The article, published by L'Officiel Art, provides a guide to fashion-brand-sponsored exhibitions at the 2026 Venice Biennale. It highlights projects by luxury houses including Bottega Veneta, Louis Vuitton, Zegna, and Bvlgari, framing them as unmissable cultural events within the broader Biennale program.
Thai street artist MUEBON (Danaiphat Lertputtarakarn) and Norwegian stencil artist Martin Whatson have opened a joint exhibition titled "Night and Day" at Sphere Gallery in Bangkok. The show, running from April 28 to May 12, 2026, features a collision of their distinct styles—MUEBON's playful, socially charged cartoon characters and Whatson's layered stencil work with a signature "decay" aesthetic—presented through graffiti, sculpture, and immersive installations. The project took two years to prepare, with the artists exchanging works across time zones in a process akin to sending letters.
Two Rooms gallery in Auckland presents 'Past Perfect,' a group exhibition featuring works by Gretchen Albrecht, Noel Ivanoff, John Nixon, Jeena Shin, and Helen Calder. The show explores geometric abstraction and the interplay of light, shadow, and transparency through works produced over the last several decades.
Annina Roescheisen, a German-born artist now based in New York, presents her work in Venice during the opening days of the Venice Biennale. Her paintings are created through an alchemical ritual where she mixes pigments, charcoal, ash, ink, herbs, and salts, producing pulsating fields of color that blur the line between the visible and invisible. A self-taught artist who never attended art school, Roescheisen draws on art history and philosophy, with a particular passion for medieval art. Her series "Flying Dragons" references the ancient Physiologus, and she has also produced watercolors based on drawings made with her eyes closed to explore how visual perception changes from childhood to adulthood.
Le teaser délirant des créateurs de « Panique au village » pour la réouverture du musée de la Figurine à Compiègne
The Musée de la Figurine in Compiègne, France, is set to reopen on May 23, 2026, after a major renovation. To promote the reopening, the museum commissioned Stéphane Aubier and Vincent Patar, the creators of the cult stop-motion series "Panique au village" (known for its absurd plastic figurines), to produce a teaser video. The museum, which holds a rare collection of nearly 155,000 figurines spanning from prehistory to the present, has been redesigned with a 1,000-square-meter space, six thematic areas, interactive displays, and a monumental diorama of the Battle of Waterloo featuring 12,000 figurines, now enhanced with augmented reality. Admission will be free for all from May 23 to August 16, 2026.
The Museu de Arte do Rio has launched 'Sortilégios de desvio,' the first solo institutional exhibition by Brazilian artist No Martins. Produced in collaboration with Galeria Almeida & Dale and curated by a five-person team led by Marcelo Campos, the show features a significant selection of Martins’ recent works that explore the intersections of urban experience and Afro-Brazilian cultural imaginaries. Through a variety of media, the exhibition highlights the artist's focus on gesture, memory, and the reconfiguration of traditional visual narratives.
Tropa Tequila launched its limited-edition Añejo Artist Series bottle, designed by artist Nikolai Haas of the Haas Brothers and produced by Max Block and Cam Saffle of CARVINGBLOCK. The launch event was held at the Haas Brothers’ new studio in North Hollywood, featuring an intimate dinner for Los Angeles artists, designers, and collaborators. Only 300 individually numbered bottles were released, with caps hand-beaded by artisans in South Africa.
Jeremyn Lee, Senior Footwear Designer at Thom Browne, opens his personal archive of luxury shoes to CULTURED magazine. His collection, housed in his Fort Greene home, includes rare runway samples and discontinued styles from brands like Prada, Miu Miu, Marc Jacobs, Louis Vuitton, and Maison Margiela. Lee began collecting after an internship at Marc Jacobs, focusing on nostalgia-driven pieces he first admired on Tumblr as a teen. The archive is meticulously catalogued with photography organized by size, brand, and season, featuring items like the Maison Margiela Spring 2009 'oversized sandals' sold as display objects.
Art Leven, formerly known as Cooee Art, has officially opened its new multi-level, purpose-built gallery space in Woolloomooloo, Sydney. The relocation marks a significant new chapter for one of Australia’s oldest fine art galleries dedicated to First Nations artists. The inaugural program features a major solo exhibition of paintings by Pintupi artist Mitjili Napanangka Gibson titled "The Places That Know Us," alongside "Gatherings," a group exhibition of bronze and aluminium sculptures produced in collaboration with Urban Art Projects.
A historic warehouse in downtown Fayetteville, known as the Porter Produce Warehouse, has been restored and opened as the Alexander Gallery, operated by the Walton Arts Center. The gallery's inaugural exhibition, "Our Art, Our Region, Our Time," features 106 works from 75 local artists and debuted at a grand opening on Wednesday evening. The building, built in 1906 and added to the National Register of Historic Places in 2020, had been closed to the public for 35 years. Walton Arts Center spent $950,000 on interior renovations, while the city contributed about $1 million for exterior restoration.
