An exhibition at the Morgan Library & Museum, titled "Wolfgang Amadeus Mozart: Treasures from the Mozarteum Foundation of Salzburg," presents a curated journey through the composer's life and career. The show features well-preserved ephemera, including Mozart's childhood violin, original sketches for the opera "The Magic Flute," and personal letters that reveal his scatological humor, alongside portraits of his patrons.
Khaled Sabsabi, a Lebanese Australian artist, presents his installation 'conference of one's self' at the Australia Pavilion of the Venice Biennale, alongside a second work 'khalil' in the main exhibition 'In Minor Keys' curated by Koyo Kouoh. His participation follows a tumultuous period in February 2025 when he was initially appointed to represent Australia, then controversially sacked by Creative Australia's board after a political dispute triggered by Senator Claire Chandler's comments, and later reinstated. Sabsabi is now one of only three artists in the Biennale's 131-year history to show in both a national pavilion and the main exhibition.
A new exhibition titled "Sacred Spaces: Visions of the West from the Prosaic to the Sublime" has opened at The Art Museum of Eastern Idaho in Idaho Falls, featuring works by six contemporary artists—David Dibble, Bryan Mark Taylor, Josh Clare, Allie Zeyer, Louisa Lorenz, and Carson Thompson. The show, curated by museum Executive Director Alexa Stanger, focuses on the agricultural landscapes of the American West, portraying farms, ranches, and working spaces not as scenic backdrops but as living environments shaped by labor, memory, and generational stewardship. It runs through July 3.
From May 13 to June 20, 2026, Lippitt House Museum in Providence, Rhode Island, will host an exhibition titled "On Being American: Contemporary Artworks, Echoes of the Past." The show features new works by five local contemporary artists—Susan Hardy, Steven Easton, Amalia Galdona Broche, Lynne Harlow, and McDonald Wright—who draw on the museum's architecture, period, and stories to explore themes of American identity. A special opening reception and artist talk will take place on May 13, with additional open house hours throughout the run.
On May 11, the Leeum Museum of Art in Seoul opened its entire museum on a Monday—its regular closing day—to host approximately 200 members of multicultural families. The event, organized in partnership with family centers and related organizations across Seoul, included exhibition tours of the permanent antique art collection, the special exhibition "Into Another Space: Synesthetic Environments by Women Artists 1956-1976," and the outdoor Orozco Garden. A curator provided explanations, and a magic show was held in celebration of Family Month. Participating organizations included the Yongsan-gu Family Center, Itaewon and Ichon Global Village Centers, the Mari Shelter for Migrant Women and Mari Community, and the Dongdaemun and Seocho Family Centers.
Pavlina Vagioni's exhibition *Oikeiōsis*, presented by the Hellenic Diaspora Foundation at the Venice Biennale, takes its name from a Stoic concept about recognizing belonging and expanding care outward. The show is structured in two rooms: the first, named Neikos (strife), features a fragmented plexiglass cube that reflects visitors in multiplied form, evoking separation. The second, Philotes (harmony), contains warm rock-salt seats and a layered vocal soundscape that activates the Tartini effect—a psychoacoustic phenomenon where two frequencies produce a phantom third tone, symbolizing collective kinship. The salt seats will physically change over the Biennale's six-month run, accumulating the memory of each visitor.
"Aktuell wird viel zerstört, das mühsam aufgebaut wurde"
Berlin's Savvy Contemporary, a non-profit art space known for its postcolonial discourse, has been awarded the Art Basel Award in the 'Museums and Institutions' category—the only German institution to receive the honor this year. However, despite the prestigious recognition, Savvy has been unable to open any exhibitions in 2024 due to a lack of funding. In an interview, managing directors Lema Sikod and Lynhan Balatbat-Helbock discuss the award, the institution's 15-year history, and the growing difficulty of sustaining decolonial work amid rising right-wing populism and political backlash.
