Never-before-seen landscape photos on display at Denver Art Museum

The Denver Art Museum has opened a new photography exhibition titled "What We've Been Up To: Landscape," featuring works acquired over the past 17 years that have never been publicly displayed before. The show, curated by the museum's photography department (established in 2008), includes a range of landscape photographs from historic images by Ansel Adams, Marion Post Wolcott, and William Henry Jackson to contemporary works by artists such as Abelardo Morell, Meghann Riepenhoff, and Steve Fitch. The exhibition occupies a few rooms on the sixth floor of the Martin Building and highlights the museum's recent acquisitions in photography.

‘Even late in life, recognition is possible’: photographer Paz Errázuriz opens long overdue UK retrospective

MK Gallery in Milton Keynes is presenting the first major UK retrospective of Chilean photographer Paz Errázuriz, titled *Dare to Look*, featuring 171 photographs from five decades of her career. Now 81, Errázuriz is known for documenting marginalized communities in Chile, often working under the dictatorship that followed the 1973 military coup. Despite international acclaim—including exhibitions at the Venice Biennale and acquisitions by Tate, MoMA, and the Reina Sofía—this is her first solo show at a British institution.

Blood, skeletons and syphilis: the story of Edvard Munch’s obsession with health

An exhibition at the Munch Museum in Oslo, titled "Lifeblood," explores Edvard Munch's lifelong obsession with health and medicine by juxtaposing his paintings, drawings, and prints with historical medical objects. The show opens with Munch's painting "On the Operating Table" (1902-3), inspired by a bullet removal surgery after a dispute with his fiancée Tulla Larsen, paired with an early x-ray of his injured hand. It features works like "The Sick Child" (1885-6) alongside tuberculosis-related artifacts such as stethoscopes, sputum bottles, and a jar of arsenic, drawing from Munch's personal experiences with illness and his family's medical background—his father and brother were doctors.

The Art of the Tour: King Charles's Traveling Painters

King Charles III has sponsored an exhibition titled “The King’s Tour Artists” at Buckingham Palace, featuring 43 artists he recruited to paint during 70 royal tours over the past 40 years. The show, open until September 28, includes 74 paintings selected from over 300 works in the King’s private collection, alongside a companion book, *The Art of Royal Travel: Journeys with The King*. The idea originated from Peter St. Clair-Erskine, the 7th Earl of Rosslyn, who catalogued the collection. Critics have dismissed the works as polite and old-fashioned, but the exhibition highlights Charles’s long-standing patronage of representational art and his own practice as a watercolorist.

Football meets art in new Aviva Studios exhibition

Manchester International Festival (MIF) has opened a new exhibition titled 'Football City, Art United' at Aviva Studios, exploring the intersection of football and contemporary art. Co-curated by Hans Ulrich Obrist, Juan Mata, and Josh Willdigg, the show features 11 works pairing artists like Paul Pfeiffer, Philippe Parreno, Ryan Gander, and Rose Wylie with football figures including Eric Cantona, Edgar Davids, Ella Toone, and Lotte Wubben-Moy. Highlights include a sound installation recreating the stadium tunnel experience, a spotlight piece on celebrity isolation, and a documentary on sexism in women's football.

Taste test: artist-made desserts will be shown (and eaten) in New York gallery’s one-night exhibition

On Saturday, June 28, the Lower East Side gallery Olympia will host CAKE, a one-night exhibition and feast featuring desserts donated by dozens of New York-based artists, including Hannah Beerman, Mie Yim, Wells Chandler, Robin F. Williams, Hein Koh, and Melissa Joseph. The event functions as a fundraiser for the gallery and a participatory performance art piece, with tickets priced at $45. The gallery's founder and director, Ali Rossi, conceived the show as a community-centric alternative to typical summer group exhibitions, and all desserts will be photographed before consumption to preserve documentation.

The tale of a French psychiatric asylum that harboured Second World War resistance fighters—and where patients became artists

An exhibition catalogue from the American Folk Art Museum's 2024 show traces the story of Saint-Alban-sur-Limagnole, a French psychiatric asylum that sheltered Spanish Republican refugees and resistance fighters during World War II. Under Catalan psychiatrist Francesc Tosquelles, patients were encouraged to create art from found objects, producing works that later influenced Jean Dubuffet's concept of Art Brut. The asylum became a haven where hierarchies between doctors and patients were leveled, and patients bartered their creations for food during wartime austerity.

