French-Moroccan artist Mehdi-Georges Lahlou opened his first solo exhibition in Singapore and Asia, curated by Virginie Puertolas-Syn. The exhibition, conceptually linked to the 12th-century Sufi poem 'The Conference of the Birds,' uses the palm tree as a central motif to explore themes of displacement, colonial history, and constructed landscapes.
Ladji Diaby’s solo exhibition at Lafayette Anticipations, titled “Who’s Gonna Save the World?”, features furniture repurposed as vitrines for discarded objects. By collecting and displaying artifacts that have lost their original utility, Diaby creates a symbolic dialogue between himself and the anonymous former owners of these items, elevating mundane debris into the realm of high art.
Navid Baraty's series "The Time Between" combines digital photographs of urban skylines like Manhattan and Chicago with dramatic natural landscapes such as desert dunes and snow-capped mountains. Using a double-exposure technique, the artist blends city lights and skyscraper outlines with geological features to explore contrasts between contemporary urban life and ancient, timeless terrains.
Enfants et satyre : deux ventes Artcurial à Paris
Artcurial in Paris is holding two upcoming sales on March 25, featuring a diverse collection of works on paper. The sales include a drawing of a camel by Jean-Pierre Houël, a preparatory sketch of a plucked chicken by Jean-François Tourcaty, a study of a man wearing a satyr mask by Parmigianino, and a drawing by Thomas Couture depicting a scene from his painting 'Pierrot en correctionnelle.'
TERRITORIES IN CONNECTION LATIN AMERICAN ART IN CIUDAD DE LAS ARTES PANAMA
The exhibition "Territorios en conexión" (Territories in Connection) opened at Ciudad de las Artes in Panama City, featuring Latin American artists working with video, textiles, and performance. Curated by Irene Gelfman, the show includes works by artists like Sandra Monterroso, Ana Barboza, and Ana Elena Tejera, and is part of the Pinta Panamá Art Week.
FORJAR CAMINOS: ANCESTRALIDAD AFROBRASILEÑA Y PODER FEMENINO EN LA OBRA DE NÁDIA TAQUARY
The exhibition "Ònà Irin: caminho de ferro" by artist Nádia Taquary has opened at Sesc Belenzinho in São Paulo, featuring large-scale sculptures and an immersive video installation. Curated by Amanda Bonan, Ayrson Heráclito, and Marcelo Campos, the show centers on a massive installation of iron rails that symbolize the Yoruba deity Ogum, the opener of paths. The works integrate traditional Afro-Brazilian materials such as cowrie shells, beads, and metals to explore spiritual protection and the historical significance of jewelry as a form of resistance and identity for enslaved and freed Black women.
Opera singer Davóne Tines and filmmaker Julie Dash collaborated on the short film "HOMEGOING," commemorating the 10-year anniversary of the 2015 mass shooting at Mother Emanuel AME Church in Charleston, South Carolina. The film was created as part of the exhibition "MONUMENTS" at The Brick and MOCA in Los Angeles, curated by Hamza Walker, which interrogates American identity through historical relics. Tines and Dash discuss their shared Southern roots, the role of ritual in healing, and the emotional process of filming inside the historic church.
Oil painters Betz Green and Jim Green will showcase their work at the Stover Mill Gallery in Erwinna, Pennsylvania, on weekends from May 9 through May 31, with an opening reception on May 9. Betz Green creates representational, portrait-oriented still lifes with whimsical narratives, while Jim Green works in an impressionistic and expressionistic style with vibrant colors and exaggerated forms. Both artists have won top awards at local venues such as Phillips Mill and Stover Mill.
The RSM Art Gallery is presenting a solo exhibition titled "Ideas to Postpone the End of the World" by artist Julia Csekö, running from March 19 to May 5, 2026. The show features her text-based works, including wearable welcome dresses, storied flags, and paintings from her 'Speaking Truth to Power' series. An opening reception and artist talk are scheduled for March 19.
The article examines the ongoing challenge of preventing the illicit trade in cultural property looted from conflict zones. It discusses the Hague Convention of 1954 and its protocol, which require signatory countries to prevent theft and pillage during armed conflict and to seize and repatriate unlawful exports. However, the protocol only applies to situations of 'occupation,' leaving a gap for looting that occurs in the chaos of war beyond formal occupation. The article also notes UN Security Council Resolutions that restrict unlawfully removed cultural property from Iraq and Syria, but no similar consensus exists for countries like Afghanistan, Libya, Ukraine, Lebanon, Yemen, Sudan, and Iran. EU Regulation 2019/880 is highlighted as a measure that prohibits introducing goods removed unlawfully from their place of origin into the EU, though its scope has expanded beyond its original anti-terrorist financing purpose.
