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Renowned Mexican art collection to be managed by Spanish bank

Banco Santander announced on 21 January that it will manage 160 works from the Gelman Collection of 20th-century Mexican art, following a long-term agreement with the Zambrano family, which acquired the collection in 2023. The newly branded Gelman Santander Collection will debut this summer at Faro Santander, the bank's new venue in Cantabria, Spain. The collection, started by Russian-born film producer Jacques Gelman and his wife Natasha, includes major works by Frida Kahlo, Diego Rivera, Rufino Tamayo, and others, but has been largely out of public view since 2008 amid inheritance disputes. The agreement is complicated by Mexican law, which designates many works as National Artistic Monuments, restricting their permanent export and requiring oversight by the Instituto Nacional de Bellas Artes y Literatura (INBAL).

Dürer ‘copy’ at London’s National Gallery is the real thing, expert claims

A German scholar, Christof Metzger, has published a new catalogue raisonné claiming that a portrait of Albrecht Dürer's father held by London's National Gallery is an authentic work by the master, painted in 1497. This directly challenges the gallery's long-standing position that the painting is a later copy made after a lost original.

France reckons with Nazi-looted art in a new Paris museum gallery

France has opened a new permanent gallery at the Musée d'Orsay in Paris dedicated to displaying Nazi-looted artworks that remain unclaimed. The gallery features 13 works from the MNR (Musées Nationaux Récupération) collection, including a painting by Alfred Stevens originally destined for Hitler's planned museum in Linz. The display is the first in the museum's history to show the backs of paintings, revealing stamps, labels, and inventory marks that trace how each piece moved from private Jewish homes into Nazi hands. The museum also launched its first research unit to trace rightful heirs, led by Ines Rotermund-Reynard.

Musée d’Orsay displays Renoir and Degas works looted by Nazis

The Musée d’Orsay in Paris has opened a new gallery dedicated exclusively to artworks suspected of being looted or forcibly sold during the Nazi occupation of France. Among the 13 works on display is Edgar Degas's *Dinner at the Ball* (1919), originally owned by Jewish collector Fernand Ochsé, who was deported to Auschwitz with his wife in 1941. The painting passed through multiple hands before being identified as one of over 100,000 artworks plundered by the Nazis. The museum has assembled a team of six provenance researchers to spend three years tracing the original owners of these works, which are part of the "MNR" (Musées nationaux récupération) collection—some 2,200 pieces deemed too important to sell but whose owners remain unknown.

Valuable Art Collection Featuring Frida Kahlo Set To Leave Mexico Sparks Concern in Art Community

The Mexican art community is voicing alarm over the relocation of the prestigious Gelman Collection to Spain, where it is slated to become the centerpiece of the new Foro Santander cultural center. Managed by Santander Bank and previously acquired by the Zambrano family, the collection includes 160 works by modern masters such as Diego Rivera and David Alfaro Siqueiros, including 18 rare paintings by Frida Kahlo. Critics and academics have signed an open letter demanding transparency from the Mexican government regarding the legality of this long-term export, given that many of these works are designated as national artistic monuments.

Meet the global taskforce working to recover stolen cultural heritage

The London Metropolitan Police's Art and Antiques Unit, in collaboration with the Heritage Crime Task Force (HCTF) of the Organisation for Security and Co-operation in Europe (OSCE), is processing over 300 recovered cultural artefacts. The objects—including statues, frescoes, chainmail armour, and stucco heads—were voluntarily handed over by an individual who had kept them for over a decade. Experts are conducting forensic analysis, photography, and archaeological assessment to determine authenticity and origin, with initial findings suggesting items from Cambodia's Angkor Period, the Gandhara region of Pakistan and Afghanistan, the Indus Valley civilisation, and possibly a mosque in Syria or Iraq.

Did Qatar’s Courbet acquisition short-circuit French export licence process?

