A lithograph by Joan Miró titled "Osaka 1970" (1970) is being offered for sale by Bernardini Art Gallery & Auction House, priced between $7,800 and $8,400. The work is a signed-in-plate print from an unknown edition, measuring 29.9 × 22.4 inches, and comes framed with a certificate of authenticity. The listing appears on Artsy, with shipping available from Querétaro, Mexico.
Valerio Adami, a prominent Italian painter born in 1935, is offering a new acrylic-on-canvas work titled "Valerio Adami @Miart 2026" (2026) through Dep Art Gallery. The painting, sized 198 × 147 cm, is a unique piece accompanied by a certificate of authenticity. Adami is known for his graphic, comic-inspired narrative figuration, with works held in major museums including MoMA, Centre Pompidou, and the Art Institute of Chicago.
Goodman Gallery presents Carlos Garaicoa's first solo exhibition at its New York viewing room, titled 'Rituals and Liberty.' The show features eight works, including five reliefs that blend painting and photography, and sculptural models incorporating 19th-century French engravings. The exhibition precedes Garaicoa's solo show at Museo La Tertulia in Cali, Colombia, in May. Garaicoa, a Cuban-born artist based in Madrid, explores urbanism and how architecture reflects and shapes society, continuing his long-standing interest in decoding urban infrastructures.
The 2026 Photography Show, organized by AIPAD, opened to VIPs on April 22 at the Park Avenue Armory with record attendance and strong early sales. Featuring 80 domestic and international galleries, the fair showcased works ranging from early photographic experiments to contemporary digital and installation-based practices, with notable acquisitions by the Museum of the City of New York. AIPAD executive director Lydia Melamed Johnson reported a broad demographic of collectors, from established connoisseurs to first-time buyers.
L’art aborigène déploie ses couleurs et ses messages codés dans une grande expo à Lodève
A major exhibition of Aboriginal art has opened at the Musée de Lodève in France, featuring over one hundred works primarily from the collection of Alison and Peter Klein. The show presents paintings, painted totems, and trunks, showcasing the rich colors, hypnotic dot painting techniques, and coded symbolism characteristic of this art form.
Andy Warhol's screenprint "Cow II.11A" (1971) is being offered for sale by Composition.Gallery, priced at $15,200. The work is a color screenprint on wallpaper, printed by Bill Miller's Wallpaper Studio, Inc., New York, and published by Factory Additions, New York, for a Warhol exhibition at the Whitney Museum of American Art from May 1 to June 13, 1971. It is part of a limited edition of 100, stamped by the artist's estate, and includes a certificate of authenticity.
Arghavan Khosravi's solo exhibition "What Remains" opens today at Uffner & Liu in New York, presenting a new body of sculptural paintings that fuse Persian architecture with Christian altarpieces. The works explore women's fight for equality under censorship and religious dogma in Iran, featuring figures restricted by domestic objects, hinged shutters, and suspended cords, with fragments of limbs or faces visible. Key pieces include "Suspended" (2026), "Bearing" (2026), and "The Whisper" (2026), running through July 2.
Walid Nayif is holding a painting exhibition at Yassin gallery, which the article describes as not to be missed. The article also lists numerous other art events in Cairo, including photographic projects, immersive digital exhibitions, and ceramic showcases, featuring artists such as Judi Yassin, Tia Khalil, Mostafa El-Razzaz, Khaled Taher, Mahmoud Hamdi, and Pierre Jeanneret, as well as the 'Beyond Van Gogh' immersive experience directed by Mathieu Saint-Arnaud.
This article presents a Pablo Picasso ceramic mask, AR310 Mask (1956), available for sale through Leona Craig Art in Hong Kong for US$21,000. The work is an edition of 300, made from A.R. white clay with engobes and oxidized paraffin decoration. The provenance describes how Picasso first visited Vallauris in 1946 after a Paris exhibition, was inspired by ceramicist Suzanne Hammier, and later returned with Matisse and Chagall to see his fired pieces, eventually staying for nearly thirty years.
This article is a roundup of art exhibitions and cultural events in Cairo, Egypt, spanning multiple venues and dates. It highlights a photographic project titled "New Cairo, Do You Love Me?" by Judi Yassin and Tia Khalil at the American University in Cairo, which documents the disconnect between the promised luxury of New Cairo and its dehumanizing reality using 35mm black-and-white film. Other featured events include painting exhibitions by Osama Nashed and Alaa Hegazi at Dai, Mahmoud Hamdi's "Journey to the Core" at Difaf, the immersive "Beyond Van Gogh" experience at District 5, the permanent collection at Al-Fustat Centre for Ceramic, and the Empower Her Art Forum at the Grand Egyptian Museum.
The Penn Cultural Heritage Center (PennCHC) at the University of Pennsylvania's Penn Museum will launch the National Survey of Museum Collecting Practices on May 20, running through August 20. This first-of-its-kind survey, part of the Museums: Missions and Acquisitions Project (M2A Project), will collect data on acquisitions, deaccessions, loans, provenance research, and policies from U.S. nonprofit museums and libraries. Results will be published in 2027, with only generalized insights to maintain anonymity.
