Albrecht Dürer’s monumental "Triumphal Arch," a 13-foot-tall woodcut commissioned by Holy Roman Emperor Maximilian I in 1512, is entering long-term storage at the New York Public Library this fall. The work has been a centerpiece of the library’s Polonsky Treasures exhibition since 2021, but its extreme fragility and age necessitate its removal from public view on October 18.
The Museum of Modern Art (MoMA) has opened the exhibition 'Frida and Diego: The Last Dream,' a collaboration with the Metropolitan Opera tied to its upcoming production of the opera 'El Último Sueño de Frida y Diego.' The show, designed by stage and costume designer Jon Bausor, transplants theatrical elements like a tree-of-life set model and blue tarp drapes into the gallery, alongside a reshuffling of key Kahlo and Rivera works from MoMA's collection.
Annunciati i candidati al Festival di Cannes 2026 (pure qui niente italiani, come alla Biennale)
The 79th edition of the Cannes Film Festival has unveiled its official selection for 2026, scheduled to run from May 12 to 23. Led by President Iris Knobloch and General Delegate Thierry Frémaux, the festival will open with Pierre Salvadori’s 'La Vénus électrique,' a romantic comedy set in 1928 Paris centered on a painter who loses his inspiration. The competition lineup features a global array of heavyweights, including new works by Pedro Almodóvar, Ryusuke Hamaguchi, Hirokazu Kore-eda, and Asghar Farhadi.
Artist Liza Lou is presenting a new body of work that merges the legacy of Abstract Expressionist brushstrokes with intricate beadwork. Her solo exhibition, 'FAQ,' at Thaddaeus Ropac in London features mixed-media paintings where thousands of glass beads are meticulously placed atop fields of oil paint, creating textured, chromatic topographies that transform gestural marks into sculptural forms.
Kunst als Versuchsanordnung
The influential Berlin-based artist and professor Thomas Zipp has passed away unexpectedly. Known for his immersive installations that blurred the lines between art, science, and madness, Zipp created complex "experimental setups" involving painting, sculpture, and performance. His work often explored dark parallel worlds, notably evidenced in his haunting 2013 Venice Biennale project that transformed a palazzo into a derelict psychiatric ward.
Seventy-three artists and curators participating in the main exhibition of the 2024 Venice Biennale have issued an open letter objecting to the organizers' decision to relocate the Israeli national pavilion to the Arsenale. They argue this move creates an intimidating atmosphere contrary to the late curator Koyo Kouoh's vision of "radical solidarity" and will necessitate a heightened security presence. The signatories, which include key curators tasked with realizing Kouoh's exhibition, also call for the exclusion of Israel, Russia, and the United States from the event, citing their governments' alleged commission of war crimes.
A long-lost film by French cinema pioneer Georges Méliès has been discovered in a garage in Grand Rapids, Michigan, after sitting in a trunk for two decades. The 45-second silent short, titled 'Gugusse and the Automaton' (1897), was identified by specialists at the Library of Congress after the owner, Bill McFarland, donated a collection of nitrate reels that had belonged to his showman great-grandfather.
Students at Dartmouth College have intensified their campaign to remove billionaire collector Leon Black’s name from the school’s visual arts center. The renewed push follows the release of Department of Justice files detailing Black’s extensive financial ties to the late sex offender Jeffrey Epstein, including $170 million in payments for tax and estate advice. While Black has denied all allegations of misconduct and his legal team maintains he was unaware of Epstein’s criminal activities, student leaders are citing the college's recent decision to strip César Chávez’s name from a fellowship as a precedent for moral accountability.
The National Gallery in London has successfully reached a target of £2 million in annual savings following a voluntary redundancy program and a recruitment freeze. Initiated in February to address a projected £8.2 million deficit, the voluntary exit scheme allowed the institution to avoid compulsory redundancies among its nearly 500 employees. While the gallery has met its initial savings goal, it must still find ways to bridge a remaining multi-million pound shortfall through non-staff cost reductions.
The National Gallery in London has selected Japanese architecture firm Kengo Kuma and Associates to design a new £350m wing, scheduled to open in the early 2030s. Chosen from a shortlist of six finalists, Kuma’s design features a Portland stone exterior and will be constructed on the site of the soon-to-be-demolished St Vincent House. The extension will provide nearly double the space for temporary exhibitions and an additional 1,500 square meters for the permanent collection, connected via bridges to the existing Sainsbury Wing and Wilkins building.
