Jerrell Gibbs: From NFL Dreams To His First Solo Museum Exhibition

Jerrell Gibbs, a former college football player and two-time college dropout, is now the subject of his first solo museum exhibition, "No Solace in the Shade," at the Brandywine Museum of Art. The article traces his unlikely journey from working double shifts in direct care to rediscovering his passion for drawing after seeing a photo of his wife and daughter, eventually earning a spot at the Maryland Institute College of Art (MICA) and building a career as a painter.

A Holistic and People-Centered Approach to Accessible Exhibition Design: Walker Art Center Case Study

The Walker Art Center in Minneapolis developed a holistic, people-centered set of guidelines for accessible exhibition design, moving beyond legal ADA compliance. The project involved collaboration across curatorial departments, artists, d/Deaf and disabled staff and community members, and the Institute for Human Centered Design (IHCD). The guidelines were created in three stages: identifying the need, drafting and revising, and implementing, with strategies including cross-departmental working groups, targeted interventions for bottlenecks, shared terminology, and embodied learning for staff.

6 Must-See Exhibitions at Phoenix Art Museum this Fall

Phoenix Art Museum has announced six must-see exhibitions opening this fall, showcasing a diverse range of works from emerging Arizona artists to international contemporary clay pieces. Highlights include the 2024 Arizona Artist Awards featuring Safwat Saleem, Elizabeth Z. Pineda, and Omar Soto; "Radical Clay: Contemporary Women Artists From Japan" with 36 Japanese women artists; "Funny Business: Photography and Humor" spanning the history of the medium; and the ongoing "The Collection 1960-now" highlighting overlooked artists. The museum also offers Pay What You Wish Wednesdays for free admission after 3 p.m.

Best new awards & arts prize winners: November 2025

The article reports on several major arts and literary prize winners announced in November 2025. Swedish photographer Martina Holmberg won the £15,000 Taylor Wessing Photo Portrait Prize for her portrait 'Mel,' with other prizes awarded to Luan Davide Gray, Byron Mohammad Hamzah, and Hollie Fernando. Australian author Helen Garner won the Baillie Gifford Prize for Non-Fiction for 'How to End a Story.' The Forward Poetry Prizes named joint winners Vidyan Ravinthiran and Karen Solie for best collection, while Bogdan Ablozhnyy received the Camden Art Centre Emerging Artist Award. Historian Sunil Amrith won the British Academy Book Prize for 'The Burning Earth,' and the Women's Prize for Playwriting announced its longlist.

Home, belonging, displacement, community: Artes Mundi exhibitions open across Wales

The 11th edition of Artes Mundi, the UK's largest contemporary art prize, has opened across multiple venues in Wales, featuring six international shortlisted artists. The multi-venue format includes a group show at the National Museum Cardiff and solo presentations at Mostyn in Llandudno, Aberystwyth Arts Centre, Glynn Vivian Art Gallery in Swansea, and Chapter Art Centre in Cardiff. Artists such as Jumana Emil Abboud, Antonio Paucar, Anawana Haloba, Sawangwongse Yawnghwe, Kameelah Janan Rasheed, and Sancintya Mohini Simpson explore themes of home, belonging, displacement, and community through diverse media including sculpture, performance, painting, and text-based installation. The winner of the £40,000 prize will be announced on 15 January 2026.

Minnesota Anishinaabe artists well-represented at major new exhibition in Detroit

A major new exhibition, “Contemporary Anishinaabe Art: A Continuation,” has opened at the Detroit Institute of Arts (DIA), marking the museum’s first major Native American exhibition in over three decades. The show features 90 works by more than 60 artists from the Great Lakes region of the U.S. and Canada, including a strong contingent of Minnesota-based painters, sculptors, designers, and filmmakers. Curated in collaboration with a panel of Anishinaabe artists—including Duluth-based painter and filmmaker Jonathan Thunder, Kelly Church, Jason Quigno, Monica Rickert-Bolter, and Jodi Webster—the exhibition spans painting, beadwork, fashion, film, and sculpture. Signage is translated into Anishinaabemowin, and QR codes offer language learning. The curators deliberately chose not to begin with historical works, asserting that Native American artists should not be required to provide a historical preamble.

