art institute of chicago nazi looted schiele drawing return

A New York judge has ordered the Art Institute of Chicago to return Egon Schiele's 1916 drawing to the heirs of Fritz Grünbaum, an Austrian Jewish art collector persecuted during the Holocaust. The ruling, issued by Judge Althea Drysdale, determined that the work was looted by the Nazis and that the museum failed to properly scrutinize its provenance, relying on discredited records from Swiss dealer Eberhard Kornfeld. The drawing had been in the museum's collection since 1966 and was seized in 2023; the museum plans to appeal.

Valie Export, Avant-Garde Icon and Feminist Trailblazer, Dies at 85

Valie Export, the Austrian avant-garde artist known for her radical feminist performances, films, and sculptures, has died at age 85. Her gallery, Thaddaeus Ropac, announced her death, noting her groundbreaking work in the 1960s and 1970s introduced a new form of embodied feminism to Europe. Export, born Waltraud Lehner in Linz, Austria, changed her name in 1967 and became known for provocative works such as "Aktionshose: Genitalpanik" (1969) and "Tap and Touch Cinema" (1968–1971), which challenged voyeurism and the sexualization of women's bodies. She also co-founded the Austrian Filmmakers Cooperative in 1968 and was commissioned by the Austrian Broadcast Corporation for her film "Facing the Family" (1971).

What the Met Gains from the Neue Galerie

Was das Met mit der Neuen Galerie gewinnt

The Neue Galerie, a private museum for German and Austrian art founded by billionaire collector Ronald S. Lauder, will be integrated into the Metropolitan Museum of Art (the Met) as an auxiliary branch under the new name "The Met Ronald S. Lauder Neue Galerie." The transition, announced by founding director Renée Price, is set to be completed by 2028, with the Met assuming full operational control after a planned renovation of the historic townhouse on Fifth Avenue. The merger follows years of Lauder's stewardship and ensures the long-term future of the collection, which includes masterpieces by Gustav Klimt, Egon Schiele, Wassily Kandinsky, and Max Beckmann.

Remembering F. John Sierra, Valie Export, and Mary Lovelace O’Neal

This week's In Memoriam column honors seven figures from the art world who recently passed away, including muralist and Chicano art champion F. John Sierra (1942–2026), Austrian feminist performance and film artist Valie Export (1940–2026), and painter and Civil Rights activist Mary Lovelace O'Neal (1942–2026). Also remembered are Maltese coin and monument designer Noel Galea Bason (1955–2026), Iranian-Irish gallerist and polymath Jamshid MirFenderesky (1947–2026), Philadelphia painter and educator Peter Paone (1936–2026), and Italian sculptor and installation artist Remo Salvadori (1947–2026). Each entry highlights their key contributions, from founding institutions and participating in major biennials to shaping cultural identity and challenging societal norms through art.

art collector javier martin austria ulloa florida

Miami-based collectors Javier Martin and Austria Ulloa discuss their 404 Art Collection, which spans works from mid-20th century Ivorian artist Frédéric Bruly Bouabré to contemporary pieces by Ryan Schneider, Augusta Lecaros, and others. The couple, who met through their respective art-world careers, acquire works through studio visits, gallery discoveries, and friend recommendations, and they are donating a Bouabré drawing to the Boca Raton Museum of Art for an upcoming exhibition. Their collection also includes pieces by Sadaharu Horio, Ami Yoshida, Lucas Pereira Elias, Katarina Weslien, Michelangelo Pistoletto, Elsa Mora, and Waichi Tsutaka.

Female nudity and art that stinks: key takeaways from Venice Biennale 2026

The 2026 Venice Biennale opened with 99 participating countries, including first-timers Somalia and Qatar, under the shadow of curator Koyo Kouoh's death. Her planned theme of "enhancement" and the main show "In Minor Keys" were disrupted by political protests: Pussy Riot objected to Russia's inclusion, and a strike against Israel's participation forced several national pavilions (UK, Austria, France) to close. Key takeaways include pervasive female nudity across pavilions, debates over Russia's presence, criticism of the US pavilion's lackluster art, maritime themes dominating several shows, and the rise of olfactory art.

