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From Monet’s gardens to Kahlo’s bedroom — the best artists’ studios to visit

The article surveys several preserved or reconstructed artists' studios that are open to the public, including Francis Bacon's chaotic London workspace relocated to Dublin's Hugh Lane Gallery, Barbara Hepworth's serene Trewyn Studio in St Ives, Claude Monet's house and gardens at Giverny, and Frida Kahlo's Casa Azul. It also previews the National Gallery of Ireland's upcoming exhibition "Picasso: From the Studio" (October 2025–February 2026), which examines the key locations that shaped Picasso's life and art.

Art Museum and Galleries at W&L: Fall 2025 Programs and Exhibitions

Washington and Lee University's Art Museum and Galleries announced its Fall 2025 programs under the theme "Materiality & Transformation," featuring two concurrent exhibitions: "Taking Place," a solo show of large-format aerial photographs by Canadian artist Edward Burtynsky, and "Recoded Memories," an immersive installation by Zimbabwean artist Moffat Takadiwa that repurposes discarded materials like computer keys and VHS tapes. Burtynsky's exhibition runs from September 3, 2025, to April 18, 2026, at the Reeves Museum of Ceramics, with a keynote lecture on September 11; Takadiwa's installation is on view from October 24, 2025, to May 31, 2026, at the Watson Galleries, with an artist talk on October 23.

Krannert Art Museum reopening highlights gallery reinstallations, artist Ronny Quevedo exhibition

Krannert Art Museum in Champaign, Illinois, is reopening on August 28 with a major reinstallation of its Andean gallery, featuring the exhibition "Fragmented Histories: Andean Art Before 1600." The gallery, co-curated by Kasia Szremski and Allyson Purpura, moves away from a linear display to explore the mobility of objects, their histories of looting, and their ongoing cultural significance. The reopening also includes a solo exhibition by contemporary artist Ronny Quevedo, titled "Ronny Quevedo: a l l s t a r s," and reinstallations of European and American art in the Bow and Trees galleries.

On View: 'In the Medium of Life: The Drawings of Beauford Delaney' at The Drawing Center in New York Explores Centrality of Drawing in Artist's Practice

The Drawing Center in New York is presenting 'In the Medium of Life: The Drawings of Beauford Delaney,' a major survey of the artist's works on paper spanning four decades, from 1929 to 1971. Featuring approximately 90 drawings in charcoal, ink, pastel, watercolor, and gouache, alongside a few paintings and archival materials, the exhibition highlights Delaney's evolution from Harlem Renaissance portraiture to Parisian abstraction. It includes early works like 'Harlem Athlete' (1929) and portraits of figures such as James Baldwin, as well as self-portraits and untitled abstractions.

Boulder County week in art: CU Art Museum’s new exhibit explores time as a notion

This article is a roundup of current and upcoming art exhibitions and events in the Boulder County area, featuring a wide range of venues from commercial galleries to nonprofit spaces and museums. Highlights include the Boulder Museum of Contemporary Art's immersive exhibition 'Divine Rest Nests,' the Dairy Arts Center's 'Matter Over Mind' exploring art-science intersections, and the CU Art Museum's new exhibit on time as a notion. The piece lists dozens of shows, including works by local artists like Lonny Granston, Liz Quan, and Melissa Stuart, as well as community-focused displays at libraries and cultural centers.

Rediscovering Bilgé, the Quiet Master of American Minimalism

Turkish-American artist Bilgé (Bilgé Civelekoğlu Friedlaender), a largely overlooked figure in American Minimalism, is the subject of a new institutional exhibition in New York titled “Torn Time: Bilgé” at the Institute for Arab and Islamic Art (IAIA). The show, curated by IAIA Founding Director Mohammed Rashid Al-Thanion and on view through October, highlights works from the two decades following her 1972 deep-sea dive in the Bahamas, which sparked a period of prodigious creation using delicate paper interventions. Bilgé studied at the Istanbul Academy of Fine Arts and NYU, exhibited at Betty Parsons Gallery and Kornblee Gallery in 1974, and was included in the Smithsonian’s “Paper as Medium” (1978), the International Istanbul Biennial (1989), and the International Biennial of Paper Art (1992). The exhibition draws from her estate, represented by Sapar Contemporary.

Prix de West 2025 Celebrates Excellence In Western Art In Grand Tradition

The 53rd annual Prix de West Invitational Art Exhibition & Sale took place in late June at the National Cowboy & Western Heritage Museum in Oklahoma City, featuring nearly 300 original works by nearly 100 artists. The event generated over $3.2 million in sales, with Utah-based artist James Morgan winning the prestigious Purchase Award for his oil-on-linen painting *White on White*, which will enter the museum's permanent collection. Morgan also received the Robert Lougheed Memorial Award for best display of three or more works.

