art basel 2025 blue chip galleries sales trend 1234746767

ARTnews analyzed publicly reported sales from five blue-chip galleries—Hauser & Wirth, Pace, Thaddaeus Ropac, White Cube, and David Zwirner—at Art Basel 2025, finding a combined total over 35% lower than in 2024, around 8% below 2023, and just over 20% down from 2022. The high-water mark was $204 million in 2024, boosted by eight-figure works from Hauser & Wirth. Meanwhile, the number of artists sold by these galleries rose steadily from 109 in 2022 to 157 in 2025, indicating a shift toward broader, less concentrated inventory. Dealers reported mixed sentiments, though seven-figure deals still occurred, and some noted that market uncertainty has led to more scattershot presentations with wider price ranges.

work of the week emily carr 2651164

A painting by Emily Carr, titled *Fir Trees* (ca. 1935), sold for CA$576,000 ($418,370) at Cowley Abbott’s live auction of Canadian and international art in Toronto on May 28, more than doubling its low estimate. The work is a vivid example of Carr’s signature forest scenes, reflecting her deep connection to the British Columbian landscape and her association with the Group of Seven. The auction also saw strong results for other Group of Seven artists, including Franklin Carmichael’s *Old Orchard* (1940) at CAD$768,000, and for Marcelle Ferron’s untitled 1964 abstract painting at CAD$696,000.

best digital art works picked by experts 1234745683

The Digital Art Mile, Basel's first-ever digital art fair, opened its second edition on Monday at the city's Kult Kino Camera cinema, running through Sunday. Founded by digital art adviser Georg Bak and ArtMeta founder Roger Haas, the fair features panels, conferences on the digital art market, and the headline exhibition “Paintboxed,” which explores the history of the Quantel Paintbox. In a calmer, more academic atmosphere than Art Basel, ARTnews asked 10 prominent digital art figures to select their favorite artwork from the fair, with responses highlighting works such as Kim Asendorf's "Monogrid 90," XCOPY's "Last Selfie," and Matt Kane's "Gazers 200."

civil rights photographer bob adelman obituary 455654

Photographer Bob Adelman was found dead in his Miami home at age 85, with head injuries likely from a fall. Adelman began his career photographing New York jazz clubs, studied under Harper’s Bazaar art director Alexey Brodovitch, and became a protégé of presidential photographer Jacques Lowe. He earned a master’s degree in philosophy from Columbia and was a member of the Congress of Racial Equality (CORE), using his camera to document the Civil Rights movement—including sit-ins, the Selma-to-Montgomery march, and Martin Luther King Jr.'s "I Have a Dream" speech. He also photographed cultural figures such as Andy Warhol, Roy Lichtenstein, Samuel Beckett, and Jim Morrison.

moma curator jodi hoptman hilma af klint botanical drawings 1234741702

MoMA has acquired a rare portfolio of 46 botanical drawings by Hilma af Klint, created between 1919 and 1920, and will present them in an exhibition titled “What Stands Behind the Flowers” from May 11 to September 27. Curator Jodi Hauptman discusses how the drawings reveal af Klint’s dual approach—traditional figuration alongside abstract diagrams—and her deep engagement with the natural world, including newly discovered evidence that she worked as a professional scientific illustrator for a mushroom specialist.

aic appeals return of egon schiele drawing 1234741054

The Art Institute of Chicago is appealing a New York court order to return Egon Schiele's drawing *Russian War Prisoner* (1916) to the heirs of its original owner, Fritz Grünbaum, a Jewish art collector who died in a Nazi concentration camp. The museum secured a temporary stay while it pursues the appeal, following an April ruling by Justice Althea Drysdale that found credible evidence the 1956 sale to Swiss dealer Eberhard Kornfeld was illegitimate. The drawing was seized from the museum in September 2023 and remains off view.

emergency stay art institute of chicago schiele restitution case 2640195

The Art Institute of Chicago has been granted an emergency stay by an appellate judge, pausing the restitution of Egon Schiele's drawing "Russian War Prisoner" (1916) to the heirs of Fritz Grünbaum, a Jewish cabaret performer and art collector who died in a Nazi concentration camp. The museum is appealing a New York Supreme Court judge's April 23 order to surrender the artwork, which has been off view since September 2023 when it was seized by the Manhattan District Attorney's office. The museum disputes that the work was looted, citing evidence that Grünbaum's sister-in-law recovered the collection after the war and sold it to a dealer.

