spring 2025 nyc art fairs guide 2636859

Spring 2025 in New York City brings a dense calendar of art fairs, headlined by Frieze New York at The Shed (May 7–11) with over 65 galleries from 25 countries, and Independent at Spring Studios (May 8–11) which this year surpasses Frieze in size with 85 exhibitors. Other notable fairs include the 1-54 Contemporary African Art Fair celebrating its 10th year with a focus on the Caribbean diaspora, the experimental SPRING/BREAK Art Show, and NADA New York featuring 120 galleries and a spotlight on Texas and Mexico. The guide also mentions newer showcases like Esther II and Conductor, offering a comprehensive overview for collectors and art enthusiasts navigating the city's art week.

‘It’s a love letter’: exhibition pays tribute to Frank Gehry’s lesser-known works

Gagosian Gallery in Beverly Hills has opened an exhibition titled "Frank Gehry" showcasing the architect's lesser-known sculptural works, including fish lamps, a crocodile, snakes, and a stainless steel bear. Curated by Deborah McLeod, a personal friend of Gehry, the show celebrates his non-architectural creations that explore animal forms and light, with pieces like the 7-foot-long "Bear With Us" and fish lamps using LED bulbs. The exhibition serves as a tribute following Gehry's death in 2025 at age 96.

Raghu Rai obituary

Raghu Rai, the renowned Indian photographer known for capturing his country's post-independence history through singular, enduring images, has died at age 83 from cancer. Rai's career spanned six decades, during which he documented events from the 1984 Bhopal gas disaster to the Bangladesh war of independence, and photographed figures including Indira Gandhi, Mother Teresa, and the Dalai Lama. He joined Magnum Photos in 1977 after being invited by Henri Cartier-Bresson, and worked as a staff photographer for the Statesman and as picture editor for India Today.

How a Louise Bourgeois Print Inspired Eden Xu-Martinez’s Intimate Collection

Eden Xu-Martinez, a collector and art administration professional, has built a personal collection centered on the accessibility and intimacy of prints. Her journey into collecting was catalyzed by a lithography course at Columbia University and a profound encounter with a Louise Bourgeois print, which shifted her perspective on the medium from mere reproduction to a deeply personal form of artistic expression.

Is Hong Kong Back? The GRAND PRIX de Basel 2026

Hong Kong’s art scene experienced a massive surge of activity in March 2026, anchored by Art Basel Hong Kong and Art Central. The city hosted 240 galleries at the main fair, drawing over 91,000 visitors, alongside numerous boutique fairs, auction previews, and major institutional exhibitions. Highlights included a reassembled 1964 Yayoi Kusama installation at Art Intelligence Global, a lecture by Zhang Xiaogang at Asia Art Archive, and a poignant solo show by artist duo Chow and Lin at SC Gallery.

Mary Lovelace O’Neal, Painter Who Defied the Bounds of Abstraction, Dies at 84

Mary Lovelace O’Neal, the American painter known for her large-scale abstract works that defied easy categorization, died in Mérida, Mexico, on May 10 at age 84. Her death was confirmed by her galleries, Jenkins Johnson and Marianne Boesky, on May 13. Active in the Civil Rights movement of the 1960s, O’Neal developed a distinctive practice that blended Minimalism, Abstract Expressionism, and figurative elements, most notably through her Lampblack series and later the "Whales Fucking" series. Her work gained renewed attention in the 21st century, with exhibitions at Mnuchin Gallery and the Museum of the African Diaspora, and her painting *Blue Whale a.k.a. #12* (1983) was selected for the 2024 Whitney Biennial.

Bodies, Bodies, Bodies: Artists Revisit the Nude in Shows Across New York

This spring in New York, multiple exhibitions are revisiting the nude as an artistic genre, with artists exploring themes of flesh, harm, aging, and political oppression. Notable shows include Seung Ah Paik's "Self Configuration" series at Bortolami, where she paints distorted self-portraits that recall Surrealist and feminist traditions, and Joan Semmel's self-portraits at Alexander Gray Associates, which continue her decades-long focus on the nude body. These shows are part of a broader trend that also includes the New Museum's "New Humans: Memories of the Future."

