Art21 successfully concluded its Fall 2025 festival season, with its films being screened at multiple international festivals including Artecinema in Italy, Bushwick Film Festival in New York, and others in Massachusetts, New Mexico, and North Carolina. The organization also participated as a sponsor and panelist at DOC NYC, and several of its recent films featuring artists like Sophie Calle, Dyani White Hawk, and Guadalupe Maravilla received recognition.
YouTube star Rachel Accurso, known as Ms. Rachel, announced an exhibition and fundraiser titled "Colors That Survived" featuring artworks created by children in Gaza. The show opens Tuesday at Caelum Gallery in New York's Chelsea neighborhood, with limited-edition prints priced at $200 each available through January 30 via the nonprofit Artists Support. All proceeds will go to young Palestinian artists. Accurso, who has over 18 million YouTube subscribers, became an advocate for children in Gaza after participating in a Save the Children fundraiser in May 2024, and has faced backlash from Zionist groups including StopAntisemitism, which falsely accused her of receiving funds from Hamas.
The Newport Art Museum is set to host "Voices of Springboard" on April 16, a moderated panel discussion featuring four artists from its current members' juried exhibition. Led by juror and art consultant Julie Keyes, the event features artists Karin Gielen, Tas Mahr, Saberah S. Malik, and Janice Smyth. The discussion will explore the transition from emerging to professional status, the impact of branding on artistic careers, and how contemporary practices engage with historical museum collections.
U.S. artist Alma Allen, a self-taught sculptor from Utah who works in Mexico, has been selected to represent the United States at the Venice Biennale with his exhibition "Call Me the Breeze" at the U.S. Pavilion. The selection process was fraught and opaque, with institutions declining to bid for the commission due to concerns about administration politics after the open call removed diversity, equity and inclusion language in favor of promoting "American values." A prior proposal for artist Robert Lazzarini fell apart after its institutional sponsor backed out, and Allen's project was quickly assembled with the American Arts Conservancy as sponsor and Jeffrey Uslip as curator. Allen, who has lived outside the critical art world for three decades, created a bronze evil eye for the pavilion's exterior and a headless sheep sculpture as a self-portrait of an outsider.
May’s art guide highlights several exhibitions across Dayton, Cincinnati, and Columbus, including "The Future of Female" at the Dayton Society of Artists, a juried show exploring women-identifying artists' perspectives; "At This Moment" at the Main Library's 2nd Floor Gallery, reflecting on contemporary life; "Teresa Olavarria: Lichen" at The Contemporary Dayton, featuring works in vitreous enamel and bronze; and a color-themed collaborative exhibition at the Edward A. Dixon Gallery in partnership with Dayton Collaboratory. The guide also features a 35mm film series by photographer Jake Schneider documenting Greenville’s Swinging 8’s Square Dance Club.
The Clay Studio has organized "Radical Americana," a sprawling exhibition series featuring 45 artists across 22 sites in the Philadelphia area. Curated by Jennifer Zwilling, the project includes a central "welcome hub" at The Clay Studio and 25 satellite exhibitions at venues such as the Museum for Art in Wood, Cliveden, and the Historical Society of Pennsylvania. Artists were prompted to reflect on the Declaration of Independence and envision a better future, resulting in works that explore feminism, social justice, and LGBTQ rights through media including ceramics, wood, fiber, metal, glass, paper, and bookmaking. Notable participant Roberto Lugo presents "American Crib: What's Happening?" at The Clay Studio, blending Puerto Rican heritage with historical references.
Minnie Evans (1892–1987), a self-taught African American artist who worked for 25 years as a ticket seller at Airlie Gardens in Wilmington, North Carolina, is experiencing a major resurgence. Long overlooked after her death, Evans created thousands of vibrant, kaleidoscopic drawings featuring florals, animals, and abstraction, often on scrap paper using affordable materials. A touring exhibition, "The Visionary Art of Minnie Evans," is currently on view at the Museum of Fine Arts, Boston, curated by Colton Klein, and a larger exhibition opens this November at the High Museum of Art in Atlanta before traveling to the Whitney Museum of American Art in summer 2026. Evans had a 1975 retrospective at the Whitney during her lifetime but faded from prominence afterward.