University of Kansas students and teachers are showcasing ceramics that defy gravity and traditional form at Off-Site Art Space in Lawrence. The exhibition, titled “Almost a Body: Not Quite a Thing,” features works by artists-in-residence Seuil Chung and SunYoung Park alongside their students, including pieces like Natalie Slutsky’s “Vital Exchange,” an anatomical heart with arteries forming a Möbius strip. The show highlights innovative techniques such as using sand-filled brick boxes for firing, French cleat mounting systems, and beeswax finishes inspired by natural forms from the McGregor Herbarium.
Pavlina Vagioni's exhibition *Oikeiōsis*, presented by the Hellenic Diaspora Foundation at the Venice Biennale, takes its name from a Stoic concept about recognizing belonging and expanding care outward. The show is structured in two rooms: the first, named Neikos (strife), features a fragmented plexiglass cube that reflects visitors in multiplied form, evoking separation. The second, Philotes (harmony), contains warm rock-salt seats and a layered vocal soundscape that activates the Tartini effect—a psychoacoustic phenomenon where two frequencies produce a phantom third tone, symbolizing collective kinship. The salt seats will physically change over the Biennale's six-month run, accumulating the memory of each visitor.
Cluley Projects in Dallas has announced concurrent open calls for Texas artists and writers. The fifth annual Artist Open Call invites proposals for solo exhibitions in the gallery’s 2026 season, while the second annual Arts Writing Mentorship pairs a selected writer with the exhibition winner to produce a publication. Past participants include Leili Arai Tavallaei, Sarita Westrup, Jacquelin Zazueta, Zak Ziebell, and Beronica Gonzales. The selected artist and writer each receive a $500 honorarium, mentorship, and support. Submissions are due November 2, 2025.
The Armenian Museum of America in Watertown, Massachusetts, will debut the exhibition “Father” by internationally acclaimed artist Diana Markosian, running from May 29 to September 13. The show uses photography, archival materials, video, and text to document Markosian’s journey to reconnect with her estranged father, exploring themes of family, memory, and identity. Curated by Anahit Gasparyan, the exhibition is co-produced by Les Rencontres d’Arles and Foam, Amsterdam, and sponsored by the JHM Charitable Foundation. A private member preview on May 28 will feature a conversation between the artist and curator.
In Casamassella, in the heart of Salento, Red Lab Gallery's residency program has produced "Chiedete al vento, all’onda, alla stella, all’uccello," a project by artists Agata Ferrari Bravo and Thomas Michael Saccuman with an intervention by Flavio Favelli, curated by Leonardo Regano. The centerpiece is a large bird-cart, a hybrid sculpture and performative device made from papier-mâché, fragments of festive lights, and objects collected from the local area, designed to be disassembled and reactivated. Favelli's installation transforms decommissioned luminarie into a suspended environment that amplifies the work's ambiguous, almost ritualistic quality.
Lincoln Center for the Performing Arts has unveiled a new large-scale mural titled "The Future We Create" by Spanish artist Vanesa Álvarez and local artist Derval Fairweather. Installed on construction fencing along Amsterdam Avenue, the vibrant public artwork was produced in collaboration with the nonprofit ArtBridge. The design was informed by community workshops involving local residents and students, transforming a temporary urban barrier into a celebratory visual narrative.
Danish museums have recovered strongly from the pandemic, with 2025 attendance matching 2024's record levels of around 9 million visitors. However, a new state-funding model introduced in January 2025 now makes government subsidies increasingly dependent on measurable outputs, primarily visitor numbers. Institutions must meet minimum thresholds for annual visitors and income, and produce peer-reviewed research to secure and retain funding.
A new project led by master craftsman Thomas Keyes aims to recreate medieval vellum-making techniques to test theories about the origin of the Book of Kells. Keyes will build a replica of a washing tank found at the Scottish monastery of Portmahomack and use historically accurate methods, including potentially using seaweed-based lye, to produce vellum. This experimental archaeology seeks to determine if the manuscript's unique physical characteristics match the production methods used at Portmahomack.
Former French culture minister Jack Lang and his daughter, film producer Caroline Lang, have been named in newly released U.S. Department of Justice documents as having had ties with the late financier and convicted sex offender Jeffrey Epstein. The correspondence reveals Caroline Lang co-founded a company, Prytanee LLC, with Epstein in 2016, and that Jack Lang requested personal favors like the use of Epstein's car or plane.
Artnet News has launched a new four-part podcast mini-series titled "How to Get Ahead in the Art World," produced in partnership with Art Market Mentors. Hosted by editor-in-chief Naomi Rea and produced by Sonia Manalili, the series features insights from top art-world insiders including Cat Manson (former Christie's leader turned career coach), Loïc Gouzer (former Christie's rainmaker and founder of Fair Warning), and Brooke Lampley (senior roles at Sotheby's and Gagosian). Each episode covers a key career lesson: taking ownership of your career, trusting your instincts, leading with passion, and embracing a layoff as a reset.
