The Detroit Institute of Arts (DIA) is opening its first major Native American art exhibition in over three decades, featuring 90 works from more than 60 Anishinaabe artists from Michigan and the Great Lakes region. The exhibition, on view from September 28, 2025 to April 8, 2026, includes pieces such as Jessica Leigh Gokey's "She Loves" and Norval Morrisseau's "Punk Rockers," and was developed with guidance from an Anishinaabe advisory board.
The R.W. Norton Art Gallery in Shreveport, Louisiana, will host a new exhibition titled "New Orleans in Art: A Love Letter from the Crescent City" starting with an opening reception on Thursday, August 28, 2025. The show features 50 artists who each present their personal visual tribute to New Orleans, known as the Crescent City.
Clark County is calling for art submissions for its upcoming Dia de los Muertos festival, as reported by KLAS 8 News Now. The county invites artists to contribute works that celebrate the traditional Mexican holiday, which honors deceased loved ones with altars, marigolds, and cultural displays.
A poetic lament for a squirrel named Jack, written by James Hadfield—a patient at Bethlem Royal Hospital who attempted to assassinate King George III in 1800—will go on public display for the first time at the Bethlem Museum of the Mind in London. The work is part of a new exhibition titled "Between Sleeping and Waking: Hospital Dreams and Visions," opening August 14, which also features a major installation by contemporary artist Kate McDonnell and other previously unseen works from the hospital's historic art collection.
Adam Zhu, an artist, skateboarder, and photographer, has transformed a 9-by-15-foot former storage shed on his Chinatown rooftop into Market Gallery, a tiny exhibition space. The opening of Tucker van der Wyden's "Savage Love" drew about 200 visitors who walked through Zhu's one-bedroom apartment to reach the show. Zhu, who moved into the apartment in 2015, renovated the shed with contractor Andrew Kass, adding concrete walls and folding glass doors. The gallery has hosted seven shows, featuring emerging and established artists, and has become a platform for art in an unconventional setting.
Simon Fraser University (SFU) near Vancouver will open the Marianne and Edward Gibson Art Museum on September 20, its first purpose-built art museum. The inaugural exhibition, "Edge Effects," features 15 artists including Sameer Farooq, Liz Magor, Cindy Mochizuki, and Debra Sparrow, and reflects the interdisciplinary ethos of the original SFU campus designed by Arthur Erickson and Geoffrey Massey. The 12,000-square-foot building by Hariri Pontarini Architects and Iredale Architecture includes a research laboratory, art studio, courtyard, and salon, and will be admission-free.
A new book titled "William Blake and the Sea Monsters of Love" by biographer and critic Philip Hoare explores the life and work of William Blake, focusing on the three years the artist spent in Felpham, a coastal village in England, starting in 1800. Hoare argues that the ocean profoundly influenced Blake's art and poetry, using the sea as a metaphor to examine Blake's visionary prints, poems like "Milton," and his androgynous, fluid figures. The book also weaves in a cast of other historical figures—including Herman Melville, Paul Nash, and Nancy Cunard—whom Hoare dubs "sea monsters" for their rebellious, queer, and amphibious spirits.
Portland art gallery ILY2 (“I Love You Too”) has opened a permanent outpost in New York City, marking the first time a Portland gallery has established a permanent space in the city. The new gallery, located between Chinatown and Tribeca, inaugurated its space with the second installment of the group show SOFT PINK HARD LINE, which originally started at ILY2’s Portland gallery in the Pearl District. The expansion was conceived by philanthropist Allie Furlotti, who founded ILY2 during the pandemic as a series of pop-up residencies to support local artists.
Prominent local artist Renee Matheson, owner and curator of Aurora Matheson Fine Art Gallery in downtown Penticton, has opened a seasonal satellite gallery at Frog City Café inside Linden Gardens in Kaleden, British Columbia. The Aurora Matheson Satellite Gallery at Frog City Café launched on July 30 with over 200 artworks from 35 artists, including Ron Gladdish, Siya Ghaffari, and Kindrie Grove. Matheson spent six weeks curating the space, which features moveable walls built by café co-owner David, and offers a range of styles from Impressionism to Indigenous work, with prices from under $100 to thousands of dollars. The gallery will remain on site through October.
