A Pavilion of Ruins: Germany Reconsiders Its Past in Venice

The German Pavilion at the 61st Venice Biennale features a dual presentation exploring the country's layered political history. Artist Sung Tieu has cloaked the pavilion's fascist-era facade with a mosaic reconstruction of a GDR housing estate for Vietnamese contract workers, where she lived as a child. Inside, the late Henrike Naumann's immersive installation 'The Home Front' uses furniture and design to stage a confrontation between East and West German domestic and political ideologies. Naumann died in February 2025 at age 41, but her fully realized concept was completed collaboratively by her partner and curator Kathleen Reinhardt.

Pleasure, parody and propaganda: rethinking the art of illustration in a new history of the genre

D.B. Dowd's new book "Reading Pictures" offers a sweeping 400-page history of illustration, tracing the genre from the Diamond Sutra frontispiece in Tang China (AD868) to Molly Crabapple's Gaza reports in 2015. The book examines key works such as Jules Chéret's 1891 poster for the Alcazar d'Été Club, Stuart Davis's caustic covers for The Masses, and Duong Ngoc Canh's Vietnamese propaganda poster, arguing that illustrations are meant to be "read" rather than admired like museum paintings.

Towering homage to Bamiyan Buddhas rises over Manhattan’s High Line

A new public sculpture by Vietnamese American artist Tuan Andrew Nguyen has been installed on the High Line Plinth at Hudson Yards in Manhattan. Titled "The Light That Shines Through the Universe" (2026), the 27-foot-tall sandstone monument pays homage to the Buddhas of Bamiyan, the 6th-century colossi destroyed by the Taliban in 2001. The work features carved sandstone forms with two monumental steel hands cast from melted-down artillery shells sourced from Afghanistan, making gestures of fearlessness and compassion. It will remain on view through autumn 2027 and is accompanied by monthly lectures and meditation sessions.

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Daisy Rockwell, granddaughter of Norman Rockwell, stated in an interview with the Bulwark that her grandfather was "antifa," pushing back against recent uses of his paintings by the Department of Homeland Security (DHS). Over the summer, DHS posted cropped and edited versions of Rockwell's works, including "Salute the Flag" (1971) and "Working on the Statue of Liberty" (1946), with captions urging readers to "protect your homeland" and "defend your culture." The Rockwell family had already publicly rebutted these posts in a USA Today op-ed, arguing that Rockwell would have been "devastated" to see his art used to promote persecution of immigrant communities and people of color.

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The High Line in New York has selected Vietnamese artist Tuan Andrew Nguyen to create its next plinth commission, titled *The Light That Shines Through the Universe*, opening spring 2026. The 27-foot sandstone sculpture reimagines one of the Bamiyan Buddhas, destroyed by the Taliban in 2001, replacing the lost hands with melted brass artillery shells. The work is an "echo" meant to invoke memory of the lost cultural treasures.

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Three artists—Faith Ringgold, Jean Toche, and Jon Hendricks—organized "The People's Flag Show" at Judson Memorial Church in New York's Greenwich Village in November 1970, protesting the Vietnam War and challenging US flag desecration laws. The exhibition featured around 150 artists via open call, including Yvonne Rainer, Kate Millett, and the Guerrilla Art Action Group. On November 13, 1970, Ringgold, Toche, and Hendricks were arrested and fined $100 for flag desecration; their case was later dismissed with help from the American Civil Liberties Union. Now, 55 years later, Judson Commons—the church's nonprofit arts arm—is mounting a new version of the exhibition, again via open call, featuring over 60 artists and a week of programming in the Judson Gym.

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An international team of malacologists has discovered 46 new species of Southeast Asian microsnails, all under the genus Anauchen. One of them, Anauchen picasso, is named after Pablo Picasso because the angular patterns on its 3mm-wide shell resemble Cubism. The findings were published in the peer-reviewed journal ZooKeys, based on fieldwork in Cambodia, Myanmar, Laos, Thailand, and Vietnam, and comparisons with specimens from the Florida Museum of Natural History.

Massive Buddha sculpture by Tuan Andrew Nguyen opens on New York’s High Line Plinth.

Vietnamese sculptor and visual artist Tuan Andrew Nguyen has unveiled a 27-foot-tall sandstone Buddha sculpture titled *The Light That Shines Through the Universe* (2026) on New York's High Line Plinth, at the intersection of 10th Avenue and 30th Street. The monumental work is the newest commission for the elevated park's public art program and will remain on view for the next 18 months.