Qatar Museums has acquired Gustave Courbet's early self-portrait *Le Désespéré* (1843-45) from a French collector for €50 million, bypassing the standard French export licence process. The Musée d'Orsay revealed the purchase at a private event in October, announcing the painting will be lent to the museum for five years before moving to Qatar's future Art Mill Museum (opening by 2030). The sale was conducted without an export certificate, with the justification that the work will remain in France for most of the time, using temporary export licences for exhibitions in Doha. Critics, including heritage campaigner Julien Lacaze, argue this exemption is being misused, as it was intended for one-off exhibitions, not recurring rotations.

MFA Boston returns work by enslaved artist David Drake to his heirs, Wifredo Lam, Ghirlandaio’s Adoration of the Magi—podcast

The Museum of Fine Arts (MFA) in Boston has agreed to return two 1857 works by the enslaved potter David Drake to his descendants. One vessel will remain on loan to the museum for at least two years, while the other, known as the "Poem Jar," has been purchased back by the museum for an undisclosed sum, now carrying a certificate of ethical ownership. The episode also covers the opening of the exhibition "Wifredo Lam: When I Don’t Sleep, I Dream" at the Museum of Modern Art in New York, featuring the modernist painter of African and Chinese descent, and discusses Domenico Ghirlandaio's "Adoration of the Magi" (1488) in the context of a new book on Renaissance foundlings.

Jewish collector's heirs revive Nazi loot claim to Van Gogh Sunflowers painting

Heirs of Jewish banker and collector Paul von Mendelssohn-Bartholdy are appealing a lower court's dismissal of their lawsuit against Japanese insurer Sompo Holdings over Vincent van Gogh's painting *Sunflowers* (1888-89), valued at $250 million. The plaintiffs—Julius H. Schoeps, Britt-Marie Enhoerning, and Florence von Kesselstatt, representing over 30 beneficiaries—claim the work was sold under Nazi pressure in 1934. Sompo bought the painting in 1987 for a record $25 million at Christie's London. The case was heard by a three-judge panel of the US Court of Appeals for the Seventh Circuit on 17 September 2025, under the 2016 Holocaust Expropriated Art Recovery (HEAR) Act.

Reynolds works acquired by Waddesdon Manor under UK's acceptance in lieu scheme

Two major paintings by 18th-century British artist Joshua Reynolds—David Garrick Between Tragedy and Comedy (1761) and Portrait of Joanna Leigh, Mrs Richard Bennett Lloyd (1775-76)—have been acquired by Waddesdon Manor in Buckinghamshire under the UK’s acceptance in lieu (AIL) scheme. The works, from the estate of Jacob Rothschild who died in February 2024, settled a combined £24.5 million in inheritance tax. Both paintings had been on loan to Waddesdon Manor, a National Trust property managed by Rothschild, since 1995.

Ancient marble bust returned to Italy following seven-year legal battle

A first-century CE marble bust, known as the "Head of Alexander," was returned to the Italian government on August 5, ending a seven-year legal battle. The bust, believed stolen from an Italian museum decades ago, was seized in 2018 by the Manhattan District Attorney's Antiquities Trafficking Unit from Safani Gallery in New York. The gallery filed multiple lawsuits against Italy and the Italian Ministry of Culture, claiming unlawful taking and seeking compensation, but all claims were dismissed. The bust, excavated in the early 1900s along Rome's Via Sacra, had passed through multiple cities and auctions, including sales at Sotheby Park Bernet and later for $150,000 by Safani Gallery in 2017.

Museums in New York and Los Angeles receive collection of 63 Modern works

The Henry and Rose Pearlman Foundation has announced the distribution of its 63-work collection of Impressionist, Post-Impressionist, and modern art among three major US museums: the Brooklyn Museum (29 works), the Los Angeles County Museum of Art (LACMA, 6 works), and the Museum of Modern Art (MoMA, 28 works). The collection includes pieces by Chaïm Soutine, Edgar Degas, Amedeo Modigliani, Vincent van Gogh, Édouard Manet, and Paul Cézanne. The foundation, established in the 1950s by Brooklyn-born businessman Henry Pearlman and his wife Rose, had long-term loans to the Princeton University Art Museum and organized traveling exhibitions before deciding to permanently place the remaining works.

