Culture Type | The Month in Black Art: Here’s What Happened in August 2025

The Studio Museum in Harlem announced it will reopen on November 15, 2025, after being closed since 2018 for construction of its new building on 125th Street. The museum shared details about opening celebrations, community day, suggested admission prices, and hours. In other August 2025 news, Brazilian artist Ana Cláudia Almeida joined Stephen Friedman Gallery (London/New York) alongside Quadra and Fortes D’Aloia & Gabriel; Ekow Eshun was named curator of British Art Show 10, opening in September 2026 across five UK cities; and Vanity Fair previewed the new Studio Museum building in its September issue, featuring interviews with Director Thelma Golden and artists Karon Davis and Tshabalala Self.

Emerging artists explore identities and bodies through queer perspectives at Frieze Seoul

Frieze Seoul 2025 is spotlighting queer and female artists through two major exhibitions: “off-site 2: Eleven Episodes” at Kukje Gallery K2, organized in partnership with Art Sonje Center, and “UnHouse” at the new Frieze House space. The former features works by 11 emerging Korean female and genderqueer artists exploring non-normative bodies and identities, including photography by Hong Ji-young, video by duo Yagwang, and an experimental piece by Kwak So-jin. The latter reimagines domestic space through a queer lens with 14 artists such as Anne Imhof, Catherine Opie, and Xiyadie.

New York Dealer Hal Bromm Can’t Remember His Last Art Fair. He Couldn’t Be Happier

Hal Bromm, a New York art dealer who opened his gallery in Tribeca decades before it became a gallery hub, is celebrating 50 years in the neighborhood. He opened in 1974, predating the wave of galleries that moved to Tribeca around 2013, and has remained at 90 West Broadway since 1977. To mark the milestone, he will present the exhibition “50: The View from Tribeca” on September 19 and publish a book, *New Art, Old Buildings: Stories from Hal Bromm’s Tribeca*. Bromm reflects on his early career, including introducing artists like Donald Judd, Alighiero Boetti, and Mario Merz to New York audiences, and his instinct-driven approach to selecting artists.

How the wealth transfer from Boomers to their children will shake up the art market

The article examines how the transfer of wealth from Baby Boomers to younger generations is reshaping the Australian art market. As Boomers downsize or pass away, their tightly held collections—featuring artists like Grace Cossington Smith, Howard Arkley, and Brett Whiteley—are entering auction houses, creating rare buying opportunities. Meanwhile, younger collectors (Gen X, Millennials, Gen Z) face economic uncertainty, leading to a softening in the ultra-contemporary market and a decline in NFTs. New models of online and agency representation are bypassing traditional galleries, and galleries themselves are undergoing generational change, with some closing and others like Ames Yavuz and D'Lan Contemporary expanding.

With two fairs and a new festival, Aspen art scene is reaching new peaks

Aspen, Colorado's art scene is expanding with two concurrent art fairs and a new festival during Aspen Art Week. The 15th edition of Intersect Aspen, the city's longest-running fair (formerly Art Aspen), will feature 28 galleries including Jackson Fine Art and debutant 212 Gallery. CEO Tim von Gal reports record attendance and sales from 2023. Meanwhile, the Aspen Art Fair returns for its second edition at the historic Hotel Jerome, doubling its exhibitor list to 43 galleries, including Perrotin and Miles McEnery Gallery. Co-founded by Rebecca Hoffman and dealer Bob Chase, the fair emphasizes a convivial, community-focused atmosphere.

‘Making Their Mark: Works from the Shah Garg Collection’

The article announces the exhibition 'Making Their Mark: Works from the Shah Garg Collection' at Washington University in St. Louis (WashU). The show features works from the collection of Shah Garg, highlighting a selection of contemporary artworks.