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A Manhattan judge has blocked London-based art dealer Richard Nagy from selling or transporting two watercolors by Egon Schiele, which were on display at his booth during the Salon of Art + Design fair at the Park Avenue Armory. The works—Woman in a Black Pinafore and Woman Hiding Her Face—are claimed by the heirs of Fritz Grünbaum, a Jewish Holocaust victim and cabaret performer who died at Dachau. The heirs, Timothy Reif and David Fraenkel, filed suit in Manhattan Supreme Court, alleging the paintings were among 400 artworks surrendered to the Nazis by Grünbaum's wife. Nagy disputes the claim, arguing the works were sold legally by Grünbaum's sister-in-law in 1956 and that previous arbitration boards found no evidence of Nazi looting.

Story of enslaved boy featured in 1748 Joshua Reynolds portrait emerges in new study

A research project by the National Trust, the National Gallery in London, and Royal Museums Greenwich has uncovered new details about the identity of an enslaved boy known only as “Jersey,” who appears in a 1748 portrait by Sir Joshua Reynolds. The painting, which hangs at Saltram in Devon, depicts Jersey with his enslaver, naval officer and MP Paul Henry Ourry. Through admiralty records, muster books, and baptismal certificates, researchers identified the boy as “Boston Jersey,” later baptised as George Walker, and found evidence of his naval service and possible path to freedom.

Picasso’s Guernica is the ultimate emblem of the horrors of war. It has no place in Spain's partisan squabbles | María Ramírez

A political dispute has erupted in Spain over the potential temporary relocation of Pablo Picasso's iconic anti-war painting *Guernica*. The president of the Basque Country, Imanol Pradales, has formally requested the work be moved from Madrid's Reina Sofía museum to the Guggenheim Museum Bilbao for several months in 2027, framing it as a form of "reparation" for the Basque people. The Spanish government has rejected the request on conservation grounds, while conservative politicians have used the proposal to attack Basque nationalism.

In New York, Sotheby's Exhibition-Sales Are Packed

À New York, les expositions-ventes de Sotheby’s font salle comble

Sotheby's New York has experienced an unprecedented surge in public attendance at its exhibition-sales held in the iconic Breuer Building. In just two weeks, over 25,000 visitors—a 3.8-fold increase from the previous year—queued around the block to see works by artists like Gustave Klimt, Maurizio Cattelan, and René Magritte, with total attendance from November to late January reaching 46,325. The crowds, reminiscent of a major museum show, initially overwhelmed staff, who had to manage the flow to preserve the viewing experience for high-value clients.

The Essential Works of Yin Xiuzhen

ArtAsiaPacific published a profile of Chinese artist Yin Xiuzhen, born in 1963 in Beijing, highlighting her career as a pivotal figure in Chinese contemporary art since the 1990s. The article revisits milestone works following the closing of her solo exhibition "Yin Xiuzhen: Heart to Heart" at London's Hayward Gallery, including early pieces like *Dress Box* (1995) and *Washing River* (1995). Yin emerged alongside the second wave of Chinese contemporary artists, including Yu Hong, Song Yonghong, Wang Jinsong, and her husband Song Dong, and was an early practitioner of what art historian Gao Minglu termed "Apartment Art." Her practice uses discarded clothing, household ephemera, and industrial materials to address urbanization, globalization, environmental crisis, and collective memory.

The Must-See Exhibitions in Milan During Art Week 2026

Le mostre da non perdere a Milano durante i giorni dell’Art Week 2026

Milan Art Week 2026 features a series of major solo exhibitions across the city's premier contemporary art institutions. Fondazione Prada is hosting site-specific installations by Mona Hatoum exploring global instability alongside Cao Fei’s multimedia investigation into the technological revolution of agriculture. Meanwhile, Pirelli HangarBicocca presents Benni Bosetto’s architectural exploration of the female body and Rirkrit Tiravanija’s interactive examination of authorship and communal space.

jill magid solo show esther kim varet congress

Conceptual artist Jill Magid has turned her dealer Esther Kim Varet's campaign for U.S. Congress into the subject of her latest solo exhibition, "Heart of a Citizen," at Various Small Fires in Los Angeles. The show features a replica of the White House Briefing Room platform, which Magid offered for Varet's political use, leading to complex negotiations around campaign finance law. The campaign plans to host a political debate on the platform in July, and a collector purchased the sculpture to donate to Varet's campaign, intertwining art, law, and politics.

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Di Donna Galleries in New York will present a major exhibition titled “Magritte and Les Lalanne: In the Mind’s Garden,” opening October 8, 2025, in collaboration with London-based Ben Brown Fine Arts. The show features over 50 works—paintings, works on paper, and sculptures—by Belgian Surrealist René Magritte and French sculptors François-Xavier Lalanne and Claude Lalanne, including rare loans from private collectors and the Lalanne estate. Highlights include Magritte’s *L’ami intime* (1958), which sold for £33.66 million at Christie’s, and François-Xavier Lalanne’s *Hippopotame I* (1968/1998) and “Sauterelle” Bar (1970).