The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as a curator in the Department of Photographs, poaching her from the Museum of Modern Art (MoMA). Onabanjo, formerly the Peter Schub Curator at MoMA, will be tasked with managing the landmark gift of over 6,500 photographs from the Walther Family Foundation and curating exhibitions with a focus on twentieth-century media.
Ari Hodara, a 58-year-old engineer from Paris, has won a Pablo Picasso painting valued at approximately $1 million after purchasing a raffle ticket for just 100 euros. The artwork, a 1941 gouache-on-paper titled "Head of a Woman," depicts the artist's muse Dora Maar and was provided by Opera Gallery. The raffle sold 120,000 tickets globally, successfully raising significant funds for charity.
Veteran art dealer Scott Nichols reflects on his long-standing career and the evolution of his eponymous gallery, which specialized in 20th-century California photography for nearly three decades in San Francisco before relocating to Sonoma in 2019. The gallery is renowned for its deep expertise in Group f.64, maintaining one of the largest private collections of Brett Weston’s work alongside masterpieces by Ansel Adams, Dorothea Lange, and Imogen Cunningham.
Ari Hodara, a Parisian sales engineer and art enthusiast, won a 1941 Pablo Picasso portrait valued at over €1 million through a €100 charity raffle ticket. The draw, held at Christie’s in Paris, featured the painting 'Head of a Woman,' a portrait of the artist’s muse Dora Maar. The lottery successfully sold all 120,000 available tickets, raising a total of €12 million.
A new exhibition at the Frick Collection in New York has assembled 25 portraits by the 18th-century British painter Thomas Gainsborough. The show focuses on his depictions of the era's elite, showcasing the powdered wigs, lavish fabrics, and social stature of his sitters.
The Museum of Modern Art in New York has launched a major retrospective of Marcel Duchamp, marking the artist's first comprehensive North American survey in over half a century. The exhibition traces Duchamp’s evolution from his early satirical drawings and avant-garde paintings to his revolutionary experiments with movement and mechanization, featuring iconic works like "Nude Descending a Staircase" and "L.H.O.O.Q." alongside technical diagrams and studies for "The Large Glass."
Glenstone Museum in Potomac, Maryland, is celebrating its 20th anniversary as one of the largest private contemporary art museums in the United States. Founded in 2006, the institution offers a unique, immersive experience across 230 acres, combining world-class art, minimalist architecture, and expansive nature trails. The museum currently features major works by iconic artists such as Jackson Pollock, Ruth Asawa, and Kerry James Marshall within its two primary structures, The Gallery and The Pavilions.
The Museum of Modern Art (MoMA) has launched a comprehensive retrospective of Marcel Duchamp, marking the first major American survey of the artist's work in five decades. The exhibition follows a chronological path through Duchamp’s radical career, featuring early pen-and-ink drawings, his transition through Cubism and Dadaism, and his revolutionary "readymades" like the urinal titled Fountain. Highlights include the rare gathering of all three versions of Nude Descending a Staircase and documentation of his final, secretive installation, Étant donnés.
Four major art exhibitions across London are entering their final weekend, with closing dates set for April 12, 2026. Highlights include Tate Britain’s face-off between landscape masters J.M.W. Turner and John Constable, and Tate Modern’s dual offerings: a deep dive into Pablo Picasso’s theatrical influences and Máret Ánne Sara’s monumental Hyundai Commission installation in the Turbine Hall. The South London Gallery is also concluding its showcase of the New Contemporaries, which highlights emerging artistic talent.
Artist Shana Moulton is set to discuss her multidisciplinary practice at the "Humanities Decanted" event on April 21. The talk will focus on her long-running 'Whispering Pines' series and her recent site-specific installation at MoMA’s Kravis Studio, which features her iconic alter ego, Cynthia. Developed in collaboration with composer Nick Hallett, the project utilizes performance and video to explore a multi-chapter narrative centered on themes of wellness and consumerism.
