filter_list Showing 78 results for "Americans" close Clear
dashboard All 78 museum exhibitions 37article policy 16article news 6trending_up market 5gavel restitution 4article culture 3candle obituary 2article local 2person people 2rate_review review 1
date_range Range Today This Week This Month All
Subscribe

Maine: A Force Within American Art (1890-2026) At Farnsworth Art Museum

The Farnsworth Art Museum in Rockland, Maine, has opened a year-long exhibition titled "Maine: A Force Within American Art (1890-2026)" in honor of America's 250th anniversary. The show presents 150 works across media, highlighting the state's artistic legacy from the late 19th century to the present. It features leading modernists such as Marsden Hartley, John Marin, Charles Demuth, and Georgia O'Keeffe, who found inspiration in Maine's landscapes, as well as contemporary artists like Theresa Secord. The exhibition is curated by Jaime DeSimone and Francesca Soriano, in collaboration with multiple institutions including the Ellis-Beauregard Foundation and Skowhegan School of Painting and Sculpture.

Chicago's cultural affairs department hits crisis point

Chicago's Department of Cultural Affairs and Special Events (DCASE) is in crisis, with at least 18 staff members—about 25% of the department—leaving since Mayor Brandon Johnson appointed former legislative director Clineé Hedspeth as commissioner last year, replacing Erin Harkey (who became CEO of Americans for the Arts). Multiple formal complaints have been filed against Hedspeth alleging bullying, and staff report a lack of communication and strategic direction amid funding challenges. A new advocacy group, Artists for Chicago, delivered a letter with 270 signatures to the mayor on April 14, expressing concerns about dysfunction and unmet needs in the arts sector.

John Hitchcock’s sonic and cultural rhythms

The New Britain Museum of American Art in Connecticut will present "John Hitchcock: We are Defined by the Beat" from May 16 to November 29, 2026, marking the artist's first mid-career retrospective. John Hitchcock, an enrolled member of the Kiowa Tribe of Oklahoma with Comanche and Northern European ancestry, has spent over three decades transforming the sonic and cultural rhythms of his homeland into a distinct visual language. The exhibition explores his integration of visual and sonic forms across printmaking, neon, textiles, sound, video, and installation, featuring series such as "Flatlander" (2011-18), "Bury the Hatchet" (2019-2020), "Blanket Songs" (2022-2023), "Soundscapes" (2021-2024), and "Celebration" (2025). Hitchcock's work pays homage to his ancestors, confronts histories of Indigenous displacement and trauma, and celebrates community, resilience, and survival, drawing on the sounds and landscapes of his ancestral home in Medicine Park, Oklahoma.

Black Artists Featured in Monet to Matisse Exhibition at Birmingham Museum of Art

The Birmingham Museum of Art (BMA) has opened its presentation of the traveling exhibition "Monet to Matisse: French Moderns, 1850–1950," which features over 100 masterworks from the Brooklyn Museum. Uniquely, the BMA version includes more than 40 additional works from its own collection, among them paintings by two Black American artists—Henry Ossawa Tanner and Charles Ethan Porter—who lived and worked in France during the period. Curator Dr. Maggie Crosland emphasized the importance of including these artists to highlight the contributions of Black Americans to French modernism, especially given the political climate that drove many to Paris between 1850 and 1950.

Virginia MOCA opens new building with bold show, 'The Pursuit of Happiness.'

The Virginia Museum of Contemporary Art (Virginia MOCA) has inaugurated its new, expanded facility on the campus of Virginia Wesleyan University. The opening is anchored by a major solo exhibition titled "The Pursuit of Happiness" by acclaimed contemporary artist Nina Chanel Abney, alongside a group show, "Seamless: Art and Design." Abney’s exhibition features her signature large-scale, vibrant, and emoji-inspired works that explore the complexities of the American Dream, identity, and power structures through a lens of both visual seduction and narrative ambiguity.

Duchamp and the Museum

The Museum of Modern Art and the Philadelphia Museum of Art have co-organized a major exhibition and catalogue exploring Marcel Duchamp’s complex relationship with art institutions. Despite his reputation as a skeptical iconoclast who famously claimed to avoid the Louvre, Duchamp spent decades actively reshaping how museums function through his "portable museum" projects, curatorial collaborations, and the strategic placement of his legacy within permanent collections.

Arts Playlist: Delaware Art Museum's 'Imprinted: Illustrating Race'

The Delaware Art Museum has opened 'Imprinted: Illustrating Race,' an exhibition co-curated by University of Delaware professor Robyn Phillips-Pendleton that examines how race and identity have been depicted in popular illustration over more than a century. The show, which previously ran at the Norman Rockwell Museum, features works from books, magazines, advertising, trade cards, posters, and even a cookie jar, tracing the evolution of racial representation in American visual culture. It includes a notable shift by Norman Rockwell, who after decades of depicting predominantly white family scenes for the Saturday Evening Post, turned to socially relevant topics like civil rights in the 1950s.

