Opera Gallery has officially opened its first Texas location in Houston’s River Oaks District, debuting with a high-caliber exhibition featuring original works by masters such as Pablo Picasso, Marc Chagall, and Yayoi Kusama. The space functions as a hybrid between a commercial gallery and a museum, offering the public free access to museum-quality pieces that are typically held in private collections or behind glass.
FUNDACIÓN CARTIER. UNA DELGADA LÍNEA ENTRE EXTRACTIVISMO Y REIVINDICACIÓN CULTURAL
The Cartier Foundation inaugurated its new Paris headquarters on October 25 with the exhibition "Exposition Générale." The curatorial approach and, most notably, the labyrinthine architectural design by Jean Nouvel have drawn criticism from the specialized press, described as disappointing and patchwork. The new space, a dense black cube in central Paris, represents a radical departure from the foundation's previous luminous, glass-walled hall, forcing a complete rethinking of how to present its 40-year collection.
Australian designer Marc Newson is presenting a comprehensive survey of his four-decade career at Château La Coste in Provence. The exhibition, housed in a pavilion designed by Oscar Niemeyer, features fifteen seminal works including the iconic 1988 Lockheed Lounge and a complex 2017 glass armchair. A highlight of the show is the 6-meter-tall sculpture 'Electra,' originally commissioned for the 1996 Olympics but never installed, which has been restored and recently acquired by collector Philip Serafim.
The Mississippi Museum of Art is hosting "Love Is a Sensation," a major exhibition dedicated to the work of L.V. Hull, a self-taught Black artist who transformed her Kosciusko home into a vibrant, immersive art environment. The show features a diverse array of Hull’s assemblages and painted found objects, ranging from Rock’Em Sock’Em Robots to glass bottles and straw hats, many of which were preserved by the Kohler Foundation.
Photographer Paul Tulett has captured the stark, concrete landscapes of South Korea in his new book, *Brutalist Korea*, published by Prestel. The photo series highlights a range of architectural landmarks, from Tadao Ando’s minimalist Jeju Glass House and Zaha Hadid’s futuristic Dongdaemun Design Plaza to the playful geometry of the Paju Kindergarten. Tulett’s work documents how the raw, monumental aesthetic of Brutalism has evolved from the country’s postwar industrialization into a sophisticated tool for modern urban experimentation.
Diego Perrone presents his first solo exhibition at Umberto Di Marino Gallery in Naples, titled "There’s a certain Slant of light." Taking its name from an Emily Dickinson poem, the show explores the concept of lateral, non-frontal light through a series of experimental works. The exhibition features Perrone’s signature technical mastery, including intricate glass sculptures and works on paper that manipulate transparency and shadow.
The Los Angeles County Museum of Art (LACMA) has unveiled the first look at its new David Geffen Galleries, a radical horizontal structure designed by Pritzker Prize-winning architect Peter Zumthor. Scheduled to open to the public in May 2026, the sinuous concrete and glass building is elevated thirty feet above the ground, spanning Wilshire Boulevard. The interior departs from the traditional "white cube" museum model, featuring 27 non-linear galleries that utilize natural light and custom-designed metallic curtains to showcase the museum's encyclopedic collection in a fluid, interdisciplinary environment.
Gerd Harry ‘Judy’ Lybke, the founder of the influential German gallery Eigen + Art, is making his debut at the inaugural Art Cologne Palma Mallorca. Lybke, who began his career as a nude artist's model in East Germany before opening an underground flat-gallery in 1983, reflects on the evolution of the art market from a socialist system defined by censorship to the modern capitalist landscape. For this fair, he is presenting a diverse roster ranging from New Leipzig School star Neo Rauch to emerging talent Maja Behrmann, with works priced between €2,000 and €20,000.
Bernard Frize’s latest exhibition, "Les 26," at Perrotin Paris marks his 21st show with the gallery and a continued exploration of his rigorous, process-driven abstraction. The exhibition features his signature interlocking grids and geometric latticework, created using wet-on-wet brushstrokes locked in resin, alongside tempera paintings on glass that follow strict linear rules. By utilizing utilitarian titles and avoiding representational forms, Frize seeks to decenter his own subjectivity, allowing the physical act of painting and the resulting optical tension to lead the viewer’s experience.
The Brooklyn Fine Art Print Fair (BFAPF) has returned for its second edition at Powerhouse Arts, expanding significantly from its inaugural "beta test" last year. The fair now features over 60 exhibitors, including a diverse mix of independent print shops, academic departments, self-represented artists, and established international galleries. This year's iteration emphasizes experimental mixed-media practices and a rigorous juried selection process, moving beyond traditional printmaking to include illuminated plexiglass screenprints and sculptural paper works.