Swiss Bührle Foundation reaches settlement with heirs of Jewish collector over Manet’s ‘La Sultane’

The foundation overseeing the Bührle collection has reached a settlement with the heirs of Jewish collector Max Silberberg, allowing Édouard Manet's painting 'La Sultane' (c. 1871) to remain on display at the Kunsthaus Zurich. The painting was purchased in 1953 by Emil Bührle, a Swiss arms dealer who sold to both Allies and Nazis during WWII and benefited from slave labor. Silberberg, forced to sell his villa to the SS in 1935 and later deported to Auschwitz, had consigned the work in 1932, but his heirs argue the 1937 sale to dealer Paul Rosenberg was a consequence of Nazi persecution. The settlement terms are confidential.

Back to Assam: British Museum agrees to loan fragile tapestry showing Krishna’s life

The British Museum has reached an agreement with the state government of Assam to loan the Vrindavani Vastra, a 350-year-old sacred tapestry depicting the life of Krishna, for a six-month period starting in 2027. The loan is contingent upon the construction of a specialized new extension at the Assam State Museum in Guwahati to accommodate the textile's extreme fragility. This marks the first time the artifact, which features the earliest known Assamese inscriptions, will return to its place of origin since it was acquired by the British Museum following the 1904 Younghusband expedition to Tibet.

British Museum's looted ewer set for return to Ghana on long-term loan

The British Museum is expected to loan the 14th-century Asante Ewer to Ghana on a long-term basis, following discussions between the Manhyia Palace Museum in Kumasi and the London institution. The ewer, made in England and later looted from the Asante royal palace in 1896, has been in the British Museum's collection ever since. Ivor Agyeman-Duah, director of the Manhyia Palace Museum, plans to travel to London to make a formal loan request on behalf of Asantehene Otumfuo Nana Osei Tutu II. The British Museum has already lent other looted artefacts to the Ghanaian museum, and the loan would likely be for three years, with Ghanaian authorities acknowledging British Museum ownership.

Eric Ravilious and Tirzah Garwood woodblocks rescued from eBay sale go on display in UK

A collection of 27 original woodblocks hand-carved by British artists Eric Ravilious and Tirzah Garwood, dating from 1930 to 1950, was rescued from an eBay sale through collaboration between the artists' heirs and the Art Loss Register (ALR). The blocks, believed missing or stolen since the 1950s, were listed on eBay last summer, prompting the family—including daughter Anne Ullman and granddaughter Ella Ravilious—to contact the ALR to halt the sale. The blocks have now been catalogued and split between The Fry Art Gallery in Suffolk and Towner Eastbourne, where they are on public display.

Masterworks from Jacob Rothschild collection go to London's National Gallery and V&A under acceptance in lieu scheme

Two masterworks from the collection of the late Jacob Rothschild—Guercino's *King David* (1651) and John Deare's *Edward and Eleanor* (1790)—have been allocated to London's National Gallery and the Victoria and Albert Museum (V&A) respectively under the UK's acceptance in lieu (AIL) scheme. The Guercino painting settles £5.6 million in inheritance tax, and will be reunited with two related Guercino works already at the National Gallery. The marble relief by Deare enters the V&A's collection.

Mummies and other human remains held in UK museums raise serious ethical questions, warn scholars

A major investigation has revealed that UK museums, universities, and local authorities hold more than 263,000 human remains, including mummies, skeletons, and skulls. Of these, approximately 37,000 originate from overseas, largely from former British colonies, often acquired without consent. The findings have sparked intense criticism from scholars and curators who argue that the sheer scale of these collections reflects a distressing colonial legacy and necessitates a systemic shift toward repatriation and more ethical storage practices.

