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Amoako Boafo Brings Accra to LA in ‘I Bring Home with Me’

Amoako Boafo's third solo exhibition with Roberts Projects, titled 'I Bring Home with Me,' opens January 17 in Los Angeles. The show recreates the artist's Accra, Ghana studio within the gallery through an architectural collaboration with designer Glenn DeRoche, featuring vibrant wallpaper, grid windows, and light-filled passages. Boafo presents new portraits using his signature fingertip painting technique, integrated into the studio structure and a folding wooden sculpture inspired by the Adinkra symbol nkyinkyim.

3 national art exhibits draw on Tweed collection

Three major U.S. museums—the Metropolitan Museum of Art, the Walker Art Center, and the Denver Art Museum—are simultaneously exhibiting works loaned from the Tweed Museum of Art at the University of Minnesota Duluth. The loans include pieces by Ojibwe artist George Morrison (1919-2000) for "The Magical City: George Morrison's New York" at the Met; works by Sičáŋǧu Lakota artist Dyani White Hawk for "Dyani White Hawk: Love Language" at the Walker; and a work by Andrea Carlson for "Andrea Carlson: A Constant Sky" at the Denver Art Museum. Tweed director Julie Delliquanti and Duluth Art Institute executive director Christina Woods highlight the significance of sharing the Tweed's collection with national audiences.

Museum Of Contemporary Art, Chicago — Yoko Ono: A Force Of Nature

The Museum of Contemporary Art (MCA) in Chicago is presenting "Yoko Ono: Music of the Mind," a major retrospective of the artist's work that runs from October 18, 2025, to February 22, 2026. The exhibition features over 200 works spanning Ono's career, including interactive installations like "Wish Trees" and "Mend Piece," as well as iconic performances such as "Cut Piece." The show, which originated at the Tate Modern in London and will travel to The Broad in Los Angeles, highlights Ono's role in the Fluxus movement and her pioneering use of instruction-based art, film, and mixed media. The article also notes Ono's connection to Chicago through her permanent public sculpture "Sky Landing" in Jackson Park.

In pictures: meet the ghosts of the US’s East Coast

Photographer Anastasia Samoylova presents her latest exhibition and photobook, "Atlantic Coast," at the Norton Museum of Art in West Palm Beach. The project documents a road trip along the old US Route 1 on the East Coast, inspired by Berenice Abbott's 1954 journey. Through her lens, Samoylova captures a country in transition, juxtaposing decaying Americana with modern structures and political commentary, including images of a statue of John C. Calhoun being removed after the George Floyd protests and the collapsed Francis Scott Key Bridge. She draws parallels between her work and Paul Thomas Anderson's film "One Battle After Another," both centering on road trips and shared anxieties.

New Exhibition is a Compelling Rummage Through the Relics of an Artist's Radical Life

The New Mexico Museum of Art's Vladem Contemporary has opened "Lucy Lippard: Notes from the Radical Whirlwind," an exhibition curated by Alexandra Terry that showcases artworks gifted to the influential art critic and activist Lucy R. Lippard by artists she championed. The show features pieces by Melanie Yazzie, Ana Mendieta, and others, tracing Lippard's journey from a young art history graduate working at MoMA to a writer for Artforum and Art International, and ultimately to a vocal advocate for social justice who merged art with activism.

Inside the museum that doesn’t exist

California-born artist Matt Mullican has created 'THAT NOTHING SHOULD EXIST: 55 Years of Work', the largest exhibition of his career, which will inaugurate the Roarington Art Center—a virtual museum in the metaverse. The museum, designed by Italian architect Benedetto Camerana, is embedded in the City of Roarington, a digital dreamland launched by Liechtenstein-based entrepreneur Fritz Kaiser through his non-profit The Classic Car Trust (TCCT). The exhibition is scheduled to open to the public in February next year, with viewers navigating the space like an immersive three-dimensional video game.

