The Nuart Aberdeen street art festival has returned for its 2026 edition, running from Wednesday through Sunday. Thirteen international artists are creating new murals and installations across the city, including the first indoor work at the historic Bon Accord baths, alongside pieces on the Chapel Street car park and North East Scotland College. A guide and walking tours help visitors locate both new and existing artworks.
The organizers of the 47th La Cloche Art Show have named Robert Potvin as the Artist of Distinction for the 2026 exhibition. Potvin, a self-taught acrylic painter and elected member of the Society of Canadian Artists, is recognized for his depictions of Northern Ontario landscapes and vanishing ways of life. The announcement comes as the community prepares for the 2025 edition of the juried show, which remains a staple of the regional art scene in Whitefish Falls.
Open Doors Youth Service in Brisbane is celebrating its 25th anniversary with a trans youth art exhibition titled "Shimmer," created in collaboration with artist Gerwyn Davies, Museum of Brisbane, MELT Festival, and Brisbane Powerhouse. Twelve trans and gender diverse young people worked with Davies to produce artworks now on display at the Museum of Brisbane until April. The organization is also hosting a fundraising gala dinner inside the exhibition space to support its ongoing services for LGBTQIA+ youth in Queensland.
Texart Fair 3.0, a three-day art exhibition and cultural exchange, was held in Ibadan by BlackulHeritage Studios in collaboration with the National Museum of Unity, Ibadan. The event, themed “Tapping the Market Potential of Nigerian Art: Bridging the Gap,” brought together artists, collectors, curators, scholars, and students to discuss strengthening the visibility and economic value of Nigerian art. Highlights included a symposium, panel discussions, and Awards of Recognition presented to notable Nigerian art figures such as Tola Wewe, Prince Tunde Odunlade, and Tunde Kelani.
The 2025 Arts Open by Guernsey Arts has opened at the George Crossan Gallery in St Peter Port, featuring over 130 artworks from 132 artists. The exhibition includes a wide range of media from oils and acrylics to embroidery and crochet, and drew a large crowd at its private preview event, with queues stretching through the Market Buildings. Organizers Louise Le Pelley and Jared Fox highlighted the inclusive, no-judgment submission process that welcomes both professional artists and first-time exhibitors.
The Anderson Ranch Arts Center in Snowmass Village, Colorado, has announced it will offer five-week residencies to 15 Los Angeles artists whose homes and studios were destroyed or severely impacted by the January wildfires, including in the hard-hit area of Altadena. Starting October 15, the program fees will be waived, funded by Bloomberg Philanthropies and Anne and Arnold Porath, among others. Artists were selected by an outside jury from 30–40 applicants, and the cohort will live together in a dorm-like facility with individual studios and communal meals.
Baltimore textile artist Jamaal "Feedy" Jackson, who works in cybersecurity, debuts his first solo exhibition "Follow Your Joy" at the Monument Sotheby's International Realty gallery in the Village of Cross Keys. Jackson uses a tufting gun and punch needle with acrylic yarn to create handmade rug art that resembles painting. The exhibition runs through December 5, 2025, and is nearly sold out, with pieces priced upwards of $20,000.
The Binghamton University Art Museum (BUAM) has opened its fall semester exhibition, “In the American Grain: Exploring America through Art, 1919-1946,” curated by art history professor Tom McDonough. The show spans the interwar period through World War II, featuring works from BUAM’s collection—many donated by local collectors Gil and Deborah Williams—alongside loans from the BU libraries, the Roberson Museum and Science Center, and the Art Bridges Collection. Originally conceived with Chelsea Gibson of the Binghamton Codes! Program, the exhibition grew from a pandemic-era digital project and includes thematic categories such as Americans Abroad, City Life, Picturing Black Lives, and War Time, with works by artists like Jane Peterson, Chiura Obata, James Lesesne Wells, and Helen Torr.
An art exhibition titled 'Retrospective of Works' held at the West End Art Studio in Mallow, Ireland, from July 23 to August 3, raised €6,600 for two charities. Organized by Colman Dalton and his wife Marie, the 10-day show featured approximately 65 works by Irish, British, and French artists, including pieces by James O’Halloran, Paul Kelly, Jack Vettriano, T.S. Lowry, and others. The opening night was so crowded that 20 people had to wait outside. A raffle on opening night generated the funds, which were split equally between Focus Ireland, a homelessness charity, and HART, a local dog rescue charity.
The Faizi Rahmeen Art Gallery in Karachi, Pakistan, remains unfinished over 35 years after its inception, despite being initiated during the tenure of former MQM Mayor Dr. Farooq Sattar. Construction of the ground-plus-three-storey structure was completed by 1992 at an estimated cost of Rs80 million, but work stalled after the launch of "Operation Clean-Up" against the MQM and the dissolution of the local government. A brief revival in 2007 only saw installation of glass panels and floor tiling; core civil works are only 70% complete, and key systems like electrical, mechanical, revolving stage, and sound system are still pending. The site, formerly the residence of renowned author Atiya Begum and artist Faizi Rahmeen, was donated to the Karachi Metropolitan Corporation (KMC) in trust with the explicit intention of establishing an art gallery. KMC's Culture, Sports and Recreation office now operates from the property, but the gallery itself remains stalled due to lack of political priority for arts and culture.
