithsonian to turn over materials for review

The Trump administration has given the Smithsonian Institution a deadline of January 13 to turn over materials related to a review of programming at eight of its museums, as outlined in a December 18 letter from White House officials Vince Haley and Russell Vought. The review stems from a March 2025 executive order titled "Restoring Truth and Sanity to American History," which accused the Smithsonian of promoting a "divisive, race-centered ideology." Smithsonian Secretary Lonnie Bunch noted that some requested materials are not readily available and will require significant effort to compile, while the American Alliance of Museums and the Association of Art Museum Directors have expressed confidence in the Smithsonian's commitment to professional standards.

Glasgow’s Centre for Contemporary Arts to close permanently

Glasgow's Centre for Contemporary Arts (CCA) is closing permanently and entering liquidation, effective January 30. The 33-year-old venue, a key hub for experimental art, has cancelled all programs and made its 39 staff redundant. The closure follows a series of financial and operational crises, including a fire-related closure, the pandemic, a staff dispute, and protests over its stance on Israel.

Baltimore Museum of Art receives $10m gift to support education initiatives

The Baltimore Museum of Art (BMA) has received a $10 million gift from the Stoneridge Foundation, founded by philanthropists Amy and Marc Meadows, to support its art education department. This is the largest single donation in the museum's history. The funds will expand educational initiatives including transportation for school visits, free family activities, a two-year pass system for students, teaching apprenticeships for undergraduates from nearby universities like the Maryland Institute College of Art, and new educator positions. The gift also supports a series of events exploring museums as civic organizations and fostering diversity in the field.

Weston Loan Programme with Art Fund marks first decade

The Weston Loan Programme with Art Fund has announced support for 15 new exhibitions as it celebrates its tenth anniversary. This grant initiative provides regional and smaller UK museums with the necessary funding to cover logistical costs—such as insurance, transport, and security—required to borrow major works from national collections. Notable upcoming projects for 2026 include the return of John Constable’s 'The Hay Wain' to Suffolk and Joseph Wright of Derby’s 'An Experiment on a Bird in the Air Pump' to the artist's hometown for the first time in eight decades.

Work by Edgar Degas among £59.7m haul of art donated to UK public collections in exchange for tax benefits

Works by Edgar Degas and Ben Nicholson are among the artworks donated to UK public collections through the government's Acceptance in Lieu (AIL) and Cultural Gifts Schemes (CGS) between April 2024 and March 2025. The total value of objects gifted reached £59.7 million, settling £39.3 million in tax. Degas's pastel *Ballet Dancers* (1888) was allocated to the National Gallery in London, settling £7.9 million in tax, while three paintings by Ben Nicholson went to Kettle's Yard in Cambridge and a fourth to Pallant House Gallery. Other donations include 73 photographs by Bill Brandt to Tate, a Vanessa Bell still life to the Charleston Trust, and works from the Radev Collection.

More US artists forced to pay for their own shows as museum and culture budgets shrink

The article reports that U.S. artists like Lucia Hierro are increasingly forced to pay for their own museum exhibitions and public commissions as institutional budgets shrink. Hierro’s ambitious installation centered on a 7.5-foot monobloc chair required $35,000–$40,000 for fabrication alone, far exceeding what the commissioning institution could provide. The project moved forward only after support from her gallerist and a new fund from Miami-based nonprofit Fountainhead Arts, which received 96 applications requesting $1.8 million—14 times its available $125,000 in grants. The article highlights that even artists selected for the Venice Biennale face such funding gaps.

Midea Group scion’s Shunde art museum shifts focus to amplify local voices

The He Art Museum (HEM) in Shunde, China, a private institution founded by the family behind appliance giant Midea Group, is shifting its programming strategy. Under director Shao Shu, the museum is moving away from hosting major international exhibitions to focus on amplifying local and regional artists, particularly from the Greater Bay Area, and exploring themes of Lingnan culture.

An open letter to La Biennale di Venezia calls out inaction in the face of global atrocities

A group of 74 artists and curators invited to the 61st Venice Biennale have issued an open letter to the institution's president, Pietrangelo Buttafuoco. The signatories are protesting the decision to relocate the Israeli Pavilion to the Arsenale, placing it in close proximity to the central exhibition 'In Minor Keys' curated by the late Koyo Kouoh. The letter demands the exclusion of official delegations from countries accused of war crimes—specifically Israel, Russia, and the United States—and accuses the Biennale of complicity through its silence on global atrocities.

