A five-day group exhibition titled 'Different Strokes' concluded at the Alliance Française de Dhaka, featuring 40 paintings by eight self-taught artists. Curated by artist and educator Alamgir Kabir, the show presented works in oil, acrylic, watercolour, and charcoal that depicted nature, women's lives, and marginalized communities in Bangladesh.
Bucks County Community College is hosting its annual Arts at Bucks celebration, featuring the 61st Annual Student Art Exhibition from April 24 to May 12. The event includes open studios, a bronze pour demonstration, an alumni and student art sale, and a schedule of music, film, dance, and theater performances at the Newtown Campus.
A think tank and a philanthropic foundation have launched a $1 million accelerator grant program for museum and performing arts leaders. The initiative, a partnership between Remuseum (an initiative of Crystal Bridges Museum) and the Doris Duke Foundation, will award up to ten $100,000 grants and provide a year-long residency program to help leaders develop innovative strategies to boost relevance and financial stability.
A wave of new artist-run and apartment galleries is emerging in New York's outer boroughs, driven by artists and organizers seizing unconventional, often temporary, spaces. These include the Gallery in Crown Heights, a massive group show staged in a vacant office loft secured with a two-month free lease, and the more established Iowa Projects, which presents solo exhibitions in a domestic setting.
Amato dal pubblico, ma non dai critici d’arte. Jack Vettriano in mostra a Roma (intervista alla curatrice)
A major retrospective exhibition of Scottish painter Jack Vettriano has opened at Palazzo Velli in Rome. The show, which originated in Bologna at Palazzo Pallavicini, was transformed into a posthumous retrospective following the artist's death in March 2025. It features both original oil paintings and high-quality, limited-edition reproductions on museum paper, a curatorial choice made by Vettriano himself to make his work more accessible.
On The Edge Gallery, an artist-run collective in Old Town Scottsdale's Arts District, has been named one of the top 10 galleries in the Phoenix metropolitan area by Modern Luxury Magazine. The gallery operates as a co-op where local Arizona artists create the work, set their own prices, and often work on-site, allowing visitors to interact directly with the creators.
Milan Art Week 2026 featured a constellation of fairs including the main regional fair miart, the independent MEGA Art Fair, and the new Milan edition of Paris Internationale. Observers noted the week felt somewhat muted due to the imminent arrival of the globally dominant Milan Design Week, but identified strong presentations from galleries like Ehrlich Steinberg, which showcased Japanese artist Eni Mizukami, and eastcontemporary, which highlighted Eastern European artists Ania Bąk and Natália Trejbalová.
Japanese artist Mari Ito will hold her first solo exhibition in India, titled 'Origin of Desire,' at Bikaner House in New Delhi. The week-long show, presented by the gallery GEEK/ART, opens on April 25 and features new paintings and a special installation, introducing Ito's botanical, surreal, and Nihonga-influenced work to a new audience.
Art Fund director Jenny Waldman responds to a philosophical article about art's intrinsic value, arguing that while art should be enjoyed for its own sake, promoting its measurable health benefits can serve as a crucial entry point for new audiences. She cites the organization's National Art Pass adverts and recent research with King's College London, which demonstrated immediate physiological responses to viewing original art, as tools to invite people who might otherwise feel excluded from cultural institutions.
Giuseppe Penone is preparing for his exhibition 'The Reflection of Bronze' at Gagosian's New York flagship, running from April 22 through July 2. The show, curated by former Whitney Museum director Adam D. Weinberg, features eighteen artworks from 1995 to the present, including the new sculpture 'Marsia (Marsyas)', and is designed to create a forest-like sensory immersion using materials like cork.
The Victoria and Albert Museum (V&A) has opened its new V&A East museum and V&A East Storehouse in Stratford, East London. This expansion, part of a £660 million redevelopment, presents the museum's collection with a focus on community co-design, social justice themes, and local artists, aiming to be more accessible and democratic than its imposing South Kensington flagship.
Gloria Gallery in Nicosia is presenting a new solo painting exhibition titled 'The Allure of the Visible' by Cypriot artist Silia Philippou. The exhibition opens with an inauguration by the Greek ambassador and runs from April 24 to May 15, featuring a new body of work that continues the artist's exploration of nature, colour, and light.
Adam Golfer, the director of the short film "Camille Henrot: In Movement," reflects on the process of creating the documentary. He describes following the artist Camille Henrot over a full year in New York and Paris, capturing her wide-ranging creative process from sketches to paintings, model-making to large-scale sculptures, and the evolution of her film work.
The Hilbert Museum of California Art at Chapman University will host "The Art of the Simpsons," the first-ever art exhibition dedicated to the iconic animated family. The exhibition, opening November 18, 2026, will feature original illustrations and production cels of Homer, Marge, Bart, Lisa, and other Springfield characters, celebrating the show's 39-year history and the museum's 10th anniversary.
The Power Plant Contemporary Art Gallery in Toronto is hosting a free opening party on April 24 for its new exhibition, 'Colourful Parachutes: Imagining Alternative Futures Through the Power of Play.' The exhibition features interactive installations by ten international artists, including Temitayo Ogunbiyi, Leisure, Robin Rhode, and Claire Greenshaw, designed to be touched, climbed on, and altered by visitors.
MEGA Art Fair held its third edition in Milan, transforming a former perfume factory into a social and exhibition hub during Milan Art Week and Design Week. The fair, which ran from midday to midnight over an extended period, positioned itself as an alternative to traditional art fairs by prioritizing relaxed social connection, community engagement, and public programming over a purely commercial atmosphere.
