Lillian Blades' first solo exhibition sparkles and shines at Sarasota Art Museum

Lillian Blades' first solo exhibition, "Through the Veil," is on view at the Sarasota Art Museum (SAM) through October 26. The Bahamian-born artist presents large, quilt-like mixed-media installations made from found objects such as toys, jewelry, utensils, and mirrors, wired together and hung from PVC piping. Her work is displayed on the museum's third floor, while a concurrent exhibition of Gee's Bend quilts occupies the second floor, creating a thematic dialogue between the two shows.

The McManus are opening a new exhibition celebrating Scotland’s top modern artists next weekend

The McManus: Dundee's Art Gallery and Museum will open a new exhibition titled 'Border Crossings: Ten Scottish Masters of Modern Art' on Saturday, 28 June, running until 14 June 2026. The show features ten influential Scottish modern artists—Wilhelmina Barns-Graham, Robert Colquhoun, William Crozier, Alan Davie, William Gear, William Johnstone, Robert MacBryde, Eduardo Paolozzi, William Scott, and William Turnbull—all drawn exclusively from Dundee’s nationally recognized art collection. It marks the first time these ten figures have been displayed together at The McManus.

Alfred Ceramic Art Museum celebrates a 125-year legacy

The Alfred Ceramic Art Museum celebrated Alfred University's 125th anniversary with the exhibition "History: a Legacy in Motion, Alfred Ceramic Art 1900–2025." The show highlights ceramic works by faculty members past and present, centering on 25 pieces by Charles Fergus Binns, the founding director of the New York State School of Clay-Working and Ceramics. Curated by museum director Wayne Higby and assistant director Benjamin Evans, the exhibition features over two dozen artists including Marion Fosdick, Charles Harder, and Linda Sikora, many of whose works have not been displayed in recent years.

Frank Auerbach’s Berlin homecoming, human remains and museums, Ian Hamilton Finlay’s ‘Republic’—podcast

This podcast episode covers three major art-world stories. First, the late artist Frank Auerbach receives his first-ever Berlin exhibition at Galerie Michael Werner, decades after fleeing the city as a Jewish refugee in 1939. Second, curator and author Dan Hicks discusses his new book *Every Monument Must Fall*, which examines the origins of contemporary debates around colonialism, art, and heritage, focusing on the acquisition and display of human remains in museums. Third, the episode highlights the centenary of artist Ian Hamilton Finlay with a look at his work *Republic* (1995) and a series of international exhibitions celebrating his legacy.

National Gallery spends £16m on altarpiece by unknown artist

The National Gallery in London has purchased a 500-year-old altarpiece, *The Virgin and Child with Saints Louis and Margaret and Two Angels*, for £16.4 million from an anonymous owner. The painting, created between 1500 and 1510, is of unknown authorship—experts cannot agree whether the artist was Netherlandish or French, with candidates including Jan Gossaert and Jean Hey. The oak panel was felled around 1483, and the work was first documented at the priory of Drongen in Ghent in 1602. It was sold through Sotheby’s with support from the American Friends of the National Gallery London and had been kept at the Lulworth Estate in Dorset, home of the Weld family.

A Struggle Between Artist and Machine

Ein Ringen zwischen Künstler und Maschine

Mario Klingemann, a pioneer of AI art, presents "Conflict of Interest," a pop-up exhibition at Sleek Art Space in Berlin during Gallery Weekend. Curated by Anika Meier and produced in collaboration with Art on Tezos, the show features works that challenge the flood of AI-generated imagery. Klingemann displays mundane landscape photographs from private slides, a series called "Weapons of Mass Distraction" where he disrupts an AI algorithm's image generation, and a haunting 2020 video in which AI-generated faces morph to music. The exhibition makes visible the struggle between human control and machine logic.

Group "New Generation" Plans "Art Protest" on Wednesday

Gruppe "Neue Generation" plant "Kunstprotest" am Mittwoch

The activist group "Neue Generation" has announced a week of protests in Berlin under the theme "Revolution Days," promising creative and artistically designed actions. Their activities began with a "protest dance" on the steps of the Reichstag building, leading to three participants being investigated for trespassing. The group has scheduled a "Kunstprotest" (art protest) for Wednesday and a "revolutions attempt in the government district" for Thursday.

