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Melvin Edwards, pioneer of Black abstraction, 1937–2026

Melvin Edwards, a pioneering sculptor known for his steel assemblages that explored Black history and experience, has died. He was the first African-American artist to have a solo exhibition at the Whitney Museum of American Art in New York in 1970. His signature series, Lynch Fragments, began in the 1960s as a response to the civil rights movement and evolved over his lifetime to incorporate references to the Vietnam War and African cultural practices.

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Vietnamese American artist Tuan Andrew Nguyen has been selected for the next High Line Plinth commission in New York City. His 27-foot-tall sculpture, titled *The Light That Shines Through the Universe* (2026), will be installed for 18 months starting next spring. The work reimagines one of the Bamiyan Buddhas destroyed by the Taliban in Afghanistan in 2001, incorporating melted brass artillery shells and scrap metal from Afghanistan for the hands, which perform mudra poses of fearlessness and compassion. The sculpture will be fabricated in Vietnam from four sandstone parts and installed at night on the High Line.

Editors’ Picks: Six Solo Gallery Shows to See in Hong Kong, March 2026

Six solo gallery exhibitions are opening in Hong Kong in March 2026, featuring a diverse range of established and influential artists. The shows include Jaffa Lam's multi-media works at Axel Vervoordt, a tribute to the late Dinh Q. Lê at 10 Chancery Lane, new metal tapestries by El Anatsui at White Cube, the first Hong Kong solo show for collective Slavs and Tatars at Rossi & Rossi, and the debut Hong Kong presentation of Chow and Lin's "The Poverty Line" project at SC Gallery.

Which City Will Be the Next Asian Art Hub? That’s the Wrong Question

The traditional quest to identify a single dominant Asian art hub is being challenged by the organic growth of decentralized scenes in cities like Bangkok and Hanoi. While Hong Kong and Seoul remain established centers, private initiatives and artist-led projects in Thailand and Vietnam are building resilient, hybrid ecosystems that prioritize long-term structural depth over immediate auction results. From the opening of Dib Bangkok to experimental exhibitions in Hanoi, these cities are transitioning from peripheral status to significant cultural players through a mix of private museums, biennials, and non-profit platforms.

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Artnet Pro's Talentspotter feature highlights seven Asian artists pushing boundaries in contemporary art through diverse media such as 3D printing, VR, photography, and large-scale installation. The artists include Hà Ninh Pham from Vietnam, who creates speculative topographical works and virtual games, and Heecheon Kim from South Korea, who examines digital cognition and reality using GPS, AR, and VR. The article provides critical and market insights into each artist's practice, background, and recent exhibitions, originally published in the Asia Pivot newsletter.

Artists Gala Porras-Kim, Jeremy Frey and Tuan Andrew Nguyen among winners of 2025 MacArthur ‘genius grants'

The John D. and Catherine T. MacArthur Foundation has named 27 new MacArthur Fellows for 2025, including visual artists Gala Porras-Kim, Jeremy Frey, Matt Black, Garrett Bradley, Tonika Lewis Johnson, and Tuan Andrew Nguyen. Each recipient receives $800,000 over five years in unrestricted "genius grants." Porras-Kim, known for institutional critiques, has recent solo exhibitions at Kunsthalle Bern, Museo delle Civiltà, and Kukje Gallery. Nguyen, whose work examines colonialism and war in Vietnam, is a co-founder of The Propeller Group and Sàn Art. Frey, a seventh-generation Wabanaki basket-maker, recently had a solo show at the Portland Museum of Art that traveled to the Art Institute of Chicago.

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Claes Oldenburg's 1969 sculpture *Lipstick (Ascending) on Caterpillar Tracks* was vandalized in October when the letters "ATB" were etched into its metal base. Yale University is relocating the 24-foot-tall work from the Morse College courtyard to the Yale University Art Gallery for conservation and care, following the discovery of the defacement. The sculpture, a beloved campus landmark originally installed in Beinecke Plaza, has a history of being removed and restored due to weather damage and graffiti.

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The article recounts the author's experience at the 2025 Performa biennial in New York, beginning on November 4 with the death of Dick Cheney and the election of Zohran Mamdani as mayor. The author attended Diane Severin Nguyen's performance "War Songs," which restaged historical protest concerts from the Vietnam War era, blending anti-war anthems with pop music. The piece also highlights missing performances by Lina Lapelytė and Ayoung Kim, and expresses anticipation for Aria Dean's play "The Color Scheme."

