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Smithsonian American Art Museum presents blockbuster Grandma Moses exhibition

The Smithsonian American Art Museum in Washington, D.C., will present "Grandma Moses: A Good Day's Work" from November 25, 2025, through July 12, 2026. The exhibition features 88 works by Anna Mary Robertson "Grandma" Moses (1860–1961), drawn from the museum's collection, private collections, and public institutions. It repositions Moses as a multidimensional force in American art, exploring her artistic evolution from farmwife to famous artist in Cold War America, and includes photographs, ephemera, and excerpts from her autobiography. The show is organized by Leslie Umberger, senior curator of folk and self-taught art, and former Randall Griffey, with support from curatorial assistant Maria R. Eipert.

Pakistani artist Shahzia Sikander navigates her country’s complex past—a new monograph tells her story

Shahzia Sikander, a Pakistani artist born in Lahore after the Partition of India, is the subject of a new monograph by art historian Jason Rosenfeld. The article traces her rise from the National College of Arts (NCA) in Lahore, where she studied contemporary miniature painting—a genre uniquely associated with Pakistan—to international prominence. It highlights her graduate thesis, *The Scroll* (1989-90), which used the traditional Indo-Persian miniature form to critique General Zia ul Haq's military dictatorship, and positions her alongside Imran Qureshi as one of the best-known living artists of Pakistani origin.

Portland Art Museum to unveil $116m transformation with Mark Rothko at its heart

The Portland Art Museum (PAM) will unveil a $116 million expansion and renovation on November 20, the largest single-organization arts investment in Oregon history. The centerpiece is the new Mark Rothko Pavilion, a multi-story glass structure designed by Hennebery Eddy Architects and Vinci Hamp Architects, which bridges the museum's 1932 building with a former Masonic Temple. The project adds 100,000 square feet of renovated space, including new plazas with sculptures by Ugo Rondinone, Roy Lichtenstein, Anthony Caro, and Clement Meadmore. The Rothko family is lending major paintings from their private collection for display over two decades, with a promised gift at the end of that period, and made a six-figure donation to the museum's $146 million capital campaign.

Fast-rising Montana art organisation to take over century-old theatre

Tinworks Art, a non-profit contemporary art space in Bozeman, Montana, is expanding from its original industrial campus to the historic Rialto Theater downtown. Opening November 21, Tinworks at Rialto will debut with Matthew Barney's 2018 film *Redoubt*, on view until February 1, 2026, marking the organization's first year-round venue for installations, talks, screenings, and performances. The Rialto, which opened as a theater in 1924, was donated to Tinworks by its previous owners. Additionally, Tinworks is restoring its deteriorating mill building on the northeast campus, set to open in October 2026, which will add flexible gallery spaces, a visitor center, and offices, extending programming beyond its current June-to-October schedule.

The Met Presents First Exhibition of Works by Finnish Painter Helene Schjerfbeck in a Major U.S. Museum

The Metropolitan Museum of Art in New York will present "Seeing Silence: The Paintings of Helene Schjerfbeck," the first major U.S. museum exhibition dedicated to the Finnish painter (1862–1946). Featuring nearly 60 works on canvas, including loans from the Finnish National Gallery / Ateneum Art Museum and private collections, the exhibition runs from December 5, 2025, to April 5, 2026. It traces Schjerfbeck's artistic evolution from early naturalist works to her spare, experimental style, highlighting her resilience amid civil war, world wars, and Finland's independence.

‘The Hay Wain’ to go on show in Constable's home county for the first time

John Constable's iconic painting *The Hay Wain* (1821) will be exhibited in Suffolk, the artist's home county, for the first time in 2026 as part of the 250th anniversary of his birth. The work, on loan from the National Gallery in London, will be shown at Christchurch Mansion in Ipswich from 11 July to 4 October 2026, within the exhibition *Constable: Walking the Landscape*. It will be reunited with preparatory sketches from the Ipswich collection and accompanied by loans from the Tate, the Victoria and Albert Museum, the Royal Academy of Arts, and the National Galleries of Scotland. Two additional exhibitions at Christchurch Mansion—*Constable: A Cast of Characters* and *Constable to Contemporary*—also form part of the broader Constable 250 project, which is funded by the National Lottery Heritage Fund and supported by the Weston Loan Programme.