Activist glues herself to museum display case

Aktivistin klebt sich an Museumsvitrine

A protester from the activist group Neue Generation glued herself to a display case in the Coin Cabinet of the Bode-Museum on Berlin's Museum Island. Dressed as Federal Minister for Economic Affairs Katherina Reiche, the activist targeted the museum to protest the minister's perceived lack of independence from corporate interests. Police were called to the scene to remove the woman, and the Prussian Cultural Heritage Foundation confirmed that while the glass case was targeted, no historical artifacts were damaged.

Where did the great artist Joseph Beuys live? The comic story by Gianluca Costantini

Dove viveva il grande artista Joseph Beuys? Il racconto a fumetti di Gianluca Costantini

In the summer of 2022, the author visited Düsseldorf and discovered that Joseph Beuys's former home at Drakeplatz 4 in Oberkassel was for sale, but the city's cultural department declined to purchase it. Beuys lived and worked there from 1961 until his death in 1986, using the space as both a residence and studio. The article recounts the intimate details of family life there, including how Beuys painted the main room white for his wife Eva's photography, and how the family navigated the blend of private life and artistic practice. Two years later, the Brunhilde Moll Foundation acquired the house and opened it to the public, though it was closed for renovations when the author returned. The house now displays about sixty works from Beuys's creative period and will host artist residencies and events.

Joe Macken Spent 21 Years Hand-Assembling a Vast Model of New York City

Joe Macken, a Queens resident, spent 21 years hand-assembling a vast 50-by-27-foot scale model of New York City, completing it in 2025. The model, built from cardboard, glue, and balsa wood, comprises 340 individual sections and is now on long-term display at the Museum of the City of New York in an exhibition titled "He Built This City: Joe Macken’s Model." Visitors can walk around the model and use binoculars to spot familiar buildings and neighborhoods.

The Underrated Architect of the Avant-Garde

Der unterschätzte Architekt der Avantgarde

The Fondazione Antonio Dalle Nogare in Bolzano is hosting a comprehensive retrospective dedicated to Ilja Sdanewitsch, known as Iliazd, a Georgian-Russian-French avant-garde polymath. The exhibition, titled "Toutité Iliazd. Die Erforschung der Form," showcases his diverse output as a writer, designer, and publisher who viewed the book as a primary art object. The display includes architectural reliefs, textile designs for Coco Chanel, and his significant collaborations with icons like Picasso and Duchamp.

A New Roubiliac Enters the Louvre

Un nouveau Roubiliac entre au Louvre

The Musée du Louvre has acquired a bronze bust of the poet Alexander Pope by the 18th-century sculptor Louis François Roubiliac. The work was purchased via private treaty through Sotheby’s after failing to find a buyer during the Manny Davidson collection sale, despite an estimate of €60,000 to €80,000. This acquisition strengthens the museum’s modest but significant collection of non-French European sculpture and is expected to go on public display in the coming weeks.

Two Bouchers for the Prado

Deux Boucher pour le Prado

The Museo del Prado in Madrid has acquired two significant early pendant paintings by François Boucher, titled 'La Naissance et La Mort d'Adonis.' The works were purchased from a French private collection through the Madrid gallery Ana Chiclana, using funds from the bequest of the late department head Juan José Luna. The paintings have been restored and are currently on public display in the Goya's Majas room, awaiting the reopening of the museum's renovated 18th-century galleries.

A Caravaggio for Rome

Un Caravage pour Rome

The Italian Ministry of Culture has acquired Caravaggio's 'Portrait of Maffeo Barberini' for the state. The painting, which had been on loan to the Palazzo Barberini from its private owner, will now be permanently deposited at the museum.

5 Exhibitions in Avignon and its Surroundings to Shine from Spring to Summer

5 expos à Avignon et ses environs pour rayonner du printemps à l’été

A series of five art exhibitions are scheduled from spring to autumn 2026 in and around Avignon, France. The program includes a refreshed permanent display of 1980s art at the Collection Lambert featuring Jean-Michel Basquiat and Nan Goldin, a solo show by Julien Prévieux critiquing artificial intelligence at Le Grenier à Sel, a photography exhibition of South Korean landscapes by Michael Kenna at Galerie Rousset, and other shows focusing on artists from Asia and the Middle East.