Thousands of Strips of Silk Undulate in Kenny Nguyen’s ‘Deconstructed Paintings’

Kenny Nguyen, a Vietnamese-born artist based in Charlotte, North Carolina, creates large-scale wall works using thousands of hand-cut strips of silk. Drawing on his background in fashion design, he employs techniques like pinning, weaving, sewing, and layering to produce what he calls “deconstructed paintings.” Each piece is built around an imaginary body, with creases and undulating forms that evoke movement. Though the works appear fixed, they are malleable—their shape changes depending on pin placement during installation. Nguyen’s work is currently on view in the group exhibition *Textile Art Redefined* at Saatchi Gallery in London.

Maya Lin Connects Nature to a New Manhattan Skyscraper and Beyond

Maya Lin, the renowned artist and designer known for the Vietnam Veterans Memorial, has created new works for a Manhattan skyscraper and a Chicago project, drawing on her deep connection to nature. The article highlights her latest installations that integrate environmental themes into urban architecture, reflecting her ongoing exploration of landscape and ecology.

‘Your homes will be destroyed, your family killed’: the US has dropped millions of war propaganda leaflets – but do they work?

The United States military has been dropping propaganda leaflets in psychological operations (psyops) for over a century, from World War I through the Gulf War and the wars in Iraq and Afghanistan. A new interactive exhibit at Pioneer Works in Brooklyn, organized by the digital archive group Khajistan, displays hundreds of these leaflets, including those dropped on Japan during World War II and in more recent conflicts. However, declassified internal documents, such as a 1971 US Air Force report, reveal that leaflets were often used as toilet paper, cigarette rolling paper, or souvenirs by enemy soldiers, undermining the official narrative of their effectiveness.

Regarding the Pain of Images: Dinh Q. Lê at 10 Chancery Lane

A posthumous exhibition titled "Remembrance: A Tribute to the Work of Dinh Q. Lê" is on view at 10 Chancery Lane in Hong Kong from March 20 to May 23, 2026. Curated by David Elliott, the show features key works by the late Vietnamese artist, including his series of manipulated photographs that slice and weave the iconic 1972 image "The Terror of War" into pixelated grids, alongside pieces like "Skin on Skin Black Mixed No. 9" that critique the influx of Western pornography into Vietnam after internet legalization.

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The article is a first-person diary entry from an unnamed narrator visiting Paris and Brussels. The narrator recounts working in the studio of painter Camila Oliveira Fairclough, attending a public dialogue at Almine Rech gallery in Brussels with artist Erik Lindman, and viewing an exhibition pairing Lindman's paintings with works by Robert Motherwell and two Picassos chosen by Bernard Picasso. The narrator also visits a posthumous exhibition of Didier Demozay at Galerie Bernard Jordan and sees a temporary mural by Marielle Paul in a Paris housing complex, later visiting her studio in a historic 19th-century artist building once occupied by Eugène Carrière.

Performa brings digital doubles, kids reciting animal noises and more to New York

Performa, New York's performance art biennial, returns for its 20th anniversary edition with a main slate of eight commissions, seven by women artists and one by a male-female duo. Projects include Ayoung Kim's live motion capture choreography exploring body doubles and digital avatars at Canyon, Diane Severin Nguyen's remix of Vietnam War-era protest songs with an 11-person supergroup at Bric, and Tau Lewis's staging of the Sumerian epic 'The Descent of Inanna' using textile sculptures and experimental opera at Harlem Parish. The biennial also features a Lithuanian Pavilion with Augustas Serapinas's mobile wooden shack and Lina Lapelytė's piece 'The Speech,' in which 270 children perform animal vocalizations at Federal Hall.

In The Mastermind, an art heist’s aftermath unfolds against the backdrop of Vietnam War-era America

Kelly Reichardt's new film *The Mastermind* premiered at the Cannes Film Festival, following J.B. Mooney (Josh O'Connor), a carpenter who orchestrates an art heist targeting four Arthur Dove paintings from a fictional Massachusetts museum. The heist is inspired by a real 1972 robbery at the Worcester Art Museum, and the film explores the tension between artistic value and monetary worth against the backdrop of Vietnam War-era America.