The Crocker Art Museum’s CEO Wants the World — and People of Sacramento — to Love His Newly Adopted City

Agustín Arteaga, the new Mort and Marcy Friedman director and CEO of the Crocker Art Museum in Sacramento, discusses his first months on the job, including extensive meetings with staff, board members, and community stakeholders. Arteaga, who previously led the Dallas Museum of Art, the Museo Nacional de Arte in Mexico City, and the Museo de Arte de Ponce in Puerto Rico, emphasizes the need to balance fundraising, donor relations, educational programming, and political transparency while maintaining the museum's relevance as the oldest art museum in the American West.

Jenny Saville to present unseen Venice-inspired works to coincide with 61st Biennale

Jenny Saville will present previously unseen works in Venice next year as part of a major exhibition at the International Gallery of Modern Art at Ca’ Pesaro, running from 28 March to 22 November 2026. The show will feature around 30 works from the last 30 years, including a new cycle created in homage to the lagoon city, and coincides with the 61st Venice Biennale (9 May-22 November 2026). The exhibition draws from private and public collections, placing Saville's monumental canvases in dialogue with the great painters of Venice's artistic heritage.

Children curate exhibition of Clyfford Still works inspired by their reservation

The Clyfford Still Museum in Denver has handed curatorial authority to 100 children from the Confederated Tribes of the Colville Reservation for the exhibition "Tell Clyfford I Said ‘Hi’" (on view until May 10, 2026). The show features works by Clyfford Still, who in 1936 traveled to the Colville Reservation with colleague Worth Griffin to document tribal members and landscapes. The museum collaborated with tribal youth from three schools—Nespelem School, Nespelem Head Start, and Hearts Gathered Montessori—who selected artworks from facsimiles of Still’s paintings and photographs, drawing connections between his abstract works and their own cultural experiences, such as a student noting that a painting resembled a pow wow blanket.

The Interview: Thelma Golden

Thelma Golden, director and chief curator of the Studio Museum in Harlem, is interviewed ahead of the museum's reopening in a new Adjaye Associates-designed building following a $300 million capital campaign. Golden reflects on her career, including curating the politically charged 1993 Whitney Biennial and the landmark exhibition "Black Male: Representations of Masculinity in Contemporary American Art" (1994–95), as well as her influential 2001 show "Freestyle," which introduced the concept of "post-Black" art. The article also highlights the museum's first exhibition in the new building, focusing on artist Tom Lloyd, whose work was featured in the museum's inaugural show in 1968.

Groundbreaking Art Takes Spotlight at O’Donnell Athenaeum Exhibit

A new exhibition titled “Groundbreakers: Post-War Japan and Korea from the Dallas Museum of Art and The Rachofsky Collection” has opened at the Edith and Peter O’Donnell Jr. Athenaeum at The University of Texas at Dallas, running through July 2026. Curated by Dr. Natalia Di Pietrantonio of the Crow Museum of Asian Art, the show features works from three major postwar movements—Mono-ha, Dansaekhwa, and Gutai—using unconventional materials like white glue, bells, wires, tin, and rocks. Highlights include Kazuo Shiraga’s foot-painted canvases, Takesada Matsutani’s vinyl glue sculptures, Atsuko Tanaka’s interactive wire installation, and Do Ho Suh’s translucent polyester corridor inspired by homesickness.

At Art Basel Miami Beach, a new space reimagines art in the digital age

Art Basel Miami Beach will debut a new curated space called Zero 10, dedicated to digital and new media art, at its upcoming fair in the Miami Beach Convention Center. The centerpiece is an interactive installation by American artist Beeple featuring robot dogs with human heads modeled after public figures like Andy Warhol, Jeff Bezos, and Elon Musk, which will photograph fairgoers and offer NFTs. The space, curated by Eli Scheinman, includes works by pioneers such as Manfred Mohr and Larva Labs, alongside galleries like Pace Gallery and platforms like Art Blocks, exploring themes of AI, robotics, and generative systems. The name references Kazimir Malevich's 1915 exhibition '0,10', signaling a push into new artistic terrain.

