A new foundation for contemporary art has been born in Spain. Collector Gabriel Calparsoro told us about it

In Spagna è nata una nuova fondazione per l’arte contemporanea. Il collezionista Gabriel Calparsoro ce l’ha raccontata

The Calparsoro Foundation, a new contemporary art foundation, has been launched in Spain by collector Gabriel Calparsoro. Its inaugural event was the presentation of Isaac Julien's video installation "Once Again … (Statues never die)" at the Museo Lazaro Galdiano in Madrid. The foundation aims to share Calparsoro's private collection of around 180 works, which focuses on North American and international artists addressing political and social issues related to ethnic and gender minorities.

There is a major Paulo Nazareth exhibition to see in Venice (but the artist himself hasn't seen it)

C’è una grande mostra di Paulo Nazareth da vedere a Venezia (ma l’artista stesso non l’ha vista)

A major exhibition of Brazilian artist Paulo Nazareth, titled "Algebra," has opened at Punta della Dogana in Venice, but the artist himself is absent. Nazareth has kept a promise not to set foot in Europe until he has crossed African territories on foot, as they existed before the arbitrary divisions imposed by the 1884 Berlin Conference. He did not participate in the installation or opening, instead staging a simultaneous event in Veneza, a working-class district of Ribeirão das Neves, Brazil—a gesture he also made when invited to the 2013 Venice Biennale. The exhibition centers on structural violence and uses attention and care as strategies for healing, with the word "algebra" referring to the act of recomposing what was broken.

The New Installation of the Querini Stampalia Foundation in Venice Is a Game of Combinatory Art. Interview with Director Cristiana Collu

Il nuovo allestimento della Fondazione Querini Stampalia a Venezia è un gioco di arte combinatoria. Intervista alla direttrice Cristiana Collu

The Fondazione Querini Stampalia in Venice has unveiled a new permanent installation titled "The Dreamer," curated by director Cristiana Collu and opening May 5, 2026. The exhibition repositions over 170 works from the foundation's collection—including Giovanni Bellini's *Presentation of Jesus at the Temple*, Luca Giordano's *San Sebastiano*, and Palma il Vecchio's *Madonna with Child*—in dialogue with works by six contemporary artists: Giusy Calia, Silvia Giambrone, Daniela De Lorenzo, Davide Rivalta, Emanuele Becheri, and Chiara Bettazzi. Inspired by the dreams and passions of founder Giovanni Querini Stampalia (born May 5, 1799) and his sister Caterina, the installation is conceived as a non-chronological, emotionally driven journey likened to a "reverse cinema" where visitors move through space like directors constructing their own narrative.

The 90 Years of Legendary Italian Artist Giorgio Griffa. All the Exhibitions Celebrating the Master's Birthday

I 90 anni del mitico artista italiano Giorgio Griffa. Tutte le mostre per celebrare il compleanno del maestro

Giorgio Griffa, the Italian painter known for his radical and minimalist approach, turned 90 on March 29, 2026. A comprehensive program of celebrations includes the exhibition "Summer 69" at the Fondazione Giorgio Griffa in Turin (through July 2, 2026), which revisits his breakthrough summer of 1969 with photographs by Paolo Mussat Sartor alongside his early and recent works. The Castello di Rivoli Museo d’Arte Contemporanea has opened a monographic room with works from its permanent collection, and the Galleria Civica d’Arte Moderna e Contemporanea di Torino will dedicate a similar space in May. The MAXXI – Museo Nazionale delle Arti del XXI secolo has acquired six monumental works spanning over thirty years of Griffa's career, from the 1970s to the early 2000s.

A Vienna una grande mostra dedicata a Daumier, l’artista della satira

The Albertina Museum in Vienna is hosting a major retrospective titled "Honoré Daumier – Mirror of Society," dedicated to the French artist Honoré Daumier (1808–1879). The exhibition features lithographs, drawings, paintings, and sculptures, with significant loans from the Städel Museum in Frankfurt. Daumier, known for his sharp satire and acute social observation, critiqued political abuses and social injustices of 19th-century European society. The show also recalls a previous Daumier exhibition held at the Albertina in 1936, which served as a political statement against Nazi oppression.