A Time of Transition

During the preview week of the 61st Venice Biennale, escalating protests targeted the national pavilions of Israel and Russia, with demonstrations by Pussy Riot, ANGA (Art Not Genocide Alliance), and Baltic pavilions. A major protest on May 8 drew over 3,000 people in solidarity with Palestine, and 27 national pavilions—including Austria, the Netherlands, France, and Japan—staged a strike, the first at the Biennale since 1968. The Golden Lion jury resigned after declaring they would not consider countries under ICC investigation (Israel and Russia), and the Biennale administration replaced the prize with a visitors' award, from which half the artists in the main exhibition have withdrawn.

We visited the 2026 Venice Art Biennale: the exhibitions and pavilions you shouldn’t miss

The 2026 Venice Art Biennale has opened across the Giardini, Arsenale, and venues throughout the city, with geopolitics, climate collapse, and national identities dominating the exhibitions. Notable pavilions include Austria's "Seaworld Venice" by Florentina Holzinger, the Czech and Slovak Pavilion's "Il Silenzio della Talpa" by Jakub Jansa and Selmeci Kocka Jusko, India's "Geographies of Distance: remembering home" featuring multiple artists, and the Taiwan Pavilion's "Screen Melancholy" by Li Yi-Fan. The Russian Pavilion has become a focal point of controversy, with guards and empty beer bottles outside, and the Pussy Riot collective staging a protest nearby.

'Georg Baselitz' at White Cube, Bermondsey, London, United Kingdom on 10 Jun–1 Aug 2026

White Cube Bermondsey is set to host a major exhibition of new large-scale paintings and works on paper by the renowned German artist Georg Baselitz in the summer of 2026. The showcase features his signature upside-down compositions across diverse themes, including Indian deities, portraits of his wife Elke, and the symbolic eagle motif, often set against luminous gold or sky-blue backgrounds. This presentation follows his successful 2024 show at the gallery and highlights the artist's continued exploration of human and animal forms through a raw, expressive lens.

The Metropolitan Museum of Art and the Ronald S. Lauder Neue Galerie New York Announce Plans for a Landmark Merger

The Metropolitan Museum of Art and the Ronald S. Lauder Neue Galerie New York have announced a landmark merger agreement, set to take effect in 2028. The merger will unite the Neue Galerie's collection of 20th-century Austrian and German art—including Gustav Klimt's *Portrait of Adele Bloch-Bauer I*—with The Met, while preserving the Neue Galerie's distinct museum experience. Ronald S. Lauder and his daughter Aerin Lauder Zinterhofer plan to donate 13 additional paintings from their personal collection, and several Met trustees have pledged significant endowment gifts to support the integration and long-term operations.

Review: The Good, The Bad and The Venice Biennale

The article reviews the 2024 Venice Biennale, focusing on controversies over Russia's and Israel's participation. Protests erupted during opening week, leading the EU to cut funding and the International Jury to resign. As a result, awards like the Golden Lion and Silver Lion will be decided by public vote, with many pavilions and artists withdrawing in protest. The main exhibition, curated under the theme 'Minor Keys,' features standout works by Alfredo Jaar and Carrie Schneider, alongside national pavilions like Austria's provocative entry by Florentina Holzinger.

Arnulf Rainer, a revolutionary figure in postwar Austrian art, has died aged 96

Arnulf Rainer, a revolutionary figure in postwar Austrian art, has died at age 96. His death on 18 December was confirmed by his gallery Thaddaeus Ropac, which described him as one of the most influential artists of the post-war period. Born in 1929 in Baden, Austria, Rainer emerged as a leading figure of the Austrian avant-garde, known for his gestural paintings confronting the atrocities of the Holocaust and Hiroshima, and for his experimental self-portraiture. He was a founding member of Galerie nächst St Stephan in postwar Vienna, a vital hub for artists seeking alternatives to the conservative art world. His signature Übermalungen (overpaintings) involved painting over photographs and self-portraits with aggressive gestures, dense black strokes, and erasures, creating charged works where violence and vulnerability coexist.

