The Almine Rech gallery in Brussels is presenting a solo exhibition of work by Korean artist Ha Chong-Hyun from April 22 to June 27, 2026. The show will feature his signature 'Conjunction' series and recent works that continue his exploration of materiality and abstraction.
The Horta Museum in Saint-Gilles is set to launch a new exhibition titled 'Art Nouveau versus Art Deco? 1850-1950: A Century in 32 Chairs,' running from June 25 to January 11, 2027. The showcase utilizes 32 chairs designed by prominent architects and designers alongside archival documents to trace the stylistic and ideological evolution of Western design. A unique collaborative element features students from La Cambre, who will present chair designs in Victor Horta’s workshop for a public vote.
The Los Angeles County Museum of Art (LACMA) is set to inaugurate its long-awaited David Geffen Galleries with a gala and ribbon-cutting ceremony. Designed by Pritzker Prize-winning architect Peter Zumthor, the 900-foot-long horizontal structure spans Wilshire Boulevard and features a single-level exhibition space elevated 30 feet above the ground. The inaugural installation, curated by a team of 45, moves away from traditional chronological and geographical silos in favor of thematic, interconnected narratives that reflect the diversity of modern Los Angeles.
The exhibition "The Things We Carry" at Un Grito Gallery serves as the centerpiece for the 2026 Contemporary Art Month (CAM) Perennial in San Antonio. Curated by Casie Lomeli and Leslie Moody Castro, the show features eight artists including Matt Rebholz, whose vibrant, alien-like landscapes subvert traditional Western imagery, and Tina Linville, who presents tactile sculptures composed of salvaged materials and concrete. The exhibition is part of a larger city-wide initiative spread across five artist-run spaces.
The Alpharetta Arts Center is hosting a solo exhibition of works by Cuban-born, Atlanta-based artist Alexi Torres through April 18. The showcase features a diverse range of media, including intricate oil paintings that mimic woven textures, bronze sculptures, and embroideries that explore themes of spiritual connection and human consciousness. Torres, who follows lunar cycles for his creative process, utilizes symbolic imagery such as a scarlet wicker Buddha and a Statue of Liberty rendered in baseball stitching to convey complex narratives.
The Metropolitan Museum of Art has launched a major retrospective titled 'Raphael: Sublime Poetry,' featuring over 230 works sourced from more than 60 international institutions and private collections. The exhibition provides a chronological survey of the Renaissance master’s career, spanning his early years in Urbino to his definitive period at the papal court in Rome, and includes iconic paintings such as the 'Alba Madonna' alongside rare preparatory sketches and immersive projections of his Vatican frescoes.
The Metropolitan Museum of Art is preparing a major retrospective of the High Renaissance master Raphael, aiming to present a more complex portrait of the artist than his reputation for serene Madonnas suggests. The exhibition will showcase his technical versatility and intellectual depth through a vast array of paintings, drawings, and tapestries, highlighting his role as a polymath who reshaped the visual language of Western art.
Zimbabwean artist Option Dzikamai Nyahunzvi has launched a major solo exhibition titled 'Zvatiri' (Who We Are) at the National Gallery of Zimbabwe. The show features a multidisciplinary approach, combining installations, live-art performances, and paintings created with a unique technique of layering and etching Fabriano paper onto canvas. The works heavily reference Shona identity, specifically the 'hunhu' (or ubuntu) belief system and the artist's own Mbizi (zebra) totem, aiming to reconnect contemporary audiences with ancestral wisdom.
The Victoria and Albert Museum (V&A) has announced a major exhibition titled "Rising Voices: Contemporary Art from Asia, Australia and the Pacific," scheduled to open in May 2026. Developed in partnership with the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) in Brisbane, the show will feature over 70 works by more than 40 artists from 25 countries. The selection draws from three decades of the Asia Pacific Triennial, showcasing a diverse range of media including sculpture, painting, and weaving, with a significant emphasis on First Nations perspectives.
