From fossils to fine art: top sales at Frieze Masters London

Frieze Masters London opened with notable sales including a 68-million-year-old Triceratops skull priced at £650,000, sold by dealer David Aaron to a private collector. Other strong sales included small drawings by Alexandre-Louis Leloir from Charles Ede, priced between £150 and £10,500, with twenty sold on opening day. Berry Campbell sold four paintings by Janice Biala, priced $18,000 to $55,000, and Stephen Friedman Gallery sold five works by Anne Rothenstein to private collectors. Hauser & Wirth reported the only seven-figure deals, while a €7.5m Rubens painting remained unsold.

Arles Drawing Festival: What Not to Miss at This Fourth Edition

Festival du dessin d’Arles : ce qu’il ne faut surtout pas rater pour cette quatrième édition

The fourth edition of the Arles Drawing Festival has opened, featuring over forty exhibitions across the city. The highlights include two major private drawing collections being publicly presented: Marin Karmitz's collection, displayed at the Sainte-Anne church under the title "Et la vie continue…", and the Collezione Ramo from Milan, showcased at the Museon Arlaten chapel as part of a focus on Italian art.

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Bucharest-based gallery Arsmonitor is presenting the second installment of a four-part curatorial program dedicated to Romanian artist Florin Mitroi (1938–2002). Titled "Florin Mitroi: Ch.II: Autumn," the exhibition is curated by Erwin Kessler and is anchored by the recent rediscovery of over 600 previously unseen works—files, notebooks, drawings, and pieces on wood and metal—that had been forgotten in storage for nearly two decades. The show frames these recovered materials as foundational, expanding the known oeuvre of an artist who exhibited only a small fraction of his production and later regretted even those works. The program, structured around the four seasons, includes chapters titled "Winter," "Autumn," "Summer" (planned for 2027), and "Spring," aligning with the season of Mitroi's death.

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Janne Sirén, director of the Buffalo AKG Art Museum (formerly the Albright-Knox Art Gallery), received a $335,000 museum loan at a 0.18% interest rate in 2013 to help finance a $710,000 home. A review by the Erie County Comptroller's Office found that Sirén has not repaid any principal or interest, and the loan was later converted into a 30-year mortgage without being recorded with the county. The loan appears to violate New York's Not-For-Profit Corporation Law, which prohibits loans to directors or key officers, though the law was enacted a year after the initial bridge loan was issued.

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A new mural by artist Adam Cvijanovic, titled *What’s So Funny About Peace, Love, and Understanding*, was unveiled at St. Patrick’s Cathedral in New York on September 17, 2025. Spanning 1,920 square feet across 12 panels, the work is the largest permanent artwork commissioned for the cathedral in its 146-year history. It reimagines the 1879 Apparition at Knock, Ireland, as a backdrop to immigrant life in New York, featuring figures such as St. Frances Xavier Cabrini, Dorothy Day, and Pierre Toussaint among contemporary immigrants. The project was facilitated by art adviser Suzanne Geiss and funded by benefactors Kevin and Dee Conway, with installation handled by UOVO.

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The Metropolitan Museum of Art has announced that its first exhibition in the newly-annexed Breuer building, formerly home to the Whitney Museum, will be titled "Unfinished" (working title) and will explore unfinished works of art from the Renaissance to the present. The show, drawn partly from the Met's own collection, opens March 7, 2016 and runs through September 5, focusing on the historical debate and admiration for the non finito aesthetic.

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Scope Art Show is positioning itself as a site of encounters and experiences rather than purely sales driven during Miami Art Week 2025, with the theme 'Be Here Now.' The fair features a program of musical performances, wellness events, new technology, and hospitality, alongside installations and gallery presentations that invite visitors to focus on the present moment. Highlights include Connor Tingley's 'Nun Series' with Ori Gallery, MCSK's human-A.I. collaborative installation 'Replicatio: States of Collapse' at Pirovino, Desmond Beach's exploration of Black American experience at Richard Beavers Gallery, Yohannes Yamassee's ceremonial installation 'One Turtle Island' curated by Virginia Shore and Leah Kolb, and the returning Blue Floor Project showcasing 20 artists from Fuze Caribbean Art Fair.

First Look at the Met’s ‘Costume Art’ Where Every Body Matters, Really

The Metropolitan Museum of Art has unveiled its spring exhibition "Costume Art" in the Condé M. Nast Galleries, featuring around 200 pairings of garments and artworks that trace connections across centuries. The show prioritizes fashion over art, displaying dresses, jeans, body stockings, and bustiers to explore the human form through sections like "Naked and Nude Body," "Corpulent Body," and "Disabled Boy." Chief curator Andrew Bolton emphasizes celebrating body diversity amid threats from AI and politics, with nine individuals—including fashion designer Michaela Stark—scanned to create more realistic mannequins.

