Go figure – when Barnaby Barford took over the Wallpaper* fashion pages

Barnaby Barford is marking 20 years of collaboration with David Gill gallery through the exhibition 'We Are Where We Are', featuring 35 ceramic sculptures and large-scale drawings. The show includes a new work titled 'Ascension'. To celebrate, Wallpaper* magazine revisits its November 2007 issue, in which Barford took over the fashion pages, dressing his found porcelain figurines in designer labels such as Missoni, Versace, Gucci, Christian Dior, and Prada, photographed by Theo Cook with fashion styling by Sophie Dean and Sébastien Clivaz.

Five-Minute Tours: Dario Robleto at Art League Houston

Glasstire's Five-Minute Tours series features a video walk-through of Dario Robleto's exhibition "If You Remember, I’ll Remember" at Art League Houston, on view from September 26 to December 21, 2025. The show presents works by Robleto, named 2025 Texas Artist of the Year, blending sculpture and print with themes of science, history, and poetics, including pieces inspired by the Voyager Golden Record and 19th-century heartbeat visualization experiments.

Scottsdale Public Art exhibition marks city’s 75th anniversary

Scottsdale Public Art has opened "Desert Diamonds: Scottsdale’s 75th Anniversary" at the Civic Center Public Gallery inside Scottsdale Civic Center Library, running from April 10 through June 30, 2026. The exhibition features works selected from the city’s Fine Art Collection, including photography, painting, and sculpture that trace Scottsdale’s relationship with the arts from its earliest years, such as Mario Martinez’s "Yaqui Deer Dancer: Homage to the Ancestors" and George-Ann Tognoni’s "Helen Scott on Old Maude." The show marks the city’s diamond anniversary, with Scottsdale having been incorporated in 1951.

Carnegie Arts Center opens annual youth art exhibition May 29

The Carnegie Arts Center in Turlock, California, will host its annual youth art exhibition, “Ready, Set, Show!”, from May 29 to June 27. The show invites students in grades K–12 to submit up to three pieces of artwork for display in the Ferrari Gallery, with free entry and a special section for the “Parks Are Fun!” banner contest. A free Family Friday reception will open the exhibition on May 29.

Fisherton Mill to showcase 14 artists and makers on Salisbury Art Trail

Fisherton Mill in Salisbury will host 14 artists and makers as part of the Salisbury Art Trail, running from May 23 to June 7. The mill's first-floor display space will feature resident studio artists, while the main gallery presents 'Brush, Kiln & Camera', a group exhibition from the Nova Art Guild showcasing ceramics, paintings, glasswork, and photography by Fiona Charter, Tamsyn Gregory, Lindsay Keir, Scarlet Leatham, Geraldine McLoughlin, and David Walker. Visitors can meet artists daily during the trail, and admission is free.

London gallery cancels controversial art show over antisemitic imagery

An exhibition titled 'Drawings Against Genocide' by British artist Matthew Collings, scheduled to open at Delta House Gallery in Wandsworth, London, has been cancelled after complaints from UK Lawyers for Israel (UKLFI) about antisemitic content. The show, planned for May 2026, included graphic drawings depicting Jews with horns, devouring babies, and denying Hamas's October 7 attacks, and had previously sparked outrage at a Margate gallery. Gallery owners Pineapple Corporation and Delta House Studios Ltd confirmed the cancellation after UKLFI warned of legal risks under the Public Order Act 1986.

Exhibition Dives Headfirst Into Water as a Source of Everyday Enchantment

Claudia Keep's solo exhibition "Water, Water, Everywhere" is now on view at Parker Gallery in Los Angeles, featuring oil paintings that focus on water in everyday settings such as pools, beaches, cafes, and car windows splattered with rain. The show includes multi-panel panoramic works like "River swimmer" and "Pool swimmer," which depict swimmers in dynamic, distorted forms, and frames that extend each painting's color palette. The exhibition runs through May 30, 2026.