Protezione e costrizione sono due facce della stessa medaglia. Una mostra a Roma lo dimostra
The gallery Monti8 in Rome is hosting a group exhibition titled "The Bell Jar," co-curated by Massimiliano Maglione. Inspired by Sylvia Plath’s 1963 novel, the show features seven international artists—Camilla Alberti, Ruby Chen, Mounir Eddib, Stephen Buscemi, Naomi Hawksley, Steffen Kern, and Amber Wynne-Jones. The exhibition explores the dual nature of the glass bell jar as both a protective shield for precious objects and a suffocating barrier that isolates the subject from the world.
Judith Schaechter's large-scale stained glass sculpture "Super/Natural" has opened in a solo exhibition at Claire Oliver Gallery in Harlem. The immersive, eight-foot-tall installation, resembling a secular chapel, is filled with intricate depictions of flora and fauna and is designed for a single viewer to contemplate nature.
New York City is hosting its inaugural Trans Art Fest, a grassroots, community-driven festival featuring the work of over 120 transgender artists. Founded by curator and textile artist Carter Shocket, the two-month program includes 12 all-trans exhibitions and more than 20 events ranging from glassblowing workshops to cinema screenings. Major highlights include the exhibitions "Alchemists" and "A Tender Touch," the latter of which focuses exclusively on the work of Black trans artists.
The Museum of Nebraska Art (MONA) is currently presenting a solo exhibition of works by artist Brian Corr, which will remain on view through September 20. The exhibition showcases Corr’s specialized approach to glass sculpture, highlighting his technical mastery and exploration of light and space within the medium.
Colombo’s skyline has undergone a radical transformation into a forest of glass and steel towers, epitomized by projects like the Lotus Tower and Port City. This rapid urbanization, driven by a state ambition to create a 'world-class city' following decades of civil war, has resulted in the displacement of local neighborhoods and the burial of historical layers under new infrastructure.
Trans Art Fest has launched as a major citywide celebration in New York City, featuring over 120 transgender artists across more than a dozen exhibitions and 20 public events. Running through late May, the festival includes gallery shows at venues like Eleventh Hour Art and Puffin Brooklyn, alongside outdoor installations, glassblowing workshops, and community-driven projects. Founded by textile artist and curator Carter Shocket, the initiative seeks to move beyond fleeting visibility by establishing a sustained, multi-week presence across Brooklyn and beyond.
Upstairs Artspace in Tryon is launching two concurrent exhibitions, "Fight or Flight" and "Birds of a Feather," opening April 19. The solo show by Asheville-based artist Erika Diamond features textile sculptures crafted from bulletproof Kevlar and mirrored vinyl, exploring themes of queer safety, resilience, and survival. The accompanying group show, curated by Diamond, brings together eight artists whose works in photography, glass, and painting examine identity and the human body's relationship to the natural world.
The Cafesjian Art Trust Museum in Shoreview has launched "Abstraction and Ourselves," an ambitious exhibition that bridges the gap between contemporary abstract painting and monumental glass sculpture. Curated by Jill Ahlberg Yohe, formerly of the Minneapolis Institute of Art, the show pairs the museum’s renowned glass collection—including works by Stanislav Libenský and Jaroslava Brychtová—with significant loans such as a Georgia O’Keeffe oil painting and works by Dyani White Hawk.
Glasstire has released its weekly 'Top Five' list of essential art exhibitions across Texas for April 2026. The selection highlights a diverse range of regional talent, including a group show at the Rubin Center in El Paso focused on Chihuahuan Desert ecology, a 50-year retrospective of digital pioneers MANUAL at Moody Gallery in Houston, and a lifetime survey of Vietnam veteran and educator Hector Homero Rubio in Corpus Christi. Other featured shows include Freddy Ortega’s MFA thesis at TCU and Juan Pablo Hernandez’s multimedia glasswork.
The J. Paul Getty Museum in Los Angeles has acquired two significant 17th-century Dutch still life paintings. The first is Jan Davidsz. de Heem's 'Glass Vase with Flowers and Fruit' (c. 1673–74), a work the museum had sought for over twenty years, which recently emerged from a private German collection. The second is Pieter Claesz's 'Still Life with Assorted Fruit' (1597/98–1660), a 'fruitagje' painting purchased at a Sotheby's auction for $1.64 million.