The French Parliament has definitively adopted a permanent law on the restitution of cultural property looted during colonization, replacing the previous case-by-case legislative approach. The Senate unanimously approved the final text on May 7, 2026, following agreement in a joint committee on April 30, and the National Assembly had approved it the day before. The law creates a general derogation from the principle of inalienability of public collections, establishing a bilateral scientific committee to examine provenance, with final decisions made by decree of the Council of State. Key amendments from the National Assembly—including binding parliamentary votes on restitution and conditions on conservation and public access—were removed by the joint committee to avoid perceptions of neocolonial tutelage.
The French Parliament has definitively adopted a framework law on the restitution of cultural property that was illicitly acquired. The Senate unanimously approved the conclusions of the joint committee on May 7, following the National Assembly's approval on May 6, after an agreement was reached on April 30. The law establishes a general mechanism for returning objects from French public collections without requiring a specific law for each case, covering items acquired through looting, theft, forced sale, or other illicit means before the 1970 UNESCO Convention. It creates a permanent national commission and a bilateral scientific committee to assess claims, with restitution ultimately decided by government decree subject to legal review by the Council of State.
Gérard Audinet, director of the Maison de Victor Hugo in Paris, is retiring. In a new podcast episode of "L'invité de La Tribune de l'Art," he discusses the history of the museum, its collections, the Maison de Victor Hugo in Guernsey, and the acquisitions and exhibitions he oversaw during his tenure.
Former IndyStar reporter Will Higgins has opened a new exhibition titled "The Speedway's Attic" at the Contemporary Art Museum of Indianapolis (CAMi), running until August 16. The show presents nine quirky, true stories from the margins of the Indianapolis 500, featuring artifacts recreated by Higgins based on his own research. One highlighted tale involves a fake 1938 Mercedes Benz convertible linked to Adolf Hitler, which appeared at the 1949 Indy 500 with mannequins and alleged "Hitler's wife's underwear." Higgins, known for his gonzo journalism style, previously created exhibits like "The American Society of Presidential Urine Collectors" and "The Museum of Fabulosity."
This article lists numerous gallery openings and ongoing exhibits across Central Oregon, including venues such as Amejko Artistry, Art Adventure Gallery, Artists’ Gallery Sunriver, and the High Desert Museum. Featured shows include nomadic woven artwork by Anna Amejko Peterson, a 40th anniversary exhibition of Jefferson County artists, “A Man Named York” at the Belknap Exhibit Center, and “Drawn West — A History of Promoting Place” at the High Desert Museum, among many others spanning pottery, photography, fiber art, and historical displays.
A new museum institution called GAMB (Galleria dell’Accademia di Firenze e Musei del Bargello) has been established in Florence, unifying seven cultural sites under a single autonomous museum system. The sites include the Galleria dell’Accademia, Museo Nazionale del Bargello, Orsanmichele, Casa Martelli, Palazzo Davanzati, Cappelle Medicee, and the former Church of San Procolo. A new visual identity designed by Milanese studio Migliore+Servetto features a pictogram that maps the geographic distribution of the venues, along with a custom typeface and color palette unique to each location. The launch also coincides with the start of a public restoration project for the base of Benvenuto Cellini’s *Perseo* at the Bargello, open to visitors from May 12 to September 5, 2026.
The Waypoint café in Kolkata is hosting "Spring Time," a centenary exhibition dedicated to the late artist Reba Hore, in association with Seagull. The show features Hore's vibrant, abstract canvases that capture what is described as the 'dizziness of the daily'—scenes of ordinary life rendered with hurried, furious strokes and deep emotion. The exhibition runs until May 24, offering visitors a chance to view her work in a relaxed café setting.
Abstract Expressionist painter Tom Wilson Jones is the subject of a new exhibition at Larkin Gallery in Provincetown, Massachusetts. The show runs through June 9, with an opening reception on May 22. Jones, a Louisville native now living in Harwich Port, studied under Robert Henry, Bill Steeves, and at the Royal Museum of Brussels School.