South Africa pavilion will be empty at 2026 Venice Biennale, culture ministry says

South Africa will not host a national pavilion at the 2026 Venice Biennale following a legal battle between the country’s Department of Sports, Arts and Culture (DSAC) and artist Gabrielle Goliath. The conflict began when Culture Minister Gayton McKenzie labeled Goliath’s planned project, which addressed violence in Gaza, as "highly divisive" and cancelled the exhibition after she refused to alter the content. A South African high court recently dismissed Goliath’s urgent application to overturn the cancellation, leading the government to abandon its participation in the prestigious international event entirely.

London’s National Gallery to cut staff as it faces £8.2m deficit

London's National Gallery is implementing significant staff cuts and restructuring its operations to address a projected £8.2 million deficit for the 2026-27 financial year. The institution will first offer a voluntary exit scheme to its nearly 500 staff, with compulsory redundancies possible if savings are insufficient. The financial crisis stems from rising operational costs, stagnant income, and visitor numbers that have not fully recovered to pre-pandemic levels, despite a recent boost from a popular Van Gogh exhibition.

UNT cancels prominent street artist's exhibit on campus featuring ICE-related work

The University of North Texas (UNT) abruptly canceled and removed the exhibition 'Ni de Aquí, Ni de Allá' by street artist Victor 'Marka27' Quiñonez from its College of Visual Arts and Design gallery. The university terminated its loan agreement with Boston University Art Galleries, which organized the show, and covered the gallery windows with brown paper without providing a public reason for the cancellation.

UK museum directors join prime minister on diplomatic mission to China

A delegation of senior UK museum directors, including Tim Reeve of the Victoria and Albert Museum, Doug Gurr of the Natural History Museum, Keith Merrin of North East Museums, Sara Wajid of Birmingham Museums Trust, and Laura Pye of National Museums Liverpool, accompanied Prime Minister Keir Starmer on a three-day diplomatic and trade mission to China. The trip aimed to strengthen bilateral relations, with the museum leaders highlighting existing partnerships and exploring new opportunities for cultural exchange and commercial collaboration in the Chinese market.

Former MoMA chief voices concern for future of non-profit US museums

Glenn Lowry, the influential former director of the Museum of Modern Art (MoMA) in New York, expressed deep concern that non-profit U.S. museums could lose their tax-exempt 501(c)(3) status under the Trump administration. Speaking on the podcast "The Art World: What If…?!" hosted by Charlotte Burns, Lowry warned that the federal government is prepared to exert significant power to achieve its ambitions, potentially revoking the tax exemption that he calls the "magic wand" behind America's robust cultural programming. His comments follow a House bill passed in November that would allow the Treasury Secretary broad powers to revoke non-profit status, though the bill has stalled in the Senate.

Europe: China’s censorship of cultural institutions must be challenged - ARTICLE 19

The Victoria and Albert Museum (V&A) in London has reportedly removed maps and images from exhibition catalogues on multiple occasions following pressure from its Chinese publisher, C&C Offset Printing. The publisher cited directives from China's General Administration of Press and Publication (GAPP), which enforces the Chinese Communist Party's official narratives on sensitive topics like territorial borders.

Turkey’s heritage power grab: new law threatens Istanbul’s opposition-run cultural sites

The Turkish government has enacted a new law allowing the central state to seize historic properties from local municipalities, specifically targeting sites originally endowed to Ottoman-era foundations. This legislation directly impacts Istanbul, where Mayor Ekrem İmamoğlu’s administration has spent years restoring nearly 1,000 heritage sites and converting neglected spaces into vibrant museums, libraries, and contemporary art venues. Critics argue that the state-run General Directorate of Foundations lacks the expertise to manage these cultural hubs and may instead lease them out or close them entirely.

UNT Gives No Reason for Sudden Closure of Victor Quiñonez Show

The University of North Texas abruptly cancelled the solo exhibition "Ni de Aqui, Ni de Allá" by artist Victor Quiñonez in its College of Visual Art & Design Gallery just nine days after its opening. The university covered the gallery windows with brown paper, removed all promotional material from its website and social media, and informed the artist via a misspelled email that it had terminated its loan agreement with Boston University Art Galleries, which originated the show. The artist was not notified in advance and learned of the closure from students.