Culture Type | The Month in Black Art, Here’s What Happened in June 2025

The June 2025 edition of Culture Type's 'The Month in Black Art' roundup reports multiple developments: the Detroit Institute of Arts acquired Tiff Massey's installation 'Baby Bling' (2023) for its reimagined Modern and Contemporary galleries opening in 2026; Aperture magazine released a summer issue guest-edited by Tanisha C. Ford focusing on Black style and fashion; Different Leaf, a cannabis culture journal, relaunched with guest editors Nick Cave and Bob Faust; and Sean Kelly Gallery announced representation of artist Lindsay Adams in collaboration with PATRON Gallery. The article also notes updates on the Studio Museum in Harlem, a shakeup at the Afro Brazil Museum, new Art Basel Awards, and Suzanne Jackson's exhibition at SFMOMA.

New art fair Arrival brings collectors to the bucolic Berkshires

Arrival, a new art fair, launched its inaugural edition on June 12 at the Tourists hotel in North Adams, Massachusetts, featuring 36 exhibitors from across the US. The biennial fair, running through June 15, includes panels, talks, and off-site programming at nearby museums. Galleries set up in hotel rooms, creating an intimate, domestic atmosphere. Founders Yng-Ru Chen, Sarah Galender Meyer, and Crystalle Lacouture—who together bring 60 years of art-world experience—aim to offer a respite from conventional convention-center fairs. Early sales included works by Hayal Pozanti, Chelsea Ryoko Wong, and Pae White, and the Williams College Museum of Art acquired three works from the fair.

Dale Berning Sawa

Dale Berning Sawa has been featured in an article from The Art Newspaper, though the provided text is incomplete and primarily consists of a subscription prompt and footer information. The article appears to be a profile or news piece about Dale Berning Sawa, likely a journalist or writer in the art world, but no specific events or details are available from the given content.

5 Artists on Our Radar in May 2025

Artsy's May 2025 edition of 'Artists on Our Radar' highlights five emerging visual artists: Julia Jo, Raina Lee, Yaya Yajie Liang, and two others. Julia Jo, a Korean painter based in New York, showed new works at the Independent art fair with Charles Moffett, featuring emotionally charged, abstract figurative paintings. Raina Lee, a Taiwanese American ceramicist, presented pocket-sized glazed stoneware at NADA and Future Fair during New York Art Week, inspired by travel and cultural relics. Yaya Yajie Liang, a Chinese painter based in London, creates oil paintings with fluid brushstrokes exploring bodily sensations and interconnectedness.

Summer shows include multiple exhibitions viewing nature through 2 artists’ work - Portland Press Herald

Multiple Maine museums are collaborating this summer to present simultaneous exhibitions of two mid-career gestural painters, Nicole Wittenberg and Ann Craven, whose work deeply engages with nature and landscape painting. Wittenberg's shows include "A Sailboat in the Moonlight" at the Ogunquit Museum of American Art (through July 20), "Nicole Wittenberg: Cheek to Cheek" at the Center for Maine Contemporary Art (through Sept. 14), and a Paris exhibition at the Fondation Le Corbusier. Craven's exhibitions span the Farnsworth Art Museum ("Ann Craven: Painted Time," through Jan. 4, 2026), the Portland Museum of Art ("Spotlight: Ann Craven," May 14 to Sept. 14), and Bowdoin College Museum of Art (starting May 22).

Adam Lindemann opens exhibition of 19th-century African sculpture and contemporary Black abstraction

Collector and dealer Adam Lindemann has opened a non-selling exhibition titled 'Urhobo + Abstraction' at his David Adjaye-designed home near the Metropolitan Museum of Art in New York. The show, running until June 13, pairs 19th-century Urhobo sculptures from the Niger Delta with works by Black American abstractionists including Ed Clark, Norman Lewis, Richard Mayhew, Merton D. Simpson, and Alma Thomas. It is the first time Urhobo sculptures have been shown together in the US, and the exhibition is anchored by five wood carvings of warriors and royalty, one from Lindemann's private collection.

