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barnes foundations coo heritage auctions sales

The Barnes Foundation has promoted Will Cary to Executive Vice President and Chief Operating Officer, where he will oversee new revenue initiatives, the Calder Gardens partnership, and a newly formed Brand department. Bukia Vakhania Gallery (formerly Gallery Artbeat) is opening a Berlin location on January 15 with a solo show by Nina Kintsurashvili. Heritage Auctions reported $2.2 billion in sales for 2025, its highest-ever annual total, driven by coins, comics, sports memorabilia, and illustration art. Antenna Space will open a Hong Kong outpost in March 2026, directed by Jeff Li. A Deloitte Private and ArtTactic report reveals that 50% of non-bank art lenders experienced loan defaults in 2024, up from 17% in 2023.

talentspotter technology future human

Artnet Pro's Talentspotter feature highlights seven Asian artists pushing boundaries in contemporary art through diverse media such as 3D printing, VR, photography, and large-scale installation. The artists include Hà Ninh Pham from Vietnam, who creates speculative topographical works and virtual games, and Heecheon Kim from South Korea, who examines digital cognition and reality using GPS, AR, and VR. The article provides critical and market insights into each artist's practice, background, and recent exhibitions, originally published in the Asia Pivot newsletter.

post fair 2026 santa monica exhibitors

Post-Fair will return to Santa Monica from February 26–28 for its second edition, bringing 30 galleries and 31 total exhibitors to the Art Deco former post office that helped define its identity. Founded by Los Angeles dealer Chris Sharp, the fair debuted last year as a low-cost alternative to Los Angeles's expensive fair scene, offering single-artist presentations at a flat fee. This year's edition expands internationally with new participants from Europe and Asia, including Edouard Montassut (Paris), Lovay Fine Arts (Geneva), MISAKO&ROSEN (Tokyo), and P21 (Seoul), alongside additions like Anton Kern (New York), Eli Kerr (Montreal), and White Columns.

charisse pearlina weston shattered glass

Charisse Pearlina Weston, a rising artist known for transforming industrial materials like shattered glass and concrete into harmonious abstract works, is the subject of a profile highlighting her rapid ascent. Her first solo exhibition with Jack Shainman Gallery, titled "Mis-/Mé- (Squeeze)," opened in New York's Chelsea and runs through December 20, 2025. Weston, who gained attention with a solo presentation at Patron gallery during Frieze New York 2024, was awarded a Guggenheim Fellowship in April 2025 and has an installation at the Cecilia Alemani-curated SITE Santa Fe International. She will also have dual representation at Art Basel Miami Beach next month.

art world joe rogan onx expands and more industry moves

This week's art industry moves include Allison Blais being named President and CEO of the Wadsworth Atheneum, succeeding Jeffrey N. Brown. The Onassis Foundation's ONX art-and-tech hub is expanding with a new Tribeca space opening in January 2026, debuting with the exhibition "TECHNE: Homecoming." Other appointments include Frank Lord joining Withers as senior counsel, Matthew Stavro becoming Senior Specialist at Freeman's, and Madeline Cornell as Sales Director at Morgan Presents. Galleries announced new artist representations: Anthony Meier and von Bartha jointly represent the estate of Barbara Stauffacher Solomon, Jessica Silverman now represents Lava Thomas, Kendall Koppe represents Michael Bühler-Rose, and David Kordansky Gallery takes on Tristan Unrau. The Spector Craft Prize launches with Crystal Bridges Museum partnership. A blue diamond pendant known as the Mellon Blue sold at Christie's for $25 million, a 22% drop from its previous sale. The New York Times explores whether artist-podcaster Joshua Citarella could be the "Joe Rogan of the left."

new york gallery open studio

A pair of New York dealers, Rachel Carle Cohen of Shelter Gallery and David Fierman of Fierman, are launching Open Studio, a downtown gallery on Henry Street in the Lower East Side devoted entirely to artists with disabilities. The gallery will feature work from progressive art studios—supportive environments that began with Creative Growth in 1974—and opens July 10 with a solo show of John Tursi, an artist from the Living Museum at Creedmoor Psychiatric Center. A complementary group show, “Introducing Open Studio: New Art by Artists with Disabilities,” will run at Fierman’s gallery around the corner, featuring artists including Montrel Beverly, Chantel Donwell, Taneya Lovelace, and William Scott.