Amid a wave of political hostility, the Getty Center uses photography to tell stories of queer resistance and love

The Getty Center in Los Angeles has opened a new exhibition, "Queer Lens: A History of Photography," coinciding with Pride Month amid rising political hostility toward LGBTQ+ communities. Curated by Paul Martineau over six years, the show features 300 photographs from the 19th century to the present, including works by Claude Cahun, Imogen Cunningham, and Peter Hujar, alongside anonymous and amateur images. A companion exhibition at the Getty Research Institute, "$3 Bill: Evidence of Queer Lives," displays printed ephemera from the Merrill C. Berman Collection, highlighting queer resistance and community-building.

Iconic photos are part of Gordon Parks exhibition at Wichita Art Museum

The Wichita Art Museum opens "Homeward to the Prairie I Come," an exhibition of 71 photographs by Gordon Parks, running from May 11 to July 27, 2025. The works come from a collection Parks curated and donated to Kansas State University in 1973, now held by the Beach Museum of Art, which co-curated the touring show with Aileen Wang and Sarah Price. The exhibition is organized thematically around five large iconic images, including portraits of Muhammad Ali, Alexander Calder, Malcolm X, and Flavio da Silva, the subject of Parks' first film.

Let him entertain you: Robbie Williams gets honest in latest Moco exhibition

Pop star Robbie Williams opened his new exhibition "Radical Honesty" at the Moco Museum in London on May 2, 2025, featuring his latest sculptures and paintings. The show was attended by celebrities including documentary maker Louis Theroux, artists Chris Levine and Daniel Lismore, and comedian Leigh Francis. Williams's works incorporate his trademark sarcastic and self-deprecating humor, with one painting bearing the text: "To be completely honest I’m not sure if we are friends or we’ve just been in the same room a lot in the last 15 years." This is not Williams's first art venture; in 2022 he presented 14 large-scale works at Sotheby's London co-created with Ed Godrich under the name Williams Godrich, and he is also an art collector with pieces by Banksy, Peter Blake, Christopher Page, and Morris Wade.

60% of Sudan’s National Museum Looted, Report Says

60% of Sudan’s National Museum Looted, Report Says

Over 60% of the holdings of the Sudan National Museum in Khartoum have been looted during the country's ongoing civil war. The paramilitary Rapid Support Forces, which controlled the capital for two years, deliberately targeted high-value portable objects like gold and jewelry, stripping storage areas while leaving less portable artifacts behind. Although the museum building remains standing, tens of thousands of antiquities from its collection of 150,000 objects were plundered, with some appearing for sale online.

Dahiye, il quartiere di Beirut che non esiste quasi più. Nelle foto di un artista italiano

Italian photographer Armando Perna (born 1981 in Reggio Calabria) has documented Dahiye, a southern suburb of Beirut known as Hezbollah's stronghold, using a digital camera hidden inside a car and controlled remotely via Bluetooth. His project, initiated in 2013 and exhibited in 2017 at the Fondazione Pino Pascali in Polignano a Mare (Bari), creates a street-view-style mapping of a neighborhood that has been heavily bombed by Israeli forces, most recently in the past weeks. The work was promoted by Planar gallery, founded by Antonio Ottomanelli, with Perna and Anna Vasta as part of the #showcase project.

La Seconda guerra mondiale con gli occhi dei grandi fotografi in una mostra a Gorizia

Palazzo Attems-Petzenstein in Gorizia hosts the exhibition "Back to Peace? La guerra vista dai grandi fotografi Magnum," which presents the Second World War and its aftermath through two hundred photographs, video installations, and soundscapes by legendary Magnum photographers. The show features iconic works by Robert Capa, Eve Arnold, Henri Cartier-Bresson, David Seymour, Eric Hartmann, René Burri, Thomas Hoepker, George Rodger, Wayne Miller, and Werner Bischof, covering the Normandy landings, the liberation of Bergen-Belsen, the atomic devastation of Hiroshima, and the return of French prisoners. Curated by Andrea Holzherr and Marco Minuz, the exhibition is divided into two sections: one focusing on wartime imagery and the other on the immediate consequences of the conflict, including the suffering of civilians and the fragile hope of reconstruction.

Humans, Machines, and Possible Futures: The Last 100 Years at New Museum

HUMANS MACHINES AND POSSIBLE FUTURES THE LAST 100 YEARS AT NEW MUSEUM

The New Museum has launched "New Humans: Memories of the Future," a massive exhibition spanning its entire building and featuring over 200 international contributors. The show traces a century of artistic, scientific, and social evolution, pairing 20th-century masters like Constantin Brâncuși and Salvador Dalí with contemporary commissions from artists such as Hito Steyerl and Wangechi Mutu. By exploring themes of automated labor, artificial intelligence, and mechanized warfare, the exhibition frames the relationship between humanity and technology as a series of cyclical leaps and reversals rather than linear progress.

