filter_list Showing 79 results for "Americans" close Clear
search
dashboard All 79 museum exhibitions 37article policy 17article news 6trending_up market 5gavel restitution 4article culture 3candle obituary 2article local 2person people 2rate_review review 1
date_range Range Today This Week This Month All
Subscribe

Howard University Gallery of Art Lends Elizabeth Catlett Works to Major Exhibition on Black Women’s Historical Memory

The Howard University Gallery of Art is lending three works by alumna Elizabeth Catlett to the exhibition 'She Speaks: Black Women Artists and the Power of Historical Memory' at the Banneker-Douglass-Tubman Museum. The loan includes the prints 'My Right is a Future of Equality with Other Americans,' 'My Role Has Been Important in the Struggle to Organize the Unorganized,' and 'In Sojourner Truth I Fight For the Rights of Other Women.'

Dice Are 6,000 Years Older Than Previously Believed, Study Says

Archaeologist Robert J. Madden has published a groundbreaking study in the journal American Antiquity identifying over 600 prehistoric objects as two-sided dice. These artifacts, found across 57 sites in the American West, date back more than 12,000 years to the Late Pleistocene era. By applying criteria from historic Native American gaming traditions to these bone and wood fragments, Madden argues that dice-based games of chance existed 6,000 years earlier than previously recorded in the archaeological record.

Atlanta gallery turns political tension into art with ‘Politically inCorrect’ exhibition

EuGene V Byrd III has curated the 'Politically inCorrect' group fine art exhibition, now open at Railroad ATL inside the Future Gallery in Atlanta. Featuring over 50 artists and 110 to 120 works across painting, photography, sculpture, and collage, the show addresses what Byrd calls an overdue conversation about art and social responsibility. Inspired by W.E.B. Du Bois, the open-call exhibition asks artists to speak their truth on political and social issues, with pieces like Faif Quin's photograph referencing the killing of Charlie Kirk and Naylon D. Mitchell's portrait 'Mama Rosa' among the highlights. The exhibition runs through May 30.

institute of museum and library services staff leave doge 1234737446

The entire staff of the Institute of Museum and Library Services (IMLS) in Washington, D.C., was placed on administrative leave by Elon Musk’s Department of Government Efficiency (DOGE), effective immediately. Between 55 and 70 employees received a letter informing them of the leave with full pay and benefits for 90 days, requiring them to turn in government property and disabling their email accounts. This follows President Donald Trump’s executive order calling for the elimination of the IMLS within seven days as part of a broader reduction of federal bureaucracy. The agency, established in 1996, awarded approximately $266.7 million in grants last year to museums and libraries across all 50 states.

‘How can you forget me’: show details Filipino Americans’ rich history

Antonio Somera discovered 26 steamer trunks belonging to early 20th-century Filipino migrants in a Stockton, California basement in 2005. The trunks' contents, including a pillowcase embroidered with the phrase "HOW CAN YOU FORGET ME," form the core of the exhibition "How Can You Forget Me: Filipino American Stories" at the Smithsonian's National Museum of American History in Washington DC, offering an intimate look at the lives of the Manong Generation of laborers.

African Diaspora Art Museum of Atlanta revisits the works of W.E.B. Du Bois

The African Diaspora Art Museum of Atlanta (ADAMA) has opened a new exhibition revisiting W.E.B. Du Bois' groundbreaking "Exhibit of American Negroes" from the 1900 Paris World's Fair. Developed in partnership with The Atlanta Journal-Constitution (AJC), the show builds on a Black History Month project by reporter Mirtha Donastorg and photographer Natrice Miller, who revisited Du Bois' original data and photographs. The exhibition features contemporary portraits of Black Atlantans alongside historical images, asking what has changed and what has endured in Black American life over the past century.