Sacramento Fine Arts Center Celebrates 40th Anniversary

The Sacramento Fine Arts Center (Sac Arts) is celebrating its 40th anniversary in April 2026. Founded in April 1986 by five independent regional art clubs, including Northern California Arts and Watercolor Artists of Sacramento Horizons, the center began in a former high school building in Carmichael, California. Volunteers cleaned and renovated the space, which is owned by the Carmichael Recreation and Park District. Over the years, the center has expanded with studio spaces, galleries, and a rental gallery, supported by community donations and volunteer efforts. The anniversary year features special events, classes, and a new banner project with 130 submissions for 21 PVC mesh banners.

Sorolla and Valencia: an itinerary in the light of the master who captured the soul of the Mediterranean

The city of Valencia is actively promoting a cultural itinerary dedicated to Joaquín Sorolla, tracing the master painter's life from his birthplace in the historic center to the Mediterranean shores that inspired his most famous works. The route encompasses key biographical sites including the Church of Santa Caterina, the School of Craftsmen, and the Real Academia de Bellas Artes de San Carlos, where his early sketches and academic records are preserved.

More US artists forced to pay for their own shows as museum and culture budgets shrink

The article reports that U.S. artists like Lucia Hierro are increasingly forced to pay for their own museum exhibitions and public commissions as institutional budgets shrink. Hierro’s ambitious installation centered on a 7.5-foot monobloc chair required $35,000–$40,000 for fabrication alone, far exceeding what the commissioning institution could provide. The project moved forward only after support from her gallerist and a new fund from Miami-based nonprofit Fountainhead Arts, which received 96 applications requesting $1.8 million—14 times its available $125,000 in grants. The article highlights that even artists selected for the Venice Biennale face such funding gaps.

How China’s private museums are navigating a post-boom era

China's private museum sector, which boomed in the 2010s with hundreds of new institutions often tied to property developments or vanity projects, is now contracting. Notable closures include Guangzhou's Times Museum (shuttered in 2022, later relaunched as a project space), OCAT Shanghai (closed indefinitely in 2021), and Qingdao's TAG Museum (suspended operations in 2024). Other prominent museums like Sifang Art Museum, Yinchuan MoCA, and Shanghai MoCA have scaled back, while Long Museum's future appeared uncertain after its owners auctioned part of their collection. The downturn follows the collapse of China's property sector, Covid-19 restrictions, and a broader economic slump.

New exhibit celebrates ceramics at CU Boulder

The CU Art Museum at the University of Colorado Boulder will host 'Shaping Time: CU Ceramics Alumni 2000–2020,' an exhibition opening September 5, 2025, celebrating the ceramics program's legacy. The show features works by alumni from the past two decades, curated by faculty Jeanne Quinn, Scott Chamberlin, and Kim Dickey, who have taught together for 25 years. The exhibition explores themes of environment, domesticity, and material meaning, and includes a symposium on September 5.

INFANT: BANNED SKILLS

Sidony O’Neal and Bogosi Sekhukhuni, two interdisciplinary artists with backgrounds in conceptual art, design, and technology, are co-founders of the design firm INFANT. O’Neal’s work draws on mathematics, architectural systems, and object histories, with exhibitions at venues such as Sculpture Center, ICA at Maine College of Art and Design, and MASS MoCA residencies. Sekhukhuni explores cultures and histories of technology through sculpture, video, and performance, with exhibitions at Fondazione Prada, New Museum, and Sharjah Art Foundation, and is a founding member of the artist group NTU.

Waiting to Be Discovered? Curators Reveal How Emerging Artists Can Get Noticed

Top curators share advice on how emerging artists can get noticed in a tough art world. Key tips include being proactive in building networks, approaching curators directly, and presenting organized online portfolios. Curators like Hitomi Iwasaki (Queens Museum), Marie-Anne McQuay (Liverpool Biennial), and Lisa Long (formerly Julia Stoschek Foundation) emphasize that artists should not wait to be discovered but instead engage with peers, attend shows, and reach out to curators, even those early in their careers.

LACMA’s US$720m David Geffen Galleries expansion to open in 2026

The Los Angeles County Museum of Art (LACMA) has announced that its long-awaited David Geffen Galleries expansion will open in April 2026, over two decades after the project was first announced in 2001. Designed by Swiss architect Peter Zumthor, the $720 million serpentine structure spans Wilshire Boulevard and replaces several older buildings, increasing gallery space from 130,000 to 220,000 square feet. The project faced numerous setbacks, including public criticism of the design, concerns over the nearby La Brea Tar Pits, the discovery of sabre-toothed tiger skulls during construction, pandemic delays, the departure of longtime donor The Ahmanson Foundation, and Zumthor's distancing from the project in 2023 due to cost compromises. A series of soft openings are planned for summer 2025 before the full public debut.