DAYS ARE NOT THE SAME ZANELE MUHOLI AT CASA SANTA ANA

The Casa Santa Ana Foundation in Panama is hosting Zanele Muholi's first exhibition in the country, titled 'Amalanga awafani (Days Are Not the Same).' The show features major photographic series including 'Somnyama Ngonyama' and 'Faces and Phases,' and includes a new chapter of portraits of Panama's local LGBTQ+ community, integrated into the global archive. The exhibition is free to the public and runs until April 2026, supported by Panama's Ministry of Culture.

THE MONUMENTALITY OF THREAD OLGA DE AMARAL AT MALBA

The Museo de Arte Latinoamericano de Buenos Aires (Malba) has opened a major retrospective of Colombian artist Olga de Amaral, titled 'Olga de Amaral: Textile Body,' to celebrate the museum's 25th anniversary. The exhibition, running until May 11, features over fifty works from six decades, including key series like Entrelazados and Brumas, drawn from collections across the Americas.

Major Corporate Sponsor Withdraws from Sydney Biennale, Citing Alleged Hate Speech

A major corporate sponsor, PwC, has withdrawn from the 25th Sydney Biennale following a police complaint alleging antisemitic hate speech by a participating DJ. The NSW Jewish Board of Deputies filed the complaint against US electronic music producer Zubeyda Muzeyyen (DJ Haram) over comments made during the opening night party, which the Board claims incited hatred against Jewish Australians.

Charles Bronson Art Auction

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A collection of 500 artworks by Charles Bronson, one of the United Kingdom’s most notorious prisoners, is scheduled for auction at David Duggleby Auctioneers on March 11. The works, created using crayon, ink, and pencil on prison documents, will be sold as a single lot. The collection explores themes of isolation and endurance, reflecting Bronson’s decades of incarceration and solitary confinement.

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The Belarus Free Theatre (BFT), an underground performance group currently in exile, has announced its first major visual art exhibition titled "Official. Unofficial. Belarus." as a collateral event for the 61st Venice Biennale. Staged at the historic La Chiesa di San Giovanni Evangelista, the show features site-specific works by exiled artists including Sergey Grinevich, Vladimir Tsesler, and Nicolai Khalezin. The installations range from paintings functioning as altar panels to a massive sphere of banned books and a crucifix made of CCTV cameras, all designed to critique the surveillance and censorship of the Lukashenko regime.

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The 2024 documentary film "Secret Mall Apartment," directed by Jeremy Workman, was released on Netflix on Friday. The film recounts the true story of artist Michael Townsend and seven others, many of them former students from the Rhode Island School of Design, who secretly built and lived in a hidden apartment inside the Providence Place mall from 2003 to 2007 as a protest against gentrification and consumer culture. The group was discovered in 2007, and Townsend was charged with trespassing, receiving probation and a lifetime ban from the mall. Originally released in theaters in March 2024, the documentary had been available on Amazon Prime Video and Apple TV before its Netflix debut.

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New York artist mentor Paddy Johnson released the inaugural New Visions Report on Wednesday, surveying 1,000 mid-career artists to assess their careers with the same data-driven approach used for other businesses. The report, produced with arts journalist Julia Halperin and Gray Market columnist Tim Schneider, reveals that 75 percent of surveyed artists earn $15,000 or less from their practice, 45 percent earned less in 2025 than in 2024, and 56 percent say debt influences their decisions. Despite these struggles, 73 percent remain optimistic about their careers. The report also found that even the most successful artists—those with gallery representation and museum shows—face debt and lack basic systems like estate plans, while 82 percent want more gallery and museum opportunities but are unsure how to achieve them.

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British artist Craig Boagey's solo exhibition "Spirit Economy" is on view at Amanita gallery in New York's Lower East Side. The show presents lush, meticulously executed paintings that assemble internet ephemera—memes, diagrams, YouTube stills, and references from online subcultures like nu-spiritualism and Remilia—into compositions that blend cute, feminine, and aspirational imagery with machinic, masculine, and esoteric elements. Works like "The All Thing" (2025) incorporate AlphaGo's famous Move 37, Christian iconography, and a memex, treating disposable digital content as cultural documents.