A Look at the DIA’s Contemporary Anishinaabe Art Exhibition

The Detroit Institute of Arts (DIA) has opened "Contemporary Anishinaabe Art: A Continuation," its first Native American art exhibition in over 30 years. Featuring 92 works by more than 60 Anishinaabe artists from the Great Lakes region, the show spans from 1892 to 2025 and includes pieces by renowned artists such as Jim Denomie, Norval Morrisseau, Kent Estey, Jonathan Thunder, and Rabbett before Horses Strickland. Highlights include Denomie's vibrant "Four Days and Four Nites, Ceremony" (2020) and Morrisseau's spiritual works like "Punk Rockers Nancy and Andy" (1989).

Review: “Mark Me, Too: Five Artists” at Hyde Park Art Center

The Hyde Park Art Center in Chicago presents “Mark Me, Too: Five Artists,” a group exhibition curated by Dr. Rikki Byrd, the center’s inaugural Radicle Curatorial Resident. The show features works by Lisa DeAbreu, Lex Marie, Natasha Moustache, Lola Ayisha Ogbara, and Ciarra K. Walters, each exploring mark-making as a conceptual and material practice. Highlights include Walters’ video “Eileen’s Daughters,” which uses fragile eggshell-covered suits to evoke familial intimacy and vulnerability; DeAbreu’s textile works that transform household items into visual heirlooms; Ogbara’s sculptural piece “Hopscotch (A Safe Space to Land),” combining bronze and soil to address Black beauty and West African heritage; and Marie’s reimagined American flags made from hospital blankets and beads, critiquing the nation’s relationship with Black maternity and childhood.

Review | A sprawling survey highlights the women making art around D.C.

A survey exhibition titled "Women Artists of the DMV: A Survey Exhibition" at the American University Museum in Washington, D.C., showcases 63 works by women artists from the region. The show, reviewed by Mark Jenkins, features depictions of women as everyday people, archetypes, allegorical figures, and goddesses, alongside some abstract pieces, with a preference for representational art.

Museum Exhibitions On View in East Texas, South Texas & the Valley this Fall

Several museums and art centers across East Texas, South Texas, and the Rio Grande Valley have announced their fall 2025 exhibition schedules. Highlights include the Tyler Museum of Art’s "Alas…" by Alicia Eggert, a floral sculpture that wilts over three weeks, and "Assembled: A Look at Contemporary Collage" featuring Texas artists. The Art Museum of South Texas in Corpus Christi will present three shows: Jason DeMarte’s surrealist photography in "Arcadian Enclosures," the Texas A&M University-Corpus Christi faculty biennial "Quarter Turn," and "Breadth of Latino/a Voices" from its permanent collection. The Rockport Center for the Arts opens Jessica Ninci’s "A Field Guide" and Moira Garcia’s "Nepantla: In-Between." The Beeville Art Museum hosts Caprice Pierucci’s "Threads Through Time," and the Five Points Museum of Contemporary Art in Victoria will survey work by Fort Bend County artists.

Krannert Art Museum reopening highlights gallery reinstallations, artist Ronny Quevedo exhibition

Krannert Art Museum in Champaign, Illinois, is reopening on August 28 with a major reinstallation of its Andean gallery, featuring the exhibition "Fragmented Histories: Andean Art Before 1600." The gallery, co-curated by Kasia Szremski and Allyson Purpura, moves away from a linear display to explore the mobility of objects, their histories of looting, and their ongoing cultural significance. The reopening also includes a solo exhibition by contemporary artist Ronny Quevedo, titled "Ronny Quevedo: a l l s t a r s," and reinstallations of European and American art in the Bow and Trees galleries.

San Francisco’s de Young Museum opens revamped Native American art galleries

San Francisco's de Young Museum will unveil its newly reinstalled galleries of Native American art on August 26, following a years-long overhaul led by a group of predominantly Native curators. The reimagined spaces, called the Arts of Indigenous America galleries, feature contemporary works alongside historical pieces—some over 1,000 years old—as well as recent acquisitions and new commissions. One gallery focuses on Native California with rotating regional exhibits, while another covers all of North America, with ceramics, textiles, paintings, beadwork, and basketry arranged thematically. The museum consulted the communities of origin for historical pieces, as required by the Native American Graves Protection and Repatriation Act, and invited members to help interpret the works.