An Exhibition in Dallas Challenges the Traditional Notions of Jewelry

The Dallas Museum of Art has opened "Constellations: Contemporary Jewelry at the Dallas Museum of Art," its largest-ever exhibition of contemporary jewelry, featuring over 350 pieces by 233 artists spanning eight decades. Curated by Sarah Schleuning, the show emphasizes conceptual ideas over material value, with works made from unconventional materials like found objects, zinc, steel, and fair-trade gold. Highlights include pieces by Iris van Herpen, Andrea Branzi, Harry Bertoia, Ute Decker, Art Smith, and merry renk, displayed in a design by artist and architect Jarrod Beck. A 456-page catalog accompanies the exhibition, which runs through May 3, 2026.

The Interview: Thelma Golden

Thelma Golden, director and chief curator of the Studio Museum in Harlem, is interviewed ahead of the museum's reopening in a new Adjaye Associates-designed building following a $300 million capital campaign. Golden reflects on her career, including curating the politically charged 1993 Whitney Biennial and the landmark exhibition "Black Male: Representations of Masculinity in Contemporary American Art" (1994–95), as well as her influential 2001 show "Freestyle," which introduced the concept of "post-Black" art. The article also highlights the museum's first exhibition in the new building, focusing on artist Tom Lloyd, whose work was featured in the museum's inaugural show in 1968.

New York’s Studio Museum—known for championing Black artists—reopens in $300m new home

The Studio Museum in Harlem will reopen on November 15 after a seven-year closure, unveiling a new $300 million, 82,000-square-foot building designed by Adjaye Associates and Cooper Robertson. The first purpose-built space in the museum's 57-year history, located at its original footprint on West 125th Street, features a dramatic dark-grey precast-concrete facade and includes a $50 million endowment. The reopening comes after architect David Adjaye stepped away from the project in 2023 following sexual assault allegations, which he denies. The inaugural exhibition will highlight works by Tom Lloyd, the first artist shown when the museum opened in 1968.

Pearlstein Gallery Opens Fall Exhibition Exploring Systems and Structures in Contemporary Art

The Leonard Pearlstein Gallery at Drexel University's Antoinette Westphal College of Media Arts & Design has announced its Fall 2025 exhibition, "Of the Grid: Systems + Structures in Contemporary Art," running from October 14 to December 15. The show features 36 artists working across media including photography, video, drawing, weaving, sculpture, embroidery, printmaking, painting, book arts, and interactive installation, with works that use the grid as a formal, conceptual, or narrative device. Co-curated by gallery director Mark Stockton and Cindy Stockton Moore, the exhibition includes a dynamic mix of Philadelphia-based and international artists, with highlighted pieces such as Jacob C. Hammes's IKEA-hacked fountain, Anne Schaefer's optical color window installation, and a suspended quilt by Jody Graff.

The Disturbing Lessons of the 1937 ‘Degenerate Art’ Show

The article examines the historical context and enduring relevance of the 1937 Nazi-organized 'Degenerate Art Show' (Entartete Kunst) in Munich, which displayed hundreds of works by modern artists like George Grosz, Wassily Kandinsky, and Paul Klee as examples of moral and cultural corruption. It traces the concept's roots in 19th-century Social Darwinism, its adoption by Adolf Hitler and the Nazi Party to denigrate modern art, and the gradual escalation of cultural purification policies after Hitler seized power in 1933, including the firing of museum directors and the construction of the Haus der Deutschen Kunst.

Paradigm Shift – a major exhibition exploring new dimensions in Moving Image.

180 Studios presents 'Paradigm Shift', a major exhibition at 180 Strand in London that transforms the venue's subterranean spaces to showcase acclaimed moving image works from the 1970s to the present. Curated by Jefferson Hack and Mark Wadhwa, the show features over a dozen artists including Ryan Trecartin, Nan Goldin, Andy Warhol, Pipilotti Rist, and Arthur Jafa, drawing from avant-garde cinema, TV, music video, performance, fashion, gaming, and internet culture. New commissions by 180 Studios sit alongside iconic historical works, tracing revolutions in moving image culture from Warhol's 1970s 'Fashion TV' to TELFAR TV today.