Dóra Maurer, a seminal figure in Hungarian conceptual and abstract art, has died at the age of 88. A versatile artist whose career spanned printmaking, photography, filmmaking, and painting, Maurer was celebrated for her rigorous exploration of movement, time, and mathematical systems. Her death was confirmed by the Széchenyi Academy of Literature and Arts, where she had served as president since 2017.
Two museum exhibitions, one at Americas Society in New York and another at the Musée du quai Branly – Jacques Chirac in Paris, are reframing perceptions of Amazon civilizations by centering the artistic and cultural traditions of the region's Indigenous peoples. The New York show, "Amazonia Açu" (on view through April 18, 2026), features works by artists including Sara Flores, Sheroanawe Hakihiiwe, PV Dias, and the film collective Colectivo Tawna, blending mediums and challenging Western distinctions between art and craft. The Paris exhibition, "Amazônia – Indigenous Creations and Futures" (through January 18), presents the Amazon as a culturally rich, inhabited ecosystem rather than a pristine wilderness.
Global museums like LACMA are increasingly turning their attention to India’s art market, which has matured significantly in recent years. This is evidenced by heightened interest from international galleries and institutions in Indian art fairs, high auction prices for works by the Bombay Progressives, and growing global engagement with events such as Art Mumbai.
The Wexner Center for the Arts at Ohio State University has announced its Spring 2026 exhibitions lineup, featuring works by Vitória Cribb, Ximena Garrido-Lecca, Eric N. Mack, Hew Locke, and Naeem Mohaiemen. Highlights include Cribb's 'echoes of a wet finger,' commissioned by Sharjah Art Biennial 16 and Mercosul Biennial 14, and solo presentations by Garrido-Lecca, Mack, and Locke, as well as Mohaiemen's film and video works. The season is supported by a range of funders including the American Electric Power Foundation, the Mellon Foundation, and the National Endowment for the Arts.
The Royal Academy of Arts in London presents "A Story of South Asian Art: Mrinalini Mukherjee and Her Circle," a visually thrilling exhibition running from 31 October 2025 to 24 February 2026. Curated by Tarini Malik, the show pivots around the work of Mrinalini Mukherjee (1949-2015), placing her in dialogue with key figures of the Indian cultural scene, including her parents Benode Behari Mukherjee and Leela Mukherjee, as well as artists Gulammohammed Sheikh and Nilima Sheikh. The exhibition highlights Mukherjee's hemp sculptures like 'Adi Pushp II' (1998-99) and bronze works such as 'Forest Flame IV' (2009), and emphasizes the importance of art schools and places—Santiniketan, Baroda (Vadodara), and New Delhi—in shaping her practice.
In February 2025, Beirut-born, Paris-based architect Lina Ghotmeh won the competition to oversee the remodelling of the Western Range of the British Museum, a series of galleries comprising one-third of the historic London institution. Her project team includes conservation specialists Purcell and engineers Arup. Ghotmeh, known for her human-centred, sustainable approach and her 'archaeology of the future' methodology, has previously designed the Stone Garden tower in Beirut and the 2023 Serpentine Pavilion in London. She also holds commissions for a contemporary art museum in AlUla, Saudi Arabia, a Venice Biennale pavilion for Qatar, and the Bahrain Pavilion for Expo 2025 Osaka.
A two-person exhibition titled “MAJOR” opened on September 12 at Wabash College’s Eric Dean Gallery, featuring paintings by alumni Mark Brosmer and Ryan Lane, both among the first art majors to graduate from Wabash in 1985. The show explores everyday complexity, the unseen, and the sublime through Brosmer’s surrealist realism and Lane’s painterly and furniture-making practice. Concurrently, the gallery opened “20th Century Indiana Art: A Private Collection of Midwestern Regional Paintings,” showcasing works from the collection of alumnus Dan Kraft, highlighting the Hoosier Group and Brown County Art Colony.