Art in Wisconsin—Art and Science and Art: The Semi-Hidden Wonders of the James Watrous Gallery

The James Watrous Gallery, a nonprofit art space located on the third floor of the Overture Center for the Arts in Madison, Wisconsin, is dedicated to showcasing contemporary artists and curators with ties to the state. Unlike the nearby Madison Museum of Contemporary Art (MMoCA) and Chazen Museum of Art, which feature national and international artists, Watrous Gallery focuses almost exclusively on Wisconsin-based practitioners. Directed by Jody Clowes for the past decade, the gallery selects exhibitions through an open call every three to four years, with a committee of artists, arts workers, and curators from across the state. Recent shows include works by artists such as Shane McAdams, Lois Bielefeld, Dakota Mace, and the collaborative duo Shana McCaw and Brent Budsberg. The gallery is part of the Wisconsin Academy of Sciences, Arts & Letters, and each exhibition is featured in the Academy's publication "Wisconsin People & Ideas," often connecting to broader themes like climate and energy.

Exhibition Tour—Arts of Oceania | Michael C. Rockefeller Wing

Maia Nuku, Evelyn A. J. Hall and John A. Friede Curator for Oceanic Art, along with Max Hollein, Marina Kellen French Director and CEO of the Metropolitan Museum of Art, and special guests Michael Mel and Arapata Hakiwai, lead an exhibition tour celebrating the renovation and reopening of the Arts of Oceania galleries in the Michael C. Rockefeller Wing. The tour highlights exceptional works from Oceania, including carved bisj poles from the Asmat region, towering slit drums from Vanuatu, and contemporary pieces by Aboriginal artist Noŋgirrŋa Marawili, as well as insights from artists from Mariwai village, Papua New Guinea, on the reconfiguration of panels from the Kwoma ceremonial ceiling.

Artist Tiff Massey's "Baby Bling" exhibit to become permanent collection at Detroit Institute of Arts

Detroit-based artist Tiff Massey's artwork "Baby Bling" (2023) has been acquired as a permanent collection piece by the Detroit Institute of Arts (DIA), following the success of her temporary exhibition "7 Mile + Livernois." The sculpture, made from steel beads, woven rope, and brass, reimagines childhood hair accessories known as "bobos" worn by Black women and girls, celebrating Black hair culture and identity. Massey, the youngest artist to have a solo exhibition at the DIA, saw her "7 Mile + Livernois" show attract over 220,000 visitors from May 2024 through May 2025. "Baby Bling" will be installed in the museum's newly reimagined Modern and Contemporary wing when it reopens in 2026.

As an Emily Kam Kngwarray survey opens at Tate Modern this week, contemporary Indigenous artists are finally taking centre stage in the UK

Tate Modern opens its first major exhibition of Indigenous Australian artist Emily Kam Kngwarray (c. 1914–96), featuring over 70 works including early batiks and vast late-career paintings. The show, adapted from a presentation at the National Gallery of Australia, is co-curated by Hetti Perkins and Kelli Cole, who emphasize presenting Kngwarray's work within its Anmatyerr cultural context rather than through a Western abstraction lens. Concurrently, London's Camden Art Centre hosts an exhibition of Duane Linklater and his family, and a Manchester show features Santiago Yahuarcani, signaling a broader UK focus on contemporary Indigenous artists.

Early summer shows at the Utah Museum of Contemporary Art: Out Loud 2025, 2025 Gala Art Exhibition: The Factory

The Utah Museum of Contemporary Art (UMOCA) is presenting two early summer exhibitions: "Out Loud 2025" and the "2025 Gala Art Auction: The Factory." Out Loud 2025 features work by 17 young artists from Utah high schools who completed a 12-week workshop series, exploring themes of queer identity, childhood nostalgia, and coming-of-age through diverse media including painting, ceramics, collage, and video. The 2025 Gala Art Auction showcases works by 57 Utah artists available for purchase.