NEXT in the Gallery: October arts are all about play

October arts in Pittsburgh focus on play and legacy, with several gallery openings and retrospectives. GalleriE CHIZ hosts "Celebrating the Art and Life of Ellen Chisdes Neuberg" on Oct. 3, showcasing the late artist and gallery owner's bold Abstract Expressionist works. The Pittsburgh Glass Center presents "Idea Furnace Retrospective" (Oct. 3, 2025–Jan. 19, 2026), featuring alumni like Renee Cox and Alisha Wormsley. James Wodarek's "Industria Nova" at Atithi Studios reimagines industrial forms, while the Cooley Gallery pairs "Felt-Occurrence" with "Continuing a Legacy of Classical Painting," linking three generations of American landscape artists from Frank DuMond to James Sulkowski.

Top Art Exhibits at Chicago Museums | 2025 Guide

Chicago museums are presenting a diverse slate of fall 2025 exhibitions, including a major Yoko Ono retrospective at the Museum of Contemporary Art Chicago, the National Museum of Mexican Art's 39th annual Día de Muertos exhibit, a landmark Elizabeth Catlett retrospective at the Art Institute of Chicago, a Marvel's Spider-Man interactive show at the Griffin Museum of Science & Industry, and Italian artist Diego Marcon's U.S. debut at The Renaissance Society.

Oil Street Art Space stages "Eying East, Wondering West - Square Word Calligraphy Classroom on the Move" exhibition featuring world-renowned artist Xu Bing (with photos)

Oil Street Art Space (Oi!) in Hong Kong has opened the exhibition "Eying East, Wondering West - Square Word Calligraphy Classroom on the Move," featuring world-renowned artist Xu Bing. Running from September 29, 2025 to January 11, 2026, the show transforms the Oi! Glassie venue into an interactive classroom where visitors can learn and write Xu Bing's Square Word Calligraphy (Hong Kong Edition). The exhibition includes a specially designed textbook inspired by local student exercise books, brushes and copybooks, interactive digital installations, and workshops on seal carving and fan design. It was previously held at the Hong Kong Museum of Art and is presented by the Leisure and Cultural Services Department, organized by the Art Promotion Office and Oi!.

Daegu Photo Biennale tackles the Anthropocene

The Daegu Photo Biennale in South Korea, now in its 10th edition, tackles the Anthropocene through the lens of symbiosis, featuring three main exhibitions: 'The Pulse of Life', 'The Origin of the World', and a solo show by Rinko Kawauchi titled 'M/E On this Sphere Endlessly Interlinking'. Artistic director Emmanuelle de l’Ecotais, a former curator at Centre Pompidou and Musée d’Art Moderne de Paris, leads the biennale, which includes 80 artists in the main exhibition and 75 in the special exhibition, alongside emerging artist showcases, a symposium, a photobook exhibition, and a portfolio review, all spread across 4,000 square meters at the Daegu Culture and Arts Center.

Dealers get creative pairing artists at Duet—just don’t call it an art fair

Duet, a pop-up exhibition conceived by curators Zoe Lukov and Kyle DeWoody, debuts in Manhattan’s Financial District with 11 galleries and a group show running until 8 September. Housed in the WSA building, each gallery occupies a glass-walled meeting room and pairs two artists around a thematic connection—such as Pace showing Nina Katchadourian with Matthew Day Jackson, or Galerie Sardine pairing Jenna Kaës with Anthony Banks. A group exhibition features works by Marina Abramović, Lynda Benglis, Maya Lin, Radcliffe Bailey, Karon Davis, Miles Greenberg, Carlos Motta, Sam Moyer, Brendan Fernandes, and Naama Tsabar, with performances by Fernandes and Tsabar.

