A significant number of New York art galleries, including major players like Pace Gallery, David Zwirner, and Marian Goodman, will close on January 30 to join a nationwide general strike protesting expanded Immigration and Customs Enforcement (ICE) operations. The strike is a response to allegations of federal overreach, including the use of deadly force against protestors and the detention of Native Americans, which have fueled widespread outrage.
À quoi ressemblera le futur musée du Louvre ? Les architectes du chantier du siècle désignés
On May 18, the French Ministry of Culture announced the winner of the international competition for the 'Louvre Nouvelle Renaissance' plan, championed by President Emmanuel Macron in January 2025. The winning consortium, led by Studios Architecture Paris and Selldorf Architects with landscape firm Base, will design a major renovation of the Louvre. The project includes a new entrance on the east side near Saint-Germain-l’Auxerrois to relieve congestion at the pyramid, a belvedere overlooking vegetated moats, and a new 3,000-square-meter gallery dedicated to the Mona Lisa. Construction is not expected to begin before 2028.
The French Senate has definitively adopted a law on the restitution of cultural property looted during the colonial period, marking a major legislative step in France's approach to colonial-era artifacts. The law establishes a legal framework for returning objects held in French public collections to their countries of origin, potentially affecting thousands of items in museums across the country.
The Victoria & Albert Museum in London removed an image of an artwork depicting the Prophet Muhammad from its website due to security concerns following the Charlie Hebdo terrorist attack. The artwork, a poster made by an Iranian artist around 1990, remains in the museum's collection and is available to scholars by appointment. The decision has drawn criticism from experts who view it as self-censorship that could undermine the study of Islamic art.
The Trump administration has escalated its attacks on billionaire philanthropist George Soros, with the Justice Department calling for an investigation into his Open Society Foundations. The foundations, which provide substantial grants to artists and human rights organizations globally, are accused of potential racketeering, wire fraud, and material support for terrorism, based on allegations from the conservative Capital Research Center. Soros, a major Democratic donor, has previously been targeted by Trump and Vice President JD Vance, who claim the foundations fund leftist protests. The Open Society Foundations have awarded $100,000 fellowships to numerous prominent artists, including Firelei Báez, Yto Barrada, and Nicholas Galanin, and provided $1.2 billion in funding in 2024 alone.
The article reports that U.S. artists like Lucia Hierro are increasingly forced to pay for their own museum exhibitions and public commissions as institutional budgets shrink. Hierro’s ambitious installation centered on a 7.5-foot monobloc chair required $35,000–$40,000 for fabrication alone, far exceeding what the commissioning institution could provide. The project moved forward only after support from her gallerist and a new fund from Miami-based nonprofit Fountainhead Arts, which received 96 applications requesting $1.8 million—14 times its available $125,000 in grants. The article highlights that even artists selected for the Venice Biennale face such funding gaps.
A French parliamentary report published on 13 May, following the October 19 heist of the crown jewels at the Louvre, issues a damning assessment of the country's museum security and management. The commission heard around 100 testimonies and examined some 2,000 museums, dedicating a special chapter to the Louvre. It blames former director Laurence des Cars's leadership for a "dysfunctional drift" that prioritized contemporary art interventions and fashion shows over basic infrastructure and collection protection, allowing the heist to occur. The report lists rising threats including riots, burglaries, cyberattacks (which forced the National Museum of Natural History in Paris to cancel an exhibition after a ransomware attack in July 2025), and terrorist plots. It proposes 40 recommendations, including raising budgets by an estimated €20–25 billion over a decade, enhancing staff training, and overhauling museum leadership.
Security guards at the de Young Museum in San Francisco have leveled serious allegations against the Fine Arts Museums of San Francisco (FAMSF) and their union, SEIU 1021, citing a decade of workplace toxicity. Multiple lawsuits detail a culture of whistleblower retaliation, wrongful termination, and harassment, including claims of religious discrimination where a guard was allegedly called a "terrorist" and threatened with gun violence by management. To date, the city has paid out over $1 million to settle seven different lawsuits from security staff, with more litigation reportedly on the horizon.
On July 23, U.S. Senator John Fetterman introduced the Art Market Integrity Act, a bill that would apply anti-money laundering (AML) and counter-terrorism financing regulations to art dealers, auction houses, galleries, advisers, consultants, custodians, museums, collectors, and other intermediaries in the art market. The legislation amends the Bank Secrecy Act, requiring these entities to conduct client due diligence, maintain records, and report suspicious transactions. It exempts artists selling their own work, nonprofits, and businesses with under $50,000 in annual art transactions. The bill is co-sponsored by Senators Chuck Grassley, Sheldon Whitehouse, Bill Cassidy, Andy Kim, and David McCormick.
The European Union's Regulation 2019/880, aimed at combating illicit trafficking and terrorism, will take effect on June 28, imposing stricter import controls on antiquities and artworks over 200 years old and valued above €18,000 ($19,500). The regulation requires importers to provide evidence that an object was lawfully exported from its country of origin, even for items exported decades ago when such documentation was not required. This reverses the presumption of innocence, placing the burden of proof on importers. Dealers and experts express concern that the rules are not based on market realities, as importers must be registered within the E.U., forcing non-E.U. dealers to rely on third-party agents or shippers. The regulation also poses challenges for ancient objects, where borders and export controls may be historically ambiguous.
Argentina's President Javier Milei has escalated his campaign to rewrite the history of the country's 1976-1983 dictatorship by closing art and human-rights spaces on the grounds of the ESMA Museum and Site of Memory in Buenos Aires, a former clandestine prison turned memorial and UNESCO World Heritage Site. In January, the Haroldo Conti Cultural Centre was shuttered for 'internal restructuring,' with 50 of its 87 employees fired; in early April, the government halted operations at Espacio Memoria, suspending salary payments and funding pending an audit. Both centres are public institutions managed by the Human Rights Secretariat, which has undergone mass layoffs and changes under Milei's administration.
The article examines the ongoing challenge of preventing the illicit trade in cultural property looted from conflict zones. It discusses the Hague Convention of 1954 and its protocol, which require signatory countries to prevent theft and pillage during armed conflict and to seize and repatriate unlawful exports. However, the protocol only applies to situations of 'occupation,' leaving a gap for looting that occurs in the chaos of war beyond formal occupation. The article also notes UN Security Council Resolutions that restrict unlawfully removed cultural property from Iraq and Syria, but no similar consensus exists for countries like Afghanistan, Libya, Ukraine, Lebanon, Yemen, Sudan, and Iran. EU Regulation 2019/880 is highlighted as a measure that prohibits introducing goods removed unlawfully from their place of origin into the EU, though its scope has expanded beyond its original anti-terrorist financing purpose.
UNESCO has expressed serious concern over recent Russian attacks damaging cultural heritage sites in Ukrainian cities including Odesa, Lviv, and Kyiv. The winter bombardment has targeted power grids and infrastructure, complicating the work of museums and cultural institutions. The Kyiv-Pechersk Lavra, a World Heritage Site, suffered its first military damage since WWII, and the historic center of Odesa, already on UNESCO's endangered list, saw its Holy Dormition Monastery severely hit.
The New York State Museum in Albany has launched a comprehensive $150 million modernization project funded by the state. Led by new director Jennifer Saunders and supported by Governor Kathy Hochul, the initiative includes infrastructure upgrades, the formation of a visioning task force, and a plan to double the number of annual major exhibitions. The project aims to update the museum's aging displays with more interactive technology and contemporary narratives, beginning with a Barbie retrospective and an upcoming exhibition marking the 250th anniversary of the United States.