Kennedy Museum of Art showcases faculty talent and perspectives in “Art & Process” exhibition

The Kennedy Museum of Art at Ohio University has opened "Art & Process," a faculty exhibition featuring works from the School of Art + Design. The show includes diverse media such as video, photography, painting, fiber, and multimedia pieces, with contributions from faculty members including Basil Masri Zada, whose piece "Destroy Again! Syria" combines sound, video, and physical imagery to address the dictatorship and terrorism in Syria, and Duane McDiarmid, whose work "The Silence of Drums" reflects on the 1862 hanging of 38 Native Americans in Mankato, Minnesota. The exhibition was organized by director Sandra Harris and registrar Lisa Quinn.

BUAM exhibition explores artists’ interaction with historical movements

The Binghamton University Art Museum (BUAM) has opened its fall semester exhibition, “In the American Grain: Exploring America through Art, 1919-1946,” curated by art history professor Tom McDonough. The show spans the interwar period through World War II, featuring works from BUAM’s collection—many donated by local collectors Gil and Deborah Williams—alongside loans from the BU libraries, the Roberson Museum and Science Center, and the Art Bridges Collection. Originally conceived with Chelsea Gibson of the Binghamton Codes! Program, the exhibition grew from a pandemic-era digital project and includes thematic categories such as Americans Abroad, City Life, Picturing Black Lives, and War Time, with works by artists like Jane Peterson, Chiura Obata, James Lesesne Wells, and Helen Torr.

Latent Energy: A Review of Bernard Williams at Elmhurst Art Museum

Bernard Williams' solo exhibition "Crossings" is on view across the Elmhurst Art Museum campus, including its parking lot and the Mies van der Rohe house. The show features sculptures, paintings, and installations that reference African American history, such as the "Spirit of Bessie Coleman" works honoring the pioneering aviator, and "Cowboy Dream" with its roosters and cowboy figure. The exhibition's title and layout deliberately avoid linear narratives, instead forcing viewers to navigate a fragmented path that mirrors the complexities of historical memory and racial injustice.

From traditional Japanese woodblock to anime inspiration, Tacoma Art Museum exhibit has fun and fascination in store for all

The Tacoma Art Museum presents an exhibition curated by Kenji Stoll that traces the evolution of Japanese visual culture from traditional ukiyo-e woodblock prints to contemporary anime-inspired works. The show features a diverse range of artists, including Roger Shimomura, whose painting "Minidoka No.5 (442)" references the Japanese American 442nd regimental unit in World War II, alongside self-taught artists like VanVan, who contributes manga-style drawings. Stoll himself, a tattoo artist, exhibits a large mural titled "Nikkei Butterfly," which celebrates Japanese diaspora culture through patterns and a samurai warrior motif. Other artists include Ed Augai, Lauren Iida, Hanako O’Leary, and Yoshiko Yamamoto, whose works bridge historical ukiyo-e techniques with contemporary themes of identity, memory, and female empowerment.

culture politics bryan stevenson equal justice

Bryan Stevenson, civil rights attorney and executive director of the Equal Justice Initiative (EJI), opened Montgomery Square in Alabama on the anniversary of the Selma to Montgomery March. The new public space commemorates the acts of courage that led to the Voting Rights Act of 1965, focusing on the Civil Rights era and the role of Montgomery's Black community, including lesser-known figures like Linda Blackmon Lowry and Sheyann Webb. Stevenson discusses the square as part of EJI's broader network of sites—including the Legacy Museum and the National Memorial for Peace and Justice—which aim to deepen public understanding of America's history of racial inequality and mass incarceration.

Corcoran students commemorate America’s 250th year with interactive art exhibit

Graduate students at the Corcoran School of the Arts & Design, part of George Washington University, have created an interactive exhibition titled “American Made” to commemorate the United States’ 250th anniversary. The exhibit, on view at the Luther W. Brady Art Gallery until May 14, combines 21 traditional artworks from GW’s collection—including photographs, pottery, and textiles—with interactive elements such as a touchscreen map and audio components. The project was developed collaboratively by students in museum studies and interactive design programs, led by professors Laura Schiavo and Sam Shelton, as part of the school’s annual NEXT Festival. Featured works include Patricia Kennedy-Zafred’s contemporary quilt “Tagged,” which addresses the incarceration of Japanese Americans during World War II.