The Farnsworth Art Museum, Colby College Museum of Art, and Brandywine Museum of Art are launching a collaborative exhibition titled "By Design: The Worlds of Betsy James Wyeth." This landmark show is the first to focus exclusively on the creative legacy of Betsy James Wyeth, the wife of Andrew Wyeth, highlighting her work as a designer of immersive environments and her role in restoring historic properties like the Olson House and Brinton’s Mill. The exhibitions will feature Andrew Wyeth’s paintings alongside Betsy’s archival materials, maps, and collected objects.
New York City’s cultural landscape is undergoing a significant transformation, anchored by the grand reopening of the New Museum in its expanded 60,000-square-foot building designed by OMA. The inaugural exhibition, "New Humans: Memories of the Future," features over 200 contributors exploring the intersection of technology and humanity. Simultaneously, major institutions are launching blockbuster shows, including a massive Raphael retrospective at the Metropolitan Museum of Art and the 2026 Whitney Biennial, which focuses on artificial intelligence, climate grief, and geopolitical power.
New York City’s cultural landscape is undergoing a significant transformation with the reopening of the New Museum in its expanded 60,000-square-foot building designed by OMA. The inaugural exhibition, "New Humans: Memories of the Future," features over 200 contributors exploring the intersection of technology and humanity. Simultaneously, major institutions are launching landmark shows, including a massive Raphael retrospective at the Metropolitan Museum of Art and the 2026 Whitney Biennial, which focuses on artificial intelligence and climate grief.
Archaeologists conducting surveys for an offshore wind farm project in Norfolk, England, have discovered a significant Roman villa dating back to the 1st through 3rd centuries C.E. The expansive estate, which measures over 100 feet in length, featured a bathhouse, a covered porch, and ancillary buildings for crop processing. Excavations also yielded high-status artifacts including an ornate bronze door handle, a lion-headed furniture foot, and imported pottery, alongside evidence of a Roman road and two lost medieval villages.
MoMA PS1 has launched the sixth edition of Greater New York, its signature quinquennial survey featuring 53 artists living and working across the city's five boroughs. Marking the institution’s 50th anniversary, this iteration was organized entirely by the museum’s internal curatorial staff rather than outside contributors. The exhibition moves away from the introspective, surrealist themes of the pandemic-era 2021 edition, focusing instead on the social fabric of the city and the systemic challenges facing its residents.
The John Simon Guggenheim Memorial Foundation has announced its 101st class of fellows, awarding 223 scholars and artists across 55 disciplines for 2026. Selected from a pool of nearly 5,000 applicants, the new cohort includes prominent visual artists such as Sonya Clark, John Miller, American Artist, and Kota Ezawa. The fellowships provide significant financial grants to individuals who have demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts.
The Dutch photography duo Inez & Vinoodh have launched a major retrospective titled "Can Love Be a Photograph" at the Kunstmuseum Den Haag. Spanning their career since 1986, the exhibition features 150 works that blur the lines between fashion photography, celebrity portraiture, and fine art. To mark the opening, the artists highlighted six defining works—including the digitally manipulated "Thank You Thighmaster" series—that prioritize conceptual depth and psychological mutation over the glossy celebrity culture they are often associated with.
The National Gallery in London has appointed Tokyo-based architect Kengo Kuma to design a new £350 million wing as part of its ambitious £750 million "Project Domani" expansion. Kuma, known for the V&A Dundee, beat out high-profile Pritzker Prize winners Renzo Piano and Norman Foster for the commission. The project involves the demolition of St. Vincent House to create 15,000 square feet of new exhibition space dedicated to 20th and 21st-century art, along with new pedestrian zones and a roof garden.
The New Museum has inaugurated its recently renovated space with 'New Humans: Memories of the Future,' a sprawling exhibition featuring over 700 works across four floors. The show explores the historical and evolving relationship between humanity and labor, tracing the narrative from ancient Mesopotamian myths to the industrial age and the rise of robotics. Key sections like 'Mechanical Ballets' highlight how artists have historically responded to the dehumanization of the workforce through the lens of early 20th-century avant-garde movements.
More than 200 international scholars and cultural heritage professionals have signed a joint statement condemning the United States and Israel for inflicting "irreversible damage" on Iran’s cultural heritage. The group, which includes academics from leading global institutions, alleges that recent military strikes have damaged over 130 UNESCO-registered monuments and museums, including the Senate Palace in Tehran and sites in Isfahan. They argue these actions violate the 1954 Hague Convention and criticize international bodies like UNESCO for failing to issue a sufficiently forceful response.