A 30-year-old Chinese tourist damaged two ancient terracotta warriors at the Mausoleum of Qin Shi Huang in Xi’an, China, on Friday. According to local officials, the man climbed over guardrails and a protective net, jumped more than 15 feet into Pit No. 3, and pushed and pulled the clay figures, causing varying degrees of damage before being restrained by security. Authorities suspect the man suffers from mental illness, and the case remains under investigation. The site reopened the following day.
A 1,600-year-old mosaic known as the Be'er Shema Mosaic has been opened to the public for the first time at the Merhavim Regional Council complex in northwestern Negev, Israel. Originally unearthed in 1990 near Kibbutz Urim, the mosaic features 55 medallions depicting hunting scenes, exotic animals, mythological figures, fruit, and daily life, and was created by a master craftsman using small stones, varied colors, glass, and pottery. It was rediscovered, conserved, and relocated from its original site to the council compound as part of the "Antiquities Near Home" project co-organized by the Ministry of Heritage and the Israel Antiquities Authority.
ASA, an anonymous photographer, captured a candid iPhone X image in Bastia, Corsica, during the summer of 2018. The photograph shows a woman walking through strong sunlight, reduced to a silhouette against burned facades. ASA waited patiently for the right passerby, later imagining the woman might be heading to a romantic appointment, though they emphasize the work is about shape, movement, and contrast rather than identity.
The Whitworth gallery in Manchester is presenting a major exhibition comparing the works of Japanese masters Katsushika Hokusai and Utagawa Hiroshige. The show traces the evolution of ukiyo-e prints from their origins as mass-produced, voyeuristic snapshots of Tokyo's pleasure districts to the profound, psychologically complex landscapes that would later revolutionize Western art.
Saudi Arabia has unveiled a large-scale installation by artist Dana Awartani at the 61st Venice Biennale, held at the Arsenale. Titled "May your tears never dry, you who weep over stones," the work covers the entire floor of the Saudi national pavilion and incorporates over 29,000 sunbaked clay bricks and mosaic patterns inspired by Islamic geometric art. The installation references 23 heritage sites across the Arab world that have been damaged or destroyed by conflict, and was produced over nearly 30,000 artisan hours with 32 craftspeople at a studio outside Riyadh. Curated by Antonia Carver with assistant curator Hafsa Alkhudairi, the piece emphasizes traditional craftsmanship and collective skill-sharing.
The Institute of Contemporary Art (ICA) has opened a new exhibition titled "Genuine Fake Premium Economy," featuring works by artists Jenna Bliss, Buck Ellison, and Jasmine Gregory. Curated by Nicole Leong, the show critiques the culture of capitalism within the art world, using appropriation and mimicry to highlight contradictions and hypocrisies. The artists, all born in the mid-1980s in the United States, came of age professionally after the 2008 financial crisis, and their works incorporate advertising imagery, reality television, luxury brand aesthetics, and private wealth management vocabulary. Bliss's video works include a scripted reality TV episode set in an art fair booth before the crash, while Ellison has invented a fictional private bank called Orlo & Co., and Gregory reproduces Patek Philippe advertisements with the watches erased.
CONDUCTOR, a new art fair curated by Adriana Farietta in collaboration with Powerhouse Arts, launches this week in Brooklyn, New York. The fair features individual artists and galleries from Africa, Latin America, the Caribbean, South Asia, Southeast Asia, the Middle East, Oceania, and Indigenous Nations, with a focus on the Global Majority. A key innovation is its onsite fabrication model, allowing some works to be produced locally at Powerhouse Arts' facilities, reducing shipping and customs issues. The fair also offers an exclusive preview of artists presenting at the Venice Biennale, including Annalee Davis, Tammy Nguyen, RojoNegro, Beya Gille Gacha, and Bugarin + Castle.
Conroe-based artist Dirk Strangely is set to debut a new series of portraits titled "Souls of the Titanic" during a commemorative exhibition and dinner in Texas. The artworks are created using a unique process the artist calls "Artifactism," which incorporates authenticated coal recovered from the Titanic wreckage in 1994. By grinding the coal into a pigment through levigation, Strangely has produced watercolor paintings of notable figures such as Captain Edward John Smith and Molly Brown, accented with 24k gold leaf and 1912-era paper.
The Atatürk Cultural Center (AKM) in Istanbul has launched an exhibition featuring 41 works by 21 artists produced during the fourth Arnica Art Land workshop. Held in the ancient city of Aizanoi, the multidisciplinary project encouraged artists to create works inspired by the Temple of Zeus and the world’s first stock exchange. The resulting show, curated by Fırat Neziroğlu, includes experimental practices such as sound sculptures and live body painting alongside traditional plastic arts.
Urban Signature has launched "BON PLAN," a pop-up group exhibition in Paris’s Marais district featuring over 30 street artists. Running from April 9 to April 12, 2026, the show presents nearly 60 original works that use the iconic Paris metro map as a creative canvas. Participating artists, including Louyz, Raf Urban, and Ardif, have produced small-format pieces specifically for this event, which also features a selection of serigraphs for sale in the gallery’s basement.