Meet the London Perfumer Building a Collection Around Humor and Instinct

Cherry Cheng, a London-based perfumer, has curated a personal art collection in her Notting Hill flat that reflects her instinctive and humorous approach to collecting. The collection features works by artists such as Beau Gabriel, Miranda Keyes, Sarah Pucci, Juliette Teste, Araki Nobuyoshi, Katrien de Blauwer, Lucile Littot, Leo Costelloe, Sebastian Espejo, and Joline Kwakkenbos, displayed throughout her home like a diary of her tastes.

Qatar Pavilion Announces Artists for 2026 Venice Biennale

The Qatar Pavilion has unveiled its artist lineup and conceptual framework for the 61st Venice Biennale in 2026. Titled "untitled 2026 (a gathering of remarkable people)," the exhibition will feature a collaborative presentation centered around a tent-like structure designed by Rirkrit Tiravanija. The pavilion will include a film by Sophia Al-Maria, a large-scale sculpture by Alia Farid, sound performances by Tarek Atoui, and a culinary program curated by chef Fadi Kattan, all hosted within a temporary site in the Giardini designed by architect Lina Ghotmeh.

Art Show in London Canceled Over Allegations of Antisemitism from Pro-Israel Group

An exhibition by artist Matthew Collings at Delta House Gallery in London was canceled after UK Lawyers for Israel raised allegations of antisemitism. The show, titled "Drawings Against Genocide," had previously been displayed in Margate, where a review in the Telegraph described the works as "dripping with Jew-hate." One drawing depicted Sotheby's owner Patrick Drahi eating babies alive, while others showed Jews with horns or standing on skulls. Tom Berglund, chairman of Pineapple Corporation, which owns Delta House, said the exhibition was arranged without consultation and expressed hope for resolution in the Middle East. Collings defended the work on Instagram, arguing it satirizes the use of art to whitewash what he called "Zionist atrocity."

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The Smithsonian Institution has agreed to turn over internal materials related to its programming and operations to the White House, following an executive order from President Donald Trump aimed at purging what he calls “anti-American ideology” from the consortium of museums and archives. Private emails from Secretary Lonnie G. Bunch II, obtained by The New York Times, reveal that the Smithsonian will provide digital photographs of labels, placards, and other text on public display, as well as other materials, on a rolling basis to avoid losing federal funding, which makes up nearly two-thirds of its roughly $1 billion annual budget.

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Antonio Canova's monumental plaster horse sculpture, *Cavallo Colossale* (1819–21), has been restored and returned to public display after spending 50 years in storage at the Museo Civico di Bassano. The sculpture, acquired by the museum in 1849, had deteriorated in storage since the late 1960s. A multi-year restoration led by Passarella Restauri involved reassembling over 200 fragments, removing 19th-century additions, and installing a new internal metal frame for earthquake protection. The project was funded by Intesa Sanpaolo and the Venice in Peril fund.

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Maria Smorzhevskikh-Smirnova, the director of the Narva Museum in Estonia, was sentenced in absentia to 10 years in prison by a Russian court. The charges stem from her hanging banners on Narva Castle that label Russian President Vladimir Putin a “war criminal,” including one that fuses Putin’s face with Adolf Hitler’s and another showing a bloodied mug shot of Putin. The court cited laws against disseminating “war fakes” and “rehabilitating Nazism.” Smorzhevskikh-Smirnova has been displaying such banners since 2023 on Russian Victory Day, and Russian authorities have projected Victory Day parades toward Narva from the nearby town of Ivangorod.

Chile's leading art fair foregrounds affordable works, often with a political edge

The 16th edition of Chile Arte Contemporáneo (Chaco), Chile's only international contemporary art fair, is underway in Santiago, featuring over 50 galleries. The fair emphasizes representation of the entire country, from the Atacama Desert to Patagonia, and includes galleries from 11 countries, with a focus on Chilean contemporary artists. Notable presentations include immersive installations by artists like Fernando Andreo Castro and politically engaged displays, such as a composite flag by Brazilian gallery Hermès and a stand by Mnwal, a space for artists from the Palestinian diaspora.

Oleg Prokofiev’s Lost Trove of Paintings Comes to Light After Decades in Hiding

A trove of abstract paintings and sculptures by Russian artist Oleg Prokofiev, hidden for decades in Moscow after he fled the Soviet Union, has been rediscovered and is now on public display for the first time. Prokofiev concealed the works in the 1950s and 1960s to avoid state persecution—abstract art was banned in the USSR, and his relationship with British scholar Camilla Gray made marriage impossible until 1969. After Gray's death and his move to England, the artworks remained safely stored in Moscow, where he found them intact after the Soviet collapse. The collection, including paintings, sculptures, sketchbooks, and letters, is now exhibited at the newly founded Prokofiev Studio in Hackney, London, established by his four children and curator Anzhela Popova.