In Ho Chi Minh City, Art Feels Urgent Again

The article reports on a vibrant season of exhibitions in Ho Chi Minh City, where artists are turning to abstraction, faith, and innovation to question perception and belief. Key shows include Bùi Thanh Tâm's "Christ, Buddha, and the Jigsaw" at Gate Gate Gallery, which fuses religious iconography, folk traditions, and pop media, and Trần Văn Thảo's "New Moon" at Galerie Quynh, reimagining darkness as creative space. The scene reflects a lineage of defiance dating back to post-war restrictions on artistic expression.

Leonardo Madriz’s Monuments to the Precarity of Now

Artist Leonardo Madriz presents his solo exhibition 'Do Not Be Afraid' at Parent Company, featuring five totemic sculptures constructed from rope, resin, and found objects. These works, which Madriz calls 'sentinels,' use materials like rebar, barbed wire, a fake Rolex, and a fragment of a US flag made in Vietnam to create anthropomorphic forms that appear weary and burdened.

Where to go for the next scandal?

Wo bitte geht's zum nächsten Skandal?

The article reports on the 2024 Venice Biennale preview days, where the atmosphere is dominated by political protests, media stunts, and social-media pressure rather than the art itself. Incidents include a solidarity drone choir for Gaza, a Pussy Riot and FEMEN protest at the Russian Pavilion, and a planned demonstration near the Israeli Pavilion, all amplified by PR agencies and WhatsApp alerts. A journalist describes being pressured by editors to cover scandals and political controversies instead of art reviews, which they say no longer attract clicks.

Top Five: April 9, 2026

Glasstire has released its weekly 'Top Five' list of essential art exhibitions across Texas for April 2026. The selection highlights a diverse range of regional talent, including a group show at the Rubin Center in El Paso focused on Chihuahuan Desert ecology, a 50-year retrospective of digital pioneers MANUAL at Moody Gallery in Houston, and a lifetime survey of Vietnam veteran and educator Hector Homero Rubio in Corpus Christi. Other featured shows include Freddy Ortega’s MFA thesis at TCU and Juan Pablo Hernandez’s multimedia glasswork.

Sung Tieu and the Art of Difficulty

Sung Tieu, a Vietnamese-born German artist, is the subject of a critical feature in Frieze that examines her work's engagement with difficulty—both in terms of the complex political and historical themes she tackles and the challenging formal qualities of her installations. The article highlights her recent projects, including works shown at the Venice Biennale, which address issues of surveillance, migration, and Cold War legacies through meticulous research and unconventional materials.

Lakefront Festival of Art Returns June 12–14 with 145 Artists, Live Music, Local Food, and New Extended Evening Hours

The Lakefront Festival of Art returns to the Milwaukee Art Museum campus from June 12–14, 2026, featuring 145 juried artists from Milwaukee and across the country. Presented by Bank of America, the three-day event includes live music from acts like The Belle Weather, Field Report, and Brett Newski, local food vendors, hands-on artmaking at Kohl's Art Studio, and a Silent Auction Tent with works by participating artists. New this year, extended evening hours until 7 p.m. on Friday and Saturday allow visitors to enjoy after-work outings and sunset views. The festival is organized by Friends of Art, the museum's longest-running volunteer support group, and serves as an annual fundraiser for acquisitions and programs.

Community-Driven Exhibition Transforms Cars Into Unconventional Vehicles for Site-Specific Art

Over a crisp weekend in October, a Harlem parking lot hosted Stay Frosty, a community-driven exhibition organized by BravinLee Programs. The show transformed cars into unconventional vehicles for site-specific art, with works installed in trunks, truck beds, and on rearview mirrors. Highlights included Baloney's "Piggies Undo the World," featuring pigs attacking a red pickup; Ellie Murphy's tapestries draped over the fence; and Amy Rose Khoshbin's interactive "Altars to Agency." Artists, independent curators, galleries, and non-profits participated, turning the lot into an enclosed, vibrant environment for visual art.

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A newly released document from the Department of Justice’s Jeffrey Epstein files has linked billionaire collector Leon Black to a $27.7 million inventory of Southeast Asian antiquities, some of which may be looted. The records indicate that Black acquired high-value Cambodian, Thai, and Vietnamese artifacts, including a $7 million bronze Shiva sculpture that matches the description of a piece handled by the late, indicted antiquities dealer Douglas Latchford. While Black’s representatives state he never dealt with Latchford directly and acquired the works through a reputable dealer, correspondence suggests Latchford was involved in facilitating sales to Black through intermediaries.