The Clark Art Institute in Williamstown, Massachusetts, is launching a free gallery talk program called Meet Me at the Clark on May 18, designed specifically for people living with dementia and their care partners. The tours take place on select Mondays from 1–4 pm when the museum is closed to the public, offering private access to the galleries with specially trained educators leading guided, open-ended conversations about art.
The Mildred Lane Kemper Art Museum at Washington University in St. Louis is hosting a public tour on May 14, 2026, as part of its Graduation Weekend programming. The tour will explore the exhibition "Looking Back Toward the Future: Contemporary Photography from China," which features over forty large-scale photographs by fourteen Chinese artists created between 1993 and 2006. The exhibition is organized into three thematic sections—The Presence of the Past, East and West, and Performance and the Body—examining how artists used photography and performance to critique China's post-1989 sociopolitical and cultural shifts. This is the first time these works are on view at the museum, and they represent a significant recent addition to its contemporary Chinese art collection.
The Mennello Museum in Loch Haven, Orlando, has launched the fourth edition of its 'Our Orlando' group exhibition, featuring three local artists: Tasanee Durrett, Mado Smith, and Martha Jo Mahoney. The show, curated by museum director Shannon Fitzgerald and co-curator Flynn Dobbs, includes four works each by Durrett and Mahoney and two by Smith, drawn from studio visits. The exhibition runs through late August with an opening reception on Friday.
This article is a local events calendar for Savannah, Georgia, covering the week of May 12–21, 2026. Highlights include a SCAD Jewelry Trunk Show, a Telfair Museums anniversary preview of Impressionism and Modernity: French and American Painting with a lecture by National Gallery of Art curator Mary Morton, the opening of the Seven Ladies Exhibit at the Davenport House Museum, the 15th annual TEDxSavannah, a country concert by Ella Langley, a brewery anniversary party, a jazz fundraiser, and several preservation-focused lectures including one by National Preservation Partners Network CEO Kim Trent and a talk on landscape architect Clermont Lee. The Courtyard Concert Series at SCAD MOA concludes with local bluegrass band Swamptooth.
Western Washington University's Arts & Music Productions (AMP) launched a monthly art walk on the first Friday of October, continuing the tradition each month after the closure of the Viking Union Gallery. The event, conceived by AMP supervisor Casey Hayden, aims to introduce students to Bellingham's art scene in a guided, social setting. Skylar Cooney, AMP's visual arts coordinator, leads tours to smaller venues like Bay Street Studios, and the walks have drawn a diverse academic crowd. Participating galleries, such as Voxel Gallery, report increased foot traffic and community engagement, while local artists and professors like Garth Amundson emphasize the importance of free, accessible events for fostering inclusion.
The Armenian Museum of America in Watertown, Massachusetts, will debut the exhibition “Father” by internationally acclaimed artist Diana Markosian, running from May 29 to September 13. The show uses photography, archival materials, video, and text to document Markosian’s journey to reconnect with her estranged father, exploring themes of family, memory, and identity. Curated by Anahit Gasparyan, the exhibition is co-produced by Les Rencontres d’Arles and Foam, Amsterdam, and sponsored by the JHM Charitable Foundation. A private member preview on May 28 will feature a conversation between the artist and curator.
Tapisserie de Bayeux : un voyage à blanc qui ne teste rien
A confidential interim report obtained by La Tribune de l'Art reveals that the "blank voyage" test transport of the Bayeux Tapestry from Bayeux to London in February 2026 failed to measure actual risks to the artwork. The report admits that the vibration threshold used (2 mm/s) is arbitrary and based on paintings, not on a textile of this size and fragility. Because the tapestry has been stored and inaccessible since September 2025, no mechanical tests could be conducted beforehand to determine safe vibration levels, rendering the test meaningless. A second test took place on April 15, 2026, but its report has not yet been finalized; the actual loan is planned for July 2026, with transport via Eurostar.