'Monuments' is the most significant American art museum show right now

The article reports on "MONUMENTS," a major exhibition jointly organized by the Museum of Contemporary Art (MOCA) in Los Angeles and the nonprofit Brick. The show features 10 decommissioned Confederate monuments, some splashed with protesters' paint, alongside works by 20 contemporary artists including Hank Willis Thomas and Karon Davis. It was assembled by curators Hamza Walker, Hannah Burstein, Bennett Simpson, Paula Kroll, and artist Kara Walker, and has been in development for nearly eight years, spurred by events such as the 2015 Charleston church massacre, the 2017 Charlottesville riot, and the 2020 George Floyd protests.

Moving On Up: 24 Museum Curators and Art Leaders Who Took on New Appointments in First Half of 2025

Culture Type has published its annual list of new appointments among museum curators and arts leaders for the first half of 2025, highlighting two dozen hires and promotions at major institutions. Notable appointments include Deana Haggag as program director for arts and culture at the Andrew W. Mellon Foundation, Ann Collins Smith as chief curator at the New Orleans Museum of Art (the first Black American in a full-time curatorial role there), and Vincent van Velsen as head of exhibitions at Eye Filmmuseum in Amsterdam. The list also features curators such as Alisa Chiles at the Virginia Museum of Fine Arts and Brittany Webb at the Museum of Fine Arts, Houston.

Vincent Valdez and KB Brookins picked for ACLU Texas's artist-in-residence programme

The ACLU of Texas has selected Austin-based writer and artist KB Brookins and San Antonio-born painter Vincent Valdez as its artists-in-residence for 2026. Chosen from nearly 200 applicants, each will receive $30,000 to create works addressing criminal law reform, immigrants' rights, and equality for LGBTQIA+ individuals. Valdez will focus on portraits of local community leaders for his New Americans series and produce 'Know Your Rights' poster packets, while Brookins will tackle the pretrial carceral system through community organizing and workshops.

These Are the Winners of the 2026 Guggenheim Fellowship

The John Simon Guggenheim Memorial Foundation has announced its 2026 fellowship recipients, naming 223 individuals across 55 disciplines. The cohort includes 76 professionals from the visual arts, photography, and fine arts research sectors, featuring notable figures such as Sheida Soleimani, American Artist, Kenneth Tam, and Sonya Clark. This year's selection process was notably competitive, drawing 5,000 applicants—a significant increase from previous years.

bad bunny crossing the delaware ektor rivera 2739899

Artist Ektor Rivera has created a painting titled "The Discovery of Americans" (2025) that reimagines Emanuel Leutze's "Washington Crossing the Delaware" to celebrate Puerto Rican cultural figures, with Bad Bunny at the center. The work was commissioned by Miami art collector Seth Goldberg as a response to conservative criticism over Bad Bunny being selected to perform at the Super Bowl halftime show. The five-by-eight-foot painting places George Washington in the background while Puerto Rican icons including Jennifer Lopez, Ricky Martin, and Roberto Clemente take center stage, with Bad Bunny draped in the Puerto Rican flag. The artwork has garnered over 2.3 million views on Instagram and Facebook.

a cleveland artist is transforming a trashed greyhound bus into a museum of migration 1234747377

Cleveland-based artist, historian, and preservationist Robert Louis Brandon Edwards is transforming a 1947 Greyhound bus he rescued from a Pennsylvania junkyard into a traveling Museum of the Great Migration. The bus, designed by Raymond Loewy and originally operating in the Great Lakes region, will feature virtual reality exhibitions highlighting the experiences of African Americans who moved from the rural South to the North, Midwest, and West between 1910 and 1970. Edwards, who is pursuing doctoral studies in historic preservation at Columbia University, is partnering with Cleveland nonprofit Playhouse Square and hopes to have the bus on the road within a year.