Photo London reveals details of tenth anniversary edition

Photo London will celebrate its tenth anniversary edition from May 15-18, 2025 at Somerset House, which is itself marking 25 years as an international arts destination. The fair will feature a strong roster of returning and new international galleries, the return of the Discovery section for emerging galleries, and a new Positions section for unrepresented photographers championed by collectors. Special programming includes a 'London Lives' exhibition showcasing around 30 leading photographers, a solo show by Colin Dodgson presented by Belmond, a new Book Market for independent publishers, a talks programme curated by Thames & Hudson, and awards such as the Photo London x Nikon Emerging Photographer of the Year and the Photo London x Hahnemühle Student Award.

Preview: Upcoming Summer Shows at Houston Area Museums

Houston-area museums and art spaces have announced their upcoming summer exhibitions, including immersive installations, figurative group shows, and presentations addressing environmental issues. Highlights include A.A.Murakami's "Floating World" at the Museum of Fine Arts, Houston (MFAH), the first solo U.S. museum presentation for the artist duo; Francesca Fuchs's "The Space Between Looking and Loving" at the Menil Collection, which explores a personal connection between the artist's father and John de Menil; and "Figurative Histories" at the Moody Center for the Arts, featuring works by Black Texas artists examining sociopolitical histories.

Bauhaus thread weaves through expansive textile show at MoMA

The traveling exhibition "Woven Histories: Textiles and Modern Abstraction" has made its final stop at the Museum of Modern Art (MoMA) in New York. Organized by Lynne Cooke, senior curator at the National Gallery of Art in Washington, DC, in collaboration with MoMA, the Los Angeles County Museum of Art, and the National Gallery of Canada, the show features around 150 works that explore weaving through the lens of abstraction. At MoMA, the exhibition responds to the museum's historical ties to the Bauhaus, including works by Anni Albers and Gunta Stölzl, and highlights lesser-known figures like Ed Rossbach. The show also includes contemporary artists such as Jeffrey Gibson, with several having concurrent solo exhibitions in New York.

Frieze New York Diary: sparring artists are boxing clever, Whitney gets set for almighty dick pic, and Bates mansion is reincarnated

The article covers several art-world events during Frieze New York week. Highlights include a boxing match at the Prince George Ballroom for the Cultivist's tenth anniversary, featuring artists like Shaun Leonardo, Cheryl Pope, and Jesus Benavente. At the Whitney Museum, the upcoming exhibition 'Sixties Surreal' will showcase Harold Stevenson's monumental male nude 'The New Adam' (1962), owned by the Guggenheim. Other notable items include Felix Beaudry's textile piece 'Put' (2024) at the Golden Thread 2 pop-up, Cornelia Parker's 'PsychoBarn (Flotsam)' (2024) at Frith Street Gallery, and Chantal Joffe's portrait of critic Hettie Judah at Victoria Miro.

What not to miss at Frieze New York 2025

Frieze New York 2025 will take place from 7 to 11 May at The Shed, featuring over 65 leading contemporary art galleries from more than 25 countries. The fair offers collectors access to blue-chip works by major artists and pieces by emerging talents, alongside amenities such as the US debut of Korean luxury beauty brand The Whoo showcasing three South Korean female artists, and a Ruinart champagne bar with a commissioned installation by artist Sam Falls. Notable booths include Mendes Wood DM presenting a new sculpture by Sonia Gomes and works by Kishio Suga, a joint presentation by Apalazzogallery and Emalin featuring Augustas Serapinas, and Tina Kim Gallery highlighting a multigenerational selection of women artists including Maia Ruth Lee.

Art Brussels 2025 Is Keeping Up with Its European Art Fair Cousins

Art Brussels returned for its 41st edition from April 24-27, 2025, at Brussels Expo Hall on the Heizel Plateau in Laeken, Belgium. The fair featured 165 galleries from 35 countries, 38% of which were first-time exhibitors, showcasing works by over 800 artists across five curated sections: Prime, Solo, Discovery, '68 Forward, and Invited. New initiatives included The Screen, a curated video art section selected by KANAL-Centre Pompidou’s Eliel Jones and filmmaker Alex Reynolds, and Monumental Artworks, a large-scale sculpture section curated by Carine Fol. Highlights included works by Kai-Chung Chang, Guy Van Bossche, Mircea Suciu, Bendt Eyckermans, and others, alongside a special edition of the Belgian Art Prize marking its 75th anniversary.