An exhibition titled "Stray Birds: a journey together" in New Delhi brings together artists Indrapramit Roy and Mark Cazalet, curated by Jyotirmoy Bhattacharya. The show presents a dialogue between two distinct artistic voices, exploring narratives, techniques, and sensibilities shaped by their shared experiences studying under Professor Gulam Mohammed Sheikh at M.S. University in Baroda, including formative trips to the Ajanta and Ellora caves.
Francis Dosoo, a self-taught Scottish artist now based in Vienna, is mounting his first solo show at Dundee Contemporary Arts (DCA) titled "Portrait Of Dorothy Gale." Dosoo began his career in nightlife, running club nights and DJ sets that blended into performance and installation art. His practice spans sound, film, and visual art, with past collaborations including Joanne Dawson, Aniela Piasecka, and Alberta Whittle, and commissions from the Glasgow Film Festival and Edinburgh Art Festival. The DCA exhibition draws on the 1978 film *The Wiz*, reimagining *The Wizard of Oz* with an African-American cast, focusing on star Diana Ross's career and personal life at the time.
The article highlights nine must-see art exhibitions in the Bay Area for October, despite recent gallery closures like KADIST and Gallery 16. Key shows include the Museum of the African Diaspora's twin exhibitions 'Continuum' and 'Unbound' for its 20th anniversary, Drew Villanueva's first solo exhibition at Good Mother Studio inside Ikea, Jim Melchert's retrospective at di Rosa Center for Contemporary Art, and Mills College Art Museum's '100 Years of Creative Visions'. The programming is anchored by the second edition of Nexus, a Bay Area art week spotlighting Black voices and bridging regional divides.
Exhibit 320, a New Delhi-based gallery founded in 2010, is celebrating its 15th anniversary with a group show titled 'Shared Worlds' at Bikaner House from August 4–13, 2025. Curated by Deeksha Nath and guided by founder Rasika Kajaria, the exhibition features 30 South Asian contemporary artists including Anju Dodiya, Nandan Ghiya, Sumakshi Singh, Alex Davis, and others. The show spans diverse media—painting, sculpture, textile, and installation—and resists a single narrative, instead highlighting resonance between works that address identity, migration, climate change, and urban memory.
The National Gallery in London is launching a citizens' panel called NG Citizens, composed of 20 randomly selected members of the public from across the UK. Starting with 15,000 household invitations, a civil lottery will narrow the group to 50, then to 20 individuals who will serve for five years, advising the museum on its purpose, priorities, and public value, though not directly on artwork selection or exhibitions. The initiative is overseen by the public participation charity Involve and follows similar models at institutions like the Federal Art Gallery in Bonn and the Dresden State Art Collections.
Lindsay C. Harris, director of the Oakland Museum of California (OMCA), publishes a commentary calling for museums to act as true civic institutions. She outlines concrete internal commitments OMCA has made, including voluntarily recognizing a staff union, adopting a pay equity philosophy with a minimum wage of $30.88 per hour, implementing transparent financial practices, and shifting investments toward socially responsible funds. Externally, she advocates for centering community voices, building social cohesion through inclusive programming, and measuring institutional impact through visitor surveys.
The Metropolitan Museum of Art has opened a new exhibition titled "Costume Art," curated by Andrew Bolton, which aims to collapse the historical hierarchy between fine art and fashion by focusing on the act of dressing and real bodies. The show features nine new mannequin forms representing pregnant, trans, disabled, and larger bodies, largely absent from traditional fashion displays. Models including musician Yseult, Jade O’Belle, Charlie Reynolds, and designer Michaela Stark were 3D-scanned and translated into physical figures by sculptor Frank Benson, with mirrored faces added by Samar Hejazi to reflect viewers. The exhibition also highlights voices and designers outside the European sphere, and the mannequins will become part of the museum's permanent collection.