Smithsonian’s National Museum of Asian Art returns three sculptures to Cambodia

The Smithsonian’s National Museum of Asian Art (NMAA) in Washington, DC, has voluntarily returned three sculptures to the Cambodian government after an internal provenance investigation determined the objects were likely removed from Cambodia during the country’s civil war (1967-75). The returned artifacts include a tenth-century sandstone head of Harihara, a tenth-century sandstone sculpture of the goddess Uma, and a bronze statue of Prajnaparamita from around 1200. The museum’s director, Chase F. Robinson, stated that strong evidence linked the pieces to problematic dealers and a context of war and violence, and that no documentation supported their lawful export. The objects were donated to the NMAA by Arthur M. Sackler and Gilbert and Ann Kinney without proper provenance papers.

Netherlands will return stolen ancient statue—featured at Tefaf art fair in 2022—to Egypt

The Netherlands will return a 3,500-year-old stolen Ancient Egyptian statue to Egypt after it was spotted at the Tefaf Maastricht art fair in 2022 by an eagle-eyed visitor. The stone statue, believed to depict a high official from the dynasty of Pharaoh Thutmose III, was flagged via an anonymous tip, leading the dealer to voluntarily surrender it. An investigation by Dutch police and the Information and Heritage Inspectorate confirmed it was likely plundered unlawfully and illegally exported. The statue will be handed to the Egyptian ambassador in The Hague later this year, in line with the 1970 Unesco convention against trafficking cultural property.

In historic move, MFA Boston returns works by 19th-century enslaved artist David Drake to his heirs

The Museum of Fine Arts (MFA) Boston has agreed to return two 1857 ceramic jars by David Drake, an enslaved Black potter, to his living descendants. One vessel will remain on loan to the museum for at least two years, while the other—the "Poem Jar"—has been purchased back by the MFA from the heirs for an undisclosed sum, now carrying a "certificate of ethical ownership." The museum acknowledges that Drake created the works involuntarily and without compensation, marking the first time the MFA has resolved a claim for art wrongfully taken under U.S. slavery.

US museums urged to stop lobbying against Nazi loot restitution bill

US museums, including the Metropolitan Museum of Art, are lobbying against a bipartisan bill that would strengthen the ability of Holocaust survivors and their families to reclaim Nazi-looted art. The Association of Art Museum Directors (AAMD) paid $8,000 to oppose the bill, which eliminates technical legal defenses such as statutes of limitation and laches that museums have used to dismiss claims. New York Mayor Eric Adams and the World Jewish Restitution Organisation have publicly urged museums to drop their opposition, arguing that the stance contradicts the values of justice and accountability.

Tens of thousands sign petition to stop loan of ‘extremely fragile’ Bayeux Tapestry to UK

Nearly 50,000 people have signed a petition to block the loan of the Bayeux Tapestry to the British Museum, citing warnings from textile restorers that moving the 1,000-year-old embroidered linen could cause irreparable damage. The petition, launched by art historian Didier Rykner, opposes the planned exhibition in London from September 2026 to July 2027, which coincides with the closure of the Bayeux Tapestry Museum in Normandy for renovations. The loan was announced in July by French President Emmanuel Macron and British Prime Minister Keir Starmer. Prominent French cultural figures, including former museum director Isabelle Attard, have voiced strong concerns, and Rykner hopes to ally with British opponents of the exchange, which would also send Anglo-Saxon and Medieval treasures from the British Museum to France.

French government adopts bill for restitution of colonial-era objects

The French government has adopted a bill that facilitates the restitution of cultural objects plundered from former colonies, eight years after President Emmanuel Macron pledged to return African heritage. Presented by Culture Minister Rachida Dati, the bill maintains that French public collections are inalienable but creates an exemption for items taken by force between 1815 and 1972. Restitution requests must come from foreign states, be for public preservation and display, and involve items allegedly stolen, looted, or sold under duress. A bilateral scientific committee will examine each case, with final approval from the Conseil d'État. The bill aims to replace the current slow, case-by-case legislative process that has resulted in only 30 objects returned since 2017.