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Egyptian doctor Ashraf Omar Eldarir has been sentenced to six months in prison by U.S. District Judge Rachel P. Kovner for smuggling hundreds of ancient Egyptian artifacts into the United States. Eldarir was arrested in 2019 after importing over 600 artifacts without declaring them on customs forms, including a polychrome relief, Roman limestone pieces, gold amulets, and wooden tomb model figures dating to 1900 BCE. The largest seizure of smuggled antiquities at JFK Airport occurred in January 2020, when customs officers found 590 artifacts wrapped in bubble wrap and foam, with loose sand and dirt indicating recent excavation. Eldarir pleaded guilty to four counts of smuggling and used fake provenances—including forged documents and photoshopped photographs—to sell artifacts at U.S. auction houses.

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Ye, formerly known as Kanye West, revealed the cover of his new album "Cuck" earlier this month, featuring an unauthorized photograph by acclaimed photojournalist Peter van Agtmael. The image depicts two Ku Klux Klan members in full regalia embracing, with one holding a bouquet, originally titled "The wedding of two members of the KKK in a barn in rural America." West altered the photo to make one Klansman appear Black and removed a dog with a "White Power" cape. Van Agtmael confirmed that neither West nor his team sought permission, and a legal process is now underway.

‘As an artist I have a duty to reflect the times’: photographer Misan Harriman explores protests and solidarity in new London show

Photographer and filmmaker Misan Harriman has opened a permanent installation titled 'The Purpose of Light' at London's Hope 93 gallery. The exhibition features over 100 black-and-white photographs taken over seven years at protests in the UK, US, and South Africa, including demonstrations related to Black Lives Matter, Gaza, and other social justice movements. The project debuted as a solo show last summer and, due to significant public response, has now been established as a long-term fixture with support from private collectors.

Meet the Writer Who Sees Every Single Show at the Venice Biennale

Jaeyong Park, a Seoul-based writer, translator, and interpreter, has attended every edition of the Venice Biennale since 2022—including both art and architecture cycles—and seen every single show, from the central exhibition and national pavilions to collateral and unofficial events. He documents his journeys in regular dispatches and has compiled a free bilingual guide to the biennial. Park organizes his trips with a group of fellow art workers, splitting accommodation costs and sharing reviews over dinner to ensure full coverage.

Lost Lincoln Portrait From Teddy Roosevelt’s Office Reemerges After a Century

A long-lost portrait of Abraham Lincoln by American realist Ernest Wells has reemerged after more than a century. The painting, which hung in President Theodore Roosevelt’s office throughout his term and served as a source of personal inspiration, was recently identified in the collection of the descendants of antique dealers Ann and Jack Rouchaud. The work’s provenance was confirmed via a letter from Roosevelt’s friend and Lincoln’s former bodyguard, Colonel William H. Crook, which remains affixed to the back of the canvas.

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The National Museum of Saudi Arabia in Riyadh has launched "Bedayat: Beginnings of Saudi Art Movement," a landmark survey exhibition documenting the evolution of the country’s art scene from the 1960s through the 1980s. Curated by Qaswra Hafez and commissioned by the Visual Arts Commission, the show features a vast array of paintings, sculptures, and never-before-seen archival materials. The exhibition is organized into three sections that explore the foundations of the movement, the influence of modernization on daily life, and the specific contributions of four modernist pioneers: Mohammed Al-Saleem, Safeya Binzagr, Mounirah Mosly, and Abdulhalim Radwi.

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The European Union's Regulation 2019/880, aimed at combating illicit trafficking and terrorism, will take effect on June 28, imposing stricter import controls on antiquities and artworks over 200 years old and valued above €18,000 ($19,500). The regulation requires importers to provide evidence that an object was lawfully exported from its country of origin, even for items exported decades ago when such documentation was not required. This reverses the presumption of innocence, placing the burden of proof on importers. Dealers and experts express concern that the rules are not based on market realities, as importers must be registered within the E.U., forcing non-E.U. dealers to rely on third-party agents or shippers. The regulation also poses challenges for ancient objects, where borders and export controls may be historically ambiguous.

'Soulages-Hartung : Affinités électives' at Perrotin, Paris Marais, France on 25 Apr–30 May 2026

Perrotin in Paris Marais is presenting 'Soulages-Hartung: Affinités électives,' an exhibition exploring the friendship and artistic dialogue between Pierre Soulages (1919–2022) and Hans Hartung (1904–1989). The show features a never-before-screened filmed interview from the Fondation Hartung-Bergman, along with archival documents and rarely seen studio tools. It highlights their shared concerns as postwar abstract painters, their mutual support and gift exchanges—such as Soulages's walnut stain piece given to Hartung in 1948—and their contrasting approaches, with Hartung's explosive gestures versus Soulages's measured structures. The exhibition also reveals their lesser-known use of blue in the 1980s.