The British Museum's exhibition "Hiroshige: Artist of the Open Road" (through September 7) showcases over 100 prints by the Japanese master Utagawa Hiroshige, including rare loans that highlight his influence on European avant-garde artists. A key display is Vincent van Gogh's own copy of Hiroshige's "The Plum Garden at Kameido" (1857), on loan from the Van Gogh Museum in Amsterdam, along with Van Gogh's squared-up tracing used for his painting. New research by British Museum senior scientist Capucine Korenberg reveals a short pencil line on the print that confirms Van Gogh used this exact copy as a guide for his tracing and subsequent painting.
Two solo exhibitions by Ohio painters Said Oladejo-Lawal and Linda Hutchinson are on view at the McConnell Arts Center in Worthington through August 28. Oladejo-Lawal's 'My Voice and Dance' features vibrant, swirling portraits of musicians and dancers inspired by his Nigerian childhood and love of classical music and jazz. Hutchinson's 'In Good Company' presents figurative paintings of people in everyday life, with a focus on musicians and visual rhythm. The exhibitions were curated by Michelle Tavenner and Lindsay Lisanti.
Martin Bailey, a leading Van Gogh specialist, reveals that the distinctive rock formation known as Le Rocher des Deux Trous (The Rock of the Two Holes), which appears in two of Vincent van Gogh's paintings—The Olive Trees (June 1889) and Mountains at Saint-Rémy (July 1889)—is a real geological feature near the asylum in Saint-Rémy-de-Provence, not a figment of the artist's imagination. The two paintings, held by the Museum of Modern Art and the Solomon R. Guggenheim Museum in New York, were recently displayed together at London's National Gallery exhibition Van Gogh: Poets & Lovers (14 September 2024–19 January 2025), offering a rare chance to compare them. Bailey traces the history of the formation, noting that an anonymous 17th-century artist also depicted it, and describes a walking route from the former asylum to the site.
Kenny Schachter critiques the art market's doomsaying media narrative, coining the acronym Salsa (Scribes Always Love Sensational Apocalypse) to describe clickbait-driven hype. He contrasts current market anxieties with past downturns, notably the 1991-1996 recession when the market evaporated, citing a 1991 Roberta Smith article. Schachter observes that the Nahmads and Mugrabis, once feuding families, now invest together, and he recounts his experience at Phillips during his "Hoarder 6" exhibition, where young collectors showed genuine interest. He argues that the market, though wounded, remains healthy and calls for a less transactional, more patient approach to selling art.
Emma Talbot presents her largest UK exhibition to date, *How We Learn to Love*, at Compton Verney, featuring over 20 new and recent works including silk paintings, fabric sculptures, animations, and drawings. The exhibition explores the human experience from birth to death, with recurring motifs such as a faceless female protagonist, references to Greek tragedy, and themes of grief and love. Talbot, who splits her time between London and Italy, also has concurrent solo shows at Copenhagen Contemporary and Centraal Museum Utrecht.
Phoenix Art Museum will debut the 2024 Arizona Artist Awards exhibitions on July 23, 2025, featuring new works by Safwat Saleem, Elizabeth Z. Pineda, and Omar Soto. Saleem presents his first solo museum exhibition, "The Unrequited Love Institute (T.U.L.I.)," a satirical installation exploring immigrant belonging and cultural preservation, while Pineda and Soto are featured in a group exhibition as recipients of the Sally and Richard Lehmann Emerging Artist Awards. The exhibitions run through January 25, 2026, with a free public lecture by Saleem on opening night.
Yad Vashem – The World Holocaust Remembrance Center in Jerusalem has unveiled a new exhibition titled "Journey in the Wake of Catastrophe" by Israeli artist Tal Mazliach. The exhibition features eleven original works commissioned specifically for the show, which draw a visual and emotional connection between the Holocaust and the October 7th Hamas attack. Mazliach, a resident of Kibbutz Kfar Aza who survived the attack by barricading herself in her home for over 20 hours, is the second artist selected for Yad Vashem's 'Residency' Project. Her paintings incorporate tribal motifs, bold colors, and layered text, blending personal testimony with collective memory by drawing on Yad Vashem's archival collections.