London Gallery Cancels Antisemitic Art Exhibit After Pro-Israel Lawyers Intervene

A London gallery, Delta House Gallery in Wandsworth, canceled a traveling exhibition titled "Drawings Against Genocide" by British artist Matthew Collings after UK Lawyers for Israel (UKLFI) intervened, citing antisemitic content. The show, scheduled for May 16-24, featured drawings with swastikas, comparisons of Israel to Nazi Germany, and depictions of Jewish figures with horns, among other imagery. Gallery owner Pineapple Corporation Chairman Tom Berglund confirmed the cancellation, stating the exhibition was arranged without owner consultation.

Maine Gallery Adds New Artists For 2026 Season

Maine Art Collective's (MAC) Gallery in Portland, Maine, has added five new artists to its roster for the 2026 season: Ann Tracy, Bill Elinoff, Sheri Oliva, donnersmith, and Tracy Hehmeyer. The gallery, which transitioned from a pop-up to a full-time space about a year ago, now features 17 artists total. Founder Susan Vittner, an artist herself, emphasizes the gallery's mission to support emerging artists through a cooperative model where artists retain most of their profits.

Student Show at the GRCC Art Gallery

The Paul Collins Art Gallery at Grand Rapids Community College is currently hosting its annual Student Show, featuring artwork created by GRCC students throughout the year. The exhibition, which runs until April 22, is the gallery's final rotation before the fall semester and includes pieces selected by the art department faculty from various classes, though some disciplines like interior design are underrepresented due to display challenges.

Young artists take over Slidell's city gallery

Student artists from across St. Tammany Parish participated in the 35th annual Salad Days Juried Exhibition of Student Art at the George Dunbar Gallery in Slidell. The event featured an opening reception and awards ceremony, with 80 artists submitting 174 works, of which roughly 30% were selected for display. Artist and arts advocate Joshua Wichterich served as the juror for the competitive show.

Palma: The Conference of the Palm Trees. Artist Mehdi-Georges Lahlou and curator Virginie Puertolas-Syn.

French-Moroccan artist Mehdi-Georges Lahlou opened his first solo exhibition in Singapore and Asia, curated by Virginie Puertolas-Syn. The exhibition, conceptually linked to the 12th-century Sufi poem 'The Conference of the Birds,' uses the palm tree as a central motif to explore themes of displacement, colonial history, and constructed landscapes.

Magical Realism Against the Harshness of the Suburbs

Magischer Realismus gegen die Härte der Vorstadt

French-Chilean artist Tohé Commaret presents an exhibition at MMK Zollamt in Frankfurt featuring quiet, still images that highlight invisible care work and feminist solidarity. The show focuses on women who silently enable events like weddings and galas without being seen, exploring female alliances and the attempt to reclaim new narratives from the suburbs.

Currently, much that was painstakingly built is being destroyed

"Aktuell wird viel zerstört, das mühsam aufgebaut wurde"

Berlin's Savvy Contemporary, a non-profit art space known for its postcolonial discourse, has been awarded the Art Basel Award in the 'Museums and Institutions' category—the only German institution to receive the honor this year. However, despite the prestigious recognition, Savvy has been unable to open any exhibitions in 2024 due to a lack of funding. In an interview, managing directors Lema Sikod and Lynhan Balatbat-Helbock discuss the award, the institution's 15-year history, and the growing difficulty of sustaining decolonial work amid rising right-wing populism and political backlash.

When the Night Bleeds into the Day

Wenn die Nacht auf den Tag abfärbt

Berlin-based graffiti artist Paradox Paradise, known for his distinctive red-and-blue "Paraglyphs" painted on high facades, discusses his evolution from classic graffiti to a radically reduced visual language. In an interview with Monopol, he explains how he stripped away decorative elements to focus on precise, vertical outlines and messages like "Mieten runter Wände bunter" (lower rents, more colorful walls). He describes his nocturnal actions as states of heightened presence requiring weeks of planning, where every movement has immediate consequences.

Pavilions of the Venice Biennale go on strike

Pavillons der Venedig-Biennale werden bestreikt

Cultural workers and participants of the Venice Biennale went on strike on Friday, protesting Israel's participation in the art exhibition. Organized by the Art Not Genocide Alliance (ANGA) alongside several cultural groups and Italian grassroots unions, the 24-hour walkout led to the closure of several national pavilions on the final preview day. A rally was planned near the Arsenale grounds. The strike aims to oppose the "normalization of genocide in culture" and poor working conditions at the Biennale, following an earlier open letter signed by over 230 artists and curators demanding the exclusion of the Israeli pavilion. Israel is represented by sculptor Belu-Simion Fainaru, who opposes cultural boycotts and advocates for dialogue. The Biennale's leadership has distanced itself from the strike, emphasizing adherence to regulations and support for freedom of speech and pluralism.