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Kelly Reichardt's new film *The Mastermind*, starring Josh O'Connor, centers on a bumbling art heist at the fictional Framingham Museum of Art, where thieves steal paintings by American modernist Arthur Dove. Set in the early 1970s against the backdrop of Vietnam War protests, the film is deliberately slow-paced, drawing criticism from some early viewers who called it boring. Reichardt based the story on a real 1972 theft at the Worcester Art Museum in Massachusetts, where robbers took four paintings by Rembrandt, Picasso, and Gauguin, worth about $7.72 million today. Two high school girls accidentally witnessed the heist, and a guard was shot, though all paintings were recovered within weeks.

art heist that inspired the mastermind 1234757268

Kelly Reichardt's new film *The Mastermind*, starring Josh O'Connor, depicts a low-stakes art heist at the fictional Framingham Museum of Art, inspired by a real 1972 theft at the Worcester Art Museum in Massachusetts. In the actual heist, two robbers stole four paintings by Rembrandt, Picasso, and Gauguin, worth about $7.72 million today, and shot an unarmed guard. The film, set in the early '70s, draws on details like two schoolgirls who witnessed the crime, but Reichardt deliberately makes the cinematic version less thrilling than the real event.

A brush with… Danh Vo—podcast

Conceptual artist Danh Vo discusses his multifaceted practice in a new podcast interview, exploring how his work weaves together personal autobiography, queer identity, and his experience as a Vietnamese immigrant. The conversation delves into his collaborative methods, his use of found objects ranging from religious sculptures to household items, and his upcoming exhibitions at the Stedelijk Museum in Amsterdam and White Cube in New York.

Exhibition | Bùi Thanh Tâm, 'Here on and after' at Eli Klein Gallery, New York, United States

Eli Klein Gallery in New York is presenting "Bùi Thanh Tâm: Here on and after," the Hanoi-based artist's first solo exhibition in the United States. The show features 13 new and recent paintings that explore Vietnam's colonial history, the aftermath of war, and the persistence of memory. Tâm, a leading Vietnamese painter of the postwar generation, incorporates traditional folk woodblock prints—Đông Hồ, Hàng Trống, and Kim Hoàng—into layered, collaged works. The sunflower emerges as a central symbol of resilience and rebirth, influenced by Anselm Kiefer and Francis Bacon, while addressing trauma from French colonialism to Agent Orange. The exhibition includes series such as "Searching for the Sunflower," "Hello. God is here," "Utopia," and "Mutant," each examining themes of healing, endurance, and cultural transformation.

Siri Aurdal, Artist Who Elevated Industrial Materials Into Visions of Shared Humanity, Dies at 88

Norwegian artist Siri Aurdal, known for her pioneering use of industrial materials to create socially-driven sculptures, has died at the age of 88 in Oslo. Born into a prominent artistic family, Aurdal rose to prominence in the late 1960s by repurposing materials like reinforced fiberglass and plexiglass—often sourced from Norway’s oil industry—into modular, interactive installations. Her work frequently bridged the gap between fine art and public utility, manifesting in monumental playground structures and politically charged pieces that responded to global events like the Vietnam War.

Perfectly unusual settings for art in Los Angeles

Los Angeles is experiencing a surge in non-traditional exhibition spaces that bypass the conventional 'white cube' gallery model. Artists and curators are repurposing domestic apartments, former Vietnamese restaurants, vacant lots, and garages to host experimental shows. Notable examples include Greg Jenkins’s Paramount-Artcraft in the Fairfax District, Ian James’s Leroy’s in Chinatown, and David Horvitz’s 7th Ave Garden, which utilizes salvaged concrete from the Los Angeles County Museum of Art to create an outdoor installation and reading space.

11 Artists Having Breakout Moments in 2026

The article profiles eleven artists poised for breakout moments in 2026, highlighting their recent achievements and upcoming projects. Featured artists include Diambe, a nonbinary Brazilian artist who will debut a major solo show at Kunsthalle Basel; Tuan Andrew Nguyen, a Vietnamese-born MacArthur fellow who will unveil a public commission for New York's High Line Plinth; and Balraj Khanna, a self-taught Indian painter who died in 2024 and is gaining posthumous recognition. Other artists on the list include Klára Hosnedlová, Kim Hankyul, Gabriel Chaile, Benni Bosetto, Pat Oleszko, Seba Calfuqueo, Tony Lewis, and Nat Faulkner, each noted for significant exhibitions, gallery representation, or awards that have built momentum toward wider acclaim.