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Gian Lorenzo Bernini's iconic Baroque sculpture *The Ecstasy of Saint Teresa* (1647–1652) is examined in detail, depicting the Spanish Carmelite nun Saint Teresa of Ávila in a moment of divine rapture as an angel pierces her heart with a golden arrow. The artwork, housed in the Cornaro Chapel at Santa Maria della Vittoria in Rome, was commissioned by Cardinal Federico Cornaro and remains one of Bernini's most celebrated and controversial masterpieces, blending theatricality, religious fervor, and virtuosic marble carving.

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Artist Peiqi Su created "The Penis Wall" (2014), an interactive installation featuring 81 3D-printed penises with tiny motors that adjust their flaccidity or erectness to six levels. The penises respond to stimuli such as viewer movement or stock market fluctuations. The work was developed over a semester as a thesis project for New York University's ITP program within the Tisch School of the Arts, and was briefly displayed on May 19–20 as part of the program's spring exhibition.

Shokkan at the ROM considers the sense of touch in Japanese art

The Royal Ontario Museum (ROM) in Toronto presents "Shokkan," an exhibition curated by Akiko Takesue that explores the Japanese concept of touch in art. Despite the challenge of displaying tactile experiences behind glass, the show succeeds by featuring historic Japanese works—such as kimonos, tea bowls, ukiyo-e prints, and netsuke—alongside contemporary pieces by artists like Issey Miyake, Tabaimo, Makiko Hattori, and Emma Nishimura. Interactive stations allow visitors to handle replicas and less valuable objects, including samurai swords, scrolls, and netsuke, to physically engage with the theme.

Where to see art in Houston now: 9 intriguing new exhibits opening in June

Houston's art scene is bustling in June 2025 with nine new exhibitions opening across the city. Highlights include Lawndale Art Center's annual "Big Show," juried by Dr. Phillip A. Townsend, featuring 88 works by 77 local artists; Sawyer Yards' "Be the Art: The Silos Selfie Experience," an immersive, social-media-friendly display; and three new shows at the Blaffer Art Museum, including "a way to mend" focusing on Gulf Coast artists and healing, "¡Cuidado!" by X Arriaga Cuellar and Adán Vallecillo about migrant healthcare workers, and Saif Azzuz's debut museum exhibition "Keet Hegehlpa’ (the water is rising)" addressing land and water privatization. The Museum of Fine Arts, Houston also celebrates new acquisitions spanning luxurious historical works and AI-driven futures.

Professors share art, science, culture via Smithsonian exhibits

Two East Carolina University professors have contributed to Smithsonian museum exhibits this summer. Photography professor Daniel Kariko from the School of Art and Design has a photograph titled "Last Camp on Isle Dernieres" (2017) on display in the Art x Climate exhibition at the Smithsonian National Museum of Natural History. The image documents a recreational fishing camp in South Louisiana that was completely gone by 2019, part of Kariko's ongoing 25-year project "Impermanence" capturing landscape changes in the Barataria-Terrebonne region. Additionally, Dr. Aleia Brown from the Thomas Harriot College of Arts and Sciences curated a collection of quilts by Black artists at the Smithsonian American Art Museum.

Louvre Plans Its ‘Most Ambitious’ Painting Restoration Ever: A Refresh for Rubens’s Medici Cycle

The Louvre Museum has announced a four-year restoration project for Peter Paul Rubens's monumental 'Marie de' Medici Cycle,' comprising 24 large-scale paintings. The works will be removed from public view starting this fall as the museum transforms their dedicated gallery into an on-site restoration studio to address yellowed varnishes and discordant past retouching.

Affordable Art Fair Hampstead Returns

The Affordable Art Fair is returning to Hampstead Heath in London from May 6th to 10th, featuring over 100 galleries and more than 1,000 artworks. A key highlight is the inaugural 'Ceramics Unbound' exhibition, curated by Caroline Jackman, showcasing 27 boundary-pushing ceramic artists, including featured programme artist Sara Dodd. The fair also includes curated displays like 'Heath & Heart' and 'Finds Under £500,' outdoor painting workshops, evening 'Summer Lates' events with music, and family-friendly activities including a children's art competition.