Arts of Life, a Chicago-based nonprofit supporting artists with intellectual and developmental disabilities, is celebrating its 25th anniversary with its first museum exhibition, "Community on the Make | Arts of Life 2000 – 2025," at the Design Museum of Chicago from August 11 to September 30, 2025. The retrospective features works by over 50 artists, staff, and volunteers, including founding member Veronica "Ronnie" Cuculich, and highlights collaborative pieces such as David Krueger and Ben Marcus's Love Man series. Related programs include a public reception on August 21 and artist residency hours throughout September.
Iranian artist Farhad Moshiri passed away on July 17, 2024, at age 61. A pioneering figure in Middle Eastern contemporary art, Moshiri made history as the first artist from the region to sell a work at auction for over one million USD, achieving this milestone twice—first with "Love" at Bonhams Dubai in 2008 and later with "Secret Garden" at Christie's Dubai in 2013. The article highlights his work "Toothpicker" (2008), now part of the Raha Gallery Collection, which was exhibited at the Saatchi Gallery in London in 2010 and sold at Christie's Middle East in 2014. Moshiri's practice combined pop art, kitsch, and precious materials like crystals and glitter, earning him a solo exhibition at the Andy Warhol Museum in 2017.
The article analyzes William Holman Hunt's 1853 painting *The Awakening Conscience*, which depicts a woman in a Victorian parlor rising from the lap of a man, her gaze fixed on a sunlit garden glimpsed in a mirror. Hunt, a member of the Pre-Raphaelite Brotherhood alongside John Everett Millais and Dante Gabriel Rossetti, filled the work with dense symbolism—such as the woman's ringless left hand, a discarded glove, and sheet music by Edward Lear and Thomas Moore—to reveal that the scene is not a married couple but a mistress and her lover, trapped in a gilded cage.
The Fondation Louis Vuitton in Paris has opened "David Hockney 25," a major retrospective billed as focusing on the past quarter-century of the British artist's work but actually spanning his entire career, from a 1955 portrait of his father to recent Yorkshire landscapes. The exhibition, curated by Norman Rosenthal and supported by the foundation's substantial budget, features loans from institutions worldwide and private collections, including the striking "Berlin: A Souvenir" (1962). It is the largest Hockney show ever staged, filling the Frank Gehry-designed museum with iconic swimming pool scenes, double portraits, vibrant landscapes, and densely hung salon-style galleries of family and friends.
A Roman erotic mosaic looted from Pompeii by a German Wehrmacht captain during World War II has been returned to Italy and is now on display at the Archaeological Park of Pompeii. The heirs of the last owner contacted the Carabinieri in Rome, leading to a diplomatic repatriation via the Italian Consulate General in Stuttgart, Germany, in September 2023. The mosaic, dating to around 79 C.E., depicts a pair of lovers and is thought to have decorated a bedroom floor in a Roman villa.
Christie’s is presenting a non-selling exhibition titled "Marwan: A Soul in Exile" at its London headquarters this summer, featuring over 150 works by the late Syrian artist Marwan (1934-2016). The show draws from major private and institutional collections including the Barjeel Art Foundation, the Ramzi and Saeda Dalloul Art Foundation, the Pinault Collection, and the Berlinische Galerie. This marks Christie’s third such non-selling exhibition of Arab art in London over the past three summers, following shows focused on Arab artists from the Barjeel collection and Saudi artist Ahmed Mater. The exhibition coincides with Christie’s 25th anniversary in the UAE and a broader surge in the Middle Eastern art market, including a recent white-glove sale for its online Modern and contemporary Middle Eastern art auction in Dubai.
French artist Jean-Michel Othoniel has mounted his largest-ever exhibition across the city of Avignon, installing 270 artworks—140 of them new—in 10 locations including the Palais des Papes, city museums, public courtyards, building facades, and the medieval St Bénezet bridge. The show, commissioned to mark Avignon’s 25th anniversary as European Capital of Culture and 30th year as a UNESCO World Heritage site in 2025, took nearly six weeks to install and involved a team of hundreds, including glassblowers, metalworkers, gilders, and dancers. Othoniel took the 14th-century Italian poet Petrarch as his thematic starting point, exploring different facets of love across the venues.