Here are the top art exhibitions to see in Seattle for July

The article highlights top art exhibitions in Seattle for July, including the return of the Seattle Art Fair (July 17-20) and several gallery shows. Featured exhibitions include Cable Griffith's 'Return to Sender' at J. Rinehart Gallery, Jite Agbro's 'Penumbras' at Patricia Rovzar Gallery, a duo show 'Color and Line' with Kevin Cosley and Soo Hong at Chatwin Arts, Althea Rao's 'Commit to Memory, Know it Will Perish' at Gallery 4Culture, and Humaira Abid's 'The Shape of Life' at Greg Kucera Gallery.

Dale Berning Sawa

Dale Berning Sawa has been featured in an article from The Art Newspaper, though the provided text is incomplete and primarily consists of a subscription prompt and footer information. The article appears to be a profile or news piece about Dale Berning Sawa, likely a journalist or writer in the art world, but no specific events or details are available from the given content.

New York Museums are Showcasing African American Art, Exhibitions Feature Lorna Simpson, Rashid Johnson, Beauford Delaney, Amy Sherald, Black Dandyism & More

New York museums are presenting a wave of major exhibitions focused on African American art this spring and summer, many running through fall 2025. Solo shows include the largest-ever surveys of Rashid Johnson at the Guggenheim Museum, Amy Sherald at the Whitney Museum of American Art, and Jack Whitten at the Museum of Modern Art. The Drawing Center hosts the first museum exhibition dedicated to Beauford Delaney's drawings, while the Brooklyn Museum presents the first museum show for sculptor Nancy Elizabeth Prophet. At the Metropolitan Museum of Art, highlights include the newly renovated Michael C. Rockefeller Wing, a Lorna Simpson painting exhibition, a roof garden installation by Jennie C. Jones, and the Costume Institute's "Superfine: Tailoring Black Style" exploring Black dandyism.

The Top Exhibitions To See In London: May 2025

London's galleries and museums are opening a wave of major exhibitions in May 2025. Highlights include a 30-year survey of South Korean artist Do Ho Suh at Tate Modern, featuring fabric corridors replicating his former homes; two blockbuster shows at the British Museum—Hiroshige's prints of a transforming Japan and an exploration of ancient Indian religious art; a tech-and-nature residency by physicist-artist Jasmine Pradissitto at the London Museum of Water & Steam; and an immersive tree visualization by Marshmallow Laser Feast at Kew Gardens. The Francis Crick Institute also hosts the final weeks of its free multisensory exhibition "Hello Brain!"

Tefaf New York: determination in the face of Trump’s tariff chaos

Tefaf New York returns to the Park Avenue Armory with 91 exhibitors from four continents, presenting 7,000 years of art amid uncertainty caused by President Donald Trump's recently announced tariff regime. The fair's director, Leanne Jagtiani, sent a letter to exhibitors acknowledging the "significant impacts" on the industry, assuring them of close communication with shippers and legal advisers, and advocating for the exclusion of artworks from potential EU reciprocal tariffs. While artworks are understood to be exempt, antiques and contemporary works in unconventional materials may be subject to the new tariffs, creating confusion among dealers and collectors.

In pictures: Rujeko Hockley’s Frieze favourites

Rujeko Hockley, an associate curator at the Whitney Museum of American Art, shares her personal highlights from Frieze art fair, selecting works by artists including Joey Terrill, Chitra Ganesh, Danielle Brathwaite-Shirley, Ernie Barnes, Jeremy Frey, Maia Ruth Lee, Beverly Buchanan, and Luana Vitra. Each selection is accompanied by Hockley's commentary on the themes and techniques that draw her to the pieces, ranging from new media and biographical elements to Indigenous craft and migration narratives.

Asian galleries move westward: their growing presence and influence in New York

Hong Kong-based gallery Kiang Malingue is opening a new outpost on the Lower East Side of New York on May 9, joining a wave of Asian galleries expanding into the city. The 3,500 sq. ft space at 50 Eldridge Street, formerly an artist's studio, will debut with a solo show by Japanese artist Hiroka Yamashita titled 'The Lights from the Deep Mountains.' Other recent arrivals include Manila's Silverlens (Chelsea, 2022), Taipei's Nunu Fine Art (Lower East Side, 2023), Hong Kong's Alisan Fine Arts (Upper East Side, 2023), and Shanghai's Bank (Lower East Side, March 2025).