Exhibition | Nengi Omuku, 'We Were Like Those Who Dreamed' at Pippy Houldsworth Gallery, London, United Kingdom

Pippy Houldsworth Gallery in London presents 'We Were Like Those Who Dreamed,' the second solo exhibition by Nigerian artist Nengi Omuku. The show features new paintings that explore the politics of green spaces in urban centers, particularly Lagos, where rapid urbanization has created a 'concrete jungle.' Omuku transposes figures from contemporary and archival images of Lagos into lush, Impressionistic landscapes painted with pointillist brushstrokes and a Fauvist palette, using the garden as a radical symbol of equality and resistance. She paints on sanyan, a hand-spun Yoruba cloth, working with local artisans in Ilorin to revive the tradition. Works like 'Dream Logic' and 'One Particular Man' address socio-economic tensions, while 'A quiet nation' captures the dichotomy between urban Brutalist architecture and natural foliage.

Did Van Gogh’s Yellow House turn blue after his death?

New historical evidence suggests that Vincent van Gogh’s iconic 'Yellow House' in Arles underwent a dramatic color change before its destruction. While Van Gogh famously painted and cherished the building for its yellow facade in 1888, two recently highlighted paintings from the late 1930s by artists Willy Guggenheim (Varlin) and George Tomaziu depict the structure with a blue exterior. This discovery, brought to light by Ukrainian artist Yuri Pikul, indicates the building had been repainted while serving as a café-bar called the Civette Arlésienne.

9 Highlights to Look Out for at This Year’s Armory Show

The Armory Show returns to New York City's Javits Center from September 5–7, 2025, with a VIP preview on September 4. Under new director Kyla McMillan, the fair features over 230 galleries from more than 30 countries, including curated sections such as Solo, Presents, Platform (titled "My Art Is the Evidence of My Freedom," curated by Raina Lampkins-Fielder), and a new Function section exploring art and design, curated by Ebony L. Haynes. Highlights include presentations by Gee’s Bend Quiltmakers at Nicelle Beauchene Gallery, Thornton Dial from Souls Grown Deep Foundation, and a monumental sculpture by Kennedy Yanko at James Cohan.

An exhibition in a most extraordinary building explores Japan’s love for Van Gogh

An exhibition titled 'A Renewal of Passion: The Impact of Van Gogh' opens at the Pola Museum of Art in Hakone, Japan, running from May 31 to November 30. It explores Van Gogh's influence on Japanese art, featuring three Van Gogh paintings from the museum's own collection—acquired by founder Suzuki Tsuneshi—alongside loans from other Japanese institutions, including the Morohashi Museum of Modern Art and the Kuboso Memorial Museum of Arts. The show highlights works by Japanese artists like Kishida Ryusei, Maeta Kanji, and Nakamura Tsune, who were inspired by Van Gogh, as well as contemporary pieces such as Fiona Tan's photographic series 'Ascent' (2016).

Affaire Indiana : un éditeur d’art condamné à 102 millions de dollars

A federal jury in Manhattan has ordered Michael McKenzie and his company American Image Art to pay $102 million (€95 million) to the Morgan Art Foundation for unauthorized exploitation of works by artist Robert Indiana (1928-2018), including his iconic LOVE image. The case, filed in May 2018 just before Indiana's death, alleged that McKenzie—a former agent of the artist—produced and sold unauthorized editions, sculptures, and merchandise under Indiana's name, violating exclusive reproduction and commercialization rights granted to the foundation in the 1990s. The jury found McKenzie guilty of trademark infringement, copyright violation, and contractual interference, with $6.2 million specifically tied to 44 LOVE works. The defense, weakened by sanctions for hiding evidence and refusing to cooperate, plans to appeal.

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Newly released surveillance footage shows masked thieves breaking into the Louvre's Apollo gallery in October 2025, using disc cutters to slice open display cases and steal France's crown jewels. The heist occurred under staff observation, with no security guards present, and police have since identified five suspects via DNA evidence, arresting four, though the jewels remain missing. The footage was broadcast on French TV on January 18, 2026, as the museum faces its third staff strike in over a month.

investigators look to dna analysis video footage to identify louvre thieves 1234758560

On October 19, 2025, thieves broke into the Louvre Museum's Apollo Gallery in Paris, using a cherry picker and an angle grinder to steal nine pieces of jewelry worth an estimated $102 million in under eight minutes. One piece was recovered outside the museum. Approximately 100 investigators are now analyzing DNA evidence found on a helmet and gloves at the scene, as well as video footage captured by a bystander showing two suspects escaping on scooters. The museum reopened the day after the heist, but the Apollo Gallery remains closed due to the ongoing investigation.