Three artists have installed site-specific works at The Peninsula Hong Kong hotel as part of its annual Art in Resonance program, coinciding with Hong Kong Art Week. Angel Hui's 'Swimming in Light' features embroidered goldfish imagery on plastic bags and the hotel's glass frontage, Albert Yonathan Setyawan's 'Metamorphic Modulation' fills a circular structure with 700 ceramic elements, and William Lim's 'Walking on a Bright Future' is a textile and spatial intervention in the hotel's café.
The Bank of Art Gallery in Brazil, Indiana, is launching an immersive spring-themed exhibition titled "Bloom/Hum/Glow." Featuring the work of seven artists, the show transforms the gallery space into a sensory meadow through a combination of glasswork, floral prints, and a unique sound installation. A central highlight is a haptic audio experience by artist Kevin Naylor that replicates the vibrations and sounds of a beehive, allowing visitors to feel as though they are enveloped within a hive.
In ex fabbrica di Milano ha aperto la mostra-fiera MEGA. Tutte le foto e 5 stand da non mancare
The third edition of MEGA Art Fair has opened in Milan, relocating to SPAZIO PROFUMO, a former perfume factory in the Barona district. Running from April 15 to 25, 2026, the event strategically bridges Milan Art Week and Design Week, featuring over 30 international exhibitors from Europe, Latin America, and Asia. Eschewing traditional booth structures, the fair utilizes a cohesive curatorial layout that integrates industrial archaeology with contemporary practices, including a dedicated video program and a section titled 'City of Glass.'
The Arts Club of Chicago is currently hosting "Into Your Arm’s Length," a solo exhibition by New York-based artist Oren Pinhassi. The installation features a series of anthropomorphic sculptures crafted from sand and polymer, which Pinhassi integrates with rigid architectural elements like steel bedframes, glass panels, and venetian blinds. These hybrid forms create a surreal landscape where bulbous, organic shapes appear to interact with or "clutch" domestic furniture, challenging the viewer's perception of texture and weight.
Stained glass artists Kurt and Lorraine Wendling have officially opened The Gallery on Gambier in downtown Mount Vernon, Ohio. The new creative hub serves as the permanent home for their business, Wendling Glass Creations, while also showcasing the work of approximately 20 other artists specializing in mediums ranging from photography to oil painting. The space is designed as a multi-functional venue, incorporating a retail gallery, a custom framing center, and a dedicated classroom for art instruction.
Diné artist Eric-Paul Riege has launched his largest exhibition to date, titled “ojo|-|ólǫ́,” at the Henry Art Gallery. The show features large-scale soft sculptures, wearable art, and multimedia installations that reinterpret traditional Navajo symbols like the weaving comb and the hogan. Central to the exhibition is Riege’s rejection of traditional museum barriers; he encourages visitors to touch the tactile, plush works to honor the many hands involved in the production of his materials.
The Panasonic Shiodome Museum in Tokyo is set to host "Georges Rouault: Memories of the Artist’s Studio," an exhibition drawing from the museum’s extensive collection of approximately 270 works. The show features a chronological exploration of Rouault’s career, specifically highlighting recent acquisitions from his Fauvist period and a partial reconstruction of his final Paris studio using original tools and materials.
Los premios
Artist Gala Berger presents a three-act exhibition titled "Los premios" (The Prizes), which revisits the radical spirit of the 1968 Latin American avant-garde. The show specifically references two historic 1968 exhibitions at the National Museum of Fine Arts in Buenos Aires—the Georges Braque Prize and "Materials, new techniques, new expressions"—where artists staged protests involving egg-throwing, stink bombs, and manifestos against censorship and institutional tutelage.
Aktivistin klebt sich an Museumsvitrine
A protester from the activist group Neue Generation glued herself to a display case in the Coin Cabinet of the Bode-Museum on Berlin's Museum Island. Dressed as Federal Minister for Economic Affairs Katherina Reiche, the activist targeted the museum to protest the minister's perceived lack of independence from corporate interests. Police were called to the scene to remove the woman, and the Prussian Cultural Heritage Foundation confirmed that while the glass case was targeted, no historical artifacts were damaged.
The 35th annual Governor’s Art Show has returned to the Loveland Museum, showcasing a juried selection of fine art from across Colorado. This year’s exhibition features approximately 60 artists, including 10 first-time participants, selected through a competitive blind jury process. The show includes a diverse range of media, from Lorri Acott’s life-size bronze animal sculptures to Jane DeDecker’s new works blending bronze with fused glass, and Faye Crowe’s Western-influenced abstract paintings.