Sculptural works by emerging artists win Baloise Art Prize

The Baloise Art Prize has been awarded to London-based artist Rhea Dillon and Lebanese Canadian artist Joyce Joumaa for their presentations in the Statements section of Art Basel. Dillon, represented by Soft Opening gallery, exhibited *Leaning Figures*, a series of wall-mounted sculptures made from resin mixed with molasses and Jamaican soil, replicating cut-crystal plates. Joumaa, shown with Montreal’s Galerie Eli Kerr, presented *Periodic Sights*, an installation of repurposed fuse boxes illuminated with photographs of everyday scenes from Beirut and Tripoli, addressing Lebanon’s energy crisis. As part of the prize, Dillon’s work was acquired by the Museum für Moderne Kunst (MMK) in Frankfurt, and Joumaa’s by Mudam Luxembourg.

An expert's guide to artists' books: four must-read publications on the genre

The Warburg Institute in London is opening an exhibition titled "Art & the Book" (16 May–2 August) and organizing the Biblioteka Art Book Fair (20–21 June) to explore the medium of artists' books. Curated by Arnaud Desjardin and Hlib Velyhorskyi, the show spans examples from the 1960s to today. To help readers understand the genre, Desjardin—author of the reference work *The Book on Books on Artists Books* (2013)—recommends four key publications: Lucy Lippard's *Six Years* (1973), the exhibition catalogue *Looking Telling Thinking Collecting* (2004) edited by Anne Moeglin-Delcroix and others, Clive Phillpot's essay collection *Booktrek* (2013), and Michael Lailach's *Printed Matter: Die Sammlung Marzona/The Marzona Collection* (2005).

at the MET's 'costume art', sculptural mannequins are scanned from real bodies

The Metropolitan Museum of Art's new exhibition 'Costume Art' features sculptural mannequins that are scanned from real bodies, including representations of corpulent and disabled bodies. The show uses 3D body scanning technology to create mannequins that accurately reflect diverse human forms, moving away from traditional idealized fashion mannequins.

Take a Look Inside This Year's 2026 Met Gala 'Costume Art' Exhibition

The Metropolitan Museum of Art has announced its spring 2026 Costume Institute exhibition titled "Costume Art," along with the accompanying Met Gala fundraiser scheduled for May 4, 2026, with a "Fashion is Art" dress code. The exhibition will debut in the newly designed 12,000-square-foot Condé M. Nast Galleries, featuring nearly 400 objects that juxtapose historical garments with fine art across thematic bodily categories such as the "Classical Body" and "Pregnant Body." Curated by Andrew Bolton, the show includes standout pairings like a Glenn Martens suit with an ancient marble statue and a Comme des Garçons ensemble with a Max Weber painting, with mannequins featuring polished steel heads by artist Samar Hejazi.

Ahead of the 2026 Met Gala, the Metropolitan Museum of Art Introduced New Mannequins With Diverse Body Types Inspired by Real People

The Metropolitan Museum of Art has opened a new exhibition titled "Costume Art" ahead of the 2026 Met Gala, featuring mannequins with diverse body types—including larger, pregnant, trans, and disabled bodies—created through 3D printing and based on real-life models. The show pairs roughly 400 artworks with garments, aiming to shift the traditional perspective by viewing art through the lens of fashion rather than the reverse.

Black Artists Featured in Monet to Matisse Exhibition at Birmingham Museum of Art

The Birmingham Museum of Art (BMA) has opened its presentation of the traveling exhibition "Monet to Matisse: French Moderns, 1850–1950," which features over 100 masterworks from the Brooklyn Museum. Uniquely, the BMA version includes more than 40 additional works from its own collection, among them paintings by two Black American artists—Henry Ossawa Tanner and Charles Ethan Porter—who lived and worked in France during the period. Curator Dr. Maggie Crosland emphasized the importance of including these artists to highlight the contributions of Black Americans to French modernism, especially given the political climate that drove many to Paris between 1850 and 1950.