What does Giovanni Muciaccia do after Art Attack? He continues to spread culture and tells us all about it in this interview

Cosa fa Giovanni Muciaccia dopo Art Attack? Continua a divulgare cultura e ci racconta tutto in questa intervista

Giovanni Muciaccia, the beloved host of the children's art show "Art Attack" that aired in Italy from 1998 to 2004 and again from 2011 to 2014, continues his mission of art education through books, theater performances, and a new online series. Now also an artist and collector himself, Muciaccia discusses his journey from television presenter to full-time art communicator, explaining how his early passion for art was sparked by a middle school teacher and deepened during his time filming in London, where he visited the newly opened Tate Modern and began studying contemporary art.

Beyond the prompt: when the medium is generative AI, the artist becomes a systemic director

Oltre il prompt: quando il medium è l’AI generativa l’artista diventa regista sistemico

The article argues that as AI-generated images become more spectacular, the role of the artist is often misunderstood as merely writing prompts. Instead, the author contends that the most significant generative artworks are systems—predetermined rule-based environments where the artist designs the conditions for images to emerge. Works like Hans Haacke's "Condensation Cube" (1963-1965) and Refik Anadol's "Unsupervised" (2022) exemplify this shift from object to process, where the artwork is the behavior or architecture itself.

The New Exhibitions of the Pinacoteca Agnelli and the New Public Works on the Lingotto Park-Track: The Photos

Le nuove mostre della Pinacoteca Agnelli e le nuove opere pubbliche sulla pista-parco del Lingotto: le foto

The Pinacoteca Agnelli in Turin has launched a new exhibition program that includes the first major institutional retrospective in Italy dedicated to Swiss photographer Walter Pfeiffer, titled "In Good Company," running until September 13, 2026. Curated by Nicola Trezzi and Simon Castets, the show features over 100 photographs from the 1970s to today, blending iconic and unseen works that explore queer eroticism, everyday artifice, and collaborative image-making. Concurrently, the museum presents "Modigliani sottopelle. Quattro capolavori" as part of its "Beyond the Collection" series, placing four masterpieces by Amedeo Modigliani—including a loan from the Staatsgalerie Stuttgart and works from the Centre Pompidou—in dialogue with the permanent collection. Curated by Pietro Rigolo and Beatrice Zanelli, the exhibition takes an interdisciplinary approach combining art history, diagnostics, and scientific research, using an algorithm to analyze canvas weaves and propose a new dating for the iconic "Nu couché" acquired by Giovanni and Marella Agnelli in 1960.

Pussy Riot Shows Art by Russia’s Prisoners in New Protest Exhibition

Pussy Riot founder Nadya Tolokonnikova co-curated "Resistance Imprisoned," a protest exhibition at Ritsch-Fisch Galerie in Strasbourg, France, featuring artwork created by people currently or formerly imprisoned in Russia, including Ukrainian civilians. The show opened April 19 and runs through May 31, timed to coincide with the first month of the Venice Biennale, which opens May 9. Works include a pen sketch by Lyudmila Razumova, a photojournalist arrested for anti-war graffiti in 2022 and serving a seven-year sentence, alongside pieces by other political prisoners and Ukrainian POWs. The exhibition aims to highlight the human cost of Russia's war and its participation in international cultural events.

The best and worst of Milan Design Week 2026: the hits and flops of this edition

Il meglio e il peggio della Milano Design Week 2026: i top e i flop di questa edizione

Artribune's design team presents its annual roundup of the best and worst of Milan Design Week 2026, highlighting standout experiences and recurring flaws. The top picks include open apartments like Interno Italiano by Interni Venosta in a home designed by Osvaldo Borsani, L’Appartamento by Artemest at Palazzo Donizetti, and Casaornella by Maria Vittoria Paggini. Also praised are Casa NM3 by Delfino Sisto Legnani, Nicolò Ornaghi, and Francesco Zorzi, two projects by Studiopepe, and the five-floor Convey. Museum programming at Triennale Milano and ADI Design Museum is celebrated, with exhibitions such as The Eames Houses, Continuous Present on Andrea Branzi, Alphabet on Barber Osgerby, and Haruka Misawa's bit by bit.