The Metropolitan Museum of Art in New York has reopened its renovated Arts of Africa galleries in the Michael C. Rockefeller Wing. The exhibition tour was led by curator Alisa LaGamma, assistant curator Jenny Peruski, director Max Hollein, and special guests Manthia Diawara and Angélique Kidjo. The reinstallation foregrounds the creativity of artists across the African subcontinent, shifting the narrative to focus on artworks within their original contexts and as masterpieces. It celebrates recognized masters from sculptor Ọlọ́wẹ̀ of Ìsẹ̀ to contemporary photographer Seydou Keïta, and places works such as Afro-Portuguese ivories and Kente cloth in visual dialogue with adjacent European galleries and contemporary pieces.
Maia Nuku, Evelyn A. J. Hall and John A. Friede Curator for Oceanic Art, along with Max Hollein, Marina Kellen French Director and CEO of the Metropolitan Museum of Art, and special guests Michael Mel and Arapata Hakiwai, lead an exhibition tour celebrating the renovation and reopening of the Arts of Oceania galleries in the Michael C. Rockefeller Wing. The tour highlights exceptional works from Oceania, including carved bisj poles from the Asmat region, towering slit drums from Vanuatu, and contemporary pieces by Aboriginal artist Noŋgirrŋa Marawili, as well as insights from artists from Mariwai village, Papua New Guinea, on the reconfiguration of panels from the Kwoma ceremonial ceiling.
Art critic Sebastian Smee embarked on a summer road trip to visit seven major art museums across five Midwestern cities over five days. The column reflects on how the rapid succession of artworks and ideas from these institutions—ranging from the Art Institute of Chicago to the Cleveland Museum of Art—creates oblique connections and correspondences, both among the works themselves and between art and the outside world. Smee describes the experience as anything but an escape, as the art continually mirrors real-world events and emotions.
Medina, New York will host its inaugural contemporary art triennial in 2026, running from June 6 to September 7 across more than a dozen indoor and outdoor venues along the Erie Canal. The event will feature over 50 local, domestic, and international artists with site-responsive commissions, and a Medina Triennial Hub will open this September with programming in collaboration with Western New York arts institutions. Initiated by the New York Power Authority and the New York State Canal Corporation, the triennial is co-directed by Kari Conte and Karin Laansoo. In other news, Sotheby's RM will host a major Formula 1 auction titled 'The Champions – Schumacher and F1 Legends' from July 24–30; the Bakehouse Art Complex in Wynwood, Miami plans to build 60 affordable artist apartments; and artist Khaled Sabsabi has been reinstated as Australia's representative for the 2026 Venice Biennale after an external review found Creative Australia mishandled his withdrawal.
The Los Angeles County Museum of Art (LACMA) has opened its new building, designed by architect Peter Zumthor, marking a major milestone in the museum's long-awaited expansion and renovation. The new structure replaces four outdated buildings and aims to modernize the campus while improving visitor experience and exhibition space.
The Kunstmuseum Basel has reinstalled a collection of extremely fragile Hans Holbein drawings in a dedicated gallery as part of a major rehang of its 14th- to 19th-century galleries. The works, mostly preparatory studies by the Northern Renaissance painter, have not been publicly displayed for nearly 20 years and are so light-sensitive that the gallery's lighting system activates only when visitors enter. The museum's director, Elena Filipovic, notes that the drawings entered the collection in 1661 and have been kept undercover since the 1980s, last appearing in a major Holbein exhibition in 2006.
The Metropolitan Museum of Art in New York City has reopened its Oceania galleries after an extensive renovation and reimagining from an Indigenous perspective. The new Arts of Oceania installation features over 650 works representing 140 cultures from across the region, including Australia, New Guinea, and New Zealand. Curated by Maia Nuku, the exhibition took eight years to plan and showcases artworks created in the last 500 years, emphasizing the ocean as a connective highway rather than a barrier. The reopening continues the legacy of the landmark 1984 exhibition Te Māori: Māori Art from New Zealand Collections, which set a benchmark for shared decision-making between museums and Indigenous communities.