Female artists and new buyers breathe life into the art market

The global art market contracted by 12% in 2024, falling to an estimated $57.5 billion in sales from its 2022 peak, according to the Art Basel and UBS Art Market Report 2025 compiled by Dr. Clare McAndrew. Despite the overall decline, the number of transactions grew by 3%, driven by a broadening collector base and increased engagement with more affordable works. The report highlights a surge in interest in female artists, with galleries raising their representation to 41%, and notes that art fairs remain the most common entry point for new buyers. The Aotearoa Art Fair, opening May 1-4 at Auckland's Viaduct Events Centre, exemplifies these trends with strong Indigenous and Pacific representation, emerging artist platforms like Horizons 2025, and affordable works under $5,000 from established galleries such as Gow Langsford Gallery.

Ed Atkins

Tate Britain presents a major retrospective of British artist Ed Atkins, running from 2 April to 25 August 2025. The exhibition features over 60 works across eight rooms, including video installations, embroideries, and sculptural pieces such as 'Death Mask II: The Scent' (2010), 'Hisser' (2015), 'Old Food' (2017-18), and 'Pianowork 2' (2023). Atkins, known for exploring existential dread through digital and handmade media, wrote the exhibition labels himself—a device curator Polly Staple says questions the authority of museum text. The show traces Atkins' evolution alongside advancing technology, from early post-art-school works to CGI self-portraits and installations incorporating costumes from Berlin's Deutsche Oper.

Rose Art Museum Expands Collection with Sam Hunter Committee Acquisitions of Works By Dhambit Munuŋgurr and Yu-Wen Wu

The Rose Art Museum at Brandeis University has acquired works by artists Dhambit Munuŋgurr and Yu-Wen Wu for its permanent collection, selected by the Sam Hunter Emerging Artist Fund Committee. Munuŋgurr's piece, Bäru (2024), is a larrakitj memorial pole reimagined with white clay and ultramarine, while Wu's Recitations (2024) is a wall installation made from Taiwanese tea, gold, and red thread. Both works will debut in the exhibition Fabricated Imaginaries: Crafting Art opening August 20, 2025.

Exhibition of Emirati art in Seoul becomes a relic of pre-war UAE life

An exhibition titled 'Proximities,' featuring over 110 works by 47 UAE-based artists, opened at the Seoul Museum of Art (SeMA) in December and closed on March 29. The show, co-curated by Maya El Khalil and SeMA's Eunju Kim, aimed to present nuanced, everyday perspectives of life in the UAE through sections organized by artist-curators like Farah Al Qasimi and Mohammed Kazem, moving beyond stereotypes of gilded excess.

Michaelina Wautier review – an astounding lost artist steps out of her male contemporaries’ shadows

A major exhibition at the Royal Academy is presenting the work of 17th-century Flemish painter Michaelina Wautier, an artist whose significant oeuvre was long misattributed to her male contemporaries, including her brother Charles. The show acts as a real-time art historical investigation, using scientific analysis, scholarship, and connoisseurship to reconstruct her career and assert her authorship of ambitious works like the monumental 'The Triumph of Bacchus'.

A True-to-Life Biennale

Hakim Bishara, editor-in-chief of Hyperallergic, reflects on the 61st Venice Biennale after returning to New York, describing it as historical, political, and thrilling. He counters critics who claimed the Biennale imploded due to boycotts and resignations, arguing it was more alive than ever. The late Koyo Kouoh's main exhibition "In Minor Keys" is praised for reflecting global woes and joys. The article also highlights a major strike by artists and cultural workers that disrupted the pre-opening, the first cultural strike in the Biennale's 131-year history, with 54 artists in the international exhibition and 22 national pavilion teams withdrawing from awards consideration in solidarity with the jury's resignation.

15 Artists Share the Best Advice They Got From Their Mother

Hyperallergic asked 15 artists to share the best advice they received from their mother or a maternal figure, in honor of Mother's Day. The article features reflections from artists including Pat Oleszko, Maddy Inez, Nathaniel Mary Quinn, and Shahzia Sikander, who recount maternal wisdom ranging from encouragement to pursue art to life lessons about empathy and resilience. Each anecdote is accompanied by images of the artists' works or personal photos.

At 90, Printmaker Mohammad Omer Khalil Gets His Due

Mohammad Omer Khalil, the 90-year-old Sudanese-born printmaker based in New York, is the subject of a multi-city retrospective titled "Common Ground." The anchor exhibition runs through May 31 at the Blackburn Study Center in Manhattan, with satellite events at venues including Twelve Gates Arts in Philadelphia, the Arab American National Museum in Michigan, the New York Public Library, and Anthology Film Archives. Curated by Amina Ahmed and Jenna Hamed, the show spans Khalil's entire career, from his first etching made in Florence in 1964 to large-scale works inspired by Bob Dylan songs, poetry by Adonis, and films such as "The Chalk Garden."