Tiffany Chung’s exhibition at the AD&A Museum maps history within deep geological time

The Art, Design & Architecture (AD&A) Museum at UC Santa Barbara has launched "Tiffany Chung: indelible traces," a mid-career survey of the Vietnamese American artist and UCSB alumna. The exhibition features over 70 works spanning 25 years, including her signature hand-drawn and embroidered maps, video, and sculptural installations. Curated by Orianna Cacchione, the show highlights Chung’s use of cartography to challenge colonial narratives and document the complexities of forced migration, climate crises, and the movement of botanical organisms across continents.

This Vietnam veteran lost his sight, but not his vision. Now, his art hangs in the Denver Art Museum

Jim Stevens, a Vietnam War veteran who was shot in the head and later became legally blind after a stroke in 1993, has created a new painting technique using monofilament as a canvas. His artwork, "Blues Man," now hangs in the Denver Art Museum as part of the exhibition "Beyond the Military: From Combat to Canvas," which Stevens helped organize. Stevens serves as president and director of Denver's Veterans Arts Council and has earned Veterans Affairs’ National Gold Medals for Fine Art.

Top auction houses draw Southeast Asia’s elite art buyers

Auction houses Sotheby's, Christie's, and Bonhams are seeing a surge in participation from wealthy Southeast Asian collectors, particularly Millennials and Gen Z. Elaine Holt of Sotheby's Asia reports significant growth in collector activity from the region, with strong bidding at recent Hong Kong sales. Christie's Asia-Pacific president Francis Belin notes Southeast Asia is now the firm's third-largest buying market in Asia-Pacific, led by Singapore and Indonesia, with notable increases from Vietnam. Bonhams' managing director for Asia, Julia Hu, reports a 67% year-on-year rise in Southeast Asian auction spending. Younger buyers are driving demand, with Millennials and Gen Z accounting for 37% of Bonhams' Hong Kong buyers and 40% of Sotheby's Hong Kong marquee sales. A Renoir painting sold for $23.56 million to a collector in their 30s, highlighting youthful buying power.

Monuments & Weapons: How Public Space Prepares Us for War Without Us Even Realizing It

Monumenti&armi. Così lo spazio pubblico ci prepara alla guerra senza che neppure ce ne rendiamo conto

Public squares and urban spaces are densely populated with war-related monuments that condition society to accept conflict as a historical inevitability. A study by Philadelphia’s Monument Lab reveals that nearly 60% of U.S. monuments focus on war themes, outnumbering themes of peace thirteen-fold, while Italy maintains over 12,000 memorials dedicated solely to World War I. These structures often prioritize military hierarchy and territorial conquest over themes of care, gender equality, or social diversity.

Tuan Vu | Nhat Binh (2026) | Art & Prints

This article presents the artwork "Nhat Binh" (2026) by Vietnamese Canadian artist Tuan Vu, offered through Kristin Hjellegjerde Gallery. The painting, executed in oil and oil stick on linen, measures 35 2/5 × 29 1/2 inches and is a unique, hand-signed work accompanied by a certificate of authenticity. The listing includes details about the artist's background, his immigration to Canada as a refugee, his shift from engineering to full-time art practice in 2021, and his exhibition history including a solo show at Simard Bilodeau Contemporary in 2023 and subsequent shows in Berlin, London, New York, and across Canada.

A Buddha Is Reborn on the High Line

Tuan Andrew Nguyen's sandstone and brass sculpture "The Light That Shines Through the Universe" (2026) has been installed on the High Line in Manhattan as the park's fifth site-specific commission. The 27-foot-tall work, selected from nearly 60 proposals, resurrects the destroyed Bamiyan Buddhas of Afghanistan, which were demolished by the Taliban in 2001. Nguyen sourced artillery brass from Afghanistan to cast the sculpture's mudra hand gestures, symbolizing fearlessness and compassion, and had the sandstone carved in Vietnam. The piece is on view through Spring 2027.

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Alison Nguyen, a Vietnamese American artist based in New York’s Chinatown, discusses her multidisciplinary practice spanning video, installation, performance, and sculpture. Her works explore American mythologies, visual culture, and digital labor, drawing from low and high culture. Notable pieces include *History as Hypnosis* (2023), which follows three Vietnamese women through a desert and downtown Los Angeles, and *My Favorite Software Is Being Here* (2021), featuring an AI assistant named Andra8. Nguyen’s upcoming works *Change Order* (2024) and *Aisle 9* are inspired by her family’s Taiwanese hosiery business archives. She is featured in ARTnews’ 2025 “New Talent” issue.