‘Her crotchless trousers are etched in my brain for ever’: Valie Export remembered by the artists she influenced

Valie Export, the pioneering Austrian feminist artist known for provocative performances like *Tapp-und-Tastkino* (1968) and *Genital Panic* (1969), is remembered by four artists she influenced: Peaches, Florentina Holzinger, Joan Jonas, and Candice Breitz. Each shares personal reflections on Export's radical use of the female body as a political weapon, her confrontational public interventions, and her legacy of civil disobedience against patriarchal structures.

Michaelina Wautier Finally Known by Her Name

The Royal Academy of Arts in London has launched a monographic exhibition dedicated to Michaelina Wautier, a 17th-century Brussels-based painter whose work was misattributed to male contemporaries for centuries. Despite her mastery across diverse genres—including portraiture, floral still lifes, and large-scale history paintings typically reserved for men—her identity was obscured by patriarchal societal norms and a lack of biographical documentation. The show highlights her technical brilliance, notably in works like "The Triumph of Bacchus," which was long credited to male artists due to the era's restrictions on women studying nude models.

Valie Export ist tot

Valie Export, the pioneering Austrian media and performance artist, has died at age 85 in Vienna. Born Waltraud Lehner in Linz in 1940, she adopted the name Valie Export in the late 1960s, derived from a cigarette brand, and became internationally known for provocative works such as "Tapp- und Tastkino" (1968) and "Aktionshose: Genitalpanik." Her practice critically examined gender roles, power structures, and the representation of the female body through film, video, photography, and performance. She participated in major exhibitions including Documenta, the Centre Pompidou, and the Museum of Modern Art, and represented Austria at the Venice Biennale in 1980 alongside Maria Lassnig. She also taught as a professor of media and performance art in Berlin and Cologne, and the VALIE EXPORT Center opened in Linz in 2017.

Here You Have the Feeling That Reality Is a Different One

"Man hat hier das Gefühl, dass die Realität eine andere ist"

Austrian artist Erwin Wurm discusses his exhibition at the Museo Fortuny in Venice, where he confronts the overwhelming collection of the 19th-century polymath Mariano Fortuny. In an interview, Wurm describes the venue as a historic atelier house filled with tapestries and artifacts, and reflects on how his contemporary sculptures and performances will engage with the dense, time-capsule atmosphere of the space.

À New York, le Metropolitan Museum of Art absorbe la Neue Galerie et sa collection de Klimt, Schiele, Kokoschka…

On May 14, the Metropolitan Museum of Art and the Neue Galerie in New York announced a historic merger set for 2028. The Neue Galerie, founded in 2001 by billionaire Ronald Lauder in a Fifth Avenue mansion, will become part of the Met under the name The Met Ronald S. Lauder Neue Galerie, modeled after the Met's Cloisters. The transfer includes the historic building and a collection of 600 works valued at over $1.5 billion, featuring artists such as Gustav Klimt, Egon Schiele, Ludwig Kirchner, Max Beckmann, and Oskar Kokoschka. Lauder and his daughter Aerin Lauder Zinterhofer are also donating thirteen works from their personal collection, and a $200 million endowment fund has been established.

« À qui appartiennent ces œuvres ? » : le destin des biens culturels spoliés par les nazis au cœur d’un nouvel espace au musée d’Orsay

On May 5, the Musée d'Orsay in Paris inaugurated a new dedicated space in the Pavillon Amont for artworks looted during World War II that remain unclaimed by their owners or heirs. The room, titled "À qui appartiennent ces œuvres ?" ("Who owns these works?"), features thirteen pieces including sculptures by Auguste Rodin and paintings by Auguste Renoir, Edgar Degas, and Eugène Boudin. These represent a fraction of the museum's 225 MNR (Musées nationaux récupération) holdings, part of a national legacy of approximately 2,000 looted works still held in French museums.