Rare Keith Haring Self-Portrait and Other Intimate Works Go on View in NYC

A collection of intimate works by Keith Haring, including a rare self-portrait, a painted crib, and personal letters, has gone on view at Sotheby's Breuer building in New York City. The works were gifted by Haring to his childhood best friend and fellow artist, Kermit Oswald, over the course of their friendship from 1977 to 1989. The free public exhibition precedes a series of three auctions beginning May 14, with highlights including the self-portrait estimated at $3–5 million and a crib-and-dresser set expected to fetch $250,000–350,000.

In Minor Keys: how Venice's international exhibition was brought to life after the death of artistic director Koyo Kouoh

The 61st Venice Biennale's international exhibition, titled "In Minor Keys," was realized after the sudden death of its artistic director, Koyo Kouoh, in May 2025. A team of five of Kouoh's collaborators, known as "la squadra di Koyo Kouoh," worked with her before her death and finalized the exhibition's themes, artist list, and scenography. The exhibition features 111 invited artists, duos, collectives, and artist-led organizations, with the team emphasizing that this remains Kouoh's vision rather than a replacement.

The Carnegie International Looks Back at Itself

The 58th Carnegie International at the Carnegie Museum of Art in Pittsburgh looks back at its own 130-year history, featuring a gallery dedicated to past iterations. The exhibition includes Chris Ofili's "The Adoration of Captain Shit and the Legend of the Black Stars" (1998), which was originally shown in the 53rd International in 1999, the same year Ofili's more notorious "The Holy Virgin Mary" sparked controversy at the Brooklyn Museum. The article reviews how the current iteration captures the excitement of earlier exhibitions while providing commentary on authoritarianism and militarism.

Is This What “Made in America” Looks Like?

Christopher Payne's exhibition "Made in America: The Industrial Photography of Christopher Payne" at the Cooper Hewitt, Smithsonian Design Museum showcases 72 large-format photographs documenting active American factories and manufacturing processes. The trained architect turned photographer spent a decade visiting dozens of production sites across the United States, from the New York Times printing plant in Queens to the Bollman Hat Company in Pennsylvania, capturing workers' craftsmanship and the intricate steps involved in making everything from Peeps candies to jet engines. The exhibition is organized into three sections—traditional handcraft, large-scale production, and cutting-edge technologies—and coincides with the Smithsonian's celebration of the nation's 250th anniversary.

The Enigma of Alison Knowles

Lauren Moya Ford reviews the only book dedicated to Fluxus artist Alison Knowles, who died six months ago. The book, "Performing Chance: The Art of Alison Knowles In/Out of Fluxus" by Nicole L. Woods (2026), attempts to illuminate Knowles's life and work, but Ford notes that much of her personal life remains mysterious despite the author's efforts. The article is part of a broader books newsletter that also features new tomes on Hans Holbein’s portraits, Jan Staller’s photographs of Manhattan construction sites, and a discussion of a Black Panther family album at the Studio Museum in Harlem.

First US Survey of Mexican Artist Teresa Margolles Coming This Fall

MoMA PS1 in New York City will host the first United States survey of Mexican artist Teresa Margolles this fall. Trained as a forensic pathologist, Margolles creates works using organic and bodily materials from homicide victims, morgues, and crime scenes. The exhibition will feature pieces confronting murder and violence along the US-Mexico border, including a 2026 evolution of her ongoing series "Air" (2003–), where a gallery will be humidified with water carrying degradable material from homicide sites. The Museum of Modern Art will also present a new experiential installation, "Aproximación al lugar de los hechos (Approaching the Scene)" (2026), starting September 17, which drips water carrying evidence of violent death onto heated steel plates.

Early 2026 Art Books From Yale University Press

Yale University Press has announced its early 2026 art book lineup, featuring exhibition catalogues such as "Raphael: Sublime Poetry" from The Metropolitan Museum of Art, "Gwen John: Strange Beauties" from the Yale Center for British Art, "Edward Steichen and the Garden" from the George Eastman Museum, and "Frederic Church: Global Artist" from Olana NY State Historic Site. New releases also include a biography of Anni Albers by Nicholas Fox Weber, a catalogue titled "Anni Albers: Constructing Textiles" accompanying a European traveling exhibition, and Alyce Mahon's "Dorothea Tanning: A Surrealist Life," named a Best New Art Book of 2026 by Christie's. The press will hold a 50% off annual sale in May.

Genesis P-Orridge’s Subversive Mail Art Goes on View

A focused exhibition at Art Metropole in Toronto presents a selection of mail art submissions by the late transgressive artist Genesis Breyer P-Orridge to the Canadian collective General Idea in the 1970s. Drawn from the National Gallery of Canada's collection, the show features letters, collages, photos, and ephemera that capture P-Orridge's early, boundary-pushing work with collectives like COUM Transmissions and Throbbing Gristle.