No money, more problems: 85% of US museums in urgent need of building repairs

A recent survey by the US Government Accountability Office (GAO) found that approximately 85% of US museums face a costly backlog of maintenance or building repairs, with 77% having at least one structural issue that puts their collections at risk. Based on a survey of around 300 museums and 17 site visits, the report reveals that institutions across the country struggle to keep buildings updated and safe due to a lack of funding, with challenges especially pronounced in rural and remote locations where shipping materials and finding skilled workers is prohibitively expensive. Many museums are housed in historic homes or sites that are part of their collections, adding further complexity, and smaller museums often lack the budget to address major problems like new roofs or HVAC systems.

trump proposes eliminating nea and neh again 1774236

President Donald Trump's 2021 budget proposal includes plans to eliminate the National Endowment for the Arts (NEA), the National Endowment for the Humanities (NEH), the Institute of Museum and Library Services, and the Corporation for Public Broadcasting, labeling them wasteful and not core federal responsibilities. The budget requests $30 million to close the NEA and $33.4 million to end the NEH in fiscal year 2021. This marks the fourth consecutive year the administration has proposed cutting these agencies, despite previous rejections by Congress. Advocacy group Americans for the Arts, led by CEO Robert Lynch, has vowed to work with lawmakers to reject the proposal and instead increase funding.

national endowment arts budget 1741353

The U.S. House of Representatives approved a $1.4 trillion national budget that includes $162 million for the National Endowment for the Arts (NEA), a $7.25 million increase over the previous year. This marks the largest one-year funding bump for the NEA in a decade, despite the Trump administration's repeated proposals to eliminate the agency entirely. The measure passed 297–120 in the Democrat-controlled House and also includes increases for the Institute for Museum and Library Services, the Corporation for Public Broadcasting, and arts-based programs in the Departments of Veterans Affairs, Defense, and Justice.

harvard cedes early images of enslaved americans legal settlement 1234743708

Harvard University has transferred ownership of fifteen daguerreotypes from around 1850, considered the earliest surviving photographs of enslaved African Americans, to the International African American Museum in Charleston, South Carolina. The settlement ends an eight-year legal dispute with Tamara Lanier, who claimed the images depict her ancestors, Renty and Delia, and argued they were taken without consent for the discredited biologist Louis Agassiz. The Massachusetts courts had previously ruled that ownership remained with the photographer, but allowed Lanier to pursue emotional distress claims over Harvard's continued use of the images in marketing materials.

The Metropolitan Museum of Art to Present Largest-Ever Exhibition of Works by American Artist John Wilson

The Metropolitan Museum of Art will present "Witnessing Humanity: The Art of John Wilson" this fall, the largest-ever exhibition of works by American artist John Wilson (1922–2015) and his first solo museum show in New York. Featuring over 100 artworks—including paintings, prints, drawings, sculpture, and archival material—the exhibition draws from The Met, the Museum of Fine Arts, Boston, and a dozen other lenders, with many works never before shown. Co-curated by Jennifer Farrell and Leslie King Hammond, the show spans Wilson's six-decade career, addressing themes of racial violence, labor, the Civil Rights Movement, and family life.

Boston artist John Wilson's work now the subject of Museum of Fine Arts exhibit celebrating humanity

The Museum of Fine Arts, Boston, has opened a new exhibition titled "Witnessing Humanity: The Art of John Wilson," featuring 110 works by the late Boston artist. Born in 1922 to immigrants from British Guyana, Wilson spent over six decades creating paintings, prints, drawings, sculptures, and illustrated books that center on portraits of himself, his family, and his friends. The exhibition, co-curated by Edward Saywell, highlights Wilson's lifelong commitment to reclaiming the dignity and humanity of Black Americans in art, a response to the caricatured and dehumanized representations he saw as a student.

‘It’s much more extreme’: US institutions and artists enter a new culture war

Since President Donald Trump took office, his administration has rapidly dismantled parts of the U.S. cultural infrastructure through executive orders and the Department of Government Efficiency (DOGE), led by Elon Musk. Key federal funding bodies—the National Endowment for the Humanities (NEH), the Institute of Museum and Library Services (IMLS), and the National Endowment for the Arts (NEA)—have faced staff cuts, grant cancellations, and threats of further reductions. Trump has also replaced leadership at the Kennedy Center and signaled similar moves against the Smithsonian Institution, while DOGE visited the National Gallery of Art to discuss its legal status. Arts organizations and advocates are scrambling to assess the damage and find alternative funding.

Native Americans Played Dice Games Far Earlier Than Previously Known, Study Shows

A groundbreaking study from Colorado State University reveals that Native Americans in the western Great Plains were using dice for gaming over 12,000 years ago. Researcher Robert J. Madden identified two-sided dice made of bone or wood from archaeological sites in Wyoming, Colorado, and New Mexico, pushing the known history of games of chance back significantly further than previously recorded.

Native Americans created dice more than 12,000 years ago, study finds

Archaeological research from Colorado State University has identified the world's oldest known dice, created by Native American hunter-gatherers on the western Great Plains over 12,000 years ago. These two-sided "binary lots," found at Folsom-period sites in Wyoming, Colorado, and New Mexico, predate the earliest known Old World dice by more than 6,000 years. The study reclassifies artifacts previously overlooked or misidentified, highlighting that these objects were the only decorated, non-utilitarian items found at these late-Pleistocene sites.