New £5.5m record for Islamic glass leads London sales

The spring Islamic and Indian art auctions in London, held at Sotheby's and Christie's in late April, achieved strong results despite geopolitical tensions. Sotheby's Arts of the Islamic World & India sales totaled £14.8m, while Christie's Art from the Islamic and Indian Worlds sale and the Mary and Cheney Cowles collection brought in £17.6m. The top lot was a rare 14th-century Mamluk gilded glass bowl from the Toledo Museum of Art, which sold for £5.5m—a new auction record for Islamic glass. Other highlights included a 17th-century Mughal astrolabe that sold for £2m at Sotheby's, setting a record for an Islamic scientific instrument, and strong sales of Iznik ceramics from two old English collections.

Here’s How Stars at the 2026 Met Gala Nodded to Art History

The 2026 Met Gala, themed "Fashion Is Art," saw celebrities and fashion figures wearing outfits directly inspired by or referencing iconic artworks and art historical movements. Notable nods included Chloe Malle in a gown referencing Frederic Leighton's *Flaming June*, Lauren Sánchez Bezos in a Schiaparelli dress echoing John Singer Sargent's *Madame X*, and Hunter Schafer channeling Gustav Klimt's portrait *Mäda Primavesi*. Other attendees like Anne Hathaway, Hailey Bieber, and Karan Johar also drew from specific paintings, sculptures, and poems, while stylist Law Roach wore a hand-painted piece by Gabonese artist Naïla Opiangah.

Venice Biennale 2026: all the national pavilions, artists and curators so far

The 61st edition of the Venice Biennale, the world's oldest and most prestigious art biennial, will open on 9 May 2026 and run through 22 November. The main exhibition follows the curatorial plan of the late Koyo Kouoh, while national pavilions have been announcing their participating artists and organizers. The article provides a comprehensive list of confirmed pavilions so far, including artists such as Genti Korini (Albania), Matías Duville (Argentina), Khaled Sabsabi (Australia), Florentina Holzinger (Austria), Faig Ahmed (Azerbaijan), and many others, with details on venues and organizers.

Is Dubai’s loss Palma's gain? Newly revived Mallorca fair offers ’sun, sand and safety’ for wealthy Germans

The Art Cologne Palma Mallorca fair has been successfully revived at the Palau de Congressos, attracting 88 exhibitors with a heavy concentration of Spanish and German galleries. The event capitalizes on Mallorca's status as a premier second-home destination for wealthy Europeans, particularly Germans, and benefits from significant local government backing of €500,000. Early sales reports indicate strong performance in the lower and mid-market price brackets, with artists like Neo Rauch and Brian Eno finding quick buyers, though seven-figure works by Anselm Kiefer and Georg Baselitz moved more slowly.

Seoul Gets an Intriguing New Art Fair—Plus, a Rundown of the Latest in Asia’s Art World

The Asian art landscape is undergoing significant shifts, headlined by the launch of Hive Art Fair in Seoul, which introduces a fee-free booth model focused on B2B corporate collaborations. Major institutional moves include the appointment of Melissa Chiu as the new director of the Guggenheim Museum and the opening of the Black Gold Museum in Riyadh. Meanwhile, the Hong Kong Museum of History has reopened with a controversial thematic revamp that emphasizes Chinese heritage over colonial history.

Comment | Cow in MSCHF project survives, but should the project have happened at all?

The Brooklyn-based art collective MSCHF concluded its two-year project 'Our Cow Angus,' in which the fate of a live cow was determined by token holders. Purchasers of tokens representing future hamburgers and leather had the option to return them via a 'remorse portal'; when over 50% were returned by the March 13 deadline, the cow was sent to a sanctuary instead of a slaughterhouse.

Japan's Art Market Growth and Asian Art News

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Japan’s art market demonstrated remarkable resilience in 2024, growing by 2% to reach $692 million despite a 12% contraction in the global art market. A government-commissioned report by economist Clare McAndrew revealed that the Japanese market is characterized by high-volume, lower-value transactions, with 93% of sales occurring at price points under $10,000 and dealers accounting for the vast majority of trade.

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Jaiveer Johal, an Indian art collector and logistics heir based in Chennai, discusses the current boom in the Indian art market in an interview for Artnet Pro's newsletter "The Asia Pivot." Johal, who founded the Avtar Foundation for the Arts in 2024 to promote Modern and contemporary South Asian art, notes that auction records for Indian Modern masters have reached new highs while contemporary galleries like Experimenter, Nature Morte, and Jhaveri Contemporary are expanding internationally. He observes that rising prices are pricing out many collectors, including himself, as institutions and wealthy buyers drive demand.