A major exhibition at Palazzo Reale in Milan explores the Macchiaioli, the 19th-century Italian painting movement often seen as a precursor to Impressionism. The show brings together works by key figures such as Giovanni Fattori, Silvestro Lega, Telemaco Signorini, Giuseppe Abbati, and Odoardo Borrani, alongside tangential artists like Giovanni Boldini, Federico Faruffini, and Gerolamo Induno. It traces the movement's origins at Florence's Caffè Michelangiolo, its epicenter at Castiglioncello under patron Diego Martelli, and its evolution from the 1850s through the 1870s, when the group's democratic ideals and en plein air techniques challenged academic conventions.
“Non esistono arti minori o femminili”. Ce lo spiega Domitilla Dardi nel suo nuovo libro
Domitilla Dardi's new book "Cucire Universi" (published by Einaudi) presents a counter-history of design, focusing on techniques traditionally dismissed as "feminine" and "minor"—such as sewing, ceramics, cooking, and knitting. The book argues that these practices have been systematically undervalued by official art histories, yet have contributed significantly to technologically advanced research fields. Dardi uses real historical figures like Emily Dickinson to illustrate how women's creative and scientific talents were channeled into these marginalized domains, and she calls for overcoming the dualistic view that separates art from craft.
The Metropolitan Museum of Art in New York has opened the new Conde M. Nast Galleries, designed by the Brooklyn-based firm Peterson Rich Office (PRO). The inaugural exhibition, titled "Costume Art," features 200 pieces from various museum departments and will run until January 10, 2027. The 12,000-square-foot space, located off the Great Hall, incorporates historic structural elements and uses subtle lighting and materials to create a quiet backdrop for the display of fragile costumes and art objects.
Cathy de Monchaux, a prominent British artist from the 1990s known for her erotic and dystopic sculptures, has opened a major survey exhibition at the Palais de Tokyo in Paris titled 'Studio, Wounds and Battles, Desire is the Reiteration of Hope'. The show comes 26 years after her last major solo exhibition at the Hirshhorn Museum in Washington DC, and includes a facsimile of her Hoxton studio, featuring intimate sketchbooks, maquettes, and early works. De Monchaux, who graduated from Goldsmiths in 1987 and was nominated for the Turner Prize, largely stepped away from the public exhibition circuit to raise her son, focusing instead on private commissions.
A new statue has appeared on Waterloo Place in central London, bearing the signature of elusive street artist Banksy. The artwork depicts a suited man carrying a large flag that covers his face, stepping off a plinth, and blends with nearby bronze and granite monuments. Sightings were first reported on Wednesday 29 April, but how and when the statue was erected in this busy intersection remains unknown. Banksy has not yet posted the work on his Instagram account, his usual method of authentication, though crowds have already gathered.
Andrew Kreps Gallery in New York presents 'Head Stretch,' a group exhibition featuring Felipe Barsuglia, Allan Gandhi, Luciana Maas, Flora Rebollo, Gokula Stoffel, and Erika Verzutti. The show is rooted in a shared studio building in São Paulo called 'Predinho,' where friendships and creative exchanges among the artists led to the exhibition. The title reflects diverse interpretations: from craning to see another's work to the stretched proportions of figures in paintings, and the expansion of perspective through community. Works by the six artists, including paintings, sculptures, and drawings, are installed in ways that create new associations, with Verzutti inserting her own pieces to open them to fresh readings.
The article presents a critical review of the 2026 "Greater New York" exhibition at MoMA PS1, a massive survey featuring over 150 works by more than 50 artists. The Hyperallergic editorial team highlights specific artists and works they loved, disliked, or found puzzling, offering a curated list of around 20 standout pieces. The review includes detailed commentary on individual works by artists like Dean Millien, the collective Red Canary Song, and Kameron Neal, capturing the diverse and often contentious reactions the show provokes.
The Tehran Museum of Contemporary Art is hosting a rare exhibition of American art, featuring works from its collection that were acquired before the 1979 Islamic Revolution. The show includes pieces by artists such as Andy Warhol, Jackson Pollock, and Mark Rothko, and is presented as a reflection on the complex history of U.S.-Iran relations, including themes of war and cultural exchange.
The article critiques the rise of AI-generated political imagery, such as Donald Trump depicted as Jesus and viral Lego videos of the Iranian Revolutionary Guard Corps, arguing that these shallow, generic visuals fail to provide meaningful or lasting cultural commentary on current conflicts. The author contrasts this with the inventive, humorous resistance seen during the 2013 Gezi Park protests in Istanbul, which later influenced a generation of Turkish artists.
The 61st Venice Biennale opened under grey skies and rain, with political tensions overshadowing the art world's premier event. The Russian pavilion, absent for two editions due to the Ukraine war, reappeared with a party atmosphere, though the Italian ministry of culture confirmed it would not be open to the public. The Ukrainian culture minister called Russia's symbolic presence powerful. The Iranian pavilion withdrew without explanation, and a protest by 60 artists from the In Minor Keys show marched through the Giardini humming in solidarity against Israel's participation. Over 200 artists, including Lubaina Himid and Alfredo Jaar, signed an open letter demanding the Israeli pavilion's cancellation. The event also proceeded without its curator, Koyo Kouoh, who died in May 2025; her curatorial team delivered the exhibition following her plans.