Venice Biennale 2026: What are the major trends that will mark the 99 national pavilions?

Biennale de Venise 2026 : quelles sont les grandes tendances qui vont marquer les 99 pavillons nationaux ?

The article previews the 2026 Venice Biennale, highlighting key trends across its 99 national pavilions. Major themes include the hybridization of theater, dance, and performance, particularly in pavilions from Austria, Luxembourg, Belgium, and Lithuania, where artists like Florentina Holzinger, Aline Bouvy, Miet Warlop, and Eglė Budvytytė use radical, body-centric works. Geopolitical engagement is also central, with the Ukrainian pavilion featuring Zhanna Kadyrova's work on resistance and the British pavilion exploring themes of exile and migration. Other notable pavilions include Spain's focus on imagery, a sound installation for the Vatican, a polyphonic piece for Romania, and a film on sign language song for Poland.

Masterpieces of Art Modeled and Printed in Ultra-High Definition: The Challenge Met by LITO

Des chefs-d’œuvre de l’art modélisés et imprimés en très haute définition : le défi relevé par LITO

Beaux Arts Magazine partnered with the Austrian printing and publishing company LITO to stage a challenge at its 500th-issue launch party. Guests were asked to identify the authentic 15th-century painting by Giovanni Bellini's circle from among four seemingly identical works, three of which were ultra-high-definition reproductions created by LITO. The company's patented modeling and printing technology replicates the texture of brushstrokes, varnish sheen, canvas grain, and even craquelure with unprecedented precision.

museo del prado visitor numbers

Museo del Prado director Miguel Falomir announced at a press conference unveiling the museum's 2026 exhibition schedule that the institution does not need more visitors, stating it is comfortable with 3.5 million annual visitors and fears becoming "over-saturated." Falomir cited concerns about circulation around iconic works like Velázquez's *Las Meninas* and Bosch's *The Garden of Earthly Delights*, and emphasized improving visitor experience through optimizing entrances, reducing group sizes, and enforcing photography bans. The Prado, last expanded in 2007, is significantly smaller than the Louvre, which topped 2024 visitor figures with 8.7 million.

17th century spain fashion

A new exhibition at the Hispanic Society Museum & Library in New York, titled "Spanish Style: Fashion Illuminated, 1550–1700," explores how 17th-century Spanish fashion was governed by strict moral and legal codes. Curator Amanda Wunder highlights that garments like the guardainfante hoop skirt and the ruffled collar were regulated by kings and clergy, with women fined or barred from church for revealing shoulders or wearing lace, and men criticized for effeminate styles. The show features portraits and artifacts that reveal how clothing was used as a tool of social control, power, and gender policing in Habsburg Spain.

my wifes lovers cat painting

Carl Kahler's 1891 painting *My Wife's Lovers*, a monumental portrait of 42 cats commissioned by San Francisco millionaire Kate Birdsall Johnson, has resurfaced in popularity thanks to social media and a record-breaking sale at Sotheby's in 2016, where it fetched $826,000—more than double its high estimate. The article details Kahler's background as a horse-racing painter from Austria, his three-year stay at Johnson's Buena Vista Castle sketching her feline menagerie, and the painting's debut at the 1893 Chicago World's Fair. Johnson, an eccentric art collector and philanthropist, owned hundreds of cats and named the work after her late husband's nickname for them.

amnh pedro pascal hayden planetarium show

New York's American Museum of Natural History is launching a new film at the Hayden Planetarium titled "Encounters in the Milky Way," narrated by actor Pedro Pascal. Opening June 9, the 30-minute show uses data from the European Space Agency's Gaia observatory and contributions from over 20 academic institutions to map the sun's journey through the Milky Way over billions of years. The project involved astronomers, artists, and science visualization experts, with a score by composer Robert Miller and direction by museum trustee Shawn Levy.