LA Artists Honor Dolores Huerta’s Defiant Spirit

The Chicano cultural center Plaza de la Raza in Los Angeles has launched "DOLORES," a major group exhibition celebrating the 96th birthday and enduring legacy of labor leader Dolores Huerta. Featuring works by over 30 artists, including Barbara Carrasco and Vincent Valdez, the show utilizes portraiture, mixed media, and depictions of migrant labor to honor Huerta’s contributions to the United Farm Workers (UFW) and Chicano civil rights.

us withdrawal un cultural organizations alarm 2736000

President Donald Trump has withdrawn the United States from 66 international organizations, including several that safeguard creative rights and freedoms, via a January 7 memo. The New York-based Artists at Risk Connection (ARC) expressed deep concern, particularly over the impact on its partner, the International Federation of Arts Councils and Culture Agencies (IFACCA). ARC listed affected organizations such as the International Centre for the Study of the Preservation and Restoration of Cultural Property, the Freedom Online Coalition, the UN Democracy Fund, UN Women, the UN Alliance of Civilizations, and the International Development Law Organization, all of which support artistic freedom, cultural heritage, and protections for artists under threat.

smithsonian internment unjust self censorship 1234769272

The Trump administration has intensified pressure on the Smithsonian Institution, setting a deadline for compliance with a review of its content and plans to align with the president's executive order "Restoring Truth and Sanity to American History." According to reports in the New York Times and the Guardian, Smithsonian staff are already engaging in self-censorship, including removing the word "unjust" from a proposed exhibition label about the internment of Japanese Americans, fearing it might appear partisan. This comes after Trump called for purging "anti-American ideology" from the institution's 19 museums in 2025.

tod lippy trump voters portraits independent 1234741735

Artist and editor Tod Lippy, stunned by Donald Trump's 2024 presidential election win, embarked on an obsessive two-day search for voters who had publicly supported Trump. Finding 50 individuals through op-eds and news interviews, Lippy—who had never painted before—created a series of portraits titled *My Fellow Americans*. The works debut as a site-specific installation at Independent New York. Over several months, Lippy painted nearly one portrait a day using acrylic gouache, immersing himself in the process and studying each subject's face in detail.

Routed West: Twentieth-Century African American Quilts in California

The exhibition 'Routed West: Twentieth-Century African American Quilts in California' will run from September 18, 2026, to January 17, 2027, at BAMPFA. It traces the flow and flourishing of quilts during the Second Great Migration (1940–1970), when approximately five million African Americans moved from the rural South to the North and West, with hundreds of thousands arriving in California carrying quilts as containers of ancestral memory and cultural survival. The show features more than 80 artworks organized across several themes, highlighting repurposed work clothes, improvisational piecing, and pattern-based quilting by migrants from Arkansas, Louisiana, Mississippi, Oklahoma, and Texas. Works by contemporary artists show how these traditions remain alive today.

In historic move, MFA Boston returns works by 19th-century enslaved artist David Drake to his heirs

The Museum of Fine Arts (MFA) Boston has agreed to return two 1857 ceramic jars by David Drake, an enslaved Black potter, to his living descendants. One vessel will remain on loan to the museum for at least two years, while the other—the "Poem Jar"—has been purchased back by the MFA from the heirs for an undisclosed sum, now carrying a "certificate of ethical ownership." The museum acknowledges that Drake created the works involuntarily and without compensation, marking the first time the MFA has resolved a claim for art wrongfully taken under U.S. slavery.

Exhibition of Black artists reinterpreting the US flag opens without key Dread Scott work

An exhibition titled 'America Will Be!' opened at the University of Maryland's David C. Driskell Center, exploring how Black artists have reinterpreted the US flag. However, the show opened without a key work by artist Dread Scott, 'What is the Proper Way to Display a US Flag? (1988)', after the loan request was rescinded by the curators citing logistical and safety concerns.

Howard University Gallery of Art Lends Elizabeth Catlett Works to Major Exhibition on Black Women’s Historical Memory

The Howard University Gallery of Art is lending three works by alumna Elizabeth Catlett to the exhibition 'She Speaks: Black Women Artists and the Power of Historical Memory' at the Banneker-Douglass-Tubman Museum. The loan includes the prints 'My Right is a Future of Equality with Other Americans,' 'My Role Has Been Important in the Struggle to Organize the Unorganized,' and 'In Sojourner Truth I Fight For the Rights of Other Women.'