Studio Sangath, led by Khushnu Panthaki Hoof and Sönke Hoof, has completed the Urmila Kailash Black Box at the Kanoria Centre for Arts in Ahmedabad, India. The project is a versatile performance and exhibition space designed to fill a gap in the campus's offerings, which previously lacked a dedicated venue for performing arts. The design integrates with the existing buildings by architect Balkrishna Doshi, using a sloping concrete roof and strategically placed windows to modulate light and connect interior and exterior spaces.
Prospect New Orleans, the contemporary-art triennial, will not hold its city-wide exhibition in 2027. Instead, the organization will publish a book titled "20 Years of Prospect" to mark its 20th anniversary, featuring essays, personal accounts, and archival images. Executive director Nick Stillman told Artnews that launching another large-scale exhibition is "not the focus right now," citing a need to pause, reflect on the triennial's legacy, and ensure its accomplishments are properly documented. Financial pressures and national political uncertainty, including concerns about federal arts funding under the Trump administration, also influenced the decision.
The National Museum of Brazil (Museu Nacional-UFRJ) in Rio de Janeiro will partially reopen its galleries nearly seven years after a devastating electrical fire destroyed around 90% of its collection. The temporary reopening features guided tours of three rooms, including one displaying decorative paintings uncovered during restoration, the surviving Bendegó meteorite, a suspended sperm whale skeleton, and donated objects such as fossils, manuscripts, ceramics, and Indigenous artefacts. The museum's full reopening is scheduled for 2028, with a reconstruction budget of 516.8 million reais ($90.4 million) and an additional 170 million reais ($29.8 million) still needed.
A new study from the Creative Industries Policy and Evidence Centre (Creative PEC) reveals a strong correlation between the number of people working in arts, culture, and heritage occupations in English local authorities and the rates of public participation in cultural activities. Analyzing data from DCMS's Participation Survey 2023–24 and the Office of National Statistics Labour Force Survey, the report found the strongest link between cultural employment and art gallery attendance, followed by literary events and live dance. London boroughs dominated the top rankings, with Cambridge, Brighton and Hove, Oxford, Bristol, and Waverley also showing high correlations, though exceptions like Stoke-on-Trent and York highlighted local variations in specific art forms.
The Creative Mamas Collective organized the 'Preserving Beauty' art exhibition at the Google Huddle building in the Bay Area, featuring visual art and musical performances by 12 local mothers. The show, curated by floral artist Mandi Lin, included works such as Reshma Bhoopal's fused glass 'Ebb & Flow,' Annapurna Devagiri's watercolor 'Sun Kissed Petals,' Shruti Gopinathan's mixed-media 'Once Upon a Redwood Grove,' and Isabelle Ip's textile piece 'Solace,' all inspired by nature and environmental preservation.
Jessica Helfand, an artist, has purchased and moved into a loft in an industrial building, beginning a new chapter in a space with a layered history. The article details how she transformed the loft to suit her artistic and personal needs, blending its industrial past with her creative vision.
The African Art in Venice Forum is continuing its mission of addressing the continent’s artistic needs, even as it mourns the loss of Koyo Kouoh, a key supporter. The forum, which draws inspiration from a former champion, aims to amplify African voices in the global art scene, particularly during the Venice Biennale.
Edoardo Pandolfo and Francesco Palù, the founders of the glass brand 6:AM, are revitalizing the traditional glassmaking industry of Murano with a contemporary, "punk" sensibility. By collaborating with master artisans and pushing the technical boundaries of the medium, the duo creates avant-garde pieces that challenge the island's historical aesthetic while maintaining its rigorous craftsmanship standards.
The New York Times has published a comprehensive guide aimed at aspiring gardeners, detailing the essential steps required to cultivate and maintain a successful green space. The resource covers foundational gardening knowledge, from soil preparation and plant selection to long-term maintenance strategies for various types of outdoor environments.
ArtReview's feature 'The Museum in Crisis' presents a critical diagnosis of contemporary museums, questioning their foundational authority, purpose, and relevance. The article compiles perspectives from professionals, highlighting challenges like restitution claims, alienated audiences, and the need to dismantle colonial hierarchies embedded in language and display practices. It argues that museums must move beyond being mere preservers to become active producers of public knowledge.
ArtReview's feature 'The Collaborative Museum' presents a diagnosis of the current state and future of museums from professionals within the field. The article highlights concerns about cultural amnesia in the United States, the need for diverse and accessible art spaces beyond large institutions, and the critical role of museums as public spaces for remembrance and reflection.