brittany nelson photography space new talent 2025

Brittany Nelson, a Brooklyn-based artist, explores the intersection of space exploration, queer identity, and early photochemistry in her work. Her 2024 show "I Can't Make You Love Me" at PATRON Gallery in Chicago featured bromoil prints of images from NASA's Mars rover Opportunity, which she describes as a "lesbian icon." She also creates works like a programmed typewriter that types the word "Starbear," inspired by letters between sci-fi writers Ursula K. Le Guin and Alice B. Sheldon. Nelson is currently developing new work focused on telescope arrays, following a residency at the SETI Institute and a two-person exhibition at Luhring Augustine in New York.

louise fishman van doren waxter

Louise Fishman (1939–2021), a Queer Jewish abstract painter who deliberately distanced herself from the macho tradition of Abstract Expressionism, is the subject of a new exhibition at New York’s Van Doren Waxter. Titled “Louise Fishman: Always Stand Ajar,” the show features 10 late paintings from 2003 to 2013, all titled after verses by American poets Emily Dickinson and Wallace Stevens. The works, priced from $75,000 to $290,000, are part of an effort by Fishman’s widow, Ingrid Nyeboe, to cement the artist’s legacy as an unsung “Queer queen of abstraction.” The gallery began representing Fishman’s estate in 2024, and this is its first show dedicated to her.

li chen asia art center

Taiwanese artist Li Chen is the subject of a major solo exhibition at Asia Art Center in Beijing, titled “Heavenly Realm, Mortal World: Spiritual Journey through the Mundane World—Li Chen Ink-Black Sculpture 2020–2023,” on view through June 8, 2025. The show features smaller-scale works rendered in Ink-Black, contrasting transcendent heavenly realms with the complexities of the mortal world, and marks Li Chen's first solo show in Beijing in six years.

michael werner second new york gallery sanya kantarovsky

Michael Werner Gallery is expanding rather than contracting, opening a second New York space on the Upper East Side at 1018 Madison Avenue, just around the corner from its original location at 4 East 77th Street. The new venue was secured after the building housing the original gallery went up for sale, prompting partner Gordon VeneKlasen to search for alternatives. The inaugural exhibition features Sanya Kantarovsky, who is also joining the gallery's roster, with a two-part show titled "Scarecrow" opening May 7. The expansion was designed by architect Annabelle Selldorf, who previously worked with the gallery in 1989.

Meet the Woman Who Curated the Art on Miranda Priestly’s Walls

Fanny Pereire, an art advisor specializing in film and television, curates the art seen on the walls of fictional characters like Miranda Priestly in *The Devil Wears Prada 2*, Logan Roy in *Succession*, and Bobby Axelrod in *Billions*. She works as a fine art coordinator, sourcing reproductions and original works to match character personalities and socioeconomic status, often overseeing the destruction of replicas after filming. Her role, created by producer Scott Rudin in 1999, involves clearing copyrights for every artwork shown on screen, from children's drawings to high-end pieces by artists like Wayne Thiebaud and Alex Katz.

art artist couples eric firestone gallery

A new exhibition titled “Couples” at Eric Firestone Gallery in New York features the work of 26 artist-partners, exploring how they navigate material, color, and form in complementary ways. The show runs through May 2. CULTURED magazine brought together five duos from the exhibition to answer questions about mixing professional and personal lives, with each artist responding without seeing their partner’s answers. Featured couples include Caitlin Lonegan and Spencer Lewis, who discuss topics such as sharing studios, jealousy, and role models like Charline von Heyl and Christopher Wool.

art duchamp jill magid cory arcangel maya man darren bader

Marcel Duchamp remains one of the most influential figures in contemporary art, a century after his readymades like *Fountain* (1917) challenged definitions of art. MoMA is opening a major retrospective on April 9, co-organized by Ann Temkin and Michelle Kuo, exploring Duchamp's conceptual legacy. The article profiles four contemporary artists—including Cory Arcangel—who are extending Duchamp's ideas into digital and conceptual realms, such as Arcangel's modified Nintendo game *Super Mario Clouds* (2002).

art alex da corte kermit the frog paul thek

Alex Da Corte has resurrected his inflatable sculpture "Kermit the Frog, Even" for Art Basel Paris, displayed at Place Vendôme through October 26. The work references the 1991 Macy's Thanksgiving Day Parade incident where the Kermit float was deflated by a lamppost or tree, leaving its head sagging. Da Corte first debuted the piece in Buenos Aires in 2018 for the Art Basel Cities exhibition curated by Cecilia Alemani. The artist, known for mining children's media like Mr. Rogers and Sesame Street, also activated the sculpture with performers for the first time in Paris, navigating wind and rain during the performance.