Marco Island Center for the Arts and Miami museum exchange exhibitions that feature Latinx art and artists

The Marco Island Center for the Arts and the Miami Museum of Contemporary Art of the Americas (MoCAA) are exchanging exhibitions focused on Latinx art and artists. The Marco Island Center is currently hosting works by 15 contemporary artists from Latin America and the Caribbean, including Ivonne Ferrer, Ruben Torres Llorca, and Luis Cruz Azaceta, on view through July 1. In exchange, MoCAA will present "Marco to Miami" from June 20 to July 20, featuring 14 artists from Collier County.

‘Art is an important way of depicting these atrocities’: London show shines a light on sexual violence in conflict

The Imperial War Museum (IWM) in London has opened "Unsilenced: Sexual Violence in Conflict," the first major UK museum exhibition to address the use of sexual violence as a weapon of war. Featuring video testimony from journalist Christina Lamb, the show draws on the IWM's collections and new testimonies from survivors, including propaganda posters, photographs by Lee Miller, and a newly acquired miniature Sonyeosang statue. Curators Maeve Underwood and Helen Upcraft re-examined the museum's holdings to uncover hidden narratives of sexual slavery and humiliation from World War II to the Russia-Ukraine war.

2025 MFA Thesis Exhibition Transforms the Miriam and Ira D. Wallach Art Gallery

On April 26, 2025, the School of the Arts held its annual MFA Thesis Exhibition at the Miriam and Ira D. Wallach Art Gallery, featuring twenty-nine emerging and established artists. Curated by Amal Issa, the show spans a wide range of mediums including installations, videos, paintings, drawings, and sculptures, with many works exploring themes of memory, ancestry, and identity. Notable pieces include Maya Dixon's immersive installation using gourds and found objects, Daniel Castro's surreal cityscapes, and Ridwana Rahman's interactive carpet piece that invites reflection on direction and prayer.

Cincinnati Art Museum curator of fashion showcases women designers

This episode of WYSO's Studio Visit series takes listeners to the Cincinnati Art Museum to meet Cynthia Amnéus, the museum's Chief Curator and Curator of Fashion and Textile Arts. Amnéus discusses her focus on women fashion designers, highlighting iconic figures such as Rei Kawakubo (Comme des Garçons), Bonnie Cashin (Coach), Ann Lowe (who designed Jackie Kennedy's wedding dress), and the lesser-known 1930s designer Elizabeth Hawes, whose progressive views on comfort and gender-neutral clothing were ahead of her time. Amnéus also reflects on past exhibitions, including a 2017 show on Iris Van Herpen's 3D-printed sculptural fashion, and her current interest in sustainable designers like Collina Strada and Chopova Lowena.

Indigenous Identities: Here, Now & Always

The Zimmerli Art Museum at Rutgers University in New Brunswick, New Jersey, is presenting "Indigenous Identities: Here, Now & Always," on view from February 1 through December 21, 2025. This exhibition is the largest and final show organized by the late Native artist Jaune Quick-to-See Smith, featuring over one hundred works by ninety-seven artists representing some seventy Nations and communities. The show is organized around four thematic sections—Political, Tribal, Social, and Land—and includes a separate gallery of Quick-to-See Smith's own prints, notably the "Survival Suite" (1996). The exhibition is intergenerational, with artists ranging from their eighties to those born at the end of the twentieth century, and most works date from the twenty-first century.

Salzburger Kunstverein X ArtReview Writers in Residence 2026 announced

The Salzburger Kunstverein and ArtReview have announced the four writers selected for their 2026 Writer-in-Residence Programme. The winners—Hana Elhaddad, Sharmilla Ganesan, Olga Hohmann, and Eshwari—were chosen from a large pool of applicants for their distinctive voices and engagement with the conceptual theme 'CAPTCHA Realism'.

For Which It Stands...

The Fairfield University Art Museum has launched "For Which It Stands…," a landmark exhibition featuring over 70 artworks that utilize the American flag as a central motif. Curated by Carey Mack Weber, the show spans more than a century of artistic production, from World War I-era paintings by Childe Hassam to contemporary works by artists such as Julie Mehretu and Danielle Scott. The exhibition is a centerpiece of the university's America250 programming, marking the 250th anniversary of the United States.