New York's Metropolitan Museum of Art is reopening its Galleries of the Arts of Oceania to the public for the first time since 2021, following a major renovation that allowed curators to reimagine the presentation of art from the vast Pacific region. The galleries feature more than 600 artworks from Melanesia, Polynesia, Micronesia, Australia, and New Zealand, including the iconic Kwoma ceiling installation from Papua New Guinea, which has been reconfigured with input from the artists' descendants to accurately reflect clan groupings. The renovation is part of a broader $70 million overhaul of the Michael C. Rockefeller Wing, which also houses collections from the ancient Americas and Africa.
The Troy Museum in western Turkey has opened a contemporary art exhibition titled "Emanet" (meaning "trust," "legacy," or "safekeeping") by Turkish artist Vuslat. The show, running from May 25 to July 25, features sculptures, drawings, installations, and sound works placed alongside ancient artifacts in the museum's main halls and gardens, marking the first time contemporary art has been integrated into the museum's primary exhibition spaces near the legendary site of Troy.
The Zimmerli Art Museum at Rutgers University in New Brunswick, New Jersey, is presenting "Indigenous Identities: Here, Now & Always," on view from February 1 through December 21, 2025. This exhibition is the largest and final show organized by the late Native artist Jaune Quick-to-See Smith, featuring over one hundred works by ninety-seven artists representing some seventy Nations and communities. The show is organized around four thematic sections—Political, Tribal, Social, and Land—and includes a separate gallery of Quick-to-See Smith's own prints, notably the "Survival Suite" (1996). The exhibition is intergenerational, with artists ranging from their eighties to those born at the end of the twentieth century, and most works date from the twenty-first century.
Hong Kong’s art auction market opened 2025 with significant momentum, characterized by a shift toward high-quality, museum-grade works and selective collecting. Major auction houses like Christie's, Bonhams, and Phillips reported strong results for blue-chip artists, highlighted by the sale of Pablo Picasso’s "Buste de Femme" for HK$196.75 million. While the market has become more deliberate, the demand for rare, impeccably sourced pieces by both Western masters and Asian contemporary icons remains robust.
ArtReview has released its 2025 Power 100 list, ranking the most influential figures in the art world over the past year. Artists dominate the top ten, with Ghanaian artist Ibrahim Mahama taking the first place for using his art profits to build institutions and community spaces in Tamale. Other top artists include Wael Shawky, Ho Tzu Nyen, Amy Sherald, Kerry James Marshall, Forensic Architecture, and Wolfgang Tillmans. Gulf royalty also feature prominently: Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani of Qatar ranks second, and Sheikha Hoor Al Qasimi of Sharjah ranks third, reflecting the region's growing art-world influence. The list also includes academic Saidiya Hartman as a "thinker" in eighth place.
Ecuador has selected artist Oscar Santillán to represent the nation at the 61st Venice Biennale in 2026. Curated by Manuela Moscoso and organized by the Museum of Anthropological and Contemporary Art (MAAC), the pavilion will feature a collaboration between Santillán and the collective Tawna. The exhibition, titled after the collective, will explore Andean-Amazonian contexts through a dialogue on territory, indigenous knowledge systems, and coexistence.
The British Council has selected artist Lubaina Himid to represent Great Britain at the 2026 Venice Biennale. Her exhibition, titled "Predicting History: Testing Translation," will transform the British Pavilion into a large-scale installation exploring belonging, displacement, and the recreation of home in new contexts. Created in collaboration with artist Magda Stawarska, the show features multi-panel paintings and a surreal soundscape that engages with the neoclassical architecture of the pavilion. Himid, a Turner Prize winner and pioneer of the Black British Art Movement, focuses on cultural memory and identity, challenging Eurocentric narratives and highlighting overlooked Black figures in Western history.