The Carnegie Museum of Art (CMOA) held a press tour on May 1, 2026, for the 59th Carnegie International, titled "If the word we." The exhibition features 61 artists from around the world, including 36 newly commissioned works, alongside pieces from CMOA's permanent collection. It opens to the public on May 2, 2026, and runs through January 3, 2027. Notable participants include artists Abraham González Pacheco, Elle Márjá Eira, Hans Ragnar Mathisen, Joar Nango, G. Peter Jemison, Sarah Ndele, and Georges Adeagbo, with tours led by professor Jongwoo Jeremy Kim.
The first large-scale exhibition in America dedicated to manga as an art form, 'Art of Manga,' will debut on the East Coast at the Brooklyn Museum on October 3. Featuring over 600 original drawings from legendary creators such as Junji Itō, Eiichiro Oda (One Piece), Hirohiko Araki (JoJo's Bizarre Adventure), Rumiko Takahashi (InuYasha), and Tite Kubo (Bleach), the show traces manga's evolution from foundational artists like Chiba Tetsuya and Akatsuka Fujio to contemporary voices. The exhibition also highlights themes including coming of age, LGBTQ+ rights, and environmentalism, and originally opened at the Fine Arts Museums of San Francisco.
Hong Kong artists Angel Hui and Kingsley Ng, along with Macao artists Eric Fok Hoi Seng, Veronica Lei Fong Ieng, and O Chi Wai, will represent the Greater Bay Area at the 61st Venice Biennale, running from 9 May to 22 November 2026. Hong Kong's exhibition, titled 'Fermata: Hong Kong in Venice,' marks a shift from a solo to a duo format for the first time, co-organized and curated by the Hong Kong Museum of Art (HKMoA). Hui presents installations featuring embroidered plastic bags and aluminum window grilles inspired by local Hong Kong motifs, while Ng creates site-specific works referencing hanging laundry. Macao's showcase, 'Jacone's Polyphony,' features the three Macao artists. The biennale, curated by the late Koyo Kouoh, is themed 'In Minor Keys' and includes 110 artists, 100 national participations, and 31 collateral events.
The Hyde Park Art Center (HPAC) stands as a vital pillar of Chicago’s grassroots creative identity, serving for eighty-six years as an unpretentious alternative to the city's major encyclopedic museums. From its early days under curator Don Baum, the center became a catalyst for the avant-garde, famously launching the careers of the Chicago Imagists and the Hairy Who. Today, it continues to function as a multifaceted ecosystem that blends community education, artist residencies, and experimental exhibitions within a residential neighborhood setting.
The Buffalo AKG Art Museum has announced a major upcoming exhibition titled "Let Us Gather in a Flourishing Way," featuring fifty-eight contemporary Latinx artists. Curated by Andrea Alvarez, the show examines how artists from the Latin American and Caribbean diaspora are redefining the traditions of painting while challenging political and disciplinary boundaries. After its debut in Buffalo in March 2026, the exhibition will embark on a national tour to Des Moines, Phoenix, and Seattle.
Artist Ashish Kushwaha is set to debut a solo exhibition titled 'Where the Sky Remembers' at Palette Art Gallery in New Delhi. Running from April 23 to May 23, 2026, the showcase features a collection of watercolours and acrylic paintings that depict expansive, dreamlike landscapes inspired by the artist's travels through the Himalayan regions. Kushwaha’s work emphasizes the grandeur of nature while minimizing human presence, using a vivid color palette to explore themes of environmental change and ecological memory.
The National Museum of Women in the Arts is hosting "Making Their Mark: Works From the Shah Garg Collection," a comprehensive exhibition featuring eight decades of abstract art created by women. The show includes approximately 80 pieces by nearly 70 artists, spanning a diverse range of media including painting, sculpture, ceramics, and textiles. By showcasing works that often blur the lines between figuration and abstraction, the exhibition highlights how female artists have consistently acted as trailblazers in a genre historically associated with men.
The Musée d’Art Moderne de Paris has launched "Estonian Realities," a significant cross-generational exhibition featuring the works of Olga Terri, Anu Põder, and Kris Lemsalu. Spanning nearly 90 years of artistic production, the show marks a major collaboration between the Art Museum of Estonia and the City of Paris, tracing the evolution of Estonian art from the psychological anxieties of the 1940s to the bold, performative installations of the contemporary era.