art guide to paris art week basel

The Louvre was forced to close on Sunday after a daylight heist of jewelry that Napoleon III had given to his wife, Eugenie, an operation that took under 10 minutes. The incident has highlighted ongoing issues at the world's most-visited museum, including understaffing and a shortage of surveillance cameras, with commentators linking the problems to French political turmoil. Meanwhile, the fourth edition of Art Basel Paris is set to open at the Grand Palais, featuring 206 galleries (63 with locations in France), serving as the centerpiece of a packed Paris Art Week with exhibitions, public programs, and gallery events.

art world italy gallery boom

Austrian art dealer Thaddaeus Ropac is opening a new gallery in Milan, his seventh location, despite initial concerns over Italy's high value-added tax (VAT) on art, which was Europe's highest at 22 percent. The Italian government slashed the VAT to 5 percent in June after pressure from art market players, making it the lowest in the EU. The gallery, spanning over 3,000 square feet in the 18th-century Palazzo Belgioioso, opens on September 20 with a show featuring Georg Baselitz and Lucio Fontana, followed by exhibitions of Valie Export and Ketty La Rocca. Elena Bonanno di Linguaglossa will serve as executive director.

Participating Artists and Curators Push Back on Venice Biennale’s Relocation of Israeli Pavilion, Call for Exclusion of Russia, Israel, and US

Seventy-three artists and curators participating in the main exhibition of the 2024 Venice Biennale have issued an open letter objecting to the organizers' decision to relocate the Israeli national pavilion to the Arsenale. They argue this move creates an intimidating atmosphere contrary to the late curator Koyo Kouoh's vision of "radical solidarity" and will necessitate a heightened security presence. The signatories, which include key curators tasked with realizing Kouoh's exhibition, also call for the exclusion of Israel, Russia, and the United States from the event, citing their governments' alleged commission of war crimes.

At 77, Painter Archie Rand Is Still Telling New Stories

At 77, painter Archie Rand continues to create vibrant, narrative-driven works from his expansive Brooklyn studio. A new exhibition of his "Heads" series at Jarvis Art, co-curated by Max Werner and Lindsay Jarvis, features paintings that plunge viewers into the middle of unfolding stories, such as "Duck" (2025), where children sail a catboat through rough seas. Rand describes his process as chasing what lies "around the corner" in his compositions, prioritizing the mystery of the background over the central figures.

artist studio

Journalist Bianca Bosker went undercover as a studio assistant for painter Julie Curtiss and other artists, revealing the gritty, athletic reality behind art-making—a world of blood, sweat, and sleepless nights. The article explores how mounting financial pressures, especially for sculptors and installation artists like Ivana Bašić, Erwin Wurm, and Lindsey Mendick, force tough decisions about studio space and production. Bašić, despite critical acclaim, lost a subsidized Dumbo studio and now outsources production to keep costs down, while a growing number of established artists pass on wisdom through residencies and assistant teams.

state department confirms alma allen 2026 us pavilion

The US Department of State confirmed that Mexico-based artist Alma Allen will represent the United States at the 2026 Venice Biennale, opening next May. Jeffrey Uslip will serve as curator, and the commissioning institution is the American Arts Conservancy (AAC), with its executive director Jenni Parido as official commissioner. Allen, who has had only two museum solo shows in three decades, was approached directly by Uslip in October after the State Department had already approved him. The selection process broke from tradition: the National Endowment for the Arts was not involved due to time constraints and staffing transitions, and a prior proposal by artist Robert Lazzarini and curator John Ravenal fell through after negotiations with the University of South Florida’s Contemporary Art Museum collapsed. Allen’s pavilion, titled "Call Me the Breeze," will feature about 30 works exploring elevation and transformation, framed by the State Department as furthering the Trump Administration’s focus on American excellence.

art that shines with pride from the artnet gallery network

Artnet News celebrates Pride Month by spotlighting queer artists featured on the Artnet Gallery Network. The article highlights five artists: Kyle Dunn, whose intimate paintings blend smooth and photorealistic surfaces; Tom of Finland, the iconic queer artist known for hyper-masculine, erotic illustrations; David Hockney, whose early work depicts an intimate bedroom scene; Anthony Goicolea, whose photography and paintings explore sexuality and adolescence; and Michela Griffo, an activist and artist whose work examines queer desire and domestic unease.

jean paul engelen joins acquavella galleries

Jean-Paul Engelen, currently president for the Americas and worldwide co-head of modern and contemporary art at Phillips auction house, will join Acquavella Galleries as a director starting July 1. Engelen spent a decade at Phillips, where he helped increase auction sales by 72 percent between 2015 and 2021, and previously worked at Christie’s for 16 years and at Qatar Museums.

expo chicago 2025 report

Expo Chicago 2025 wrapped on Sunday with upbeat energy and larger crowds than usual, thanks to a scheduling change that allowed VIPs earlier access. The fair, now in its second edition under Frieze ownership, featured 170 exhibitors, a new magazine with artist profiles of Caroline Kent and Nick Cave, and a partnership with KIAF and the Galleries Association of Korea that brought 20 Korean galleries. Dealers reported healthy sales, including a sold-out presentation by Jaylon Hicks at Maximilian Williams gallery, with works priced from $3,000 to $20,000. Frieze leaders attended major events, signaling continued commitment to Chicago nearly two years after acquiring the fair.