Visual Art: Sotheby’s To Stage Modern and Contemporary Art Auction During SAW 2026, featuring works by Walter Spies and Raden Saleh

Sotheby’s will hold a Modern and Contemporary Art auction on 25 January during Singapore Art Week (SAW) 2026 at The Edition Singapore. The sale features rare works by early Southeast Asian masters, including Walter Spies’ "Die Schlittschuhläufer (The Ice Skaters)" (1922) and Raden Saleh’s "The Eruption of Mount Merapi, by Day" (1865), alongside Vietnamese silk paintings by Le Pho and Mai Trung Thu, and a David Hockney piece. The auction highlights a 60% rise in new bidders from Southeast Asia since 2022.

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The Cambodian government has formally requested the records and archival materials of Emma C. Bunker, a late art historian and former Denver Art Museum board member, from her family. This follows the museum's repatriation of 11 Asian artifacts to Vietnam, Cambodia, and Thailand, many of which were donated by Bunker, who had ties to Douglas Latchford, an antiquities dealer accused of smuggling looted Southeast Asian artifacts. Bunker died in 2021 without charges, but a 2022 Denver Post investigation alleged she helped Latchford use the museum as a "way station for looted art" and forged provenance records. The museum cut ties with Bunker in 2023, removing her name from its Southeast Asian gallery.

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The High Line in New York has selected Vietnamese artist Tuan Andrew Nguyen to create its next plinth commission, titled *The Light That Shines Through the Universe*, opening spring 2026. The 27-foot sandstone sculpture reimagines one of the Bamiyan Buddhas, destroyed by the Taliban in 2001, replacing the lost hands with melted brass artillery shells. The work is an "echo" meant to invoke memory of the lost cultural treasures.

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Three artists—Faith Ringgold, Jean Toche, and Jon Hendricks—organized "The People's Flag Show" at Judson Memorial Church in New York's Greenwich Village in November 1970, protesting the Vietnam War and challenging US flag desecration laws. The exhibition featured around 150 artists via open call, including Yvonne Rainer, Kate Millett, and the Guerrilla Art Action Group. On November 13, 1970, Ringgold, Toche, and Hendricks were arrested and fined $100 for flag desecration; their case was later dismissed with help from the American Civil Liberties Union. Now, 55 years later, Judson Commons—the church's nonprofit arts arm—is mounting a new version of the exhibition, again via open call, featuring over 60 artists and a week of programming in the Judson Gym.

Massive Buddha sculpture by Tuan Andrew Nguyen opens on New York’s High Line Plinth.

Vietnamese sculptor and visual artist Tuan Andrew Nguyen has unveiled a 27-foot-tall sandstone Buddha sculpture titled *The Light That Shines Through the Universe* (2026) on New York's High Line Plinth, at the intersection of 10th Avenue and 30th Street. The monumental work is the newest commission for the elevated park's public art program and will remain on view for the next 18 months.

Thousands of Strips of Silk Undulate in Kenny Nguyen’s ‘Deconstructed Paintings’

Kenny Nguyen, a Vietnamese-born artist based in Charlotte, North Carolina, creates large-scale wall works using thousands of hand-cut strips of silk. Drawing on his background in fashion design, he employs techniques like pinning, weaving, sewing, and layering to produce what he calls “deconstructed paintings.” Each piece is built around an imaginary body, with creases and undulating forms that evoke movement. Though the works appear fixed, they are malleable—their shape changes depending on pin placement during installation. Nguyen’s work is currently on view in the group exhibition *Textile Art Redefined* at Saatchi Gallery in London.

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A newly released document from the Department of Justice’s Jeffrey Epstein files has linked billionaire collector Leon Black to a $27.7 million inventory of Southeast Asian antiquities, some of which may be looted. The records indicate that Black acquired high-value Cambodian, Thai, and Vietnamese artifacts, including a $7 million bronze Shiva sculpture that matches the description of a piece handled by the late, indicted antiquities dealer Douglas Latchford. While Black’s representatives state he never dealt with Latchford directly and acquired the works through a reputable dealer, correspondence suggests Latchford was involved in facilitating sales to Black through intermediaries.