Comment | I used to think it wasn’t cool to like Andy Goldsworthy—now I see how he helps us appreciate the natural world

Mia maxima culpa. For many years I felt it wasn’t cool to like Andy Goldsworthy. The British artist’s interventions in and workings with nature, while highly skilful and often very beautiful, seemed out of kilter with an increasingly hardcore, conceptually underpinned and urban-orientated art world. It also didn’t help that most of his work could only be experienced at one remove. Books and photographs were the only record of the ephemeral pieces he’d created from ice, leaves, sticks and stones; as well as of the more lasting installations—walls, sheepfolds, cairn paths and giant arches—he’d make in situ, usually in remote locations across the world.

McNay Art Museum to unveil exhibit that 'blurs the line between fiction and reality'

The McNay Art Museum in San Antonio will open "Sandy Skoglund: Enchanting Nature" on September 11, 2025, running through February 2026. The exhibition features an unconventional mix of sculptures, photographs, and installations by artist Sandy Skoglund, including never-before-exhibited works and large-scale photographic enlargements. Known for her meticulous tableaux using handmade objects, found materials, and live models, Skoglund explores the tension between human-made environments and the natural world.

Art brings ideas about ocean to landlocked place

The Spencer Museum of Art at the University of Kansas has opened "Soundings: Making Culture at Sea," an exhibition exploring connections to the ocean from the landlocked state of Kansas. Curated by Emily Casey and Celka Straughn, the show runs through December 14 and features works from the museum's collection, including a Winslow Homer watercolor, a carved wooden mermaid, and photographs of Greenland glaciers, alongside a video by Isaac Julien. The exhibition is organized into four sections covering maps, ocean crossings, ecological threats, and maritime trade.

On the Market: Artist Lorna Simpson's Studio, Custom-Designed by David Adjaye in Brooklyn, New York

Lorna Simpson's custom-designed Brooklyn studio, created by architect David Adjaye in 2006, has been listed for sale at $6.5 million. The 3,300-square-foot, four-story property at 208 Vanderbilt Avenue in Fort Greene features a double-height great room, three bedrooms, a rear garden, and was originally built as a live/work space for the artist and her then-husband James Casebere. The listing is handled by Leslie Marshall and Nick Hovsepian of the Corcoran Group. Simpson, whose survey exhibition "Lorna Simpson: Source Notes" is currently on view at the Metropolitan Museum of Art, has moved her primary practice to a larger nearby space, using the Vanderbilt Avenue property for archives and events.

Capitalism, cityscapes and the climate crisis take centre stage at Luma Arles

Peter Fischli's exhibition "People Planet Profit" at Luma Arles presents hundreds of cheap, poorly designed business books he photographed over seven years, exploring the tension between capitalism, climate crisis, and social wellbeing. The show includes sculptures and screen prints that critique late-stage capitalism and mass tourism. Alongside it, landscape architect Bas Smets presents "Climates of Landscape," a practical exhibition proposing urban ecological solutions to rising temperatures and tides, featuring a microclimate installation within the former industrial building.

The tale of a French psychiatric asylum that harboured Second World War resistance fighters—and where patients became artists

An exhibition catalogue from the American Folk Art Museum's 2024 show traces the story of Saint-Alban-sur-Limagnole, a French psychiatric asylum that sheltered Spanish Republican refugees and resistance fighters during World War II. Under Catalan psychiatrist Francesc Tosquelles, patients were encouraged to create art from found objects, producing works that later influenced Jean Dubuffet's concept of Art Brut. The asylum became a haven where hierarchies between doctors and patients were leveled, and patients bartered their creations for food during wartime austerity.

One Fine Show: “Alex Da Corte, The Whale” at the Modern Art Museum of Fort Worth

The Modern Art Museum of Fort Worth has opened “Alex Da Corte, The Whale,” a solo exhibition dedicated to the painting practice of artist Alex Da Corte (b. 1980). Featuring more than forty paintings, the show highlights Da Corte’s lesser-known work in two dimensions, as he is more widely recognized for his installations and video pieces. The exhibition includes works such as *Siren (After E K Charter)* (2015) and *Electronic Renaissance* (2021), and places Da Corte’s paintings alongside those of Robert Mapplethorpe and Vija Celmins to explore themes of self-representation and perception.