MFA Boston to return Benin Bronzes to wealthy donor, close gallery

The Museum of Fine Arts (MFA), Boston will close its Benin Kingdom Gallery on April 28, and most of the Benin Bronzes displayed there will not be repatriated to Nigeria. Instead, all but five of the 34 objects will be returned to their donor, filmmaker and banking heir Robert Owen Lehman, who rescinded his 2008 gift after stalled negotiations with the museum. The MFA had sought to acquire full ownership of the works to ensure their display, but Lehman asked for them back. The five bronzes the museum does own will remain in its collection and be shown in its Art of Africa Gallery starting in June.

Tight security at Malaysian National Art Gallery ahead of’ arrival of art works linked to 1MDB scandal

The National Art Gallery of Malaysia has implemented high-level security measures, including enhanced alarms and restricted access zones, to receive four artworks recovered from the 1MDB financial scandal. The collection includes pieces by Pablo Picasso, Joan Miró, Maurice Utrillo, and Balthus, which were previously owned by former 1MDB lawyer Jasmine Loo. The repatriation was a coordinated effort between the Malaysian Anti-Corruption Commission (MACC), the FBI, and the U.S. Department of Justice.

Major Brazilian art heist still unsolved as statute of limitations expires

The statute of limitations has officially expired on the 2006 heist at the Museu da Chácara do Céu in Rio de Janeiro, one of the most significant art thefts in Brazilian history. During the chaos of Carnival, armed thieves overpowered guards and stole masterpieces by Claude Monet, Henri Matisse, Salvador Dalí, and Pablo Picasso. Despite the works being valued at over $10 million and listed on international databases like Interpol and the Art Loss Register, the perpetrators were never identified and the art remains missing.

Sotheby’s to Hold Auction in Diriyah Featuring over 60 Artworks

A priceless 2,500-year-old golden helmet and three golden bracelets from Romania's Dacia civilization, stolen from the Drents Museum in the Netherlands in January 2025, were returned to Romania on Tuesday. The artifacts arrived at Bucharest Henri Coanda International Airport under guard and were displayed at Bucharest's National History Museum, flanked by armed security. The recovery followed 14 months of investigations, diplomatic tensions, and an ongoing trial of three suspects; one bracelet remains missing but Dutch authorities vow to continue the search.

Forged Picasso prints sold at Stuttgart auction recovered as part of international police operation

Two forged Pablo Picasso prints from his Suite Vollard series, sold at a Stuttgart auction house, have been recovered as part of an international police operation led by Italian authorities. The Baden-Württemberg State Criminal Police Office (LKA) announced that an Italian national, believed to be a professional art restorer, is suspected of consigning four forged works to the auction house over several years. Two prints were recovered—one in Germany's Rhineland region and one in Austria—while two others were seized before delivery. The operation, code-named "Minotauro bis," began in 2022 and has led to the seizure of 104 fake contemporary artworks, the dismantling of a forgery laboratory in Rome, and the freezing of bank accounts and vehicles. Forgers used complex methods including fake watermarks, scanned images, and aging paper with coffee or tea.

UK Heritage Department feared ‘mass restitutions’ when Stone of Scone was returned to Scotland

Newly released UK government files reveal that in 1996, the Department of National Heritage strongly opposed Prime Minister John Major's decision to return the 13th-century Stone of Scone to Scotland. The department's cultural property unit head, Lynn Gates, warned that the return would set a 'precedent to mass restitution,' triggering claims from Greece for the Parthenon Marbles, Egypt for the Rosetta Stone and Sphinx's Beard fragment, and Nigeria for the Benin Bronzes, with fears of further demands from Ethiopia, India, Pakistan, and other nations. The internal memo criticized Major for failing to consult the department before agreeing to the transfer from Westminster Abbey.