Roma accoglie all’Ara Pacis 52 importanti opere dell’Impressionismo provenienti da Detroit

The Museo dell'Ara Pacis in Rome is hosting an exhibition titled 'Impressionismo e oltre' (Impressionism and Beyond), featuring 52 masterpieces on loan from the Detroit Institute of Arts. Curated by Ilaria Miarelli Mariani and Claudio Zambianchi, the show spans from the 1840s to the early 20th century, tracing the evolution of European painting through Impressionism, Post-Impressionism, and the avant-garde. Works by Degas, Renoir, Cézanne, Van Gogh, Picasso, Matisse, Modigliani, and others are displayed across thematic sections that explore the shift from academic tradition to modern visual language.

"There are no minor or feminine arts." Domitilla Dardi explains this in her new book

“Non esistono arti minori o femminili”. Ce lo spiega Domitilla Dardi nel suo nuovo libro

Domitilla Dardi's new book "Cucire Universi" (published by Einaudi) presents a counter-history of design, focusing on techniques traditionally dismissed as "feminine" and "minor"—such as sewing, ceramics, cooking, and knitting. The book argues that these practices have been systematically undervalued by official art histories, yet have contributed significantly to technologically advanced research fields. Dardi uses real historical figures like Emily Dickinson to illustrate how women's creative and scientific talents were channeled into these marginalized domains, and she calls for overcoming the dualistic view that separates art from craft.

In Barcelona, the Joan Miró Foundation celebrates 50 years. All the planned initiatives

A Barcellona la Fondazione Joan Mirò festeggia 50 anni. Tutte le iniziative in programma

The Joan Miró Foundation in Barcelona is celebrating its 50th anniversary with an extensive program of exhibitions, concerts, performances, and public initiatives. The festivities begin on June 11 with the exhibition "Poetry Has Just Begun: 50 Years of the Miró," a retrospective tracing the foundation's history and its role in the international art system. Other highlights include "Miró and the United States" in autumn, exploring the artist's dialogue with post-war American avant-garde figures like Louise Bourgeois, Helen Frankenthaler, Jackson Pollock, and Mark Rothko, organized in collaboration with the Phillips Collection in Washington. In March 2026, the foundation will unveil a new permanent collection layout based on Miró's creative processes and open the Garden of the Cypresses, a previously inaccessible historic area on Montjuïc.

In Spain, art becomes popular thanks to this expert influencer. We interviewed him

In Spagna l’arte diventa popolare grazie a questo esperto influencer. Lo abbiamo intervistato

Miguel Ángel Cajigal, known as 'El Barroquista,' is a Spanish art historian and popularizer who has brought art history to prime-time television, radio, and social media. In an interview with Artribune, he discusses his books, including 'Otra historia del arte' (2021), his approach to making art accessible without dumbing it down, and his critique of the cult of the individual genius in art historiography. He emphasizes the collective nature of art production and reception, challenging the traditional focus on masterpieces and authorship.

France reckons with Nazi-looted art in a new Paris museum gallery

France has opened a new permanent gallery at the Musée d'Orsay in Paris dedicated to displaying Nazi-looted artworks that remain unclaimed. The gallery features 13 works from the MNR (Musées Nationaux Récupération) collection, including a painting by Alfred Stevens originally destined for Hitler's planned museum in Linz. The display is the first in the museum's history to show the backs of paintings, revealing stamps, labels, and inventory marks that trace how each piece moved from private Jewish homes into Nazi hands. The museum also launched its first research unit to trace rightful heirs, led by Ines Rotermund-Reynard.

Tate Britain opens Europe’s largest James McNeill Whistler retrospective in 30 years

Tate Britain has opened the largest European retrospective of James McNeill Whistler in over 30 years, featuring 150 works across painting, drawing, printmaking, and design. The exhibition traces Whistler's career from his student days at the Imperial Academy of Arts in St Petersburg and West Point to his bohemian years in Paris and London, highlighting his pioneering nocturnes, the iconic *Arrangement in Black and Grey: Portrait of the Painter’s Mother* (known as *Whistler’s Mother*), and rarely seen sketchbooks. It reunites a familial triptych of portraits and assembles the largest-ever collection of his nocturnes, exploring his radical approach to composition and color.