Why is the French government spending millions on art no one sees?

The French government agency Centre national des arts plastiques (CNAP), established in 1982 to support living artists and collect their work, has come under scrutiny following two opposing government reports. A July white paper by Martin Bethenod recommended refocusing CNAP's acquisitions on France-based artists and galleries, while a November report from the Cour des Comptes by Julien Aubert found the agency financially fragile and redundant, noting that 24,472 works—one quarter of its collection—have never been exhibited. Aubert recommended closing the CNAP by 2030, sparking backlash from over 1,000 art professionals who signed an open letter criticizing the ideological attack on public cultural service.

A Holistic and People-Centered Approach to Accessible Exhibition Design: Walker Art Center Case Study

The Walker Art Center in Minneapolis developed a holistic, people-centered set of guidelines for accessible exhibition design, moving beyond legal ADA compliance. The project involved collaboration across curatorial departments, artists, d/Deaf and disabled staff and community members, and the Institute for Human Centered Design (IHCD). The guidelines were created in three stages: identifying the need, drafting and revising, and implementing, with strategies including cross-departmental working groups, targeted interventions for bottlenecks, shared terminology, and embodied learning for staff.

Climate report from Getty’s PST Art programme urges cultural organisations to confront exhibitions’ impacts

The Getty has released a comprehensive climate impact assessment of its PST Art initiative, titled Art & Science Collide (2024-25), based on its inaugural Climate Impact Program (CIP). Developed with climate adviser Laura Lupton and artist Debra Scacco, the program provided webinars, guidance, and networking to participating institutions, with over two-thirds completing a climate impact report. Key findings show that air travel and air freight of art are the most carbon-intensive activities, and shifting to sea freight could reduce total emissions by 18%. Many institutions reduced waste through simple, low-cost changes, with some committing to permanent sustainability practices.

Heritage experts call for international task force to plan Palmyra rebuild

Heritage experts, antiquities officials, and Syrian community members convened at a conference organized by the University of Lausanne and the Aliph foundation in Switzerland, marking the first comprehensive international meeting on Palmyra since the fall of Bashar Al Assad's regime in 2024. The group issued recommendations including the creation of an international expert task force to work toward removing Palmyra from the UNESCO List of World Heritage in Danger, and outlined three key priorities: rehabilitating the looted and damaged Palmyra museum, restoring artefacts currently held at the Damascus Museum, and repairing the foot bridge to the site. Aliph executive director Valery Freland aims to begin work in January 2026.

Comment | What is the role of art museums in times of civic stress?

The Walker Art Center in Minneapolis is navigating the civic distress caused by 'Operation Metro Surge,' a federal immigration enforcement initiative that has disrupted the lives of local artists, staff, and residents. In response to the atmosphere of fear and the shift to virtual schooling, the museum has positioned itself as a sanctuary, offering art-making kits, indigenous-led workshops, and public screenings to foster community resilience.

London's National Gallery announces £750m fundraising drive towards new wing and expanded collection

London's National Gallery has announced a £750m fundraising drive, called Project Domani, to expand its collection into the 20th and 21st centuries and build a new wing on the site of St Vincent House, north of the Sainsbury Wing. Around half the target has already been pledged, including two record £150m donations from the Crankstart foundation and the Julia Rausing Trust. A shortlist of six architectural firms—including Foster + Partners, Kengo Kuma and Associates, and Selldorf Architects—has been released to design the extension, with a final choice expected by April and the wing opening in the early 2030s.

UK artist resale right at 20: how successful has the pioneering scheme been?

The UK's Artist Resale Right (ARR), a law entitling visual artists to royalties from secondary market sales of their work, marks its 20th anniversary. Initially met with fierce opposition from auction houses and dealers who feared it would drive high-value sales offshore, the scheme is now largely accepted by the UK art trade, though concerns about administrative burdens compared to markets like New York and Hong Kong remain.

Warhol Foundation supports UK Art Museum research on pioneering photographers

The University of Kentucky Art Museum has received a $38,000 Curatorial Research Fellowship Grant from the Andy Warhol Foundation for the Visual Arts. The grant will fund research on two African American photographers, Maurice W. Strider and William S. Dotson, who documented the Civil Rights Movement in Lexington during the mid-twentieth century. Curator Rachel Hooper will lead the research for a planned 2029 exhibition.