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Artnet News asked four curators and four art advisors from around the world to each select one artist they believe is poised to break out in 2026. The article profiles the first two of eight artists: Indonesian artist Bagus Pandega, known for kinetic plant-based installations, who has had solo shows at Kunsthalle Basel and Swiss Institute New York; and Max Hooper Schneider, a Los Angeles-based artist creating aquarium-like works blending organic and artificial materials, recently exhibited at 125 Newbury gallery in New York.

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Galerie 1900-2000, a Parisian gallery specializing in Dada and Surrealism, has closed its New York branch on Madison Avenue, which opened in February 2023 as a joint venture with Galerie Georges-Philippe & Nathalie Vallois. The Manhattan outpost's last exhibition ended in September, with principal David Fleiss citing a slow market during difficult global times as the reason for the closure, though he did not rule out a future return to New York.

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Arthur “Art” Green, a key Chicago Imagist painter and original member of the Hairy Who, died at age 83 in April. The news was announced by Garth Greenan Gallery in New York, which represented him. Green rose to prominence in the mid-1960s alongside five fellow School of the Art Institute of Chicago graduates, exhibiting together as the Hairy Who from 1966 to 1969. Their work offered a humorous, hallucinatory take on American culture, blending Surrealism, Art Brut, and advertising conventions. Green developed a rich personal iconography featuring ice cream cones, wood grain, flames, and fingernails, and taught for decades, influencing a generation of artists.

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This week's art industry roundup covers major auction results, gallery representation changes, museum leadership shifts, and a high-profile art theft. François-Xavier Lalanne's *Hippopotame Bar* sold for $31.4 million at Sotheby's Breuer headquarters, setting a record for both the artist and design works. A Tiffany Magnolia floor lamp also set a new auction record at Sotheby's, fetching $4.4 million. Meanwhile, a New Jersey auction house quietly sold over $100,000 of Jeffrey Epstein's belongings, including artworks, without disclosing his ownership. In the gallery world, several artists changed representation, and former Clearing director John Utterson joined Thaddaeus Ropac. Museum news includes the Smithsonian's National Museum of Asian Art repatriating three Khmer-era sculptures to Cambodia, Maria Balshaw stepping down as Tate director, MoMA PS1 offering free admission starting January 1, and the Rijksmuseum planning a new branch in Eindhoven. Additionally, eight rare Matisse prints and five works by Candido Portinari were stolen from São Paulo's Mário de Andrade Library.

must see fall gallery shows new york 2682575

The article highlights four must-see fall gallery shows in New York City for September-October 2025. It features Mercedes Matter's first solo show at Berry Campbell, reviving the overlooked Abstract Expressionist; Julio Torres's theatrical debut "Color Stories" at Performance Space New York; Gabrielle Garland's first New York solo exhibition at Miles McEnery Gallery, showcasing surreal suburban paintings; and Omar Ba's exhibition "Promises and Glory" at Templon, presenting fantastical mixed-media works.

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A deadly fire in Hong Kong's Tai Po district, which killed at least 159 people and left 31 missing, has sparked an online battle over the role of bamboo scaffolding in the blaze. Photographer Elaine Li and other artists, architects, and cultural historians are defending the centuries-old craft against early news reports that implicated it, fearing it may be unfairly blamed and regulated out of existence. Officials have ordered all scaffolding mesh removed and arrested 21 people on suspicion of manslaughter, but the conversation has grown into a broader fight to protect a cultural symbol of Hong Kong's identity.

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Maggie Harrison, head winemaker at Antica Terra in Oregon's Willamette Valley, has collaborated with artists Julie Mehretu, Paul Pfeiffer, and Jessica Rankin to create a limited-edition box set of wines. Each set includes wines blended collaboratively and individual artworks packaged with the bottles, described as a “Museum in a Box.” Proceeds from the 150 sets benefit Denniston Hill, the artist residency founded by Mehretu and Pfeiffer. Harrison also opened an Art Meadow at Antica Terra this past summer, featuring a site-specific installation by Lily Clark, with plans for another exhibition next year.

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The article profiles 20th-century textile artist Ethel Stein, who remained largely unrecognized during her lifetime despite creating technically rigorous weavings. A new exhibition titled "Master of the Loom" at New York's Sapar Contemporary (on view through November 17) showcases her geometric, rhythmic works. Stein, who studied under Josef Albers at the Bauhaus and designed a unique loom now held by the Art Institute of Chicago, also had a playful side: she began her career as a puppeteer and created the puppet that became Lamb Chop, the beloved character performed by Shari Lewis on PBS. The exhibition highlights works such as "Rust Abstract," "Indigo 25," and "Black and White," which demonstrate her mastery of complex weaving structures and geometric abstraction.