Performa brings digital doubles, kids reciting animal noises and more to New York

Performa, New York's performance art biennial, returns for its 20th anniversary edition with a main slate of eight commissions, seven by women artists and one by a male-female duo. Projects include Ayoung Kim's live motion capture choreography exploring body doubles and digital avatars at Canyon, Diane Severin Nguyen's remix of Vietnam War-era protest songs with an 11-person supergroup at Bric, and Tau Lewis's staging of the Sumerian epic 'The Descent of Inanna' using textile sculptures and experimental opera at Harlem Parish. The biennial also features a Lithuanian Pavilion with Augustas Serapinas's mobile wooden shack and Lina Lapelytė's piece 'The Speech,' in which 270 children perform animal vocalizations at Federal Hall.

Tiffany Chung’s exhibition at the AD&A Museum maps history within deep geological time

The Art, Design & Architecture (AD&A) Museum at UC Santa Barbara has launched "Tiffany Chung: indelible traces," a mid-career survey of the Vietnamese American artist and UCSB alumna. The exhibition features over 70 works spanning 25 years, including her signature hand-drawn and embroidered maps, video, and sculptural installations. Curated by Orianna Cacchione, the show highlights Chung’s use of cartography to challenge colonial narratives and document the complexities of forced migration, climate crises, and the movement of botanical organisms across continents.

Leonardo Madriz’s Monuments to the Precarity of Now

Artist Leonardo Madriz presents his solo exhibition 'Do Not Be Afraid' at Parent Company, featuring five totemic sculptures constructed from rope, resin, and found objects. These works, which Madriz calls 'sentinels,' use materials like rebar, barbed wire, a fake Rolex, and a fragment of a US flag made in Vietnam to create anthropomorphic forms that appear weary and burdened.

With ‘Doonesbury,’ Garry Trudeau Found a Way to Inform and Entertain a Generation of Newspaper Readers, One Panel at a Time

A new biography, "Trudeau & Doonesbury: The Cartoonist Who Turned the News Into Art," chronicles the life and career of reclusive cartoonist Garry Trudeau. Journalist Joshua Kendall's work, based on archives and interviews, traces Trudeau's evolution from a Yale student creating the strip's precursor to the creator of a politically potent daily comic that ran for over four decades.

Poly Auction Hong Kong concludes spring sales - Vietnam Investment Review

Poly Auction Hong Kong concluded its Spring 2026 auction series with total sales exceeding HKD 255 million, representing a 23% increase over the previous autumn season. The sales were led by Liu Wei’s 1995 masterpiece "You Like Pork?", which fetched HKD 27.6 million, and a Ming Dynasty Blue and White 'Grapes' Dish that realized HKD 24.6 million. The auction saw participation from collectors across 17 countries, with significant growth in the Modern and Contemporary Art segment, which rose over 63% compared to the prior season.

This Vietnam veteran lost his sight, but not his vision. Now, his art hangs in the Denver Art Museum

Jim Stevens, a Vietnam War veteran who was shot in the head and later became legally blind after a stroke in 1993, has created a new painting technique using monofilament as a canvas. His artwork, "Blues Man," now hangs in the Denver Art Museum as part of the exhibition "Beyond the Military: From Combat to Canvas," which Stevens helped organize. Stevens serves as president and director of Denver's Veterans Arts Council and has earned Veterans Affairs’ National Gold Medals for Fine Art.

Community-Driven Exhibition Transforms Cars Into Unconventional Vehicles for Site-Specific Art

Over a crisp weekend in October, a Harlem parking lot hosted Stay Frosty, a community-driven exhibition organized by BravinLee Programs. The show transformed cars into unconventional vehicles for site-specific art, with works installed in trunks, truck beds, and on rearview mirrors. Highlights included Baloney's "Piggies Undo the World," featuring pigs attacking a red pickup; Ellie Murphy's tapestries draped over the fence; and Amy Rose Khoshbin's interactive "Altars to Agency." Artists, independent curators, galleries, and non-profits participated, turning the lot into an enclosed, vibrant environment for visual art.

A Buddha Is Reborn on the High Line

Tuan Andrew Nguyen's sandstone and brass sculpture "The Light That Shines Through the Universe" (2026) has been installed on the High Line in Manhattan as the park's fifth site-specific commission. The 27-foot-tall work, selected from nearly 60 proposals, resurrects the destroyed Bamiyan Buddhas of Afghanistan, which were demolished by the Taliban in 2001. Nguyen sourced artillery brass from Afghanistan to cast the sculpture's mudra hand gestures, symbolizing fearlessness and compassion, and had the sandstone carved in Vietnam. The piece is on view through Spring 2027.