The best museums in the U.S. for art, history and culture

The article presents a curated list of the 10 best museums in the United States, as compiled by U.S. News & World Report, covering art, history, science, and cultural heritage. It begins with a philosophical reflection on the unique power of museums to provide direct, physical encounters with objects that cannot be replicated by digital media. The first museum profiled is The Metropolitan Museum of Art in New York City, highlighting its 5,000-year collection, 5 million annual visitors, and its two distinct locations: The Met Fifth Avenue and The Met Cloisters.

‘Street Nihonga: The Art of Jimmy Tsutomu Mirikitani’

The Spencer Museum of Art has opened 'Street Nihonga: The Art of Jimmy Tsutomu Mirikitani,' a major spring exhibition featuring 170 works by the Japanese American artist, many never before displayed. The show traces Mirikitani's extraordinary life from his birth in Sacramento in 1920, his childhood in Hiroshima, formal training in traditional Nihonga under masters Kawai Gyokudō and Kimura Buzan, to his forced incarceration at Tule Lake during World War II after refusing to sign a loyalty oath. After years of statelessness and homelessness in New York City, Mirikitani developed a deeply personal, politically charged mixed-media practice that blended Japanese techniques with American street art.

Meet Ese Onojeruo: the exciting new talent behind the Venice Biennale’s British Pavilion

Ese Onojeruo has been appointed the Shane Akeroyd associate curator for the British Pavilion at the 2025 Venice Biennale, working with Turner Prize-winning artist Lubaina Himid on her exhibition 'Predicting History: Testing Translation'. The show features Himid's paintings—including 'Boatbuilders', 'Architects', 'Chefs', 'Tailors', and 'Gardeners'—which depict two figures negotiating belonging in a place they did not originally come from. Onojeruo, who previously held roles at South London Gallery, Chisenhale, and Tate, describes the collaboration as a 'full circle moment', having discovered Himid's work only after her formal art education.

Lost bunny paintings by JFK's photographer found in ABQ storage

A trove of paintings by Eddie Johnson, an obscure artist who photographed President John F. Kennedy in 1962 as assistant to Elaine de Kooning, has been discovered in a storage unit in Albuquerque, New Mexico. The archive, saved from disposal by the artist's estate, includes a major series of bunny-themed works created between 1972 and 1995, all based on a worn plush toy. Artist Matthan Cowart organized the exhibition "Hares on the Mountain" at his gallery Desert Mystery Center, pairing Johnson's bunny paintings with works by 11 living artists including David Altmejd and Ed Haddaway.

Native Arts Artists-in-Residence Gallery Talks

On August 1, 2026, the Denver Art Museum will host gallery talks featuring its 2026 Native Arts Artists-in-Residence: CooXooEii Black, Adrian Stevens, Sean Snyder, and Benjamin West. The artists will celebrate new installations in the Indigenous Arts of North America galleries, specifically reimagining the Home/Land section, which honors the Native Nations whose ancestral homelands include Denver and the surrounding Colorado region. The event coincides with the 150th anniversary of Colorado statehood and runs from 2-4 pm, with the artists present to discuss their work.

Inside Youssef Nabil’s Landmark Musée d’Orsay Exhibition

Egyptian artist Youssef Nabil makes history as the first Arab artist invited to show at the Musée d'Orsay in Paris, with his landmark exhibition 'To Dream Again.' The show features his hand-painted silver gelatin prints that blend cinema, memory, and identity, and marks the first time the museum has invited an artist working primarily with photography to engage with its collection. The exhibition is deeply personal, tracing Nabil's journey from a 19-year-old rejected by art academies in Cairo to a globally recognized artist, and includes a dialogue with Pierre Puvis de Chavannes's painting 'Le Rêve,' which inspired a self-portrait Nabil created in 2021.

A new, monochromatic perspective on Alexander Calder at SAM

The Seattle Art Museum (SAM) has opened "Monochrome: Calder and Tara Donovan," a new exhibition in its Calder at SAM series that pairs two matte-black Alexander Calder sculptures with works by Brooklyn-based artist Tara Donovan. Curated by Donovan alongside SAM curator Catharina Manchanda, the show uses black as its sole color to highlight materials, texture, and form. Highlights include Calder's 1949 mobile "Jacaranda" and 1976 maquette "Mountains (1:5 intermediate maquette)," juxtaposed with Donovan's sculptures made from industrial materials like plastic stir sticks, slinkys, tar paper, and mylar. The exhibition runs through January 17, 2027.