Author Graci Harkema will visit the Grand Rapids Art Museum (GRAM) for a free public conversation about her life journey, coinciding with the museum's photography exhibition "As We Rise: Photography from the Black Atlantic." The event, titled "RISING: A Conversation with Graci Harkema," allows attendees to view the exhibition before the talk.
5 expos à Avignon et ses environs pour rayonner du printemps à l’été
A series of five art exhibitions are scheduled from spring to autumn 2026 in and around Avignon, France. The program includes a refreshed permanent display of 1980s art at the Collection Lambert featuring Jean-Michel Basquiat and Nan Goldin, a solo show by Julien Prévieux critiquing artificial intelligence at Le Grenier à Sel, a photography exhibition of South Korean landscapes by Michael Kenna at Galerie Rousset, and other shows focusing on artists from Asia and the Middle East.
Two solo exhibitions by artists Josefina Auslender and Billy Gerard Frank are on view in Woolwich and Portland, Maine, through mid-May. Auslender's "La Chimera de Oro (The Golden Chimera)" at Sarah Bouchard gallery features new ink-on-paper drawings exploring themes of artistic truth and the seductive danger of commercial success, while Frank's show at the Institute of Contemporary Art at Maine College of Art & Design (ICA at MECA&D) addresses the legacy of slavery through multimedia installations.
Arkansas Tech University's Department of Art is presenting "Proof of Process," an exhibition featuring the graphic design work of its senior students. The show is on view at the Norman Hall Art Gallery on campus until May 1, with a free public reception scheduled for April 23.
Lynda Roscoe Hartigan is stepping down as director and CEO of the Peabody Essex Museum (PEM) in Salem, Massachusetts, to become the director of the Smithsonian American Art Museum (SAAM) in Washington, D.C., starting September 8. Hartigan, who began her career as an intern at SAAM, previously served as PEM's first chief curator in 2003, deputy director in 2016, and returned as director in 2021 after a brief stint at the Royal Ontario Museum. During her tenure at PEM, she oversaw the reinstallation of a 40,000-square-foot wing, guided a five-year strategic plan, and expanded programs in global fashion, contemporary art, photography, and American art.
A comprehensive listing of current and upcoming visual art exhibitions, events, and installations in Athens, Georgia, is provided. The guide includes shows at venues ranging from the Georgia Museum of Art and the Lamar Dodd School of Art galleries to local breweries, coffee shops, and community centers. Featured exhibitions highlight work by students, local members, and established artists like Beverly Buchanan and Julie Green, alongside new murals and public art projects.
Loyal, a gallery founded by Martin Lilja and Amy Giunta, has relocated from Stockholm to a 19th-century chapel in the university town of Lund, Sweden. The move represents a deliberate shift away from the fast-paced commercial art world towards a slower, more contemplative model of exhibition-making.
Le fantasme de la femme fatale
A documentary titled "Le fantasme de la femme fatale" (The Fantasy of the Femme Fatale), directed by Susanne Brand, is available on Arte.tv. The film traces the visual history of the femme fatale, a seductive and dangerous figure prevalent in centuries of figurative painting by male artists like Gustave Moreau and Franz Von Stuck, often depicted as Salome or languid nymphs.
Ressentir la nature d’après Nicolas Poussin
An exhibition titled "Le sentiment de la nature. L’art contemporain au miroir de Poussin" has opened at the NMNM – Villa Paloma in Monaco. Curated by Guillaume de Sardes, it places Nicolas Poussin's 1651 painting *L'Orage* in dialogue with works by over twenty contemporary artists, including Sarah Moon, Christo and Jeanne-Claude, Thomas Demand, Pierre Thoretton, Ange Leccia, Marine Wallon, and Claudio Parmiggiani.
Anne-Claire Legendre : « Redonner de la sérénité et de la transparence à l’institution »
Anne-Claire Legendre has been appointed to succeed Jack Lang as president of the Institut du Monde Arabe (IMA) in Paris. A French diplomat, Legendre aims to restore confidence in the institution through governance reform, increased transparency, and a new strategic plan following an external financial audit.
Marilyn Monroe, idole iconique
The Cinémathèque française in Paris is presenting an exhibition dedicated to Marilyn Monroe to mark the centenary of her birth. The show explores her evolution from actress to a globally reproduced image, featuring portraits by renowned photographers and examining her enduring cultural presence.
Monet, grand voyageur
The publishing house Cinabre has launched a new book series called 'Partance' that explores the influence of travel on artists' work. The inaugural volume, 'Partance. Claude Monet,' published in 2026, marks the centenary of Claude Monet's death by comprehensively tracing all of his foreign travels for the first time and analyzing their impact on his art.
Biennale d’art de Venise : le temps des nuances
The 61st Venice Biennale, titled "In Minor Keys," opened under the artistic direction of the late Swiss-Cameroonian curator Koyo Kouoh. The exhibition features 111 artists and collectives, presenting a more subdued, poetic, and experiential approach compared to the previous edition's explicit decolonial program. It navigates contemporary political tensions, including the participation of Israel and the reopening of the Russian pavilion, while aiming for a radical return to art's own environment and its place in society.
Le Musée postal retrouve son nom
The Musée de La Poste in Paris has reverted to its original name, Musée postal, as part of a major rebranding effort. The institution, approaching its 80th anniversary, has introduced a new visual identity and aims to reposition itself within the Parisian cultural landscape, seeking to distance itself from the image of a corporate museum.