Discover the quietly affecting artworks of Poppy Jones, a fashion-world favourite

Poppy Jones, a British artist known for her quietly affecting works on textiles like suede and silk, has opened her first institutional solo exhibition, 'Frozen Sun', at Towner Eastbourne (until 31 May 2026). The show follows her 2024 presentation 'Solid Objects' at Herald St gallery in London and a sold-out monograph with Zolo Press in 2025. Jones, who was commissioned by Bottega Veneta's Louise Trotter for two works that became the house's A/W 2026 show invitation, creates intimate pieces featuring eggs, flowers, glasses of water, and vintage apparel details, often framed in sleek aluminium. Her practice, which blends photography, lithography, and watercolour, was shaped by the birth of her first child in 2019 and the Covid-19 lockdowns, leading her to focus on domestic subjects and small-scale works.

The Armory Show puts spotlight on the American South

The Armory Show, New York's premier art fair, is dedicating its 2025 Focus section to artists and galleries from the American South, running September 4-7. Curated by Jessica Bell Brown, executive director of the Institute for Contemporary Art at Virginia Commonwealth University, the section features 13 galleries, including Martha's from Austin and Wolfgang Gallery from Atlanta, with works exploring themes of queer identity, Black communities, and Southern cuisine. The fair, now under director Kyla McMillan and owned by Frieze, aims to amplify the region as a nexus for diasporas and challenge preconceived notions about the South.

First US Survey of Mexican Artist Teresa Margolles Coming This Fall

MoMA PS1 in New York City will host the first United States survey of Mexican artist Teresa Margolles this fall. Trained as a forensic pathologist, Margolles creates works using organic and bodily materials from homicide victims, morgues, and crime scenes. The exhibition will feature pieces confronting murder and violence along the US-Mexico border, including a 2026 evolution of her ongoing series "Air" (2003–), where a gallery will be humidified with water carrying degradable material from homicide sites. The Museum of Modern Art will also present a new experiential installation, "Aproximación al lugar de los hechos (Approaching the Scene)" (2026), starting September 17, which drips water carrying evidence of violent death onto heated steel plates.

Why the Photo Market Is Moving Closer to Painting, With Unique Works Leading the Way

Artnet Auctions has launched its Spring Photographs sale, running through April 16, 2026, featuring works by blue-chip artists such as Peter Beard, Adam Fuss, and Diane Arbus. The auction highlights a significant shift in the photography market toward unique, one-of-a-kind works—including photograms, hand-painted images, and collages—that blur the lines between photography and painting. This trend is evidenced by increasing auction prices, with several works recently crossing the $1 million and $2 million thresholds.

Philadelphia Museum of Art Rebrands Again as "PhArt"

The Philadelphia Museum of Art has announced a rebranding to "PhArt," following the discovery of a long-lost Marcel Duchamp readymade—an early prototype of a whoopee cushion titled "Le rire"—in its archives. The institution is dropping "Museum" from its name to signal a commitment to art that transcends traditional boundaries, and the new branding will be featured prominently on social media.

Maurizio Cattelan’s Latest Work is Hotline for People to Confess Their Sins… to Him

Italian conceptual artist Maurizio Cattelan has launched a new project: a hotline and WhatsApp service inviting the public to confess their sins. The project, timed to coincide with the Easter period and the 21st anniversary of Pope John Paul II's death, will culminate in a livestream on April 23 where Cattelan will offer a form of symbolic absolution to selected participants. Alongside the hotline, he is releasing a limited edition of 666 small-scale replicas of his controversial 1999 sculpture, *The Ninth Hour*, which depicts the late pope struck by a meteorite.

Art as Experimental Setup

Kunst als Versuchsanordnung

The influential Berlin-based artist and professor Thomas Zipp has passed away unexpectedly. Known for his immersive installations that blurred the lines between art, science, and madness, Zipp created complex "experimental setups" involving painting, sculpture, and performance. His work often explored dark parallel worlds, notably evidenced in his haunting 2013 Venice Biennale project that transformed a palazzo into a derelict psychiatric ward.

Photographs of Victorine Meurent who posed for 'Le Déjeuner sur l'herbe' discovered by chance in Grenoble

Les photos de Victorine Meurent qui ont servi de modèle au « Déjeuner sur l’herbe » retrouvées par hasard à Grenoble

A chance discovery at the Musée de Grenoble has unearthed two previously unknown photographs of Victorine Meurent, the favorite model of Édouard Manet, taken by Gaudenzio Marconi in 1863. Art historian Laure Boyer, while researching a different subject, recognized Meurent in the images and realized they directly served as studies for Manet's iconic paintings *Le Déjeuner sur l'herbe* and *Olympia*. The photographs show Meurent in poses nearly identical to the figures in both works, with only the orientation reversed in one case and facial expressions swapped between the two paintings.