Can we practice for crises in art?

"Können wir in der Kunst für die Krisen üben?"

Belgian theater director Miet Warlop is presenting her work "It never SSST" at the Belgian Pavilion during the Venice Biennale. The installation combines performance, sculpture, a radio show, and objects, featuring six performers, musicians, dancers, and a sculptor who periodically calls "Freeze" to capture movements in plaster reliefs. Warlop, known for her physically exhausting ritualistic performances like "One Song," discusses the piece's themes of ceaseless activity and the body as a resource, as well as the challenge of engaging visitors who often rush through the pavilion.

The Porn Effect

Der Porno-Effekt

Maja Malou Lyse received a bizarre phone call nearly three years ago from the CEO of the world's largest sperm bank, who offered her 20 liters of discarded sperm for artistic purposes. She accepted and created an installation for the Danish Pavilion at the Venice Biennale, working with porn stars to explore how images shape bodies and desire.

Die Welt als Sound – mit Peter Licht

Peter Licht, a German musician, author, and playwright, appears as a guest on the 82nd episode of the "Fantasiemuskel" podcast, where he discusses his view of the world as a sound phenomenon. He reflects on his 2006 song "Lied vom Ende des Kapitalismus," which preceded the 2008 financial crisis, and explores how language, fear, and utopian moments manifest through sound in his work—whether in pop songs, theater pieces, or novels. Licht also describes a recent "problem-solving show" at Schauspiel Köln, where audience members submit problems that are collectively sung, turning singing into an act of resistance and community-building.

Alchemist of Colors

Annina Roescheisen, a German-born artist now based in New York, presents her work in Venice during the opening days of the Venice Biennale. Her paintings are created through an alchemical ritual where she mixes pigments, charcoal, ash, ink, herbs, and salts, producing pulsating fields of color that blur the line between the visible and invisible. A self-taught artist who never attended art school, Roescheisen draws on art history and philosophy, with a particular passion for medieval art. Her series "Flying Dragons" references the ancient Physiologus, and she has also produced watercolors based on drawings made with her eyes closed to explore how visual perception changes from childhood to adulthood.

The Biennale Must Remain Open – Also for Russia

Die Biennale muss offen bleiben – auch für Russland

The article argues against calls to exclude Russia from the Venice Biennale, focusing on the controversy surrounding the Russian pavilion's planned exhibition titled "Der Baum ist im Himmel verwurzelt" (The Tree Is Rooted in Heaven). The pavilion is set to feature musicians from Russia, Argentina, Mali, and Mexico, and its theme revolves around the idea that politics is time-bound. The author contends that while the demand to exclude Russia is understandable given the geopolitical context, it is dangerous because once a biennial begins disinviting states, it undermines the very concept of the international exhibition.

Around the World

Einmal um die Welt

The article previews the national pavilions at the Venice Biennale, where 99 countries present exhibitions across the Giardini, Arsenale, and venues throughout the city. It highlights Iceland's pavilion, featuring Ásta Fanney Sigurðardóttir's project "Pocket Universe" at the Docks Cantieri Cucchini, a multimedia work combining performance, sound, moving image, and installation centered on a film about a creature.

Venice Biennale chief under pressure

Venedig-Biennale-Chef unter Druck

Just before the opening of the Venice Art Biennale, its president Pietrangelo Buttafuoco is facing mounting criticism after the entire jury resigned. Italian Culture Minister Alessandro Giuli accused Buttafuoco of pursuing a form of "parallel foreign policy" by readmitting Russia to the six-month exhibition, calling him a "victim of a pacifist fantasy." The opening ceremony and the traditional Golden Lion awards have been canceled; prizes will now be decided by visitor vote at the end of the Biennale in November.