Artist Valie Export, Who Saw Right Through the Male Gaze, Dies at 85

Austrian artist Valie Export, a pioneering feminist performance and media artist, died on May 14, three days before her 86th birthday. Her death was confirmed by Thaddaeus Ropac Gallery. Export, born Waltraud Lehner in 1940, rejected traditional domestic roles and adopted her iconic all-uppercase name from a cigarette brand. She created guerrilla-style performances and films that directly confronted the male gaze and patriarchal society, often using her own body as a medium. Key works include “Genital Panic” (1968), in which she walked through a Munich cinema in crotchless pants, and “Tapp und Tastkino (Tap and Touch Cinema)” (1968), where she invited strangers to touch her bare breasts through a stage strapped to her chest.

Best in Show: 6 Standouts at the 2026 Venice Biennale

Artnet News writers highlight six standout exhibitions at the 2026 Venice Biennale, which opens to the public on May 9. Among the picks are Ei Arakawa-Nash's interactive installation "Grass Babies, Moon Babies" at the Japan Pavilion, featuring baby dolls and diaper-changing stations; Florentina Holzinger's provocative performance "Seaworld Venice" at the Austria Pavilion, involving nude performers, jet skis, and recycled wastewater; and Dayanita Singh's photographic exhibition "Archivio" at the State Archives of Venice, presenting intimate black-and-white images arranged as freestanding columns.

Numerous Venice Biennale Pavilions and Artists Go on Strike in Protest over Israel’s Participation

Thousands of protesters marched through Venice on the eve of the Venice Biennale's public opening, organized by Art Not Genocide Alliance (ANGA), to demand Israel's exclusion from the event. At least 18 national pavilions—including Austria, Belgium, France, Great Britain, and Ukraine—participated in a 24-hour strike, shutting down completely or partially. Protesters chanted slogans, waved Palestinian flags, and carried banners reading "no genocide pavilions," while ANGA released a statement with 236 signatories calling for Israel's removal, citing the humanitarian crisis in Gaza.

galerie eva presenhuber franz west

Galerie Eva Presenhuber in Zurich has opened "Franz West, Die Frühen Werke / Early Works," the gallery's twelfth exhibition dedicated to the late Austrian artist Franz West (1947–2012). The show surveys West's output from 1975 to 1990, highlighting his early sculptures, drawings, collages, and his signature interactive "Passstücke" (Adaptives)—pieces designed to be moved, worn, or played with by viewers. The exhibition runs through October 3, 2025.

Stefan Edlis and Gael Neeson built an unforgettable collection defined by humanity and humour

Christie's will auction over 40 works from the collection of the late Stefan Edlis and his wife Gael Neeson, beginning with the 21st Century Evening Sale on 19 November and the Post-War & Contemporary Art Day Sale on 20 November in New York, with additional offerings continuing through 2026. The collection, housed in the couple's Chicago residence, includes iconic pieces by artists such as Ed Ruscha, Urs Fischer, Jeff Koons, Cindy Sherman, and Diego Giacometti, reflecting a blend of avant-garde, Pop, and Art Deco design.

Remembering Thomas Neurath, who brought single-minded energy and intellectual bravura to leading the publishers Thames & Hudson

Thomas Neurath, who led the independent publishing house Thames & Hudson for nearly sixty years, has died. The son of founder Walter Neurath, Thomas took over the company in 1967 after his father's early death and built it into one of the most respected imprints for illustrated art books. Known for his single-minded energy and intellectual bravura, he forged close relationships with artists including David Hockney and Barbara Hepworth, and maintained the firm's independence as a family business. His personal collection included works by Oskar Kokoschka and Egon Schiele, and he was an avid book collector who combined business travel with museum visits.