Antony Gormley and Brian Eno donate works to auction for Gaza health workers

A coalition called Health Workers 4 Palestine has organized an art auction, Seeds of Solidarity, to support medical professionals in Gaza. Taking place on 1 February at the Savoy hotel in London, the auction features works donated by 21 visual artists including Antony Gormley, Brian Eno, Mona Hatoum, Lisa Brice, Caroline Walker, and Hassan Hajjaj. Proceeds will benefit the Gaza Medics Solidarity Fund, which provides stipends to doctors, supports mobile clinics, and helps reconstruct maternity wards in the enclave. The sale is curated by Zayna Al-Saleh, known for her Voices of Palestine auctions that have raised over $1.4 million.

Students curate the past and look toward the future: SVAD centennial exhibition showcases 100 years of art at USC

Students at the University of South Carolina curated "Generations: 100 Years of Art at USC," a centennial exhibition at the McKissick Museum celebrating the School of Visual Art and Design (SVAD). Developed in an exhibition design course taught by museum director Lana Burgess and professor Susan Felleman, the show traces the art department's history from its founding in 1925 by Katherine Heyward to its current status as the state's largest art program. Junior art history major Agostina Mercado and her classmates researched archives, conducted oral histories with former faculty like Philip Mullen, and uncovered themes of mentorship and community that have defined the school for a century.

Post-War to Present

On 26 June, a live auction at a London saleroom achieved £9,284,310, led by Victor Man's 'The Chandler' at £705,600 and David Hockney's iPad painting at £504,000. Other top lots included works by KAWS, Lynette Yiadom-Boakye, Tracey Emin, Jean-Michel Basquiat, and Raymond Pettibon. An online auction closed on 3 July with a total of £1,247,904, featuring Manolo Valdés's 'Amélie II' as the top lot at £56,700, along with works by George Condo, Sylvie Fleury, and Gilbert & George.

What is the international exhibition of the Venice Biennale like? Review of "In minor keys" by Koyo Kouoh

Com’è la mostra internazionale della Biennale di Venezia? Recensione di “In minor keys” di Koyo Kouoh

The 2026 Venice Biennale, titled "In minor keys" and curated by the late Koyo Kouoh, opens to the public on May 9 amid controversies including the absence of the president's name in the colophon at the Arsenale entrance. The exhibition, organized by Kouoh's team (Rory Tsapayi, Siddharta Mitter, Marie Helene Pereira, Gabe Beckhurst Feijoo, and Rasha Salty), unfolds across the Giardini and the Arsenale's Corderie, featuring works that balance strength and beauty with a harmonious mix of voices and themes. The Giardini section is particularly compelling, with a non-linear, polycentric layout that feels like a living organism, while the Arsenale offers further depth.

Ukraine-Russia war remains front and centre for Viennacontemporary fair exhibitors

Viennacontemporary fair, held September 11–14 in Vienna, featured 97 exhibitors from 24 countries with a strong focus on Eastern Europe. Galleries from Ukraine, Poland, Slovakia, Slovenia, Lithuania, Latvia, Hungary, Croatia, and Austria participated, many expressing solidarity with Ukraine amid the ongoing war. Artist Kateryna Lysovenko, who fled Ukraine three years ago, won the Münze Österreich Prize for her figurative paintings. Sales were slow, with many galleries reporting no or low-price sales by the second day, reflecting Austria's economic downturn. The fair included a Zone1 section for emerging artists curated by Aliaksei Barysionak and a Context section for historical works, including a booth dedicated to Hermann Nitsch.

New art gallery opens at downtown Victoria’s Fairmont Empress

Mountain Galleries, a Canadian fine art gallery group, has opened a new location inside the Fairmont Empress hotel in downtown Victoria. The space features works by established artists such as Paul Nicklen, Ann Murphy, Charlie Easton, and Robert E. Wood, alongside contemporary voices from the Off-Piste Fine Arts group including Jane Waterous, John Clinton, and David Yarrow. A grand opening celebration is scheduled for June 26th, 2025, from 4 p.m. to 6 p.m., with champagne and free admission by RSVP.