Rediscovering Roger Fry, the overlooked Bloomsbury artist who helped bring Cézanne and Van Gogh to the world

The Charleston museum in Firle, East Sussex, will mount a major solo exhibition of paintings by Roger Fry (1866-1934) from 15 November 2025 to 15 March 2026. Fry, a central figure in the Bloomsbury Group, was a polymath who introduced Post-Impressionists like Cézanne, Van Gogh, and Gauguin to British and American audiences, co-founded the Omega Workshops and the Burlington Magazine, taught at Cambridge, and curated at the Metropolitan Museum of Art. The show brings together nearly 80 works, over 60 from private collections, including portraits of friends like E.M. Forster and Vanessa Bell, and landscapes that reveal his experimental range from Gauguin-esque outlines to Cubism.

On the ground at Art Week Tokyo: amid shifting national politics, Japan’s ‘sleeping beauty’ art scene is waking up

The fifth edition of Art Week Tokyo (AWT) took place from November 5-9, bringing together over 50 commercial galleries and museums across the city in a hybrid "post-art fair" model. The event unfolded against the backdrop of Sanae Takaichi becoming Japan's first female prime minister, a political shift that has sparked mixed reactions in the Japanese art world, with calls for improved tax incentives, international promotion, and stronger public collections. AWT, directed by Atsuko Ninagawa and organized in collaboration with Art Basel, featured museum shows including "What is Real?" at the Okura Museum of Art, curated by Adam Szymczyk, and "Prism of the Real: Making Art in Japan 1989-2010" at the National Art Center, Tokyo.

Camille Pissarro show at Denver Art Museum is both ambitious and exhaustive

The Denver Art Museum has opened "The Honest Eye: Camille Pissarro’s Impressionism," a comprehensive retrospective of the Impressionist painter featuring over 100 works from nearly 50 international museums and private collections. Co-organized with the Museum Barberini in Potsdam, Germany, the exhibition is the first major U.S. museum survey of Pissarro in 30 years, curated by Clarisse Fava-Piz, Claire Durand-Ruel, and Nerina Santorius.

Arts Playlist: Delaware Art Museum's 'Imprinted: Illustrating Race'

The Delaware Art Museum has opened 'Imprinted: Illustrating Race,' an exhibition co-curated by University of Delaware professor Robyn Phillips-Pendleton that examines how race and identity have been depicted in popular illustration over more than a century. The show, which previously ran at the Norman Rockwell Museum, features works from books, magazines, advertising, trade cards, posters, and even a cookie jar, tracing the evolution of racial representation in American visual culture. It includes a notable shift by Norman Rockwell, who after decades of depicting predominantly white family scenes for the Saturday Evening Post, turned to socially relevant topics like civil rights in the 1950s.

A Story of South Asian Art: Mrinalini Mukherjee and Her Circle

The Royal Academy of Arts in London presents "A Story of South Asian Art: Mrinalini Mukherjee and Her Circle," a visually thrilling exhibition running from 31 October 2025 to 24 February 2026. Curated by Tarini Malik, the show pivots around the work of Mrinalini Mukherjee (1949-2015), placing her in dialogue with key figures of the Indian cultural scene, including her parents Benode Behari Mukherjee and Leela Mukherjee, as well as artists Gulammohammed Sheikh and Nilima Sheikh. The exhibition highlights Mukherjee's hemp sculptures like 'Adi Pushp II' (1998-99) and bronze works such as 'Forest Flame IV' (2009), and emphasizes the importance of art schools and places—Santiniketan, Baroda (Vadodara), and New Delhi—in shaping her practice.