A hidden chute within the Merchant's House Museum in Manhattan, identified as a rare surviving stop on the Underground Railroad, is threatened by a planned real-estate development next door. The two-foot-square vertical passage, concealed behind a built-in dresser, was built in 1832 by abolitionists Joseph and Susanna Brewster to shelter Black fugitives escaping slavery. The museum's western wall, which contains the hideaway, adjoins a one-story garage slated for demolition to make way for a commercial building, prompting the museum team to oppose the development due to risk of structural damage.
The Tottori Sand Museum in Japan has opened its 20th anniversary exhibition, themed around Spain. The show features monumental sand sculptures recreating iconic Spanish landmarks, including several of Antoni Gaudí's structures, most notably the Sagrada Familia basilica. The exhibition began last month and will run through January 3, continuing the museum's tradition of annual themed displays that began outdoors in 2006 and moved to a dedicated indoor building in 2012.
The Museum of Art and Photography (MAP) in Bangalore, India, celebrated International Museum Day by presenting a special showcase that weaves together themes of botany, history, and social media. The exhibition highlights how plant life has been depicted in art across centuries, from historical botanical illustrations to contemporary digital works, and explores the intersection of nature, culture, and online platforms.
The Minnesota Marine Art Museum in Winona is hosting a "Spring New Look Weekend" from Friday through Sunday to celebrate two new collections. The first, "Myths & Legends of Minnesota: An Exhibition of the Minnesota Plein Air Collective," features 43 paintings by 32 artists created outdoors across the state, focusing on folklore, oral traditions, and waterways. The second, "Gordon Coons: Gidibaajimomin / We Tell Stories," showcases 18 new works by Ojibwa artist Gordon Coons, along with earlier pieces and examples of Woodland Style art from Norval Morrisseau and Sam Ash. The weekend includes plein air painting demonstrations, a printmaking activity with Coons, meet-the-artist tours, and an evening social.
The Rahr-West Art Museum in Manitowoc, Wisconsin, is offering free, monthly drop-in gallery tours throughout summer 2026, led by museum staff and guest experts. Tours include sessions on the art of David Roberts, recent acquisitions, salon-style installations, and a local artists exhibition, with no registration required. Additionally, docent-led tours of the historic Vilas-Rahr Mansion will be available on Thursdays from June through September.
The Musée des Arts Décoratifs in Paris opens "Fashion in Majesty: Haute Couture and Tradition at the Thai Court" from May 13 to November 1, 2026. The exhibition features over a hundred garments, accessories, and textile pieces from the Thai royal family's collections, focusing on how Queen Sirikit modernized Thai ceremonial dress while preserving traditional codes through her collaboration with Pierre Balmain and Maison Lesage. The show also highlights the work of the SUPPORT Foundation, established by Queen Sirikit to safeguard traditional crafts, and the ongoing legacy carried by Queen Suthida and Princess Sirivannavari.
The Muskegon Museum of Art has announced a new exhibition titled 'HerStory of Animation: Mary Blair & Beyond,' premiering June 6 through September 27. The show redefines animation history by highlighting the contributions of women animators and artists, from early pioneers like Helena Smith Dayton and Lotte Reiniger to contemporary figures. Curated by Mindy Johnson, the exhibition features production artwork, studio artifacts, rare imagery, films, and newly uncovered research spanning over a century of innovation.
The Sehwa Museum of Art in Seoul, operated by the Taekwang Group Sehwa Arts and Culture Foundation, has launched a series of artist-led participatory programs tied to its current exhibitions. On May 17, artist Yesol Kim will lead "Perhaps Scribbling on the World Crookedly," where participants draw and view their work through a kaleidoscope. On May 23, artist Jeong Manyoung will host "Sound Exploration: Finding My Own Sound Space," involving outdoor sound recording. Every Tuesday and Sunday at 3 p.m., visitors can enjoy a performance while holding cotton candy, linked to Lee Wonwoo's work "Gentle Prince." Additional ongoing activities include a handmade zine-making station and a social media review giveaway offering an "Artist Puzzle" from the museum shop.