‘America’s Mona Lisa’: how chance, genius and cheap paint made the masterpiece Whistler’s Mother

James Abbott McNeill Whistler's iconic painting of his mother, Anna, known as 'Whistler’s Mother' or 'Arrangement in Grey and Black No 1', is returning to London for the first time in nearly two generations as part of a Tate Britain exhibition. The article recounts how the portrait was painted in 1871 in Whistler's Chelsea studio during a low point in his career, using cheap paint and a used canvas after a young sitter canceled. The author, who restored the painting for the Musée d'Orsay, details the work's accidental genesis, Whistler's radical minimalist aesthetic, and the initial critical confusion it caused.

An Alexander Calder Retrospective in Paris Underscores His Inventiveness

A major retrospective of Alexander Calder's work is currently on view at the Fondation Louis Vuitton in Paris, marking the 100th anniversary of the artist's arrival in the city. The exhibition, running through August 16, 2026, presents a comprehensive overview of his career, featuring sculptures, drawings, archival material, and jewelry that highlight his innovative fusion of engineering and abstraction.

unseen artwork former beatle stuart sutcliffe on view

Four previously unseen artworks by Stuart Sutcliffe, the original bassist for The Beatles, have gone on display at the Liverpool Beatles Museum. The exhibition includes a collage and a sketch from his student days at Liverpool College of Art, as well as two monochromatic lithographs created later while he was studying in Hamburg after leaving the band.

open letter demanding more curatorial independence at ago after non acquisition of nan godin work collects 500 signatures

An open letter demanding curatorial independence at the Art Gallery of Ontario (AGO) has gathered over 500 signatures after trustee Judy Schulich reportedly blocked the acquisition of Nan Goldin's moving-image work *Stendhal Syndrome* (2024), calling the Jewish American photographer “antisemitic.” The AGO had planned to acquire the work jointly with the Vancouver Art Gallery and the Walker Art Center, but the vote was 11–9 against acquisition. In response, curator John Zeppetelli resigned, two volunteer committee members stepped down, and Goldin herself criticized the decision as censorship driven by donor influence. The AGO has since announced a restructuring of its modern and contemporary curatorial committee, splitting it into two groups for 20th- and 21st-century art, effective in 2026.

art gallery of ontario trustee nan goldin work israel gaza

A trustee at the Art Gallery of Ontario (AGO), Judy Schulich, advised the museum's acquisitions committee not to acquire a Nan Goldin video installation, *Stendhal Syndrome* (2024), due to Goldin's pro-Palestine statements and criticism of Israel's war in Gaza. The AGO had planned to purchase the work jointly with the Vancouver Art Gallery and the Walker Art Center, but the AGO withdrew after internal concerns were raised. The controversy led to the resignation of two committee members and one curator, and the museum promised a review of its acquisition process.

cyberattack dresden state art collections

A cyberattack targeted the Dresden State Art Collections (SKD), a network of 15 museums in eastern Germany, on Wednesday. The attack disrupted large parts of the digital infrastructure, including the online shop and visitor services, but the museums remain open and physical security is intact. IT specialists and forensic experts are working to clean up and rebuild systems, with no timeline yet for full restoration. The SKD is cooperating with the Dresden Police and State Criminal Police Office, as confirmed by the Saxon State Minister for Culture and Tourism.

art gallery of ontario nan goldin acquisition gaza comments

The Art Gallery of Ontario (AGO) chose not to acquire Nan Goldin's 2024 video "Stendhal Syndrome" due to the artist's comments on Israel's war in Gaza, according to a report by the Globe and Mail. The work, which shows blurred images of semi-nude figures and sculptures, was instead purchased by the Vancouver Art Gallery and the Walker Art Center in Minneapolis. An AGO acquisitions committee voted against the acquisition, with internal memos citing Goldin's past statements—including her description of the war as a "genocide" and her criticism of weaponized antisemitism—as the reason. The decision led to the resignation of curator John Zeppetelli and two unnamed committee members, and prompted director Stephan Jost to call for a review of the committee's processes.