Singapore entrepreneur Chong Huai Seng and his daughter Ning Chong are presenting "Artist's Proof: Singapore at 60," a landmark exhibition at Artspace @ Helutrans running until 17 August 2025. Featuring over 90 artworks from Chong's private collection, the show spans 1940 to 2025 and includes more than 50 artists, mostly Singaporeans, such as Cultural Medallion recipients Cheong Soo Pieng, Chua Mia Tee, and Lee Wen, alongside emerging talents. For the first time, Chong commissioned 11 new artworks and an original musical composition for the exhibition, which he describes as his "love letter to Singapore."
ModA (Modern Anthropology) Studios, a Los Angeles-based creative organization founded by George Fan, opened its first permanent location at 227 E 24th Street in Manhattan's Lower East Side on June 27, 2025, with a contemporary art exhibition titled “Love.” Curated by Sia Fang, the show features nine artists divided into main-exhibiting artists and a subsection called Untapped, the Collection. Artists include Ellen Carpenter, Magali, A Cult, Ching-Wei Wang, Felisa Nguyen, Ibtisam Tasnim Zaman, Edd Ravn, Hongshan, and Agen Xin, working across performance, installation, painting, and mixed media.
David Hockney, the legendary British artist, turns 88 on July 9, and Artnet News reflects on his seven-decade career of rule-breaking. The article highlights eight key moments of defiance, including his openness about his homosexuality before decriminalization in the U.K., his public smoking habit that led to a Paris Metro ad being pulled, and his controversial "Hockney-Falco thesis" arguing that Old Masters used optical tools like the camera lucida. Hockney currently ranks third on the Artnet Intelligence Report for best-selling and most bankable postwar artists, and his largest-ever exhibition is on view at the Fondation Louis Vuitton in Paris.
A pair of New York dealers, Rachel Carle Cohen of Shelter Gallery and David Fierman of Fierman, are launching Open Studio, a downtown gallery on Henry Street in the Lower East Side devoted entirely to artists with disabilities. The gallery will feature work from progressive art studios—supportive environments that began with Creative Growth in 1974—and opens July 10 with a solo show of John Tursi, an artist from the Living Museum at Creedmoor Psychiatric Center. A complementary group show, “Introducing Open Studio: New Art by Artists with Disabilities,” will run at Fierman’s gallery around the corner, featuring artists including Montrel Beverly, Chantel Donwell, Taneya Lovelace, and William Scott.
Art x Love, a creative agency owned by Allyse and Mac Love, has opened a new gallery called Forever Changes in downtown Akron, Ohio. The gallery offers local artists of all skill levels the opportunity to display and sell their work through both free and paid display options, with a community open house scheduled for July 11. The space at 35 S. Main St. features over 200 artworks by 22 local artists, including both newcomers like Boo Koch and Day Watajii, and established artists such as Karen Koch, Julienne Hogarth, and David Lile. The gallery operates on a non-curatorial model, accepting nearly all submissions suitable for public display, and aims to provide a zero-risk platform for artists who have never shown their work before.
A new art exhibit at the Pump House Regional Arts Center in La Crosse, Wisconsin, features the work of local artist John Smith, who creates nostalgic paintings of iconic La Crosse landmarks. The show, titled 'Memories of La Crosse,' includes depictions of the historic Riverside Park bandshell, the Cass Street Bridge, and other beloved sites, rendered in a warm, impressionistic style that evokes the city's past.
Sotheby's has launched a new podcast series titled "The Specialist," featuring its global specialists who share behind-the-scenes stories about extraordinary artworks and objects. Each episode focuses on a specific narrative, such as the restitution of a Kandinsky painting lost in Nazi-era Germany, the rediscovery of Rubens' "The Massacre of the Innocents," the story of the shredded Banksy artwork "Love is in the Bin," and the decade-long attribution project for a Vermeer painting. The podcast is available on Apple Podcasts and Spotify.