Christie's website experienced a temporary outage on Wednesday, October 29, due to a global Microsoft 365 and Azure cloud platform disruption. Visitors saw an error message apologizing for the inconvenience and providing contact numbers for Christie's branches in London, New York, Paris, and Hong Kong. A Christie's spokesperson confirmed the outage was caused by the Microsoft issue, and the site was restored after Microsoft pushed a recovery configuration. No live auctions were scheduled that day.
The APEX Museum in Atlanta, a Black history institution founded in 1978, reported discovering a "noose-like rope" in a tree on its premises. The museum's president and CEO, Dan Moore Jr., shared the news in an Instagram post, noting that Homeland Security determined the object was not a noose but that it was removed for evidence. Atlanta police are investigating the incident, which occurred on Wednesday.
The curatorial team of the 19th International Architecture Exhibition of the Venice Biennale has responded to criticism of their use of AI-generated summaries in the exhibition "Intelligens. Natural. Artificial. Collective." They clarify that the 35-word AI summaries were an intentional experiment, left unedited except for gross factual errors, to juxtapose human intelligence (the 250-word project descriptions) with artificial intelligence. The team acknowledges the reflections and critiques published in Artnet and other outlets, viewing them as validating the experiment's purpose.
Cerritos College opened its 2026 annual Student Art Exhibition on April 23 at the Cerritos College Art Gallery, featuring over 150 student artworks selected by faculty from the college's art, design, and photography programs. The opening night included an award ceremony introduced by Gallery Director James Mac Devitt and a speech by Dr. Jose Fierro. Juror Kim Abeles, an established L.A. artist, presented five awards across seven categories including Ceramics/3D Design, Painting/Life Drawing, Freehand Drawing, Printmaking/2D Design, Graphic Design/Digital Illustration, Photography, and 3D Modeling/Motion Picture Editing. Faculty also gave honorable mentions in each category. Approximately $7,000 in awards was distributed, supported by the Associated Students of Cerritos College, the Cerritos Foundation, and donors including former student John DeMott.
The Vila Casas Foundation has launched a major retrospective of Esther Boix at the Espais Volart gallery in Barcelona, marking the centenary of the artist’s birth. Featuring 180 works, the exhibition traces Boix’s evolution from early figurative portraits and social realism to her later, more abstract explorations of nature and ecology. The show highlights her role in the anti-Franco movement, her involvement with the Postectura group, and her significant contributions to art education through the founding of the L’ARC school.
The Chobi Mela, a Dhaka-based international photography festival, is taking place in Bangladesh amid political upheaval following the 2024 'Monsoon Revolution' that toppled the authoritarian government of former Prime Minister Sheikh Hasina. Co-organized by photographer and curator Munem Wasif with Sarker Protick, the festival explores themes of revolution, rebuilding, and historical repetition through themed exhibitions and solo shows by international and Bangladeshi artists, including Bani Abidi, Myriam Boulos, and Mong Mong Shay. The event occurs at a tense time, with mob violence targeting arts groups in December 2024 drawing UN condemnation, yet organizers insist on addressing the region's current crises.
The Kennedy Museum of Art at Ohio University has opened "Art & Process," a faculty exhibition featuring works from the School of Art + Design. The show includes diverse media such as video, photography, painting, fiber, and multimedia pieces, with contributions from faculty members including Basil Masri Zada, whose piece "Destroy Again! Syria" combines sound, video, and physical imagery to address the dictatorship and terrorism in Syria, and Duane McDiarmid, whose work "The Silence of Drums" reflects on the 1862 hanging of 38 Native Americans in Mankato, Minnesota. The exhibition was organized by director Sandra Harris and registrar Lisa Quinn.
Palestinian artist Dima Srouji's exhibition *A Cosmogram of Holy Views* opens at London's Ab Anbar Gallery, presenting a decade of research into the built heritage of Palestinian Christians. The show juxtaposes European Renaissance depictions of the Holy Land with the reality of life under Israeli occupation, using media such as tinted glass collages, blown glass, carved stone, and mother-of-pearl objects. Works like *Return to Nazareth* overlay biblical scenes with personal childhood memories, while *Phantom Votives* offers wax votive forms as a response to the destruction in Gaza.
The Gaza Biennale, a 60-artist exhibition featuring works by artists from Gaza, will debut in New York City from September 10-14 at Recess, a non-profit art space in Brooklyn, with a smaller iteration remaining on view through December 20. The biennale is a decentralized event taking place across 19 venues in 12 cities worldwide, including new pavilions in Toronto, Washington, DC, and New York. It builds on previous editions in London, Athens, Istanbul, Padua, Valencia, and elsewhere, showcasing art made from humble materials like garment scraps and old aid boxes, and includes works by 22 Gaza-based artists in its New York iteration.