US National Park Service removes slavery memorial at Philadelphia historic site

The US National Park Service has removed an outdoor exhibit titled “Freedom and Slavery in the Making of a New Nation” at Independence National Historical Park in Philadelphia. The exhibit, which focused on nine people enslaved by George Washington and explored the paradox between slavery and freedom in the nation's founding, was dismantled following a directive from President Donald Trump to eliminate “corrosive ideology” from cultural heritage sites. The removal, captured on social media on January 22, aligns with a March 2025 executive order instructing the NPS to emphasize American achievements and avoid materials that “inappropriately disparage Americans.”

US states step up to fund the arts in the wake of federal cuts

State legislatures across the US have continued to fund their arts and humanities agencies for fiscal year 2026, with aggregate spending totaling $649.2 million across 50 states and four territories—a 7.4% decrease from 2025 levels. While 29 states increased their arts funding, others saw significant cuts, including New Hampshire (90% reduction), Hawaii (74.9% drop), and Missouri (59.7% decline). The data comes from the National Assembly of State Arts Agencies (NASAA), which notes an uncertain fiscal environment but highlights that overall state investment in the arts is being sustained despite federal pressures.

‘American Asian’ exhibit in Avondale spotlights 16 Georgia-based artists

The Avondale Arts Center in Avondale, Georgia, is hosting 'American Asian,' a group exhibition curated by Nicole Kang that features 16 Georgia-based artists of Asian descent. The multimedia show explores the 'third culture' experience of belonging, with works ranging from intimate portraits and experimental abstraction to visual narratives examining heritage and homeland. Featured artists include Sanithna, Helen Choi, Killamari, Crystal Jin Kimm, and Janice Rago, among others.

IU Bloomington art galleries feature works from and about South Africa

Indiana University Bloomington's art galleries are presenting two exhibitions focused on South African and Indigenous visual culture. "Illusions of Identity: The Colonial Gaze," curated by student Joshua Sinnett at the Community Gallery in the Museum of Archaeology and Anthropology, contrasts early 20th-century photographs of Native Americans by Joseph K. Dixon with images of Indigenous South Africans by Alfred Duggan-Cronin, examining colonial perspectives. Concurrently, "Coloured Pots (Izinkamba kwamaKhaladi)" at University Collections at McCalla features contemporary ceramics by artist Fileve Tlaloc, who uses amaZulu pottery forms to explore her mixed-race ancestry and challenge colonial racial categories, displayed alongside historical amaZulu vessels.

12,000 Years Ago, Native Americans Were Playing Games of Chance with Handmade Dice

Archaeologists have discovered that Native Americans were engaging in games of chance using handmade dice as far back as 12,000 years ago, during the Late Pleistocene. A new study by researcher Robert Madden reveals that these artifacts, found in sites across Wyoming, Colorado, and New Mexico, predate the previously oldest known dice from Mesopotamia and the Indus Valley by over 6,000 years. These early dice, often made of bone and decorated with pigments, were used by the hunter-gatherer Folsom culture.

Kingston selected as launchpad for Smithsonian's 'Americans' exhibition

The Smithsonian Institution's National Museum of the American Indian, in collaboration with Museums on Main Street, has launched its nationally touring exhibition "Americans" at the Cornell Creative Arts Center in Kingston, New York. Kingston is the first of 125 communities across the country to host the exhibition, which will travel for six years as part of the Rev250 commemoration of the 250th anniversary of the United States. The exhibition explores how Native American history and identity have been portrayed and often misunderstood, challenging visitors to reconsider familiar narratives like Pocahontas, the Battle of the Little Bighorn, and the Trail of Tears through interactive elements and digital content.

Fredericksburg Visitor Center hosts May art exhibition honoring local seniors

The Fredericksburg Visitor Center is hosting a photo exhibition throughout May in honor of Older Americans Month. Created by Healthy Generations Area Agency on Aging, the exhibit features portraits of local seniors paired with their words of advice and inspiration, with an opening reception on May 1 during First Friday.