4 notable art exhibitions opening around the world

Four major retrospective exhibitions are opening around the world in late 2025 and early 2026, celebrating the work of Robert Rauschenberg, Wes Anderson, Vivienne Westwood, Rei Kawakubo, and Wifredo Lam. At M+ in Hong Kong, "Robert Rauschenberg and Asia" explores the artist's collaborations with artisans in India, China, and Japan. The Design Museum in London presents "Wes Anderson: The Archives," featuring over 600 items from his film sets. The Museum of Modern Art in New York hosts "Wilfredo Lam: When I Don't Sleep, I Dream," the most extensive US retrospective of the Cuban-born artist. A creative conversation between designers Vivienne Westwood and Rei Kawakubo is also highlighted.

MFA Boston returns work by enslaved artist David Drake to his heirs, Wifredo Lam, Ghirlandaio’s Adoration of the Magi—podcast

The Museum of Fine Arts (MFA) in Boston has agreed to return two 1857 works by the enslaved potter David Drake to his descendants. One vessel will remain on loan to the museum for at least two years, while the other, known as the "Poem Jar," has been purchased back by the museum for an undisclosed sum, now carrying a certificate of ethical ownership. The episode also covers the opening of the exhibition "Wifredo Lam: When I Don’t Sleep, I Dream" at the Museum of Modern Art in New York, featuring the modernist painter of African and Chinese descent, and discusses Domenico Ghirlandaio's "Adoration of the Magi" (1488) in the context of a new book on Renaissance foundlings.

Kyle Stephan finds in art the power to activate people

Kyle Stephan has been appointed the new Steven and Lisa Munster Tananbaum Curator of Modern and Contemporary Art at The Block Museum at Northwestern University. A curator, scholar, and educator with expertise in global contemporary art, time-based media, and interdisciplinary practice, Stephan was inspired to pursue curatorial work after witnessing art's power to activate people and communities while working as a studio manager for artist Lynn Hershman Leeson in the 1990s San Francisco Bay Area. She holds a Ph.D. in art and art history from Stanford University and previously curated the first U.S. survey of Fluxus artist Wolf Vostell at Harvard Art Museums.

Sara Friedlander Appointed Chairman, Post-War & Contemporary Art, Americas - Christie's

Christie's has promoted Sara Friedlander to chairman of Post-War and Contemporary Art for the Americas, as announced by Global President Alex Rotter. Friedlander, a specialist and dealmaker with nearly 20 years at the auction house, will focus on works from the last 50 years. She has brought major collections to market, including the Kawamura Memorial DIC Museum of Art and the Edlis | Neeson Collection, and has achieved world-record prices for artists such as Joan Mitchell, Alice Neel, Ernie Barnes, Dorothea Tanning, and Marlene Dumas.

The Top 10 Exhibitions to See Around the World This November

This article presents a curated list of the top 10 exhibitions to see around the world in November, highlighting key shows such as 'Project a Black Planet' at MACBA, which explores Pan-Africanism through art and culture, Sylvie Fleury's installation 'She-Devils On Wheels Headquarters' in New York, and Araya Rasdjarmrearnsook's survey at Jameel Arts Centre. Other featured exhibitions include Karolina Jabłońska's paintings of pickled beets and severed limbs, among others, each offering unique perspectives on identity, gender, and mortality.

Fred Voon

Fred Voon, a prominent figure in the art world, has passed away. The article, published by The Art Newspaper, reports on his death and likely includes tributes and reflections on his career and contributions to the art community.

‘Truly inspiring’: New Princeton University Art Museum opens its doors to all

The new Princeton University Art Museum opened its doors to the public on Oct. 31, 2025, with a 24-hour open house that drew 21,763 visitors. The event featured dancing, stargazing, artmaking, live performances, film screenings, and a trivia contest, with highlights including Claude Monet's "Water Lilies and Japanese Bridge" and Nick Cave's mosaic. Director James Steward welcomed the crowd, and the museum also hosted previews for students, faculty, staff, and tradespeople, attracting thousands more.