Crystal Bridges to host panel on museum expansion May 29

Crystal Bridges Museum of American Art in Bentonville, Arkansas, will host a ticketed panel discussion on May 29, 2026, to celebrate its upcoming expansion. The conversation, titled "By Design: A Conversation on the Crystal Bridges Expansion," will feature museum founder Alice Walton, board chair Olivia Walton, and architect Moshe Safdie, moderated by Vanity Fair's Nate Freeman. The event takes place at the Heartland Whole Health Institute on the museum campus ahead of the formal expansion opening on June 6-7, which includes free programming and the debut of "Keith Haring in 3D," the first exhibition focused on the artist's three-dimensional work.

Tracey Emin debuts intimate new prints at London art fair

British artist Tracey Emin has debuted a new series of six intimate lithographs titled "I Need tomorrow" at the London Original Print Fair, held at Somerset House in London. The prints, which include the work "You Never made me sad" (2026), are on display until Sunday and are published in editions of 50 by Counter Editions. Emin describes the series as a "gift" to herself, created spontaneously while working on a print for her major Tate Modern exhibition. The fair appearance coincides with her landmark retrospective "A Second Life" at Tate Modern, running until August 31, which spans 40 years of her career and features iconic pieces like the 1998 installation "My Bed."

Holly Herndon and Mat Dryhurst on AI Optimism and Bringing Two-Headed Worms to Venice

Holly Herndon and Mat Dryhurst, known for their work in digital art and experimental music, have curated a group exhibition titled "Strange Rules" at Palazzo Diedo in Venice alongside Hans-Ulrich Obrist. Their contribution includes a collaboration with Tufts University biologist Michael Levin, featuring live planarian worms modified to grow two heads through bioelectric manipulation. The interview discusses their concept of "protocol art," which seeks to expose and reclaim the underlying systems—from algorithms to biological protocols—that shape artistic production.

Beauty by Volume: On the Art-Book Trail of Chicago

This article is a guide to finding art books in Chicago, tracing a walking trail that begins at the Chicago History Museum and continues to the Graham Foundation and the Newberry Library. The author reflects on beloved but now-closed art bookstores like Rizzoli's Water Tower Place, Prairie Avenue Bookshop, and Golden Age, then proposes a contemporary route for discovering art, architecture, and design books in the city's remaining cultural institutions and museum shops.

Michael Garner Explores Truth, Systems & Constructed Reality

Michael Garner, an artist with a background spanning social science and intelligence work, creates immersive works that blend science, espionage, philosophy, and absurdity. His recent exhibitions include a show at the Bomb Factory Art Foundation featuring a vending machine dispensing mock classified information, and a presentation at the Austrian Cultural Forum London exploring his newly acquired Austrian citizenship through neural pathway paintings in the colors of the Austrian flag.

LACMA Director Michael Govan ’85 talks museum architecture, public art, mounds of dirt

Michael Govan, director of the Los Angeles County Museum of Art (LACMA) and a 1985 graduate of Williams College, discussed his career and philosophy in an interview with the Williams Record. Govan reflected on his early work at the Williams College Museum of Art (WCMA), where he helped install pieces in Lawrence Hall after an expansion by architect Charles Moore, and his subsequent collaborations with Frank Gehry on the Guggenheim Museum Bilbao and Zaha Hadid at the Solomon R. Guggenheim Museum. He also highlighted his recent oversight of LACMA's new David Geffen Galleries, a $720 million project that has drawn significant attention.

Controversial Costumes at the Met’s Newest Galleries

The Metropolitan Museum of Art in New York has opened the new Conde M. Nast Galleries, designed by the Brooklyn-based firm Peterson Rich Office (PRO). The inaugural exhibition, titled "Costume Art," features 200 pieces from various museum departments and will run until January 10, 2027. The 12,000-square-foot space, located off the Great Hall, incorporates historic structural elements and uses subtle lighting and materials to create a quiet backdrop for the display of fragile costumes and art objects.