A curated selection of international photography awards, scholarships, and open calls has been announced for April 2026. Key opportunities include the PhMuseum Online Masterclasses scholarships, which offer fully-funded spots for artistic development and documentary photography, and the PhMuseum Days Photography Festival open call for exhibitions in Bologna, Italy. Additionally, the Hasselblad Foundation is offering significant grants to support the publication of new photobooks by professionals in the field.
The Victoria and Albert Museum (V&A) has announced a major exhibition titled "Rising Voices: Contemporary Art from Asia, Australia and the Pacific," scheduled to open in May 2026. Developed in partnership with the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) in Brisbane, the show will feature over 70 works by more than 40 artists from 25 countries. The selection draws from three decades of the Asia Pacific Triennial, showcasing a diverse range of media including sculpture, painting, and weaving, with a significant emphasis on First Nations perspectives.
USC Pacific Asia Museum (USC PAM) has announced "Mythical Creatures: The Stories We Carry," a major exhibition conceived by Los Angeles–based Korean American artist Dave Young Kim. Opening February 14, 2026, the 12-room immersive installation blends approximately 100 objects from the museum's collection—spanning 5,000 years of Asian and Pacific art—with new media technology and contemporary works by over 20 artists, including Dinh Q. Lê, Lily Honglei, Wendy Park, Momoko Schafer, Kyungmi Shin, Sanjay Vora, and Lauren YS. The exhibition uses mythology as a visual language to explore the immigrant experience, featuring environments like a shadowy night crossing, a recreated first apartment, and a gilded room with a gold Jin Chan frog. A limited public preview runs December 20, 2025–January 4, 2026.
The Arlington Museum of Art (AMA) presents the Annual Juried UTA Student Exhibition from October 30, 2025, through February 22, 2026, featuring 27 graduate and undergraduate students from the University of Texas at Arlington (UTA). The exhibition was juried and curated by Clare Milliken, Assistant Curator at the Modern Art Museum of Fort Worth, who selected works across bronze, blown glass, painting, photography, sculpture, and video art. UTA painting faculty Benjamin Terry coordinated the show for the second year, noting a shift toward introspective, material-focused works compared to last year's politically charged selections.
ArtsATL editors selected nine standout stories from Atlanta's 2025 visual arts scene, highlighting the Beltline's transformation into one of America's largest outdoor art projects, Kim Chong Hak's exuberant American debut at the High Museum, and exhibitions such as 'Innervisions' at Clark Atlanta University Art Museum and Jessica Blinkhorn's 'Two Decades of Atrophy' at End Project Space. The roundup also covers Sergio Suárez's solo show at MOCA GA, reflecting the city's diverse and innovative artistic output.
Isaiah Davis '25, a visual arts alumnus of Columbia School of the Arts, opened his third solo exhibition, 'Confessions of Fire,' at King's Leap gallery in Chinatown this fall. The exhibition, which runs through December 20, 2025, features steel sculptures and enamel paintings on metal that explore Black masculinity through the motifs of leather culture and steel, inspired by rapper Cam'ron's debut album. ARTnews named it one of New York's best exhibitions of 2025, with senior editor Alex Greenberger praising the sculpture 'Slave (2025)' as the most surprising work of the year. The New York Times critic Travis Diehl and Frieze critic George Egerton-Warburton also gave it positive reviews.
Jerrell Gibbs, a former college football player and two-time college dropout, is now the subject of his first solo museum exhibition, "No Solace in the Shade," at the Brandywine Museum of Art. The article traces his unlikely journey from working double shifts in direct care to rediscovering his passion for drawing after seeing a photo of his wife and daughter, eventually earning a spot at the Maryland Institute College of Art (MICA) and building a career as a painter.
The Walker Art Center in Minneapolis developed a holistic, people-centered set of guidelines for accessible exhibition design, moving beyond legal ADA compliance. The project involved collaboration across curatorial departments, artists, d/Deaf and disabled staff and community members, and the Institute for Human Centered Design (IHCD). The guidelines were created in three stages: identifying the need, drafting and revising, and implementing, with strategies including cross-departmental working groups, targeted interventions for bottlenecks, shared terminology, and embodied learning for staff.