Arnim's Art Galleria in Port of Spain is hosting its fourth annual group exhibition, Emerging Vision, featuring 40 works by 16 emerging artists from August 8-23, 2025. Curator Gabriella Bedeau selected a diverse range of styles and media, including abstract, portraits, caricature, photography, digital art, and mixed media, without imposing a theme to preserve each artist's creativity. The exhibition also includes a conservation and preservation art talk on August 23 by restoration expert Surrendra Maraj, covering climate effects on artwork and forgery recognition. Featured artists include Jace-Michael Joseph, Jhad Moses, Kirsten Skinner, and Katelyn Skinner, who shared insights into their work and inspirations.
Nailya Allakhverdiyeva, the longtime director of the PERMM Museum of Contemporary Art in Perm, Russia, has fled the country following escalating intimidation and a raid by security forces. Despite her efforts to maintain the institution's integrity through strategic compromises and "Aesopian language" to navigate tightening censorship, the pressure became untenable after she was interrogated and her home was searched by the F.S.B. in connection with activist Pyotr Verzilov.
THE HISTORY OF ART FROM BOGOTA AT MAP
Montenegro Art Projects (MAP) in Bogotá opens a group exhibition titled 'La historia del arte contada desde Bogotá' (The History of Art from Bogotá), featuring 30 artists. The show explores how art history is activated today, treating it not as a closed archive but as a field in constant transformation, with artists reinterpreting and appropriating historical images and gestures through contemporary sensibilities.
L’intelligenza artificiale come macchina perturbante è in mostra in un rifugio antiaereo di Firenze
Artist and philosopher Francesco D’Isa presents "Latent Rooms" at Rifugio Digitale, a gallery located within a former air-raid shelter in Florence. The exhibition features video works created using generative AI models like Midjourney and Seedance 2.0, which D’Isa manipulates to create dreamlike, glitch-heavy sequences. Rather than aiming for cinematic realism, the artist embraces the technical errors and "hallucinations" of the AI, resulting in an aesthetic that blends Renaissance beauty with haunting, domestic melancholy.
Gli spazi accoglienti dell’artista italiana Donatella Spaziani alla sua prima grande mostra in Cina
Italian artist Donatella Spaziani has opened her first major solo exhibition in China, titled "Incolume tra le cose" (Unharmed Among Things), at the Sichuan Fine Arts Institute Art Museum in Chongqing. The retrospective features over 100 works, including drawings, collages, site-specific installations, and sound art, spanning her career and highlighting her recent residency in the city. The exhibition eschews chronological order, instead creating an immersive environment where the artist’s signature silhouettes and explorations of the human body interact with the architectural space of the museum.
The 5th Floor in Tokyo is hosting "Stilllive Documents 2019–2025," a retrospective exhibition running from May 14 to June 7, 2026, that reviews the activities of the performance platform Stilllive. The show features unpublished photographs and video materials from 2019 to 2025, presenting them not as mere traces of events but as records of relationships, tensions, and responses that emerged in each moment. Stilllive was founded in 2016 by Yuki Kobayashi and graduates of the Royal College of Art's Performance program, and has held annual events since 2019 at venues including the Goethe-Institut Tokyo. A new performance, "Stilllive 2026," will take place on May 16–17 at BUoY in Senju Nakamachi, Tokyo, connecting past accumulations to future practice.
Artist Anastasia Pavlou’s practice is explored through her engagement with literature, memory, and the materialization of language. Her large-scale paintings, which draw formal comparisons to Art Informel and Abstract Expressionism, function as conceptual lexicons where titles—often direct citations from writers like Dionne Brand and Virginia Woolf—carry as much weight as the paint itself. Works such as "The Reader Interrogates Narrative, but Poetry Interrogates the Reader" demonstrate her interest in the "spectral" side of nomenclature, where naming serves to summon ghosts of the past while acknowledging the failures of language to capture emotion.
Franco-Malian artist Ladji Diaby presents 'Who’s gonna save the world?' at Lafayette Anticipations, a solo exhibition featuring sculptural installations crafted from found furniture and discarded objects. By repurposing second-hand furnishings through the lens of his mother’s domestic and spiritual rituals, Diaby transforms marginal items into talismanic vitrines of memory. The works challenge Western hierarchies of cultural value, positioning the act of salvaging as both an aesthetic and political gesture.
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The article appears to be inaccessible due to a security verification wall and technical errors on the CityNews website. The headline indicates a significant disruption occurred during an opening event at the National Gallery of Australia, involving an artist's 'fiery outburst' that likely targeted institutional policies or specific exhibition themes.
The Herding Cats Arts Collective is presenting a month-long exhibition titled 'A Woman’s Place' at Castle Drogo, a National Trust property on Dartmoor. The exhibition, running throughout March 2026, features contemporary works that explore the domestic and social structures governing the lives of women connected to the estate during the late 19th and early 20th centuries. Through research conducted with castle historians, the artists utilize domestic materials and imagery to highlight the often-overlooked histories of both the working-class staff and the upper-class residents of the fortress.