Iran’s participation in the 61st Venice Biennale remains uncertain after a public contradiction emerged between the Biennale Foundation and Iran’s Ministry of Culture and Islamic Guidance (MCIG). The Biennale Foundation had announced that Iran would not participate in the 2026 edition, curated by Koyo Kouoh, but Aydin Mahdizadeh Tehrani, director general of visual arts at the MCIG and commissioner of the Iranian Pavilion, stated in an interview with the Iranian Students’ News Agency (ISNA) that Iran never submitted a withdrawal letter. Instead, Iran requested more time and sent a letter on May 10 asking for the pavilion to open even if ineligible for prizes. Mahdizadeh Tehrani cited the US-Israel war with Iran as causing currency fluctuations that nearly tripled projected costs, complicating prior agreements, and noted that Iran had proposed a shorter exhibition period, which the Biennale rejected.
Martha Ortiz has stepped down as director of Bogotá’s Museo de Arte Moderno (MAMBO) amid allegations of harassing staff and fostering a toxic work environment. The museum announced her retirement and will begin a search for a successor, with board president Ángela Royo and financial manager Francy Hernández assuming interim leadership. Ortiz, who had no prior museum management experience, took the role in March 2024. Her departure follows the ousting of artistic director Eugenio Viola less than three months earlier, after he raised concerns about deteriorating working conditions.
The US Supreme Court declined to hear an appeal from computer scientist Stephen Thaler, who sought to copyright an artwork generated by his AI system, the Creativity Machine. This decision upholds a lower court ruling that affirmed the US Copyright Office's rejection, which was based on the requirement that a human being must be the author of a creative work for it to be eligible for copyright protection.
The Working Arts Club (WAC), a London-based organization supporting art professionals from lower socio-economic backgrounds, is expanding to northern England. Its new chapter will launch in Manchester on March 24, with plans for regional programming and online events. Founder Meg Molloy emphasizes that class barriers in the art world are systemic, not confined to London.
The Art Gallery of Hamilton (AGH) in Ontario, Canada, announced on January 20 that it has received nearly C$1 million ($684,000) in federal funding from the Canadian Heritage Cultural Spaces Fund for a major expansion. The project will add a 745-square-meter gallery, increasing exhibition space by 70%, and is expected to attract up to 300,000 visitors annually. AGH President and CEO Shelley Falconer stated the funding will launch the first phase, including hiring an architectural firm and creating schematic drawings for a new Main Street entrance and a gallery dedicated to Hamilton's industrial history. The gallery is also exploring adding affordable housing for creative workers in partnership with City Housing Hamilton.
Red Deer's First Fridays gallery openings for December 2025 feature multiple exhibitions across the city. The Red Deer Arts Council and Red Deer Public Library present “The Canadian Landscape Abstract Paintings” by John Bladek at Kiwanis Gallery (Dec. 2–Feb. 8, 2026), showcasing abstract interpretations of iconic Canadian scenes. The Red Deer Arts Council Community Gallery hosts the Mini Masters Year-End Fundraiser pop-up (Nov. 17–Jan. 5, 2026), selling small artworks to support local arts. At the Red Deer Museum + Art Gallery (MAG), Tim Smith's photography exhibition “In the world, but not of it. Hutterite” (Dec. 6–March 7, 2026) documents Hutterite communal life, while Bailey Horton's “UNHAMPERED” (Dec. 5–March 15, 2026) addresses food security through collaborative art. Curiosity Art & Framing presents “Winter's Gift” featuring works by Brenda Garrett, Larry Reese, and others.
Treviso è una città dipinta. La Fondazione Benetton racconta tutto nelle sue ricerche
The Fondazione Benetton Studi Ricerche has unveiled the results of its decade-long multidisciplinary project, "Treviso urbs picta," which documents the extensive history of frescoed facades in Treviso, Italy. Spanning the 13th to the 21st centuries, the initiative has produced a comprehensive database of 614 buildings, a scholarly publication, and a topographical map. The project includes a digital archive featuring professional photography and historical mapping to track the evolution and current state of the city's unique painted architecture.
Artist Nat Hardy's exhibition 'ISM – Art with Heart' has opened at Arts Centre Washington in northeast England, showcasing over 30 works inspired by her journey through alcoholism and recovery via the 12-step program. A former social worker and self-taught artist working in needle felting, textiles, watercolors, and pastels, Hardy won the 2024 Spotlight Washington Open Exhibition. Her pieces, such as 'The Journey,' use color and natural imagery to represent the emotional landscape of addiction and healing, with the show running until June 6.
Latika Sridhar, a Needham native and former design engineer, is preparing for her first solo art exhibition titled "Strange Mirror," opening May 9 at Established Gallery in Brooklyn. The show features work she has created over the past two years since leaving her engineering career to focus on painting, following a fine arts summer intensive at the Pratt Institute. Her art explores themes of internal complexity, human emotion, and her own mental health journey, with the exhibition running for a month.