At 90, Rhona Hoffman Is Closing Her Chicago Gallery—but She Isn’t Retiring Yet

Rhona Hoffman, the 90-year-old Chicago gallerist, is closing her eponymous gallery at the end of May 2025 after nearly five decades in operation. The final group show, “Not Just A Pretty Picture,” ends April 26. Hoffman, who opened her gallery in 1976, gave early platforms to artists like Sol LeWitt, Mickalene Thomas, and Carrie Mae Weems, and is especially known for championing women artists such as Cindy Sherman, Barbara Kruger, and Jenny Holzer. She was also made an honorary member of the Guerrilla Girls after documenting her exhibition history of women artists. Hoffman plans to remain in Chicago, curating shows and working with artists, but will not use the term "pop-up" for her future activities.

RADICAL SOFTWARE: WOMEN, ART & COMPUTING 1960–1991

Kunsthalle Wien presents "Radical Software: Women, Art & Computing 1960–1991," a landmark exhibition foregrounding the pioneering role of women in early digital art. Organized with Mudam Luxembourg, the show brings together over one hundred works by fifty artists from European and U.S. collections, spanning painting, sculpture, installation, film, performance, and computer-generated works. The title references the 1970 magazine "Radical Software" by Beryl Korot, Phyllis Segura, and Ira Schneider, which envisioned decentralized access to information. The exhibition traces digital art from mainframe experiments in the 1960s through the microcomputer revolution, highlighting artists like Charlotte Johannesson, who traded a tapestry for an Apple II in 1978.

Expo Chicago connects the Midwest to the global art market

Expo Chicago returns for its second edition under Frieze ownership from April 24-27, featuring over 170 galleries from 93 cities across 36 countries. The fair includes 50 new exhibitors, a new partnership with the Galleries Association of Korea bringing 20 South Korean galleries, and a curated sector called Contrast. Local stalwarts like Rhona Hoffman and Gray gallery are participating, balancing international growth with Midwestern roots.

art juliana halpert frieze los angeles 2026

Juliana Halpert, writing for Cultured's Critics' Table, offers a local perspective on Los Angeles's busy February art scene, contrasting the global art-fair circuit with four distinctive local exhibitions. She visits Tanya Brodsky's "Stories of the City" at Campbell Hall school in Studio City, where Brodsky's sculptures engage with Italo Calvino's *Invisible Cities*; the Julia Stoschek Foundation; Amanda Ross-Ho's show; and Rita McBride's exhibition. Halpert uses Calvino's metaphor of Eutropia—a city whose inhabitants cycle through identical suburbs—to critique the repetitive nature of art fairs like Art Basel and Frieze, which travel from city to city with little variation.

art maren hassinger sculptures metal

Maren Hassinger, the 78-year-old artist known for her sculptural work with steel and wire rope, discusses her upcoming retrospective at the Berkeley Art Museum and Pacific Film Archive, opening in June. In an interview, she reflects on her early rejection from a dance major at Bennington College, which led her to sculpture under the mentorship of Isaac Witkin, and her long collaboration with fellow artist Senga Nengudi since the 1970s. She also talks about her current studio practice, creating large-scale vessels, and her move from Los Angeles to New York to sell her work.

hotels museum future architecture

The article, written by a former New Museum staffer, traces the evolution of museum architecture from the early 2000s starchitect era toward a hospitality- and community-focused model. It cites examples like MoMA's extensive visitor amenities (four restaurants, two retail spaces) and the Williams College Museum of Art's open, evolving design by SO-IL. The piece also highlights the Underground Museum's storefront approach in Los Angeles and the Storefront for Art and Architecture in New York as strategies that prioritize accessibility and community engagement.