Montclair Art Museum Announces Retirement of Longtime Chief Curator Dr. Gail Stavitsky

The Montclair Art Museum (MAM) has announced that Dr. Gail Stavitsky, its Chief Curator, will retire on July 1, 2026, after a tenure of more than 30 years. Stavitsky joined MAM in 1994 as Curator of Collections and Exhibitions, was promoted to Chief Curator in 1998, and curated over 200 exhibitions, including landmark shows such as "Cézanne and American Modernism" (2009) and "Matisse and American Art" (2017). Her recent exhibitions include solo shows for vanessa german and Tom Nussbaum, and she co-curated "Shifting Terrain: Perspectives on Land in North America." She also oversaw major acquisitions and the care of the museum's collections of George Inness and Morgan Russell.

designboom radar: exhibitions to see around the world this may

Designboom has published its monthly roundup of must-see art exhibitions around the world for May 2026. Featured shows include Nick Doyle's 'Collective Hallucinations' at Perrotin, Nicola Turner's 'Time’s Scythe' in collaboration with Annely Juda Fine Art at YSP, and Katharina Grosse's 'I Set Out, I Walked Fast' at White Cube. The article also includes a tribute to Georg Baselitz, the influential German painter who recently passed away at 88, and a guide to the 61st Venice Art Biennale 2026.

Italian Renaissance masterpieces debut in Beijing exhibition

An exhibition titled 'Homage to the Virtuosos: From Leonardo da Vinci to Caravaggio - Masterpieces of the Italian Renaissance' has opened at the National Art Museum of China in Beijing, featuring 36 Renaissance masterpieces from Italy's Uffizi Galleries. The show includes works by Leonardo da Vinci, Michelangelo, Raphael, and Caravaggio, with many pieces traveling to China for the first time. The exhibition is jointly curated by the National Art Museum of China and the Uffizi Galleries, and is divided into three thematic sections tracing the evolution of Renaissance painting, from early Florentine masters through Mannerism to Venetian and Caravaggio's revolutionary works.

‘The pictures are evil!’ The great art-quake of 1910

The article reviews David Boyd Haycock's slim new book 'Art-Quake, 1910,' which examines the explosive 1910 exhibition 'Manet and the Post-Impressionists' at London's Grafton Galleries. The show introduced British audiences to revolutionary artists like Cézanne, van Gogh, Gauguin, Matisse, and Picasso, provoking outrage from critics and the public, who called the works 'evil,' 'hysterical,' and a threat to civilization. The book is part of a series from Old Street publishing that also includes titles on the Degenerate Art exhibition and the Cultural Revolution.

BTS leader RM to unveil personal art collection at San Francisco Museum of Modern Art

RM, the leader of K-pop group BTS, will present his personal art collection at the San Francisco Museum of Modern Art (SFMOMA) in an exhibition titled "RM x SFMOMA," running from October 3 to February 7. The show features around 200 works from RM’s collection and SFMOMA’s holdings, many never before shown in the US, and is co-curated by RM, SFMOMA curatorial project manager America Castillo, and assistant curator Kim Hyo-eun. Key Korean artists in RM’s collection include Yun Hyong-keun, Park Rehyun, Kwon Ok-yon, Kim Yun-shin, To Sang-bong, and Chang Ucchin, while SFMOMA contributes works by Kim Whan-ki, Mark Rothko, Agnes Martin, Henri Matisse, Georgia O’Keeffe, and Paul Klee.

Confronting the Uncertain Future Of Image Making and AI — These Houston Photography Exhibitions Keep It Real

Two new photography exhibitions in Houston explore the past and future of image-making. At Moody Gallery, a retrospective titled "MANUAL — The Collaboration of Ed Hill & Suzanne Bloom, 1974-2024" honors the legacy of the groundbreaking photographic duo MANUAL, co-founded by Ed Hill and the late Suzanne Bloom, who passed away in 2025. The show, closing April 25, features works inspired by art history, literature, and nature, including pieces referencing Paul Cézanne and Walt Whitman. Meanwhile, at Rice University's Moody Center for the Arts, the group exhibition "Imaging After Photography" (through May 9) examines the intersection of photography and artificial intelligence, featuring artists like Trevor Paglen, Refik Anadol, and Joan Fontcuberta, and raising questions about bias in datasets and algorithms.

The Italian art market is gaining momentum

Italy's contemporary art market is experiencing a surge in activity, marked by the arrival of international galleries like Thaddaeus Ropac in Milan and Hauser & Wirth's planned opening in Sicily. This coincides with major art events such as Paris Internationale launching in Milan alongside the local Miart fair.

Midea Group scion’s Shunde art museum shifts focus to amplify local voices

The He Art Museum (HEM) in Shunde, China, a private institution founded by the family behind appliance giant Midea Group, is shifting its programming strategy. Under director Shao Shu, the museum is moving away from hosting major international exhibitions to focus on amplifying local and regional artists, particularly from the Greater Bay Area, and exploring themes of Lingnan culture.