Iranian-Canadian visual journalist and artist Parisa Azadi describes her process of creating protest photographs during the 2022 Iranian revolution from exile in Dubai. Unable to return to Iran, she used open-source protest footage from social media, isolating frames and printing them with a Fujifilm instax camera to transform ephemeral digital images into physical objects. In January 2026, after state massacres and executions, she began burning these prints as an act of mourning, scarring their surfaces to echo the violence they depict.
The Art Gallery of New South Wales will open 'Avatar: Forms of Vishnu' in June, its largest exhibition of South and Southeast Asian art in over two decades. Featuring more than 200 works spanning 1,500 years, the show includes ancient sculptures, paintings, textiles, photography, and contemporary installations from institutions such as the British Museum, Ashmolean Museum, and National Museum of Cambodia. Curated by Melanie Eastburn and Chaitanya Sambrani, the exhibition explores artistic interpretations of Vishnu and his avatars across cultural, political, and spiritual contexts, with new commissions by Desmond Lazaro and Sumakshi Singh, and works by Nalini Malani, Pushpamala N, Gulammohammed Sheikh, and Jumaadi.
An extremely rare original 1993 exhibition poster for a posthumous Jean-Michel Basquiat solo show at FAE Musée d'Art Contemporain in Pully-Lausanne, Switzerland is being offered for sale by Graves International Art. The offset-lithograph poster, featuring Basquiat's untitled 1982 painting, was designed by Pierre Neumann and comes from a private collection in Hamburg, Germany. The listing notes that no other example of this poster has appeared on the secondary market or at auction before, and it is issued unsigned and posthumous.
The article previews the Berlin Gallery Weekend, focusing on the Mitte district as a hub for contemporary art. Highlights include Pae White's exhibition 'pushmi-pullyu' at Neugerriemschneider, featuring oversized insects, crabs, and kaleidoscopic wall sculptures, alongside other shows with photo art on copper, queer historical explorations, and mobile urban interventions along Linienstraße, Oranienburger Straße, and Rosa-Luxemburg-Platz.
The Vancouver Art Gallery is hosting a month-long program of talks, tours, and workshops for Asian Heritage Month 2026, celebrating Asian art and ideas. Highlights include weekly Lunchtime Look tours led by Senior Curator Diana Freundl and a Mandarin-language tour by Lynn Chen, a panel discussion titled "Modernity in Translation: Art, Architecture and Poetry in Iran" moderated by curator Pantea Haghighi with architect Hossein Amanat and Dr. Jeff Derksen, and a hands-on collage workshop by artist Vanessa Lam. The program also previews the gallery's upcoming landmark exhibition "Modern Iran and the Avant-Gardes, 1948–78," opening December 11, 2026, which will be the largest presentation of Iranian modernism ever mounted in Canada, featuring over 30 artists and approximately 100 works.
On April 8, 2025, a wave of Israeli airstrikes across Lebanon killed 357 people and injured over 1,200, a day now known as 'Black Wednesday.' Amid the violence, Lebanese artist Abed Al Kadiri, who grew up during Lebanon's civil war and Israeli occupation, has been working with displaced children in shelters, using art to help them process trauma. He collects their drawings and plans to combine them with sketches by other artists reflecting their own war experiences, creating concertina-style books to be exhibited and sold to raise funds for over 1.1 million displaced people.
A screenprint by Keith Haring, titled *Untitled* (1988), is being offered for sale through Palm Beach Modern Auctions. The limited-edition work on canvas, signed and numbered 111/125, was originally printed for the marriage of Estefania Kong to Lawrence "Dr. Winkie" Lin, who owned the DV8 nightclub in San Francisco where Haring had previously painted murals. The piece has minor condition issues and comes with provenance from Clars Auction in June 2024.
Artist and curator Vara Ramakrishnan presented a one-day exhibition titled 'Journey and Exile' at the Asian Art Museum in San Francisco, featuring 34 Kanjeevaram saris reimagined with artwork by artists and master weavers. The saris, including a piece by Shirin Nijhawan titled 'Ganesha' enhanced by embroidery artist Prabha Narasimhan, were displayed as unstitched garments that transcend size and social status, each carrying its own narrative.
Iran has withdrawn from the 2026 Venice Biennale, the world's most important art event, organizers announced on May 4. No official reason was given, but the withdrawal comes amid an uncertain ceasefire in Iran's war with the United States and Israel. The Biennale confirmed the decision in a statement, noting that 100 countries will still participate, including newcomers Tanzania and Seychelles. This follows South Africa's withdrawal over a legal dispute concerning a Gaza-focused artwork, and the closure of the Russian Pavilion to the public after the EU withdrew €2 million in funding over Russia's involvement.