Sur Arte Radio et dans une expo, l’enquête d’Adrianna Wallis sur les traces de sa grand-mère peintre spoliée par les nazis

Artist Adrianna Wallis (born 1981) discovers that her paternal grandmother, painter Diane Esmond (1910–1981), was a victim of Nazi looting during World War II. After being contacted by historians Patricia Helletzgruber and Sophie Juliard, Wallis learns that much of Esmond's work was systematically destroyed by the ERR, the Nazi organization responsible for art theft in occupied countries. This revelation sparks a personal investigation that becomes a podcast for Arte Radio titled "Il restera la gravité," blending documentary, autobiographical inquiry, and sound installation. Wallis delves into archives, examining microfilms and lists that detail 46 of Esmond's paintings—each methodically described and declared destroyed, such as "Woman in blue evening dress: annihilated."

The Kyrgyzstan Pavilion at the Venice Biennale Builds a Bridge Between Two Cultures

Il Padiglione del Kirghizistan alla Biennale di Venezia getta un ponte tra due culture

Alexey Morosov presents "BELEK" at the Kyrgyzstan Pavilion of the 61st Venice Biennale, a project inspired by the mountainous landscapes, glaciers, and brutalist dams of Kyrgyzstan. Combining video, sculpture, painting, and sound, Morosov explores water as a key resource for the future and a deep cultural memory of Central Asia, linking the region's hydro-engineering transformations with the nomadic heritage of the Kyrgyz people. The project centers on the traditional equestrian game Kok-Börü, which Morosov describes as constitutive of Kyrgyz identity, and features centaur-like figures made from raw earth used in local dwellings.

Met Gala Memes That Ate the Rich and Left No Crumbs

The article covers the 2026 Met Gala, sponsored by Jeff and Lauren Sánchez Bezos, and the intense online backlash it generated. Despite a dress code of "Fashion is Art," celebrities faced merciless mockery on social media for their looks, with particular scorn directed at Lauren Sánchez Bezos's Schiaparelli gown inspired by John Singer Sargent's "Madame X." The criticism was amplified by weeks-long protests against Amazon's labor practices and Bezos's involvement, as well as the museum's own unionized employees speaking out. The piece compiles the most inventive and cutting memes from X (formerly Twitter), targeting everything from fashion fails to political hypocrisy.

Artists, Read the Fine Print

Artist Damien Davis writes a critical piece on how so-called 'standard' contracts in the art world systematically undermine artists' power, citing long consignment periods, moral rights waivers, and opaque terms that favor institutions. Separately, the Venice Biennale has scrapped its traditional Golden Lion awards after the awards jury resigned; instead, ticket holders will vote on 'Visitor Lions,' with results announced in November, and notably Israel and Russia remain eligible despite the jury's earlier ban. Other news includes damage to a 1,000-year-old Native American archaeological site by construction crews building President Trump's border wall.

A Venezia una mostra ripercorre l’opera di Jenny Saville con un inedito omaggio a Tiziano. La recensione

A major solo exhibition of British painter Jenny Saville has opened at Ca' Pesaro in Venice, tracing her career from early works like "Propped" (1992) and "Hybrid" (1997) to new paintings explicitly inspired by Titian. The show, curated by Elisabetta Barisoni, highlights Saville's monumental female nudes, her engagement with Renaissance masters, and her place within the Young British Artists generation that also included Damien Hirst and Tracey Emin.

Reclaiming the Self-Taught Artist’s Creative Identity

The American Folk Art Museum (AFAM) in New York will present "Self-Made: A Century of Inventing Artists" this spring, a major exhibition examining the historical definition of the "self-taught artist" through authorship, agency, and self-representation. Featuring over 90 works spanning the early 20th century to today, the show is organized around three strategies—self-portraiture, alter egos, and autobiography—and includes pieces by Henry Darger, Clémentine Hunter, Martín Ramírez, Aloïse Corbaz, Adolf Wölfli, Nicole Appel, Susan Janow, and Joe Coleman, many on view for the first time.