The Whitworth gallery in Manchester is presenting a major exhibition comparing the works of Japanese masters Katsushika Hokusai and Utagawa Hiroshige. The show traces the evolution of ukiyo-e prints from their origins as mass-produced, voyeuristic snapshots of Tokyo's pleasure districts to the profound, psychologically complex landscapes that would later revolutionize Western art.
Fred Hohler, the founder of the Public Catalogue Foundation, is the pivotal figure behind the Art UK project, which has successfully digitized over one million UK public art entries. The letter corrects a previous article that highlighted the project's new chair but omitted Hohler's foundational role.
Laura Green and Pierre Bounaud have co-curated a new exhibition titled "The Natural World" at The Studio Door in Hillcrest, San Diego, running from May 8 through June 12. The show features paintings by Green and ceramic and glass works selected by Bounaud, all exploring humanity's complex relationship with nature. Green's impressionistic paintings focus on animals and plants from the San Diego landscape, while Bounaud emphasizes clay and glass as materials drawn from the earth. The exhibition includes works by artists such as Oscar Romo and Kathleen Kane Murrell, who address environmental themes and conservation.
A new group exhibition titled 'Grit' opened at Echo Contemporary Art in Atlanta's Echo Street West, featuring works by local artists in painting, illustration, sculpture, installation, tech-driven pieces, and a quilt by Evereman. Co-curated by Alfonso Alday Vergara of Alday Hunken Gallery, Melanie Shaw of ArtShare, and Kyle McNeill (BignPasty), the show explores the theme of perseverance in art-making. The opening night reception drew a crowd, and the week-long exhibition includes artist talks, live music, and a panel discussion with Hayley Smith of SCOPE Art Show and Plushette Ellis of Artistic Logistics.
Pradip Kumar Bajracharya's solo exhibition 'Festive Spirit' at Gallery Mcube in Kathmandu marks his return to solo shows after over a decade. The exhibition captures the movement and memory of Nepal's jatras (festivals), focusing on the cultural celebrations of the Newa people. Bajracharya uses abstraction and fluid acrylic techniques to depict events like Bhaktapur's Sindure Jatra and Indra Jatra, often decentering faces to emphasize atmosphere and emotion. The works also reflect on the pandemic's halt of festivities, with paintings referencing locked chariots and temple guardians.
Adali Schell, a photographer from Southern California with family ties to rural Ohio, is featured as a young artist nominated by Paris Chong, director of Leica Gallery LA. Schell is known for a series capturing friends with their first cars, and his work has appeared at Les Rencontres d'Arles and in publications such as The Guardian, The New York Times, and The New Yorker. The article includes Schell's personal reflection on his artistic journey, from starting with an iPod Touch camera in fifth grade to focusing on intimate portraits of family and friends.
Puke Ariki museum in New Plymouth, New Zealand, is hosting TUKU: Open Studio | Emerging Māori Artists, a collaborative project where senior artist Wharehoka Smith mentors early-career artists Jodie Tipa and Dwayne Duthie in creating eight manaia (spiritual guardian figures) in a public studio setting. Running from today through 12 July, the open studio prepares the museum's Temporary Gallery for the upcoming Kiingi Tuheitia Portraiture Award exhibition, which opens on 25 July and features 40 tūpuna portraits. Visitors can watch the artists at work, engage with their creative process, and participate in free public events including workshops and talks.
German architect Ole Scheeren is designing the Róng Museum of Art, a beehive-like cultural complex set to open in 2027 in Shenzhen's Houhai Hybrid Campus. The museum represents his latest major architectural project in China, following his iconic work on Beijing's CCTV headquarters and other landmark structures across Asia.
Photoville, co-founded by Laura Roumanos, Sam Barzilay, and Dave Shelley, partners with the South Street Seaport Museum to present Australian conservation and nature photographer Jon McCormack's outdoor exhibition "Elements of Wonder: When Nature Becomes Art" from April 22 to June 14, 2026, in New York City. The free, public show features a decade-long environmental photography project spanning five continents, drawn from McCormack's book "Patterns: Art of the Natural World," capturing natural patterns at scales from microscopic mineral formations to aerial landscapes.
The Briscoe Western Art Museum’s 25th anniversary Night of Artists (NOA) Exhibition and Sale achieved a record-breaking $2.345 million in sales during its opening weekend. The event, held in San Antonio, saw 72% of the featured contemporary Western artworks sold immediately, including high-value pieces by Gladys Roldán-de-Moras and Todd Connor. Several prestigious honors were awarded, including the "Cowboy Bob" Museum Purchase Award, which secured Morgan Weistling’s portrait of Buffalo Bill Cody for the museum’s permanent collection.
At the Scope Art Show in Miami, Amnesty International has presented an installation titled "Cruelty Is Their Point—But Another World is Possible" featuring works by artists Agua Dulce Gloriosa and Clarence James. The project protests the notorious migrant-detention facility in the Everglades nicknamed Alligator Alcatraz, which opened in July 2025 and is operated by Florida’s Division of Emergency Management in partnership with the US Department of Homeland Security. The installation includes an altar-like piece by Dulce Gloriosa and a collage by James, and invites fairgoers to sign a petition demanding the facility's closure.
The article previews the upcoming book "Towards the Ethical Art Museum" and outlines five key strategies for museums to become more ethical institutions. These include developing ethics codes in collaboration with advisory bodies like ICOM and the UK Museums Association, changing mindsets on restitution to focus on mutual benefit rather than loss, and addressing internal "employee activism" to build diverse and equitable workplaces.