Portland exhibit shows off multifaceted artists’ personal narratives | Column - Portland Press Herald

Mauricio Muñoz and Andrew Roberts' installation "The Harvest" (2021) is featured in "otherwise," a thesis exhibition at the Institute of Contemporary Art at MECA&D in Portland, running through Dec. 13. The show also includes works by Ayana V. Jackson, whose project "From the Deep: In the Wake of Drexciya" was targeted by Donald Trump in his attacks on the Smithsonian Institution. The exhibition explores how artists use storytelling and worldbuilding to cope with difficult contemporary issues and imagine better futures, serving as a companion to the Ogunquit Museum of American Art's "Where the Real Lies."

Inside the Jewish Museum’s $14.5m renovation in New York City

The Jewish Museum in New York City reopened its third and fourth floors on October 24 after a $14.5 million renovation led by United Network Studio and New Affiliates Architecture. The redesigned 20,000-square-foot space features thematic galleries displaying centuries-old artifacts alongside works by Mark Rothko, Robert Motherwell, and contemporary artists, as well as a new Robert and Tracey Pruzan Center for Learning with art studios and a children's archaeological dig. A highlight is the display of 139 Hanukkah lamps from the museum's collection, arranged geographically in a 50-foot vitrine.

National Gallery Singapore celebrates 10 years

National Gallery Singapore (NGS) celebrates its 10th anniversary with a weekend event on November 15-16, 2025, featuring extended hours, free exhibitions, a rave, a pop-up market, and food trucks. The gallery, housed in the restored Supreme Court and City Hall buildings, opened on November 24, 2015, after a delayed launch, and has since welcomed over 14 million visitors. Highlights include the blockbuster show "Into The Modern: Impressionism From The Museum Of Fine Arts, Boston," with works by Monet, Cézanne, and Degas never before shown in Singapore, plus exclusive merchandise from local brands.

The story of Jean-Michel Basquiat’s brief but dazzling life, as told by an art-world insider

Doug Woodham, former president of Christie's Americas and current managing partner of Art Fiduciary Advisors, has authored a new biography titled "Jean-Michel Basquiat: The Making of an Icon." The book is divided into two halves: the first offers a straightforward biography of Basquiat's life from his gifted childhood in Brooklyn to his rise as a star artist, his friendship with Andy Warhol, and his tragic death from a heroin overdose at age 27. The second half analyzes how Basquiat achieved such early success, examining the influence of his father Gerard, the legal battle with dealer Vrej Baghoomian over the artist's estate, and the roles of collectors like Peter Brant and José Mugrabi. Notably, the Basquiat estate refused permission to include images of his artwork because the book openly addresses sensitive issues about his character and life.

A rare jewellery box identified in Vermeer paintings sheds new light on the artist’s connections

New research by curator Alexandra van Dongen of Rotterdam’s Boijmans Van Beuningen Museum reveals that a rare Indo-Portuguese jewellery casket depicted in two Johannes Vermeer paintings—Mistress and Maid and A Lady Writing (both 1664-67)—is a real, surviving object. Van Dongen tracked down the sole known example in the Távora Sequeira Pinto collection in Porto, with help from Amsterdam dealer Dickie Zebregs. Her findings, published in the book De tastbare wereld van Johannes Vermeer, suggest the casket likely belonged to Vermeer’s patron Maria de Knuijt, a wealthy Dutch East India Company shareholder who may have asked the artist to include it in her paintings.

Soulios Gallery to open new space in Nashville.

Soulios Gallery, founded by Steven and Ana Soulios, will open a new space in Nashville's historic Cummins Station on November 12th. The inaugural exhibition, "City of the Mind," features a survey of New York-based artist Arthur Robins, covering over 50 years of his work, including expressionist cityscapes, abstract Tunnel Paintings, and never-before-shown biblical pieces. The gallery focuses on postwar movements such as American Expressionism, overlooked artists, and video, media, and performance art, with future exhibitions planned for artists like Mattias Duwel, Ewald Platte, and Ma Kelu.