Renewed Bern Kunsthalle works to reframe Switzerland's history

The Kunsthalle Bern has reopened after a year-long transformation led by director iLiana Fokianaki, marked by a new entrance designed by ALIAS architects and a trio of exhibitions by Black artists. The reopening follows a symbolic intervention by Ghanaian artist Ibrahim Mahama, who wrapped the building in jute sacks referencing the colonial history of Swiss cocoa extraction in Ghana, echoing Christo and Jeanne-Claude's 1968 wrapping of the same building. The inaugural shows feature solo exhibitions by Melvin Edwards, Tuli Mekondjo, and Tschabalala Self, with Edwards's retrospective traveling from the Fridericianum in Kassel to the Palais de Tokyo in Paris.

Art Basel gets go-going at Hauser & Wirth’s stand

At Art Basel's Unlimited section, Hauser & Wirth is presenting Felix Gonzalez-Torres's 1991 performance work "Untitled" (Go-Go Dancing Platform), in which a local go-go dancer performs a silent disco atop a small lit stage for five minutes at unspecified times. The piece, created shortly after the deaths of the artist's partner and father, explores themes of renewal, rebirth, and masculinity, according to Hauser & Wirth partner Cristopher Canizares.

Souto’s work featured in Joslyn’s ‘Made in the Plains’ exhibition

Francisco Souto, a professor of art and director of the School of Art, Art History and Design at the University of Nebraska–Lincoln, is one of 20 artists featured in the exhibition "Made in the Plains" at the Joslyn Art Museum in Omaha, running from June 7 to September 21, 2025. The show highlights new and recent work by artists living in Nebraska, Iowa, and South Dakota, showcasing diverse materials and approaches. Souto is debuting a new polyptych, "8 Million Broken Dreams," consisting of eight circular panels with stone arrangements that reference the over eight million people who have left Venezuela, incorporating visual elements inspired by Carlos Cruz-Diez's mosaic floors at Simón Bolívar International Airport.

MAM’s New Erin Shirreff Exhibition Reshapes Sculpture and Photography

The Milwaukee Art Museum (MAM) will present “Permanent Drafts,” a major exhibition of over 40 recent works by Canadian artist Erin Shirreff, opening May 30. The show spans collage, photography, sculpture, and video, including site-specific installations and a new museum acquisition, “Paper sculpture” (2024). Shirreff, who began as a sculptor, uses photography to explore the gap between 2D representation and 3D objects, creating works that challenge how viewers perceive images and forms. Key pieces include the cyanotype collage “Inside times” (2020) and the sheet-metal installation “Drop” (2025).

Lee Ufan donates eight paintings to Dia Art Foundation

Korean artist Lee Ufan, a key figure in the Mono-ha movement, has donated eight paintings from the 1970s to the 1990s to the Dia Art Foundation in New York. The works, from his From Point, From Line, and With Winds series, will be featured in a spring 2026 exhibition at Dia Beacon alongside sculptural installations already in the foundation's collection. Lee is also collaborating with Avant Arte on a limited-edition print release to support Dia's programming.

Technology, art and sculptures of fog: LUMA Arles kicks off the 2025/26 season

LUMA Arles has launched its 2025/26 season with three exhibitions, including 'Sensing the Future: Experiments in Art and Technology (E.A.T.)', which explores the 1960s collaboration between artists and engineers from Bell Labs, featuring works by Andy Warhol, Jean Dupuy, and Forrest Myers. The season also includes 'Maria Lassnig: Living with art stops one wilting!', examining the Austrian artist's 'Body Awareness' concept and her connection to curator Hans Ulrich Obrist. The exhibitions are bookended by fog and cloud-themed works, including a fog sculpture by Fujiko Nakaya.