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Naotaka Hiro's latest paintings, on view at Bortolami gallery in New York through November 1, were inspired by a harrowing experience seven years ago when he discovered a stranger living in the crawlspace beneath his Los Angeles home. Hiro now creates his works by lying supine with his canvas suspended just 13 inches above his body—the exact height of that crawlspace—often cutting holes through the canvas and wrapping it around himself with ropes to paint from all angles. The resulting abstractions, filled with forms resembling plants, fish gills, and veins, function as a 360-degree body scanner and a form of self-exploration.

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Cristin Tierney, a seasoned art dealer, has opened a new gallery space in New York's Tribeca district, marking her fourth relocation in fifteen years. The inaugural exhibition, titled “Fifteen,” is a group show featuring over 30 artists who have shaped the gallery's identity, including Dread Scott, Mary Lucier, Judy Pfaff, and Shaun Leonardo. Tierney's move comes amid widespread reports of gallery closures, positioning her expansion as a strategic bet on the viability of midsize, independent dealers. The gallery's model combines a conceptual front-room program with secondary-market sales, a practice Tierney likens to the legacy of Leo Castelli.

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SmithDavidson Gallery has partnered with London-based Unit gallery to present “Tjukurrpa: The Dreaming,” an exhibition timed to the Tate Modern survey of Emily Kam Kngwarray (1910–1996). The show, on view through August 17, 2025, highlights Kngwarray's work alongside pieces by Warlimpirrnga Tjapaltjarri, Makinti Napanangka, and Paddy Nyunkuny Bedford. Founders David Smith and Gabriëlle Davidson, who have collected Australian First Nations art since 2006, describe how their gallery transformed from a focus on 19th-century European and Impressionist art to a dedicated program for Modern and Contemporary Australian Indigenous art, with ethical standards that benefit artists' communities.

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Art Collaboration Kyoto announced 72 exhibitors for its fifth edition, with 25 first-time participants. Patti Wong, former Sotheby's executive, launched New Perspectives Art Partners with Ed Dolman, Brett Gorvy, and others. Art Fair Tokyo's 20th edition saw sales of ¥2.86 billion, down 10% from last year. Lisa Horikawa and Mizuki Takahashi were appointed co-curators of Japan's pavilion at the Venice Biennale. The Sharjah Art Foundation named Angela Harutyunyan and Paula Nascimento curators of the 17th Sharjah Biennial. YDP, a new non-profit space in London, will open with a solo show by Duan Jianyu. At Sotheby's London, Yu Nishimura's painting sold for £292,100. Hong Kong collector Adrian Cheng resigned from New World Development's board.

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Amid a sluggish broader art market, the design category is surging. Major auction houses—Sotheby’s, Christie’s, and Phillips—held design sales in early June 2025 that far exceeded expectations. Sotheby’s New York design sales totaled $37.5 million, Christie’s $23.6 million, and Phillips $4 million, representing a 62.3 percent year-on-year increase across all three houses. Notable highlights include the Goddard Memorial Window by Tiffany Studios, which sold for $4.29 million, the second-highest price for a Tiffany window at auction. The sales attracted many new buyers, with Sotheby’s and Phillips reporting over 20 percent of buyers were new to the houses.

basel social club is a beautiful mess art basel 1234745671

The Basel Social Club (BSC), a rogue nonprofit exhibition platform, has taken over a defunct private bank in Grossbasel for its fourth edition, offering a free-entry counter-program to the main Art Basel fair. Over 100 rooms are transformed into living artworks, featuring installations like a functional Black hair salon ("It’s a Whole Lotta Money"), a video essay critiquing online review systems ("1 ★ Review Tour"), and a jewelry boutique in the former vault ("Bijoux Solaires"). The event is described as chaotic, punk, and intimate, with performances such as Faisal Abdu’Allah giving real haircuts in a vintage barber chair.

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The article profiles Bona de Mandiargues, an overlooked Italian Surrealist artist whose work is finally gaining international recognition. Her major debut occurred at the 2024 Venice Biennale, and her first U.K. solo show is now on view at Alison Jacques gallery in London through June 28. The exhibition focuses on her mature period (1975–1995), featuring dark, erotic, and occult-inspired collages and assemblages that challenge gender norms.