Jury of the Venice Biennale Resigns

Jury der Venedig-Biennale tritt zurück

The entire jury of the Venice Biennale, appointed by artistic director Koyo Kouoh, has resigned with immediate effect. In a statement released on Thursday, the jury members—including chair Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—cited a prior declaration from April 22 in which they announced they would not award Golden or Silver Lions to artists from countries whose political leadership is currently indicted by the International Criminal Court (ICC) for crimes against humanity. Although no specific countries were named, the move implicitly targets Russia (President Vladimir Putin) and Israel (Prime Minister Benjamin Netanyahu), both subject to ICC arrest warrants. The resignation comes amid escalating tensions over Russia's participation in the Biennale despite EU sanctions, which had already led to a freeze of EU funding and widespread protests.

How the GDR apron became Italian luxury

Wie die DDR-Schürze zum Italo-Luxus wurde

Italian luxury label Miu Miu has released dresses for summer 2026 that resemble 1980s East German kitchen aprons, with prices reaching up to €12,000 for crystal-embroidered versions. The collection debuted on the Paris runway in October, where actress Sandra Hüller opened the show in robust workwear, evoking factory workers from the former GDR. Designer Miuccia Prada, a former member of the Italian Communist Party, drew inspiration from Helga Paris's 1984 photo series "Frauen bei der Arbeit" (Women at Work), which documented female laborers in East Berlin's VEB Treffmodelle textile factory.

Gitte Zschoch wird Generalsekretärin des Goethe-Instituts

Gitte Zschoch has been appointed as the new Secretary General of the Goethe-Institut, taking over the role and chairmanship of the board on July 18. She succeeds Johannes Ebert, who has held the position since 2012 and will now lead the institute's regional office in Athens. Zschoch, currently Secretary General of the Institute for Foreign Cultural Relations (ifa), previously worked for the Goethe-Institut in various roles, including founding director of its branch in the Democratic Republic of Congo. The appointment was confirmed by German Foreign Minister Johann Wadephul and approved by the institute's presidium.

GDR Women Without Filter

DDR-Frauen ohne Filter

The Kunsthaus Apolda in Thuringia is presenting a posthumous retrospective of Günter Rössler, the East German photographer who defined nude and fashion photography in the GDR, on what would have been his 100th birthday. The exhibition features 130 works spanning six decades, including fashion assignments, reportage from his travels abroad, and large-format black-and-white nudes. It is curated by his widow and estate manager Kirsten Schlegel, and complemented by an audio guide in which Rössler's models reflect on their collaboration with him.

This is the Press Photo of the Year

Das ist das Pressefoto des Jahres

The World Press Photo competition has named Carol Guzy's photograph "Separated by ICE" as the World Press Photo of the Year. The image, taken for the Miami Herald in August 2025, shows children clinging to their father's shirt during a court hearing in New York after he was unexpectedly detained by U.S. Immigration and Customs Enforcement (ICE). The jury praised the photo as a stark documentation of family separation resulting from U.S. immigration policy. Two other finalists were recognized: Saber Nuraldin's image of the humanitarian crisis in Gaza and Victor J. Blue's photo documenting the Achi women from Guatemala who sought justice for wartime abuses.

Press Photos of the Year Chosen

Pressefotos des Jahres gewählt

Carol Guzy won the World Press Photo competition for 2025 with her image "Separated by ICE," taken for the Miami Herald. The photograph depicts children clinging to their father's shirt during a court hearing in New York, after he was unexpectedly detained by U.S. Immigration and Customs Enforcement (ICE). The jury selected the image from nearly 57,000 entries by about 3,700 photographers. Two other finalists were recognized: Saber Nuraldin for documenting the humanitarian crisis in Gaza, and Victor J. Blue for covering the trial of perpetrators who kidnapped and abused women during Guatemala's civil war.

Berlin Museum to Return Almost 600 Skulls

Berliner Museum will fast 600 Schädel zurückgeben

The Prussian Cultural Heritage Foundation in Berlin has announced plans to repatriate hundreds of human skulls to West African nations following a multi-year provenance investigation. The research identified the origins of 574 skulls, with 336 linked to present-day Cameroon, 151 to Togo, 23 to Ghana, and one to Nigeria, while 63 could not be precisely located. The skulls were part of a historical anthropological collection transferred from Berlin's Charité university hospital in 2011.